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Titel Kino 2/2001(2 Alternativ) - German Films

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She lives in a small town in central <strong>German</strong>y; a 30-year-old single<br />

woman who would be living alone if it weren’t for the ghosts of<br />

the dear departed who keep her company and whom she knew<br />

while they were alive or from tales told by her grandmother. If<br />

she lived in another time, another culture, she would be revered<br />

as a mystic. In a small town in <strong>German</strong>y it’s more complicated.<br />

Nina falls in love with Max, the husband of her best friend, Sibylle.<br />

Despite both their efforts to the contrary, driven by her love, her<br />

character and the ghosts, Nina eventually decides to begin an<br />

affair. For Max it means betraying his wife, slipping from one lie to<br />

another until his wife leaves him.<br />

But living with Nina means living in her world, together with the<br />

ghosts, creatures free of doubts and pain. They and Nina represent<br />

forces far stronger than he is and, try as he might, he fails to<br />

meet his own ideal of proving worthy to her. He flees back to the<br />

world whose forces and circumstances he understands, that of<br />

Sibylle and his children.<br />

Nina’s suicide attempt fails and, in the hospital, she discovers that<br />

she is pregnant. She now lives a soulless and empty existence,<br />

surrounding herself with a protective wall through which no man,<br />

no ghost, can penetrate. Until, that is, she sees the baby’s face<br />

on the ultrascanner. At that moment, the ghosts return and Nina<br />

lives again.<br />

SK<br />

Planet der<br />

Kannibalen<br />

Original Title Planet der Kannibalen Type of Project<br />

Feature Genre Science fiction satire Production Company<br />

Rotwang Film, Hamburg With backing from FilmFörderung<br />

Hamburg, ARTE, Strasbourg, ZDF, Mainz Producers Patrick<br />

Brandt, Hans-Christoph Blumenberg Director Hans-Christoph<br />

Blumenberg Screenplay Hans-Christoph Blumenberg<br />

Director of Photography Klaus Peter Weber Editor<br />

Florentine Bruck Music by Nick Glowna Principal Cast<br />

Minh-Khai Phan-Thi, Florian Lukas, Barbara Auer, Fatih Akin,<br />

Vadim Glowna Format 35mm, b/w, 1:1.85 Shooting<br />

Language <strong>German</strong> Shooting in Hamburg and surroundings<br />

Contact:<br />

Rotwang Film GmbH<br />

Koppel 94 · D-20099 Hamburg<br />

phone/fax +49-40-24 48 64<br />

Joseph Orr (photo © Stefan Wachner)<br />

in production<br />

Back in the black and white 1950s, as if the threat of nuclear annihilation<br />

and, worse yet, Communism, wasn’t enough, there were<br />

also those pesky rampaging giant ants, rampaging giant spiders,<br />

flying saucers landing in the desert, invasions of body snatchers,<br />

Martians up to no good, creatures in black lagoons and all kinds of<br />

things just itching to destroy mom, apple pie and, yes, civilization<br />

as we know it!<br />

Now the B-movie is back!<br />

Planet der Kannibalen is Rotwang Film’s third production.<br />

After Rotwang muss weg and the <strong>German</strong> Film Prize winning<br />

Beim nächsten Kuss knall ich ihn nieder, comes a<br />

black and white, low budget, science fiction satire.<br />

Writer-director Hans-Christoph Blumenberg, having<br />

finished the <strong>German</strong> reunification drama-documentary<br />

Deutschlandspiel, decided to give his imagination free rein<br />

and set out to revive the genre that, certainly in <strong>German</strong>y, has<br />

become neglected these past few years. But you only have to<br />

think of Metropolis to realize that science fiction is part of<br />

<strong>German</strong> filmmaking’s genetic heritage.<br />

Planet der Kannibalen is set in the year 2020, in a <strong>German</strong>y<br />

where the European economic system has collapsed and a poverty<br />

stricken country in the grip of an energy crisis is about to celebrate<br />

thirty years’ reunification. Meanwhile, the two remaining<br />

media giants, Alphaplus and Eurolux, are fighting to the death for,<br />

what else?, ratings. Their weapons, ever more extreme game- and<br />

talk shows.<br />

Minh Khai plays Emma Trost, Alphaplus’ director for trend<br />

management. Her mission is to find aliens in the city, lure them<br />

onto a talk show and win the ratings war for once and all. Emma’s<br />

cool as she knows there are no such things. Aren’t there? But just<br />

as her boss is about to tell her where they’re hiding, he’s shot.<br />

Emma, a murder suspect, is forced to flee through a night time city<br />

of cannibals, criminals, tycoons and terrorists until she meets<br />

media desperado Adam Singer. Together they set out to solve the<br />

mystery of the aliens.<br />

Shot in just 19 days on a budget of only DM 2.1 million, by using<br />

deferments Rotwang’s owners, Blumenberg and Brandt,<br />

have assembled a stellar cast. Not only TV presenter Minh Khai<br />

and star actress Barbara Auer, but writer-director Fatih<br />

Akin (Im Juli) also lends his talents.<br />

SK<br />

Minh-Khai Phan-Thi (photo © Baernd FRAATZ)<br />

33

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