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Titel Kino 2/2001(2 Alternativ) - German Films

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Im Osten geht<br />

die Sonne auf<br />

Original Title Im Osten geht die Sonne auf English<br />

Title The Sun is Rising in the East Genre Documentary<br />

Production Company MGS Filmproduktion, Munich, for<br />

Bayerischer Rundfunk, Munich and ORB, Potsdam Producer<br />

Carolin Müller Director Wolfgang Ettlich Director of<br />

Photography Hans-Albrecht Lusznat Editor Monika<br />

Abspacher Length 90 min Format 16 mm, color, 1:1.77<br />

Shooting Language <strong>German</strong> Shooting in Cottbus<br />

Contact:<br />

MGS Filmproduktion<br />

Georgenstr. 121 · D-80797 Munich<br />

phone +49-89-1 23 64 65 · fax +49-89-1 23 64 99<br />

email: mgs@az-online.net<br />

For fans of soccer club Energie Cottbus, 29 May 2000 was the<br />

most important day after the fall of the Berlin Wall. Their team<br />

beat FC Cologne and won promotion to the first division. This<br />

time local skinheads had something new to chant. Most of the<br />

114,000 inhabitants also took to the streets, carrying the crossbar<br />

of the goal through which star player, Vasile Miritua, had put<br />

the winning shot.<br />

Miritua, a Romanian and once a mistrusted foreigner, had not<br />

only secured his team’s place, but had also become ”one of us.“<br />

And Cottbus, at least for a couple of days, could set aside its<br />

reputation as <strong>German</strong>y’s most foreigner unfriendly city. The<br />

underdogs had roared.<br />

Cottbus was long East <strong>German</strong>y’s ”Cinderella“ city and this was an<br />

opportunity to wave the flag of civic pride, so often tarnished by<br />

the city’s unenviable reputation for violence and intolerance. It<br />

hoped visiting fans would also bring opportunities for economic<br />

improvement and much needed outside investment.<br />

The city’s hoteliers, shopkeepers, souvenir sellers, restaurant and<br />

bars owners can certainly look forward to increased takings and,<br />

with unofficial unemployment somewhere between 20-30%, anything<br />

that creates new jobs is more than welcome.<br />

32<br />

Franklin Bittencourt<br />

But having made it to the first division, the question on everybody’s<br />

lips is ”for how long?“ Promotion was achieved through the<br />

efforts of the manager, former East <strong>German</strong> international Eduard<br />

Geyer, and his troop of foreign ”football legionnaires“, but the<br />

money for a truly top team is lacking.<br />

There are the players, such as Moussa Latoundji from Benin (who<br />

knows what it’s like to be a foreigner) and Franklin Bittencourt<br />

from Brazil, who’s been playing soccer in <strong>German</strong>y for over seven<br />

years.<br />

There are Michael and Simone, regular customers at the local<br />

kiosk on a run-down housing estate and Inge, who has waited<br />

tables for thirty years. If it weren’t for loyal customers and rock<br />

bottom prices, she’d have closed long ago.<br />

Team sponsor and local butcher Hartmut feeds the fans and, like<br />

Inge, hopes for new business. And there is Christian, gardener and<br />

loyal Energie supporter.<br />

Im Osten geht die Sonne auf looks at the last season, how<br />

the club’s rise has changed the life and political mood in the region<br />

and the effect it’s had on the people of Cottbus itself.<br />

Ninas<br />

Geschichte<br />

Original Title Ninas Geschichte (working title) English<br />

Title Nina’s Story (working title) Type of Project Feature<br />

Genre Tragicomic Love Story Production Company Bosko<br />

Biati Film, Berlin, in co-production with ZDF, Mainz With<br />

backing from Beauftragter der Bundesregierung für Kultur und<br />

Medien (BKM), Filmboard Berlin-Brandenburg, Filmförderungsanstalt<br />

(FFA), Mitteldeutsche Medienförderung (MDM)<br />

Producer Jörn Rettig Director Joseph Orr Screenplay<br />

Joseph Orr Director of Photography Stefan Wachner<br />

Editor Bernd Euscher Music by Bert Wrede Principal<br />

Cast Henriette Heinze, Simon Schwarz, Julia Bremermann<br />

Length 100 min Format 35 mm, color, 1:1.85 Shooting<br />

Language <strong>German</strong> Shooting in Arnstadt, Thuringia<br />

Contact:<br />

Bosko Biati Film<br />

Auguststr. 34 · D-10119 Berlin<br />

phone +49-30-2 84 49 40 · fax +49-30-28 44 94 11<br />

If there is a thread running through Jörn Rettig’s one man<br />

company Bosko Biati Film’s productions it has to be their<br />

emphasis on the character of the lead figure, on a quite ordinary<br />

person, unassuming, modest even, who holds and fascinates<br />

through who, not what, they are.<br />

Take the company’s lyrical comedy Zugvögel … einmal nach<br />

Inari (Trains ’n Roses, 1997) for example. Under Peter<br />

Lichtefeld’s direction, Joachim Król turns in a fantastic performance,<br />

both humorous and moving, as the little man determined<br />

to make it to, of all things, the world railway timetable and<br />

route memorization championship in Finland. Hot on his heels is<br />

the detective (Peter Lohmeyer), convinced that Król has<br />

committed a serious crime.<br />

Nina’s Story is that of a woman who can see beyond reality<br />

and of her attempt to impart her gift, her knowledge, to the man<br />

she loves.<br />

SK

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