Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
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Scene from ”The Periwig-Maker“<br />
<strong>Kino</strong> news<br />
28<br />
OSCAR Nomination for<br />
‘The Periwig-Maker’<br />
Already highly awarded at international festivals, The<br />
Periwig-Maker recieved an OSCAR nomination for Best<br />
Animated Short. Inspired by a Daniel Defoe novel from 1722,<br />
director and Filmakademie Ludwigsburg graduate Steffen<br />
Schäffler and his sister Annette chose an extraordinary<br />
subject: a man seals himself off in medieval, plague-infested<br />
London to escape the danger of infection. When a little girl<br />
seeks his help, his life is turned upside down.<br />
Atmospherically dense and overwhelmingly intriguing, The<br />
Periwig-Maker is animation at its best, funded by MFG-<br />
Filmförderung Baden-Wuerttemberg, FFA and FFF.<br />
Second Festival of <strong>German</strong><br />
Cinema in Rome<br />
The 2nd Festival of <strong>German</strong> Cinema (5 – 9 April<br />
<strong>2001</strong>) in Rome was a great success again this year. Over<br />
4,100 cinemagoers saw 14 current <strong>German</strong> films. There was<br />
also great resonance from film buyers: Italian distributors<br />
showed interest in five of the films shown, including My<br />
Sweet Home and In July (Im Juli).<br />
Eleven directors and two actresses had the opportunity to<br />
meet with a curious Italian audience. The Italian media showed<br />
great interest in these new <strong>German</strong> films too. Michael<br />
Weber of Bavaria Film International was also very<br />
satisfied with the results: ”the festival was a great success for<br />
us and we see a positive trend for <strong>German</strong> films in Italy.“<br />
The opening film was My Sweet Home, also shown in<br />
competition at Berlin. The main program of the festival<br />
featured: Crazy, England!, In July (Im Juli), Lost<br />
Killers, Paradiso, The Legends of Rita (Die Stille<br />
nach dem Schuss) and No Place to Go (Die<br />
Unberührbare). The closing film of the event was the silent<br />
classic Nosferatu with live musical accompaniment.<br />
This year’s partners and sponsors included: the office of the<br />
Federal Government Commissioner for Cultural Affairs and<br />
the Media (BKM), the <strong>German</strong> Federal Film Board (FFA),<br />
the six major regional film funds, Goethe Institute Inter<br />
Nationes, Studio Universal Italy, www.35mm.it, Lufthansa,<br />
Radio Centro Suono, Transit Film and the Friedrich-Wilhelm-<br />
Murnau-Foundation.<br />
<strong>German</strong> Federal Film Board<br />
with a New Address in<br />
Berlin-Mitte<br />
After 32 years in Berlin-Charlottenburg, the <strong>German</strong><br />
Federal Film Board (Filmförderungsanstalt, FFA)<br />
has moved to a new location in the Große Präsidentenstr. 9,<br />
10178 Berlin. The modern, seven-story building with a view of<br />
the Hackescher Markt shares the same neighborhood in the<br />
government district with numerous production companies,<br />
agencies and publishing houses.<br />
Rolf Bähr, president of the FFA, says the new location<br />
“should become a meeting point for everyone committed to<br />
<strong>German</strong> film – a pulsating, lively, and progressive film house<br />
for the <strong>German</strong> film industry.”<br />
FFF Bayern: Movies Made in<br />
Bavaria Go on Tour<br />
In addition to its wide-ranging film and location funding<br />
activities in Bavaria, the FilmFernsehFonds Bayern<br />
regularly leaves the borders of the free state and presents the<br />
products of its funding work at international festivals and film<br />
weeks. Already in 1998, under the slogan Movies Made in<br />
Bavaria, the FFF Bayern was present in Moscow, at the<br />
”Bayerische Kulturtage“ in Kiev and the Festival of <strong>German</strong><br />
Film in Hong Kong, followed by film weeks in Bratislava,<br />
Ljubljana, Prague and Cracow. In <strong>2001</strong>, Eastern Europe is the<br />
main destination again: in July, this year’s first Bavarian film<br />
week takes place in Moscow (22 - 28 July <strong>2001</strong>). The film<br />
program includes Joseph Vilsmaier’s Marlene,<br />
Caroline Link’s Pünktchen und Anton and<br />
many others. Activities in Cairo, Budapest and – now for the<br />
fifth time – Cracow are also currently in preparation.<br />
Scene from ”Endstation … Paradies“<br />
(Next Generation <strong>2001</strong>)