Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
Titel Kino 2/2001(2 Alternativ) - German Films
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World Sales Portrait Progress Film-Verleih<br />
<strong>Films</strong> like Nikolaikirche are perfectly suited to that. But we also<br />
have some great actors, such as Manfred Krug, Hildegard Knef,<br />
Armin Mueller-Stahl, Kurt Böwe and Winfried Glatzeder and<br />
directors such as Frank Beyer, Heiner Carow, Rainer Simon,<br />
Konrad Wolf and Kurt Maetzig. There are always occasions to<br />
screen their films.“ When Carlos Saura’s Goya was released<br />
last year Progress was able to piggy-back its Goya film by<br />
Konrad Wolf.<br />
Progress also works closely with the Goethe Institute and<br />
other cultural institutions, which promote <strong>German</strong> language and<br />
culture, to organize retrospectives. One such retrospective in<br />
Vienna involved more than 120 films and lasted three months.<br />
Each year, Progress licenses some 30-40 films within the<br />
<strong>German</strong>-speaking territories, as well as to the Czech Republic,<br />
Belgium, France, Italy, Spain, Poland, the UK, Slovakia, and further<br />
afield to Japan, Mexico and the Philippines.<br />
“Our emphasis, though, is on Europe,” says Haase. “We’re<br />
represented in the US by Icestorm, the video distributor, but it’s a<br />
very difficult market.” As part of efforts to expand there he cites<br />
the DEFA library formed jointly with Amhurst University:<br />
“It’s a platform for young people to study and come into contact<br />
with <strong>German</strong> film.”<br />
Children’s films also feature large<br />
Established 1950 Managing Director Prof. Jürgen Haase Additional contact Christel Jansen<br />
(Head of Sales), Brigitte Paetsch, Karl-Heinz Mandler (Excerpts) Main fields of activity World-wide<br />
distribution of theatrical and television rights for films of all formats and genres, with emphasis on DEFA<br />
productions Regular attendance of the following film and TV markets Berlinale, MIPCOM<br />
Number of titles on offer 800 DEFA features, 3,000 features from Eastern Europe and several<br />
thousand animated and documentary films Percentage of <strong>German</strong> titles on offer 95 % Buyers<br />
include ARD and the Third Programs, ZDF, 3sat, KiKa, VOX, ARTE, Planet Multithématique (France),<br />
RAISAT (Italy), Alcine Terran (Japan) Most well-known current titles on offer Jacob the Liar<br />
(Jakob der Lügner), The Kaiser’s Lackey (Der Untertan),The Story of Little Muck<br />
(Die Geschichte vom Kleinen Muck) Best-selling titles currently on sale Pinky and<br />
the Million-pug (Pinky und der Millionenmops), Mask of the Desire (Die Braut),<br />
Fueling the Flames of Love (Feuerreiter), The Pharmacist (Die Apothekerin),<br />
Trains ’n Roses (Zugvögel)<br />
Address Progress Film-Verleih GmbH · Burgstr. 27 · D-10178 Berlin · phone +49-30-24 00 32 25<br />
fax +49-30-24 00 32 22 · www.progress-film.de · c.jansen@progress-film.de<br />
“We already have more than 200 from DEFA and every couple of<br />
years we acquire another one or two. The latest is Pinky (2000)<br />
which had its first sales at this year’s Berlinale,” says Haase. “We<br />
distribute or acquire children’s films which have a very humanist<br />
approach and are very constructive, not deconstructive.”<br />
Progress also has a number of recently-produced adult-skewed<br />
features such as Zugvögel, Die Braut, Männerpension,<br />
Feuerreiter, Liebe deine Nächste and Die<br />
Apothekerin.<br />
“We don’t co-produce or co-finance but if we like the script or<br />
cast,” says Haase, “we’re ready relatively early to offer a minimum<br />
guarantee to acquire a film.”<br />
And Progress takes care of its product. The Story of Little<br />
Muck, for example, has been seen by 13 million people over the<br />
last twenty years.<br />
Prof. Jürgen Haase<br />
“You need to take a long-term view and say this film has long-term<br />
prospects and can be marketed as long as there is a feeling for film<br />
art and culture,” avers Haase. “And we have the decisive advantage<br />
that we have the rights for an unlimited period. There’s no<br />
sell-by date.”<br />
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SK