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Titel Kino 2/2001(2 Alternativ) - German Films

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World Sales Portrait german united distributors<br />

Established in 1997 Foreign offices Representatives in Italy, France, Spain Managing Director<br />

Silke Spahr Additional contact Rosemarie Dermühl (Bavaria Media), Ulla Lamas-Torres (Studio<br />

Hamburg) Main fields of activity World-wide distribution of <strong>German</strong> television programming (TVmovies,<br />

miniseries, collections, drama series, children’s programming, documentaries, wildlife, music) with<br />

emphasis on France, Italy, Spain, Eastern Europe. Regular attendance of the following<br />

film and TV markets NATPE, MIPDOC, MIP-TV, Moscow Teleshow, DISCOP, MIPCOM JUNIOR,<br />

MIPCOM, <strong>German</strong> Screenings (joint organizer with TELEPOOL and ZDF Enterprises) Number of<br />

titles on offer 15,000 Percentage of <strong>German</strong> titles on offer 100% Buyers include TF1,<br />

RAI, SRG DRS, MTV Networks, RTV Slovenia, AQS/Nova TV, Prima Plus, MTV3 Finland, NOS Most<br />

well-known current titles on offer Scene of the Crime (Tatort), The Investigator<br />

(Der Fahnder), Schimanski’s Return (Schimanski), Expeditions into the Animal<br />

World (Expeditionen ins Tierreich), Beat Club Best-selling titles currently on sale<br />

Beast in the Lake (Das Biest am Bodensee, TV-movie), Force Majeure (TV-movie)<br />

Address german united distributors Programmvertrieb GmbH · Richartzstr. 6 - 8a · D-50667 Cologne<br />

phone +49-2 21-92 06 90 · fax +49-2 21-9 20 69 69 · email: germanunited@compuserve.com<br />

UNITED THEY SELL<br />

Silke Spahr<br />

So you’re looking to buy <strong>German</strong> television programming in<br />

quality and/or quantity. Who you gonna call? Forget Ghostbusters<br />

and try german united distributors instead!<br />

”We were formed in 1997,“ says managing director Silke<br />

Spahr, ”as a joint venture between the two public broadcasters<br />

WDR and NDR and two of the largest production companies,<br />

Studio Hamburg and Bavaria Film. The idea was to pool<br />

their program stocks to meet the demand from those many<br />

broadcasters who want to buy packages.“ Just to give one<br />

example of how much easier that has made life for all concerned:<br />

Hit <strong>German</strong> crime series Tatort (Scene of Crime) is an ARD<br />

production, where the programs are made by many of the member<br />

broadcasters.<br />

Previously, buyers first had to find out who to talk to. Now they<br />

come straight to german united. For its owners and other<br />

members, such as Radio Bremen and Hessischer Rundfunk,<br />

german united guarantees extensive representation and<br />

market organization, selling their programming in Asia, Russia,<br />

South America, or wherever on a scale far beyond what they<br />

could have achieved representing themselves.<br />

The company, although ”always open to other independent producers<br />

and broadcasters,“ says Spahr, sells predominantly ARD<br />

programming: ”Our four partners produce a very large volume<br />

and our priority is to distribute it. And you only have to look into<br />

their archives to see how much material there is. Who’d have<br />

thought ten years ago that the music show Beat Club would<br />

become an international sales success?“<br />

Being the sales arm for public broadcasters means ”dealing with<br />

subjects which are not always very commercial,“ says Spahr.<br />

Not that she means they don’t sell, but rather in terms of subject<br />

material, such as Schande (Shame) which was about child<br />

abuse, or the way the subject is tackled. She cites Die Polizistin<br />

(The Policewoman).<br />

Andreas Dresen’s TV-movie won a <strong>German</strong> Emmy, the Adolf<br />

Grimme Award, for providing, says Spahr, ”another theme and<br />

view; about her life and personal conflicts. She doesn’t charge in<br />

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