Titel Kino 2/2001(2 Alternativ) - German Films

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www. germancinema. de/ GERMAN CINEMA INFORMATION ON GERMAN FILMS. Export-Union des Deutschen Films GmbH Sonnenstrasse 21 · D-80331 Munich · phone +49-89-59 97 870 ·fax +49-89-59 97 87 30 · email: export-union@german-cinema.de
World Sales Portrait german united distributors Established in 1997 Foreign offices Representatives in Italy, France, Spain Managing Director Silke Spahr Additional contact Rosemarie Dermühl (Bavaria Media), Ulla Lamas-Torres (Studio Hamburg) Main fields of activity World-wide distribution of German television programming (TVmovies, miniseries, collections, drama series, children’s programming, documentaries, wildlife, music) with emphasis on France, Italy, Spain, Eastern Europe. Regular attendance of the following film and TV markets NATPE, MIPDOC, MIP-TV, Moscow Teleshow, DISCOP, MIPCOM JUNIOR, MIPCOM, German Screenings (joint organizer with TELEPOOL and ZDF Enterprises) Number of titles on offer 15,000 Percentage of German titles on offer 100% Buyers include TF1, RAI, SRG DRS, MTV Networks, RTV Slovenia, AQS/Nova TV, Prima Plus, MTV3 Finland, NOS Most well-known current titles on offer Scene of the Crime (Tatort), The Investigator (Der Fahnder), Schimanski’s Return (Schimanski), Expeditions into the Animal World (Expeditionen ins Tierreich), Beat Club Best-selling titles currently on sale Beast in the Lake (Das Biest am Bodensee, TV-movie), Force Majeure (TV-movie) Address german united distributors Programmvertrieb GmbH · Richartzstr. 6 - 8a · D-50667 Cologne phone +49-2 21-92 06 90 · fax +49-2 21-9 20 69 69 · email: germanunited@compuserve.com UNITED THEY SELL Silke Spahr So you’re looking to buy German television programming in quality and/or quantity. Who you gonna call? Forget Ghostbusters and try german united distributors instead! ”We were formed in 1997,“ says managing director Silke Spahr, ”as a joint venture between the two public broadcasters WDR and NDR and two of the largest production companies, Studio Hamburg and Bavaria Film. The idea was to pool their program stocks to meet the demand from those many broadcasters who want to buy packages.“ Just to give one example of how much easier that has made life for all concerned: Hit German crime series Tatort (Scene of Crime) is an ARD production, where the programs are made by many of the member broadcasters. Previously, buyers first had to find out who to talk to. Now they come straight to german united. For its owners and other members, such as Radio Bremen and Hessischer Rundfunk, german united guarantees extensive representation and market organization, selling their programming in Asia, Russia, South America, or wherever on a scale far beyond what they could have achieved representing themselves. The company, although ”always open to other independent producers and broadcasters,“ says Spahr, sells predominantly ARD programming: ”Our four partners produce a very large volume and our priority is to distribute it. And you only have to look into their archives to see how much material there is. Who’d have thought ten years ago that the music show Beat Club would become an international sales success?“ Being the sales arm for public broadcasters means ”dealing with subjects which are not always very commercial,“ says Spahr. Not that she means they don’t sell, but rather in terms of subject material, such as Schande (Shame) which was about child abuse, or the way the subject is tackled. She cites Die Polizistin (The Policewoman). Andreas Dresen’s TV-movie won a German Emmy, the Adolf Grimme Award, for providing, says Spahr, ”another theme and view; about her life and personal conflicts. She doesn’t charge in 21
Page 1 and 2: Moritz Bleibtreu, Christian Berkel
Page 3 and 4: CANNES FILM FESTIVAL Critics’ Wee
Page 5 and 6: C O N T E N T S 63 Palermo flüster
Page 7 and 8: Prof. Dr. Julian Nida-Rümelin (pho
Page 9 and 10: FILM ARCHIVES AND FILM MUSEUMS IN T
Page 11 and 12: FILM ARCHIVES AND FILM MUSEUMS IN T
Page 13 and 14: Film Storage (photo © Friedrich-Wi
Page 15 and 16: DATA AND ADDRESSES CONCERNING THE M
Page 17 and 18: Director’s Portrait Angela Schane
Page 19: Michael Verhoeven (photo © Sentana
Page 23 and 24: World Sales Portrait Progress Film-
Page 25 and 26: Producer’s Portrait UFA Film & TV
Page 27 and 28: Two German Films win at Créteil Ma
Page 29 and 30: Over DM 35,000,000 in Film Promotio
Page 31 and 32: Nicolas Humbert, a fellow student f
Page 33 and 34: She lives in a small town in centra
Page 35 and 36: Heaven in production Someone Is Sle
Page 37 and 38: of Epstein - Mario Adorf. ”And he
Page 39 and 40: M - Eine Stadt sucht einen Mörder
Page 41 and 42: Berlin. Die Sinfonie der Großstadt
Page 44 and 45: 44 Berlin Babylon Genre Educational
Page 46 and 47: Verkehrsinsel Erotic Tales: WHY DON
Page 48 and 49: Ein göttlicher Job A GODDAMN JOB 4
Page 50 and 51: In den Tag hinein THE DAYS BETWEEN
Page 52 and 53: Kaliber Deluxe BLOODY WEEKEND 52 De
Page 54 and 55: Lale Andersen - Die Stimme der Lili
Page 56 and 57: Mädchen Mädchen GIRLS ON TOP 56 G
Page 58 and 59: Der Mistkerl THE BLOODY NUISANCE 58
Page 60 and 61: Muratti & Sarotti MURATTI & SAROTTI
Page 62 and 63: Nancy und Frank NANCY AND FRANK: A
Page 64 and 65: Photographie und jenseits PHOTOGRAP
Page 66 and 67: Tanz mit dem Teufel DANCE WITH THE
Page 68 and 69: Wie Feuer und Flamme NEVER MIND THE
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Das Zimmer THE ROOM 70 Sophie and C
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Film Exporters Members of the Germa
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Foreign Representatives Argentina D
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NEW ADDRESS GERMAN CINEMA Sonnenstr
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Titel Kino 2/2001(2 Alternativ) - German Films

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