MetaFun - Pragma ADE

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236 We now follow som e arbitrar y path ... We now follow som \startuseMPgraphic{followtokens} path RotPath ; RotPath := (-3cm,0)--(3cm,1cm) ; \stopuseMPgraphic We now follow some arbitrary path ... e arbitrar y path ... We now follow some arbitrary path ... \startuseMPgraphic{followtokens} path RotPath ; RotPath := (-3cm,0)..(-1cm,1cm)..(3cm,0) ; \stopuseMPgraphic We now follow some arbitrary path ... We now follow some arbitrary path ... \startuseMPgraphic{followtokens} path RotPath ; RotPath := (-3cm,0)..(-1cm,1cm)..(0cm,-2cm)..(3cm,0) ; \stopuseMPgraphic W e n o w f o l l o w s o m e a r b i t r a r y p a t h . . . W e n o w f o l l o w s o m e a r b i t r a r y p a t h . . . When turned on, tracing will produce bounding boxes as well as draw the path. Tracing can be turned on by saying: \startMPinclusions boolean TraceRot ; TraceRot := true ; \stopMPinclusions The next example is dedicated to Giuseppe Bilotta who wants to handle multiple strings and uses a patched version of \followtokens. To avoid a complicated explanation, we will present an alternative here that uses overlays. This method also avoids complicated path definitions. Typesetting in METAPOST TEX text
\startoverlay {\startuseMPgraphic{followtokens} draw fullcircle scaled 5cm . withpen pencircle scaled 1pt withcolor .625yellow ; draw fullsquare scaled 5.25cm withpen pencircle scaled 1pt withcolor .625red ; drawoptions (withcolor .625red) ; path RotPath ; RotPath := halfcircle scaled 5cm ; setbounds currentpicture to boundingbox fullcircle scaled 5.25cm ; \stopuseMPgraphic \followtokens { Met{\`a} superiore }} {\startuseMPgraphic{followtokens} drawoptions (withcolor .625red) ; path RotPath ; RotPath := halfcircle rotated 90 scaled 5cm ; setbounds currentpicture to boundingbox fullcircle scaled 5.25cm ; \stopuseMPgraphic \followtokens { {$\star$} }} {\startuseMPgraphic{followtokens} drawoptions (withcolor .625red) ; path RotPath ; RotPath := halfcircle rotated 180 scaled 5cm ; setbounds currentpicture to boundingbox fullcircle scaled 5.25cm ; \stopuseMPgraphic \followtokens { Met{\`a} inferiore }} {\startuseMPgraphic{followtokens} drawoptions (withcolor .625red) ; path RotPath ; RotPath := halfcircle rotated 270 scaled 5cm ; setbounds currentpicture to boundingbox fullcircle scaled 5.25cm ; \stopuseMPgraphic \followtokens { {$\star$} }} \stopoverlay In order to fool the overlay macro that each graphic has the same size, we force a bounding box. p e r i o r e ⋆ M e t à i n s u t à M e f e r i o r e ⋆ TEX text Typesetting in METAPOST 237
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Hans Hagen metafun context mkiv
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Introduction This document is about
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Content Conventions . . . . . . . .
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1 Conventions When reading this man
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1 Welcome to MetaPost 1.1 Paths 2 I
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The open path is defined as: (1cm,1
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1.2 Transformations We can store a
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(x,y) zscaled (u,v) (xu − yv,xv +
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z0 = (0.5cm,1.5cm) ; z1 = (2.5cm,2.
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4 0 1 3 2 "z0..z1..z2..z3..z0" Only
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0 1 3 2 "z0..z1..z2--z3" Watch how
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0 1 0 2 2 1 "(z0..z1..z2..z3) cutaf
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2 0 1 Using ( ) is not mandatory bu
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0 4 1 3 2 0 These two graphics were
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Since we don't consider this unfill
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First there is the concept of varia
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1.8 Loops Yet another programming c
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If in the definition of doublescale
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test (a) (b) (c) (d) ; test (a,b) (
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If you forget about the colors, the
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linejoin=mitered linecap=butt linej
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1.15 Text Most dashpatterns can be
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Z13 Z24 Z14 Z1 Z12 Z2 Z21 Z23 Z11 Z
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3 Because we want to call this macr
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dotlabel.rt ("$Z_{3}$", z3) ; dotla
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A different approach is to use a tw
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The graphic extends beyond the boun
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p := (p shifted (5cm,0)) randomized
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path p ; p := (0,0) -- (2cm,3cm) ;
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path p ; p := (0cm,0cm) -- (4cm,1cm
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Here, the image macro creates an (a
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So, in addition to on to specify a
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Watch how we can pass a point (poin
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2 A few more details In this chapte
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The second line does just as it say
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fill shape ; draw shape ; filldraw
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2.3 Units 6 As you can see here, as
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2.4 Scaling and shifting When we dr
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Especially when a path results from
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points first order curve second ord
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first iteration second iteration th
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and get: We don't even need that mu
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Figure 2.3 Circles with minimized i
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The tension specifier can be used t
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The asymetrical tensions are less p
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z0 .. z1 .. z2 z0 {curl 1} .. z1 ..
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7 In literature concerning POSTSCRI
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currentpicture := currentpicture sl
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We can achieve this by defining poi
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We're still not there. Like in a pr
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Due to the thicker line width used
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left up down right The previous def
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Here the & glues strings together,
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picture p ; p := "MetaFun" normalin
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pickup pencircle scaled 2pt ; draw
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Because the z--variables are used f
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3 Embedded graphics In addition to
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\startMPcode fill fullcircle scaled
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\startuniqueMPgraphic{right or wron
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{\externalfigure[mprun:extrafun::my
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\startlinecorrection[blank] \proces
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In order to prevent problems, we ad
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There are a few more low level swit
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When we convert color to gray, we u
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4 Enhancing the layout One of the m
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4.2 Overlay variables [offset=3pt,f
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This background demonstrates that a
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As you may know, TEX's ambassador i
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This works as expected: \RotatedTex
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We will now apply this knowledge of
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p := p shifted (2o,OverlayHeight-yp
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We demonstrated that when defining
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5 Positional graphics In this chapt
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5.2 Anchors and layers In a previou
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pab := pab cutafter (pab intersecti
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fill p withcolor \MPcolor{lightgray
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The previous example also demonstra
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\setMPlayer [test] [somepos-1] [loc
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6 Page backgrounds Especially in in
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As soon as you want to make an elec
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do_it (1,4,false) ; do_it (5,4,fals
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gigigi Watch how the bounding boxes
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You can test this concept yourself
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StartPage ; fill Area[Text][Text] s
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fi ; Main := Main enlarged 6pt ; pi
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ulcorner Field[Text] [Text] -urcorn
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The left picture demonstrates what
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There are two more operators: inner
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7 Shapes, symbols and buttons One c
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Table 7.1 demonstrates how scratch
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for i := 1 upto \MPvar{n} : xpos :=
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This table is defined as: \bTABLE[f
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Since we have collected some nice b
Page 189 and 190: 8 Special effects Sometimes we want
Page 191 and 192: Because of this implementation, sha
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Page 195 and 196: fill p shifted (3cm,0) withcolor .5
Page 197 and 198: \definecolor [tred] [r=1,t=.5,a=exc
Page 199 and 200: Figure 8.4 Another clipped cow. \pl
Page 201 and 202: withpen pencircle scaled 4mm withco
Page 203 and 204: Because this graphic is the result
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Page 207 and 208: Including another METAPOST graphic,
Page 209 and 210: After these examples your are proba
Page 211 and 212: In this graphic, we have two text f
Page 213 and 214: } {}} Here we feed some MATHML int
Page 215 and 216: 9 Functions METAPOST provides a wid
Page 217 and 218: 9.2 Grids Some day you may want to
Page 219 and 220: 13 13 13 13 Figure 9.1 Quick and di
Page 221 and 222: 2 − ×10 1 − 1 0×100 Figure 9.
Page 223 and 224: Figure 9.3 By using transparent col
Page 225 and 226: There are enough applications out t
Page 227 and 228: Of course we could extend this LUA
Page 229 and 230: 10 Typesetting in METAPOST It is sa
Page 231 and 232: Meta is a female lion! Figure 10.2
Page 233 and 234: We use the low level CONTEXT macro
Page 235 and 236: So, now we have: M etaPostisFun! Wh
Page 237 and 238: n := n + 1 ; len[n] := \the\wd\MPbo
Page 239: ap := point at of RotPath ; ad := d
Page 243 and 244: \startuseMPgraphic{text draw} draw
Page 245 and 246: vsize := ypart urcorner p - ypart l
Page 247 and 248: We are now ready for an attempt to
Page 249 and 250: We can manipulate the heigth and de
Page 251 and 252: \strutheight) ; % height of first l
Page 253 and 254: w := h := 6cm ; o := 6pt ; path p ;
Page 255 and 256: Donald Knuth has spent the past sev
Page 257 and 258: Donald Knuth has spent the past sev
Page 259 and 260: 11 Debugging Those familiar with CO
Page 261 and 262: 4 3 5 2 6 1 0 7 8 You can pass opti
Page 263 and 264: 3 4 0 2 1 Of course you may want to
Page 265 and 266: 12 Defining styles Since the integr
Page 267 and 268: color=gray, contrastcolor=gray, sty
Page 269 and 270: def right_menu_button (expr nn, rr,
Page 271 and 272: \Topic {Edward R. Tufte} \input tuf
Page 273 and 274: A Few Nice Quotes A Simple Style De
Page 275 and 276: 13 A few applications For those who
Page 277 and 278: vardef spring (expr a, b, w, h, n)
Page 279 and 280: There is a numeric constant labelof
Page 281 and 282: text text text text text text text
Page 283 and 284: p := fullcircle scaled (2*length(lo
Page 285 and 286: These definitions of anglebetween a
Page 287 and 288: Because in most cases we want the l
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There are for sure more (efficient)
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The next circle that we draw shows
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popcurrentpicture ; enddef ; Here,
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draw (u,i) -- (2u,i) withcolor .5wh
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Figure 13.4 Koffka's examples of ma
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\startbuffer[a] def start_everythin
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pointC := circleA intersectionpoint
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draw_basics ; draw_circles ; draw_i
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Figure 13.6 Bisecting a line segmen
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z1 = (0, height/2) ; z2 = (width/2-
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The clipping path is applied by say
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13.8 Music sheets The next example
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The euro symbol A few applications
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draw i withpen pencircle scaled 1pt
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16 draw b withpen pencircle scaled
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\startMPcode \includeMPgraphic{gamb
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14 METAFUN macros CONTEXT comes wit
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A METAPOST syntax In the METAFONT b
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〈number or fraction〉 → 〈num
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〈suffix〉 → 〈empty〉 | 〈s
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〈assignment〉 → 〈variable〉
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〈command〉 → clip 〈picture v
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〈if test〉 → if 〈boolean exp
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B This document This document is pr
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C Reference C.1 Paths In this chapt
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tension atleast numeric (0,0)..(.75
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angle origin--dir(angle(1,1)) metap
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circle bcircle metafun variable lci
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path randomized numeric/pair unitsq
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path stretched numeric/pair (fullci
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path zscaled pair fullcircle zscale
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path llenlarged numeric fullcircle
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path urmoved numeric fullcircle urm
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everse path reverse fullcircle shif
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oundingbox path boundingbox fullcir
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C.3 Points top pair top center full
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C.4 Attributes withcolor rgbcolor w
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draw draw fullcircle metapost macro
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ounded linecap := rounded metapost
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label.top label.top("MetaFun",origi
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D Literature There is undoubtly mor
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Index a anchoring 143, 145 angles 2
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This document introduces you in the
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MetaFun - Pragma ADE

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