Directory of Contemporary Worship Musicians - Way of Life Literature
Directory of Contemporary Worship Musicians - Way of Life Literature Directory of Contemporary Worship Musicians - Way of Life Literature
have bought into the shallow arguments that are used tojustify the merger of the holy Rock Jesus Christ with theunholy rock of this world.e leaven did its job. e CCM songs published byMaranatha in the 1970s, which were considered “edgy” at thetime, are the “old conservative hymns” of the contemporarypraise movement today. is is how the devil works. He usesthe tools of confrontation, compromise, and incrementalism.He was the inventor of Hegelian Dialectics, which has beenemployed to great effect by communists, humanists, liberaleducators, theological modernists, Christian rockers, andothers to tear down the old and replace it with the new. isis done by bringing incremental change through a process ofconfronting the existing paradigm (philosophy, doctrine,culture, position, etc.) with an alternative. At first thealternative seems shocking and wrong, but with persistenceon the part of the change agents, over time the newalternative is syncretized with the old paradigm to produce acompromise, which becomes the new accepted paradigm andthe new base line for another round of change. In this way,the targeted group (e.g., classroom, church, political party,nation) is carried along slowly but surely toward theobjective.e role played by Calvary Chapel and Maranatha Music inthe 1970s (whether by design or not) was similar to whatDick Clark’s American Bandstand did in the 1950s inbroadening the popularity of rock & roll by cleaning up its“bad boy” rebel stigma in the minds of parents. Clarkrequired the teenage rockers to dress conservatively in skirtsand dresses, suits and ties, and toned down the dance moves.Clark didn’t change the licentious rebel character of rock; hemerely cleaned up its image so it could leaven every sphere ofsociety. Dick Clark was simply having a good time andmaking money, but the god of this world was pulling thestrings.40
ough the decades, Maranatha Music has itself becomeever more radical in its use of rock & roll, ever morecharismatic, ever more ecumenical. Today its workshops havea large influence in cross-denominational education. Churchleaders from “ALL DENOMINATIONS” are welcome(maranathamusic.com). By 2008, 120,000 “church gatekeepers”who attended workshops “looked to MaranathaMusic as the leading source of worship products andservices.” Maranatha not only spreads contemporary music, italso spreads the CCM heresies of non-judgmentalism,ecumenism, and “cultural liberalism.”(See also “Marsha Stevens” in this Directory.)Card, MichaelMichael Card (b. 1956) lists several theological modernistsand Roman Catholic authors as major influences with nowarning to the viewers about their heresies and false gospels.ese include Dietrich Bonhoeffer, Malcolm Muggeridge, F.F.Bruce, and Henri Nouwen. Bonhoeffer rejected suchdoctrines as Christ’s virgin birth, bodily resurrection, andsubstitutionary atonement. According to Bonhoeffer, it is a“cardinal error” to regard Christianity as a religion ofsalvation. As for Muggeridge, Card specifically mentions hisblasphemous book Jesus Rediscovered, in which he denied thevirgin birth, deity, and bodily resurrection of Christ. F.F.Bruce denied the eternal fire of Hell and promoted theannihilation heresy. Henri Nouwen was a liberal Catholicpriest who supported homosexuality and liberation theologyand held the heresy of universalism.Michael Card is radically ecumenical. In 1996, he producedan album (Brother to Brother) jointly with John MichaelTalbot, a Roman Catholic who prays to Mary and practicesyoga. Of this venture, Card testified: “Doing this project hasenabled us to become real friends. And along the way, the41
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- Page 4 and 5: Dc Talk ...........................
- Page 6 and 7: Smith, Chuck ......................
- Page 8 and 9: god, etc. -- it is obvious that we
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- Page 12 and 13: and live it out/ And live it out/ i
- Page 14 and 15: on the floor with his feet in the a
- Page 16 and 17: Arends, CarolynCarolyn Arends (b. 1
- Page 18 and 19: corrupting her own son’s faith in
- Page 20 and 21: Balouche relates his testimony of s
- Page 22: MAYFAIR LAUNDRY, a group which got
- Page 25 and 26: In his 1965 book, A Spaniard in the
- Page 27 and 28: Borden, TammyIn July 2012, Tammy Bo
- Page 29 and 30: Brown is an ecumenist who has worke
- Page 31 and 32: 20 years and who was on the steerin
- Page 33 and 34: of Baptist churches whose “whole
- Page 35 and 36: named Lonnie Frisbee, Chuck Smith b
- Page 37 and 38: me, but they didn’t quickly foist
- Page 39 and 40: gospel and clear repentance and fai
- Page 41 and 42: Wimber interpreted all of this as t
- Page 43 and 44: Davis of Raze, Eddie Degarmo, Micha
- Page 45: had a solid testimony of salvation
- Page 49 and 50: It is painfully obvious that doctri
- Page 52: On another cut entitled “Come int
- Page 55 and 56: me who’s in the house? J.C./ Tell
- Page 57 and 58: is as much a part of the body of Ch
- Page 59 and 60: Chapman, Steven CurtisSteven Curtis
- Page 61 and 62: certain is the revelation we have i
- Page 63 and 64: Waxahachie, Texas). Hatcher was one
- Page 65 and 66: anished one of his followers for tr
- Page 67 and 68: stricken with polio. e boy’s moth
- Page 69 and 70: language you use, or whether or not
- Page 71 and 72: another automobile. Men in the chur
- Page 73 and 74: “e love of God will melt every ha
- Page 75 and 76: to hell “we could contact child p
- Page 77 and 78: composed of three co-equal, co-eter
- Page 79 and 80: If we consider the lyrics to “Hol
- Page 81 and 82: In an interview with CCM Magazine a
- Page 83 and 84: “So hyper fundi, don’t be disma
- Page 85 and 86: Another,” a song with an ecumenic
- Page 87 and 88: Deliriouse rock group Delirious, wh
- Page 89 and 90: is so unclear. It is blind mysticis
- Page 91 and 92: in a different way. You have to get
- Page 93 and 94: playthings. Take it away. Get it ou
- Page 95 and 96: At first, Dorsey’s illicit mixing
have bought into the shallow arguments that are used tojustify the merger <strong>of</strong> the holy Rock Jesus Christ with theunholy rock <strong>of</strong> this world.e leaven did its job. e CCM songs published byMaranatha in the 1970s, which were considered “edgy” at thetime, are the “old conservative hymns” <strong>of</strong> the contemporarypraise movement today. is is how the devil works. He usesthe tools <strong>of</strong> confrontation, compromise, and incrementalism.He was the inventor <strong>of</strong> Hegelian Dialectics, which has beenemployed to great effect by communists, humanists, liberaleducators, theological modernists, Christian rockers, andothers to tear down the old and replace it with the new. isis done by bringing incremental change through a process <strong>of</strong>confronting the existing paradigm (philosophy, doctrine,culture, position, etc.) with an alternative. At first thealternative seems shocking and wrong, but with persistenceon the part <strong>of</strong> the change agents, over time the newalternative is syncretized with the old paradigm to produce acompromise, which becomes the new accepted paradigm andthe new base line for another round <strong>of</strong> change. In this way,the targeted group (e.g., classroom, church, political party,nation) is carried along slowly but surely toward theobjective.e role played by Calvary Chapel and Maranatha Music inthe 1970s (whether by design or not) was similar to whatDick Clark’s American Bandstand did in the 1950s inbroadening the popularity <strong>of</strong> rock & roll by cleaning up its“bad boy” rebel stigma in the minds <strong>of</strong> parents. Clarkrequired the teenage rockers to dress conservatively in skirtsand dresses, suits and ties, and toned down the dance moves.Clark didn’t change the licentious rebel character <strong>of</strong> rock; hemerely cleaned up its image so it could leaven every sphere <strong>of</strong>society. Dick Clark was simply having a good time andmaking money, but the god <strong>of</strong> this world was pulling thestrings.40