Directory of Contemporary Worship Musicians - Way of Life Literature
Directory of Contemporary Worship Musicians - Way of Life Literature Directory of Contemporary Worship Musicians - Way of Life Literature
(GALA) in Denver (“Turtle Creek Chorale’s 2012-2013Season,” Turtlecreek.org).e reason for this is not difficult to discern. Typically,CCM musicians have been accepted as saved upon theflimsiest testimony of faith and have not been properly taughtand discipled. ey have fed their spiritual lives with aconstant diet of sensual music and have sought aeremotional highs and “signs and wonders” instead of walkingby faith. ey have played with the world, which is moredangerous than any poisonous snake, instead of walkingseparated lives.Larry Norman, the father of Christian rock, was notdiscipled properly and in fact cares little to nothing aboutchurch. When asked by Buzz magazine what church heattended, he refused to answer except to say, “I think it’sunimportant,” and, “I don’t like the question.” He said that hebelieves it is an “obsessive compulsion” to meet at regulartimes for church, which flies in the face of Hebrews 10:25 andthe example of the early Christians (Acts 2:42; 20:7).Consider the All Saved Freak Band, one of the earliestChristian rock groups, which was influential then andcontinues to exist today in a reincarnated edition. JoeMarkko, co-founder, had only been a professor of Christ outof the drug culture for three months when he formed theband in 1968. His mentor and fellow band member Larry Hillwas an Assemblies of God pastor who le the denominationto start a work among hippies on the authority of “somevisions.” Hill’s ministry fell apart when he fled Ohio to avoidprosecution for sexual abuse (John ompson, Raised byWolves: e Story of Christian Rock & Roll, Kindle location441).We could multiply these wretched examples almostendlessly. e spiritual foundation of ContemporaryChristian Music is frightfully unscriptural. With fewexceptions, it wasn’t created by mature spiritual people who38
had a solid testimony of salvation and who were grounded inScripture and committed to sound doctrine.Maranatha Music acted as a change agent to broadensupport for Christian rock in that the early “praise” music wassoer rock & roll. It was folk rock and rock ballads. Further,Calvary Chapel held to a more conservative theology,avoiding the extreme elements of Pentecostalism which werestill unacceptable to most churches at that time.In spite of Maranatha’s more “conservative” image,Christian rock was riding a wild and untamable spirit. Itsradicalness is seen in its association with the Roman CatholicChurch and the fact that it has become permeated with darkheresies and the most outlandish charismatic nonsense. (See“False Christs and False Gods” in this Directory ofContemporary Worship Musicians.) In order to gain a broaderfollowing, early CCM needed the more conservative imagethat Calvary Chapel and Maranatha Music provided. ecutting-edge hard Christian rockers of the 60s and 70s--suchas Larry Norman (whose debut album Upon is Rock wasbanned by Christian bookstores), Petra, and, ResurrectionBand--were too radical for most churches then. Barriers hadto be broken down.It is important to understand that the Calvary Chapel Jesushippies loved every sort of “Christian” rock even from theearliest days. Chuck Girard of Love Song says, “We wereamazed to see and hear the album ‘Upon is Rock’ by LarryNorman.” ey loved any type of “Christian” rock, butMaranatha published the “soer” stuff and thereby increasedthe contemporary music’s popularity and broke down thebarrier that existed widely in those days against using rock inChristian music. Even the soer rock was commonly rejectedby churches in the 1970s but the resistance was graduallybroken down through the process of incrementalism.rough the influence of the soer rock CCM, the leavenof Contemporary Christian Music spread and the vastmajority of churches are now addicted to rock of all types and39
- Page 2 and 3: Directory of Contemporary Worship M
- Page 4 and 5: Dc Talk ...........................
- Page 6 and 7: Smith, Chuck ......................
- Page 8 and 9: god, etc. -- it is obvious that we
- Page 10 and 11: Directory of Contemporary WorshipMu
- Page 12 and 13: and live it out/ And live it out/ i
- Page 14 and 15: on the floor with his feet in the a
- Page 16 and 17: Arends, CarolynCarolyn Arends (b. 1
- Page 18 and 19: corrupting her own son’s faith in
- Page 20 and 21: Balouche relates his testimony of s
- Page 22: MAYFAIR LAUNDRY, a group which got
- Page 25 and 26: In his 1965 book, A Spaniard in the
- Page 27 and 28: Borden, TammyIn July 2012, Tammy Bo
- Page 29 and 30: Brown is an ecumenist who has worke
- Page 31 and 32: 20 years and who was on the steerin
- Page 33 and 34: of Baptist churches whose “whole
- Page 35 and 36: named Lonnie Frisbee, Chuck Smith b
- Page 37 and 38: me, but they didn’t quickly foist
- Page 39 and 40: gospel and clear repentance and fai
- Page 41 and 42: Wimber interpreted all of this as t
- Page 43: Davis of Raze, Eddie Degarmo, Micha
- Page 47 and 48: ough the decades, Maranatha Music h
- Page 49 and 50: It is painfully obvious that doctri
- Page 52: On another cut entitled “Come int
- Page 55 and 56: me who’s in the house? J.C./ Tell
- Page 57 and 58: is as much a part of the body of Ch
- Page 59 and 60: Chapman, Steven CurtisSteven Curtis
- Page 61 and 62: certain is the revelation we have i
- Page 63 and 64: Waxahachie, Texas). Hatcher was one
- Page 65 and 66: anished one of his followers for tr
- Page 67 and 68: stricken with polio. e boy’s moth
- Page 69 and 70: language you use, or whether or not
- Page 71 and 72: another automobile. Men in the chur
- Page 73 and 74: “e love of God will melt every ha
- Page 75 and 76: to hell “we could contact child p
- Page 77 and 78: composed of three co-equal, co-eter
- Page 79 and 80: If we consider the lyrics to “Hol
- Page 81 and 82: In an interview with CCM Magazine a
- Page 83 and 84: “So hyper fundi, don’t be disma
- Page 85 and 86: Another,” a song with an ecumenic
- Page 87 and 88: Deliriouse rock group Delirious, wh
- Page 89 and 90: is so unclear. It is blind mysticis
- Page 91 and 92: in a different way. You have to get
- Page 93 and 94: playthings. Take it away. Get it ou
(GALA) in Denver (“Turtle Creek Chorale’s 2012-2013Season,” Turtlecreek.org).e reason for this is not difficult to discern. Typically,CCM musicians have been accepted as saved upon theflimsiest testimony <strong>of</strong> faith and have not been properly taughtand discipled. ey have fed their spiritual lives with aconstant diet <strong>of</strong> sensual music and have sought aeremotional highs and “signs and wonders” instead <strong>of</strong> walkingby faith. ey have played with the world, which is moredangerous than any poisonous snake, instead <strong>of</strong> walkingseparated lives.Larry Norman, the father <strong>of</strong> Christian rock, was notdiscipled properly and in fact cares little to nothing aboutchurch. When asked by Buzz magazine what church heattended, he refused to answer except to say, “I think it’sunimportant,” and, “I don’t like the question.” He said that hebelieves it is an “obsessive compulsion” to meet at regulartimes for church, which flies in the face <strong>of</strong> Hebrews 10:25 andthe example <strong>of</strong> the early Christians (Acts 2:42; 20:7).Consider the All Saved Freak Band, one <strong>of</strong> the earliestChristian rock groups, which was influential then andcontinues to exist today in a reincarnated edition. JoeMarkko, co-founder, had only been a pr<strong>of</strong>essor <strong>of</strong> Christ out<strong>of</strong> the drug culture for three months when he formed theband in 1968. His mentor and fellow band member Larry Hillwas an Assemblies <strong>of</strong> God pastor who le the denominationto start a work among hippies on the authority <strong>of</strong> “somevisions.” Hill’s ministry fell apart when he fled Ohio to avoidprosecution for sexual abuse (John ompson, Raised byWolves: e Story <strong>of</strong> Christian Rock & Roll, Kindle location441).We could multiply these wretched examples almostendlessly. e spiritual foundation <strong>of</strong> <strong>Contemporary</strong>Christian Music is frightfully unscriptural. With fewexceptions, it wasn’t created by mature spiritual people who38