Directory of Contemporary Worship Musicians - Way of Life Literature

Directory of Contemporary Worship Musicians - Way of Life Literature Directory of Contemporary Worship Musicians - Way of Life Literature

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(Devlin Donaldson, “Rockin’ Randy,” CCM Magazine, August1983).Stonehill’s philosophy is expressed in the followingstatement:“Rock music is the only type of music some kids will listen to.If we don’t put Jesus into modern music, some of them mightnever really hear the message!” (Stonehill, cited by Paul Davis,“Wanting to Do Something Monumental in Music,’ New Music,No. 16, 1979).ere are many problems with this philosophy, not the leastof which is that the “Jesus message” commonly inserted intoChristian rock is abstract and insufficient and oen patentlyunscriptural. It is exceedingly rare that Christian rockcontains a clear gospel message. In reality, what Christianrockers are doing is entertaining young people with rockmusic and pampering them with a vague “spirituality” that ismore akin to New Age than Bible Christianity.SwitchfootIn July 2012, Switchfoot was one of the bands featured atthe 14th annual Lifest in Oshkosh, Wisconsin. Christianrock’s one-world church building enterprise was in full steamat this event. Other popular groups and artists participatingwere Newsboys, Underoath, Building 429, Norma Jean,Steven Curtis Chapman, Tammy Borden, Love & Death,Casting Crowns, and Disciple. 15,000 enthusiastic fansgathered to celebrate ecumenical unity through the sensualpower of rock & roll. Participants could choose from threeworship services, including a Catholic Mass led by BishopDavid Ricken, who officially approves of the “MarianApparitions” at the Shrine of Our Lady of Good Help innorthern Wisconsin. e apparition appeared to Adele Brisein 1859 and said, “I am the Queen of Heaven, who prays forthe conversion of sinners,” plainly identifying itself as ademon, since the only Queen of Heaven mentioned in350

Scripture is an idolatrous goddess that was condemned by theprophet Jeremiah (Jer. 7:18). at Christian rock is intimatelyassociated with such things is clear evidence of its apostasy.Talbot, John Michael(For more on the the history of contemporary praise musicfrom its inception in the Jesus People movement and theintimate association of contemporary praise with thecharismatic movement in general as well as its most radicalaspect, the “latter rain apostolic miracle revival,” see “CalvaryChapel,” “Christ For e Nations,” “Lindell Cooley,”“International House of Prayer,” “Tim Hughes,” “IntegrityMusic,” “omas Miller,” “Kevin Prosch,” “David Ruis,”“Marsha Stevens,” “Michael W. Smith,” and “John Wimber.”)John Michael Talbot (b. 1954) is a very popularContemporary Christian recording artist, with sales ofmillions of CDs. He is also very influential in thecontemplative prayer movement, thus representing two of themost powerful elements binding together the ecumenicalmovement: contemporary music and contemplativemysticism.Talbot was raised Methodist, but in his book Come to theQuiet he thanks his parents for “installing a great love forworld religions with me in my formative years.” At age 15 hedropped out of school and formed the folk rock band MasonProffit with his older brother Terry. ey opened for JanisJoplin, the Nitty Gritty Dirt Band, and other well-knowngroups and sold hundreds of thousands of records. At age 17he married, and soon thereaer he began an earnestinvestigation into religion. In 1971, Talbot was in a motelroom praying, “God, are you a he, a she, or an it?” when heallegedly “saw a Christ figure standing over” him (Come tothe Quiet, p. 5).“I saw an image that looked like Jesus--it was a typical Christfigure--an incredible sight. He didn’t say anything--he was just351

Scripture is an idolatrous goddess that was condemned by theprophet Jeremiah (Jer. 7:18). at Christian rock is intimatelyassociated with such things is clear evidence <strong>of</strong> its apostasy.Talbot, John Michael(For more on the the history <strong>of</strong> contemporary praise musicfrom its inception in the Jesus People movement and theintimate association <strong>of</strong> contemporary praise with thecharismatic movement in general as well as its most radicalaspect, the “latter rain apostolic miracle revival,” see “CalvaryChapel,” “Christ For e Nations,” “Lindell Cooley,”“International House <strong>of</strong> Prayer,” “Tim Hughes,” “IntegrityMusic,” “omas Miller,” “Kevin Prosch,” “David Ruis,”“Marsha Stevens,” “Michael W. Smith,” and “John Wimber.”)John Michael Talbot (b. 1954) is a very popular<strong>Contemporary</strong> Christian recording artist, with sales <strong>of</strong>millions <strong>of</strong> CDs. He is also very influential in thecontemplative prayer movement, thus representing two <strong>of</strong> themost powerful elements binding together the ecumenicalmovement: contemporary music and contemplativemysticism.Talbot was raised Methodist, but in his book Come to theQuiet he thanks his parents for “installing a great love forworld religions with me in my formative years.” At age 15 hedropped out <strong>of</strong> school and formed the folk rock band MasonPr<strong>of</strong>fit with his older brother Terry. ey opened for JanisJoplin, the Nitty Gritty Dirt Band, and other well-knowngroups and sold hundreds <strong>of</strong> thousands <strong>of</strong> records. At age 17he married, and soon thereaer he began an earnestinvestigation into religion. In 1971, Talbot was in a motelroom praying, “God, are you a he, a she, or an it?” when heallegedly “saw a Christ figure standing over” him (Come tothe Quiet, p. 5).“I saw an image that looked like Jesus--it was a typical Christfigure--an incredible sight. He didn’t say anything--he was just351

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