Directory of Contemporary Worship Musicians - Way of Life Literature
Directory of Contemporary Worship Musicians - Way of Life Literature Directory of Contemporary Worship Musicians - Way of Life Literature
did, we still have not arrived. ... At all of our conferences nowMANY ARE STARTING TO SEE ANGELS, AND DREAMSAND VISIONS AND PROPHECY ARE BEING RELEASED topeople. is is all wonderful, and we are asking for more of it.We expect to see more and greater miracles” (Kevin Prosch,“e Heart of David: Worship & Warfare,” April 1996,Conference Report).I can say on the authority of God’s Word that the “holyfear” they experienced was of the devil and not of God. istype of thing is the spirit of this world, and the fact thatcontemporary praise music is right in the middle of it is aloud warning to those who have ears to hear.Jesus rebuked those who lusted aer “signs,” saying, “Anevil and adulterous generation seeketh aer a sign” (Matthew12:39). is is a giant divine rebuke to the entire charismaticmovement, and those who tremble at God’s Words will takeheed!e repetition of the praise music is a major part of thecharismatic mysticism and the emotionalism that is mistakenfor a “tangible experience” with God. In Prosch’s song “Signsand Wonders,” the words “signs and wonders, healings,deliverance” are repeated at least 20 times and the words “thekingdom of God is here” are repeated at least 25 times. At theHeart of David conference, they sang Prosch’s “Praise theLord, Oh My Soul” for 20 minutes and they sang one song forover three hours! at must be the epitome of contemporarypraise repetition!Web reports of Prosch’s concerts in promotion of theReckless Mercy album are enlightening. One lady whoattended a concert with her husband said that the percussionsection summoned the crowd with the call, “Let’s rock!” Atleast she is honest. Rocking is what this stuff is all about. Takeaway the rock music, and the crowds would thin downquickly. is lady observed that Prosch’s band emulatedsounds “suggestive of Bob Dylan, Paul Simon, and others”and “have the power to move ya!” e announcer who came264
on before the band said that they were “just trying to expresstheir religious beliefs through the style of music that theyenjoy.” is sounds like 2 Timothy 4:3-4, which warns ofthose who worship God “aer their own lusts.”Prosch’s music is powerfully mystical and can have a deepemotional effect on listeners. In response to the YouTubevideo of “Praise the Lord, Oh My Soul” from 1996, onelistener said:“When I first heard his music, IT SWITCHED SOMETHINGON. It affirmed that GOD ISN’T CONFINED TO ...THEOLOGIES or traditions ... nor is God dull, or sterile, orconservative. But WILD, abundant, creative, loving, mercifuland BEYOND WORDS” (http://www.youtube.com/watch?v=NWIaFpJSnpo&feature=related).Observe that the effect of Prosch’s praise music is “beyondwords” and not confined to “theologies.” is means that itisn’t doctrinal. What this contemporary worshiper isdescribing is the mysticism of contemporary worship thatseeks an experience with “the wild” God beyond the Bible. Itis the charismatic heretical theme song of “Let’s not put Godin a box,” meaning that God isn’t restrained by Scripture.Prosch’s music, like much of the contemporary praisemusic, goes beyond theologies by means of its mysticalvagueness.Consider Prosch’s “Love Is All You Need” --“I went to the place where dead men pray/ Love forsaken, I wasso afraid/ When suddenly the leaves were around/ She saidwhere is hope? What is truth? And do you know peace? As wewalked through the graveyard of needles on the street/ Lordthey wouldn’t need this if only they could see/ Tell them love,love, love is, love is the key, baby/ Love is all you need/ All youneed is love/ Love is all you need/ All you need is love. ... I meta man who walked alone/ He wept upon those public roads/He placed his eyes upon my heart/ Saw that I had missed thestirring of the water/ He looked into my childhood scars/ Like265
- Page 219 and 220: following a universalistic “gospe
- Page 221 and 222: Jude plainly says some are to be sa
- Page 223 and 224: Maher ministers at Our Lady of Moun
- Page 225 and 226: such as Chris Tomlin (“Your Grace
- Page 227 and 228: people” (Vatican II, Constitution
- Page 229 and 230: independent Baptist churches are fo
- Page 231 and 232: Beatles, “More an Words” by Ext
- Page 233 and 234: ever felt God’s presence in a wor
- Page 235 and 236: MediaShout, which sells contemporar
- Page 237 and 238: information about Rich Mullins, mad
- Page 239 and 240: and salvation (Ephesians 2:8-10; Ro
- Page 241 and 242: And yet, ALL THESE BIBLE-BELIEVING,
- Page 243 and 244: which also produces for the Rolling
- Page 245 and 246: layers of our reality and gets to t
- Page 247 and 248: every nation and preach the gospel
- Page 249 and 250: Some of her songs contain a scriptu
- Page 251 and 252: Canterbury Trail: Why Evangelicals
- Page 253 and 254: followed by prayers, a prophecy, an
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- Page 257 and 258: can hear that not all Christian mus
- Page 259 and 260: claiming to love the Lord. (Many yo
- Page 261 and 262: When P.O.D. was asked, “Do you tr
- Page 263 and 264: unity. e name Jehovah is a biblical
- Page 265 and 266: erase lines. We are to choose the s
- Page 267 and 268: Beach, California. Gay’s Propheti
- Page 269: e false spirit of the latter rain p
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- Page 275 and 276: has endorsed e Shack with its non-j
- Page 277 and 278: Assad converted to the Roman Cathol
- Page 279 and 280: “e man sitting beside me, Dwayne
- Page 281 and 282: y the ‘catcher.’ It appeared th
- Page 283 and 284: laughing hysterically. Some were ro
- Page 285 and 286: IT BY THE BIBLE. When he finally st
- Page 287 and 288: Many independent Baptist churches a
- Page 289 and 290: sorts of false christs, but Warren
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- Page 293 and 294: “God’s wisdom ... goes deep int
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- Page 297 and 298: "ATMOSPHERES ARE GOING TO COME THRO
- Page 299 and 300: “Everything was fine for the firs
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- Page 303 and 304: licentiousness (sex, drugs, etc.) a
- Page 305 and 306: worship him” (“Mother Teresa To
- Page 307 and 308: e acronym PEACE gives the means of
- Page 309 and 310: Warren’s plan also narrows Christ
- Page 311 and 312: Under Muchow’s direction Saddleba
- Page 313 and 314: music. ey make no attempt to hide t
- Page 315 and 316: JARS OF CLAY names Jimi Hendrix and
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on before the band said that they were “just trying to expresstheir religious beliefs through the style <strong>of</strong> music that theyenjoy.” is sounds like 2 Timothy 4:3-4, which warns <strong>of</strong>those who worship God “aer their own lusts.”Prosch’s music is powerfully mystical and can have a deepemotional effect on listeners. In response to the YouTubevideo <strong>of</strong> “Praise the Lord, Oh My Soul” from 1996, onelistener said:“When I first heard his music, IT SWITCHED SOMETHINGON. It affirmed that GOD ISN’T CONFINED TO ...THEOLOGIES or traditions ... nor is God dull, or sterile, orconservative. But WILD, abundant, creative, loving, mercifuland BEYOND WORDS” (http://www.youtube.com/watch?v=NWIaFpJSnpo&feature=related).Observe that the effect <strong>of</strong> Prosch’s praise music is “beyondwords” and not confined to “theologies.” is means that itisn’t doctrinal. What this contemporary worshiper isdescribing is the mysticism <strong>of</strong> contemporary worship thatseeks an experience with “the wild” God beyond the Bible. Itis the charismatic heretical theme song <strong>of</strong> “Let’s not put Godin a box,” meaning that God isn’t restrained by Scripture.Prosch’s music, like much <strong>of</strong> the contemporary praisemusic, goes beyond theologies by means <strong>of</strong> its mysticalvagueness.Consider Prosch’s “Love Is All You Need” --“I went to the place where dead men pray/ Love forsaken, I wasso afraid/ When suddenly the leaves were around/ She saidwhere is hope? What is truth? And do you know peace? As wewalked through the graveyard <strong>of</strong> needles on the street/ Lordthey wouldn’t need this if only they could see/ Tell them love,love, love is, love is the key, baby/ Love is all you need/ All youneed is love/ Love is all you need/ All you need is love. ... I meta man who walked alone/ He wept upon those public roads/He placed his eyes upon my heart/ Saw that I had missed thestirring <strong>of</strong> the water/ He looked into my childhood scars/ Like265