Directory of Contemporary Worship Musicians - Way of Life Literature
Directory of Contemporary Worship Musicians - Way of Life Literature Directory of Contemporary Worship Musicians - Way of Life Literature
Prosch, Kevin(For more on the the history of contemporary praise musicfrom its inception in the Jesus People movement and theintimate association of contemporary praise with thecharismatic movement in general as well as its most radicalaspect, the “latter rain apostolic miracle revival,” see “CalvaryChapel,” “Christ For e Nations,” “Lindell Cooley,”“International House of Prayer,” “Tim Hughes,” “IntegrityMusic,” “omas Miller,” “David Ruis,” “Marsha Stevens,”“Michael W. Smith,” “John Talbot,” and “John Wimber.”)e fact that “another spirit” controls the contemporarypraise music movement is nowhere more evident than in theministry of Kevin Prosch, whose praise songs include “Harpin My Heart,” “Show Your Power,” and “Love Is All You Need.”Some of Prosch’s music is published by Integrity.Prosch is said to have “influenced more worship artiststhan any other leader in this decade,” including Martin Smithof Delirious, Matt Redman, and Darrell Evans.”He lives in Amarillo, Texas, owns a recording studio, isassociate senior pastor at More Church, and pursues hobbiesthat include “fishing, lots of camping, and a good glass ofLagavulin” (Scotch whiskey).Prosch breaks down the walls between the holy and unholyin a shocking way. His former band the Black Peppercorns isdescribed as “a group that played in pubs and bars and sangsongs that blurred the lines between sacred and secular andsaw folks in those bars have genuine encounters with theSpirit” (“Kevin Prosch, the Black Peppercorns, and EmergentCharismatics,” jonathanstegall.com).To blur the line between the sacred and secular is to follow“another spirit” (2 Cor. 11:4). Israel’s priests were reprovedwhen they “put no difference between the holy and profane”and showed no “difference between the unclean and theclean” (Ezek. 22:26). ere are many clear lines that are to bedrawn in the Christian life, but the CCM crowd wants to258
erase lines. We are to choose the spirit over the flesh (Gal.5:16-17). We are to “abhor that which is evil; cleave to thatwhich is good” (Rom. 12:9). We are to love God and not lovethe world (1 John 2:15-17).Prosch definitely blurs the line between the sacred andsecular. He and fellow “worship leader” Leonard Jones love totake immoral and New Age rock songs and perform them inthe context of a “worship” service. Prosch sings the Wailers’very sensual “Stir It Up” as if the Lord is singing it to Hispeople. ey sing the Beatles’ songs “I want to Hold YourHand” and “Come Together” in the same foolish way. Prosch’sband plays Van Morrison’s “Brown Eyed Girl” in the contextof “worship.” e words are about a man and a “brown eyedgirl” who seek out places to be alone to play “a new game”with their hearts “a-thumping.” It doesn’t take a rocketscientist to figure that out. True, it’s pretty “innocent” for rockand roll, but it is blasphemy to mix sensual songs like thiswith the worship of a holy God. Christian rockers are socrazy drunken on backbeat music and their intimateassociation with the world that they have everything mixedup. To play such a song to believers even apart from thecontext of worship is foolish. Are those the thoughts that wewant young people to meditate upon? To follow VanMorrison’s suggestion is a sure fire way of shipwrecking ayoung person’s moral life.In 2002, Prosch was “restored to public ministry three yearsaer admitting to a string of affairs” (Charisma News Service,April 18, 2002). Prosch lived an adulterous lie for years. Hesinned grievously against his wife and destroyed his marriageand has multiplied his adultery even farther by remarrying(Matthew 19:9). Apparently, the songs “Stir It Up” and“Brown Eyed Girl” are the man’s personal biography.Prosch’s spiritual roots go back to the Vineyard movementwhere he was nurtured for his career as a contemporarymusician. (See “John Wimber and the Vineyard” in thisdirectory.)259
- Page 213 and 214: e Roman Catholic-style contemplativ
- Page 215 and 216: “But the album we made for Epic [
- Page 217 and 218: hymns, he would create an entirely
- Page 219 and 220: following a universalistic “gospe
- Page 221 and 222: Jude plainly says some are to be sa
- Page 223 and 224: Maher ministers at Our Lady of Moun
- Page 225 and 226: such as Chris Tomlin (“Your Grace
- Page 227 and 228: people” (Vatican II, Constitution
- Page 229 and 230: independent Baptist churches are fo
- Page 231 and 232: Beatles, “More an Words” by Ext
- Page 233 and 234: ever felt God’s presence in a wor
- Page 235 and 236: MediaShout, which sells contemporar
- Page 237 and 238: information about Rich Mullins, mad
- Page 239 and 240: and salvation (Ephesians 2:8-10; Ro
- Page 241 and 242: And yet, ALL THESE BIBLE-BELIEVING,
- Page 243 and 244: which also produces for the Rolling
- Page 245 and 246: layers of our reality and gets to t
- Page 247 and 248: every nation and preach the gospel
- Page 249 and 250: Some of her songs contain a scriptu
- Page 251 and 252: Canterbury Trail: Why Evangelicals
- Page 253 and 254: followed by prayers, a prophecy, an
- Page 255 and 256: Christ stated: “ink not that I am
- Page 257 and 258: can hear that not all Christian mus
- Page 259 and 260: claiming to love the Lord. (Many yo
- Page 261 and 262: When P.O.D. was asked, “Do you tr
- Page 263: unity. e name Jehovah is a biblical
- Page 267 and 268: Beach, California. Gay’s Propheti
- Page 269 and 270: e false spirit of the latter rain p
- Page 271 and 272: on before the band said that they w
- Page 273 and 274: Central training school sponsored b
- Page 275 and 276: has endorsed e Shack with its non-j
- Page 277 and 278: Assad converted to the Roman Cathol
- Page 279 and 280: “e man sitting beside me, Dwayne
- Page 281 and 282: y the ‘catcher.’ It appeared th
- Page 283 and 284: laughing hysterically. Some were ro
- Page 285 and 286: IT BY THE BIBLE. When he finally st
- Page 287 and 288: Many independent Baptist churches a
- Page 289 and 290: sorts of false christs, but Warren
- Page 291 and 292: will with God’s will so that they
- Page 293 and 294: “God’s wisdom ... goes deep int
- Page 295 and 296: heard on any Sunday at Saddleback C
- Page 297 and 298: "ATMOSPHERES ARE GOING TO COME THRO
- Page 299 and 300: “Everything was fine for the firs
- Page 301 and 302: and worship in a concert-like setti
- Page 303 and 304: licentiousness (sex, drugs, etc.) a
- Page 305 and 306: worship him” (“Mother Teresa To
- Page 307 and 308: e acronym PEACE gives the means of
- Page 309 and 310: Warren’s plan also narrows Christ
- Page 311 and 312: Under Muchow’s direction Saddleba
- Page 313 and 314: music. ey make no attempt to hide t
Prosch, Kevin(For more on the the history <strong>of</strong> contemporary praise musicfrom its inception in the Jesus People movement and theintimate association <strong>of</strong> contemporary praise with thecharismatic movement in general as well as its most radicalaspect, the “latter rain apostolic miracle revival,” see “CalvaryChapel,” “Christ For e Nations,” “Lindell Cooley,”“International House <strong>of</strong> Prayer,” “Tim Hughes,” “IntegrityMusic,” “omas Miller,” “David Ruis,” “Marsha Stevens,”“Michael W. Smith,” “John Talbot,” and “John Wimber.”)e fact that “another spirit” controls the contemporarypraise music movement is nowhere more evident than in theministry <strong>of</strong> Kevin Prosch, whose praise songs include “Harpin My Heart,” “Show Your Power,” and “Love Is All You Need.”Some <strong>of</strong> Prosch’s music is published by Integrity.Prosch is said to have “influenced more worship artiststhan any other leader in this decade,” including Martin Smith<strong>of</strong> Delirious, Matt Redman, and Darrell Evans.”He lives in Amarillo, Texas, owns a recording studio, isassociate senior pastor at More Church, and pursues hobbiesthat include “fishing, lots <strong>of</strong> camping, and a good glass <strong>of</strong>Lagavulin” (Scotch whiskey).Prosch breaks down the walls between the holy and unholyin a shocking way. His former band the Black Peppercorns isdescribed as “a group that played in pubs and bars and sangsongs that blurred the lines between sacred and secular andsaw folks in those bars have genuine encounters with theSpirit” (“Kevin Prosch, the Black Peppercorns, and EmergentCharismatics,” jonathanstegall.com).To blur the line between the sacred and secular is to follow“another spirit” (2 Cor. 11:4). Israel’s priests were reprovedwhen they “put no difference between the holy and pr<strong>of</strong>ane”and showed no “difference between the unclean and theclean” (Ezek. 22:26). ere are many clear lines that are to bedrawn in the Christian life, but the CCM crowd wants to258