Directory of Contemporary Worship Musicians - Way of Life Literature

director of the American Center for Law and Justice atRegent. Several of the Regent professors are RomanCatholics. A Catholic mass is held on Regent’s campus everyweek. “A frequent leader of special masses is Bishop WalterSullivan, head of the Richmond Diocese, whose motto is ‘ToUnite All in Christ.’ . . . To this end he serves as the Bishop-President of Pax Christi USA (the national Catholic peacemovement) and is outspoken regarding his support forordination of homosexuals” (“Roman Catholicism: eSeduction Continues,” Frontline, May-June 2000). Sullivanalso supports homosexuals and claims that homosexuality isa natural condition. Aer Robertson met with Pope JohnPaul II in 1995, he said, “We all want to build bridges with theCatholic Church” (Calvary Contender, Sept. 1, 1996).Speaking at the St. Louis 2000 conference, which I attendedwith press credentials, Robertson said, “We need to havesome Catholic charismatics come into our Baptist churches toteach us how to worship.” is illustrates the great confusionthat surrounds the contemporary praise movement.Experience is exalted far beyond sound doctrine. Otherwise,how can you explain such a strange statement from the lips ofa former Southern Baptist? How can a Roman Catholic teacha Bible believer how to worship God? e Roman Catholicholds a false faith-works gospel, which Galatians chapter 1says is cursed of God, and he worships the false christ of themass. One of the other speakers at St. Louis 2000 wasCatholic priest Tom Forrest. At another conference that Iattended, I heard Forrest say that he praises God forpurgatory, because without purgatory we can’t go to heaven.Forrest is one of the Catholic charismatics who, according toPat Robertson, is supposed to teach us how to worship.e fact that Integrity Worship Institute is comfortable withPat Robertson’s Regent University is irrefutable evidence of itscapitulation to the most radical elements of the charismaticecumenical movement, and it is a loud warning to those whoare tempted to “adapt” some of their praise music.177