Contents - Peavey.com

More documents

Recommendations

Info

Pitch 1 and Pitch 2 (PI and P2)In order to allow stereo pitch shifting yet still have a pitch shifter available which does not use a large amountof effect space, we have developed a pitch shift effect with a panning input and independent left and rightmix control. This effect is the only one that can be used in two locations in the chain sim~lltanet,usly, thusallowing true stereo and independently controllable pitch shifting on each channel.By placing two pitch shifters in parallel or series, and setting their inputs and mix levels panned to oppositesides, independent stereo detuning will be available.ParametersI/l: The In (Input) parameter controls the left/right input pan.PD: The PD (I?eDelay ) parameter allows up to 46 milliseconds of delay before the pitch transpositionbegins. This creates a doubling or chorusing type sound. Range is O-46ms.Pt: The Pt (Pitch) parameter is used to select large amounts of transposition in half‘ step increments.Range is & 12 ( 1 octave).0: The Ct (Cents) parameter is used to fine tune the transposed pitch when necessary. Range is *SO.(‘,/2 step is 100 cents)Fb: The Fb Weedl>ack> parameter controls the amount of output signal that is sent llack to the inputof the I’rcDelay. This can be used to create climbing or descending pitch type. Range is O-99%.LX5 The LM (Left Mix) parameter controls the direct/effect mix to the output of the effect for tile leftoutput channel. Range is 0400%.Rrz%* The RM (Right Mix) parameter controls the direct/effect mix to the output of the effect li)r the rightoutput channel. Range is 0400%.A-10 Appendix A individual Effects
Reverb (RV)The versatile stereo Reverb effect contains eight types of reverb, each with fully adjustable parameters.Reverb Typeseo PLATEfi TUNNEL6 SPRINGb ROOM& STAGEfi HALL6 GATEDb REVRSProduces a smooth reverb similar to that achieved with plate-reverbs.Produces the many echoes associated with the acoustics of a tunnel.Simulates the reverb produced by a spring reverb machine.Produces the ambience of a live room.Produces the ambience associated with a club stage.Produces the reverberation ambience associated with a concert hall.Produces a smooth rolling reverb that cuts off sharply rather than decaying away.Produces a reverb that builds from a quiet attack to a sharp decay, giving the impressionof an instrument sound being played in reverse.:+izkR e v e r b\ParametersTy: The Ty (Type) parameter selects the type of reverb desired. Select PLATE, TUNNEL, SPRING,ROOM, STAGE, HALL, GATED, or REVRS. The parameters will change depending on the typeof reverb selected.sz The Sz (Size) parameter determines the size of the reverb being used. Range is SMALL, MEDIUM,LARGE, or HUGE. This parameter is not available when using the GATED or REVRS reverb type.PD. The PD (PreDelay) parameter determines the amount of delay that is to be added before thereverberations begin. Range O-46ms. This parameter is not available when using the GATED orREVRS reverb type.Tk?: The Tm (Time) parameter allows vary each reverb time. Range is 0-30s (seconds) for all reverbtypes except GATED and REVRS. For GATED and REVRS types, the range is 25365ms.Dp: The Dp (Damping) parameter controls the overall tone of the reverb being produced. Rangeis 125 Hz to 8 kHz or OFF. A low setting (250 Hz) results in high frequency reverberationsbeing decayed very quickly; higher settings (4 kHz, 8 kHz, or OFF) allow the high frequenciesto continue on in the reverberation. This parameter is not available when using the GATEDor REVRS reverb type.Mix. The Mx (Mix) parameter controls the direct/effect mix at the output of the effect. Range is 0400%.Appendix A individual Effects A-77
Page 2 and 3: AIntended to alert the user to the
Page 4 and 5: Quick StartIn an effort to make usi
Page 6 and 7: Introduction(obligatory Opening9Con
Page 8 and 9: Chapter 1SetupTU6EFEX’”TUBE GUI
Page 10 and 11: COAHVECTION DIAGRAMSThere are many
Page 12 and 13: 3. Using a separate preamp, distort
Page 14 and 15: 5. Direct connection to a mixing co
Page 16 and 17: Chapter 2OverviewGETTING STARTEDAft
Page 18 and 19: CHROMATIC TUNERThe Tube Fex comes w
Page 20 and 21: PERFORMANCE PARAMETER CONTROLMost e
Page 22 and 23: The format of the IMIDI lxmk select
Page 24 and 25: To dump a set of presets to an exte
Page 26 and 27: Chapter 5 RAM CartridgeThe optional
Page 28 and 29: Program Mapping‘TWX the night bef
Page 30 and 31: 10. Press the right arrow button on
Page 32 and 33: 3. Position the cursor under DP; us
Page 34 and 35: Clean, Crunch, Lead parameters (Pas
Page 36 and 37: Compressor ccn)The Compressor effec
Page 38 and 39: The versatile Chorus effect allows
Page 40 and 41: This delay creates a stereo delay f
Page 44 and 45: Clussic EQ (CQ)The Classic Equalize
Page 46 and 47: Envelope Filter (EF)The Envelope Fi
Page 48 and 49: 71~ The Thr (Threshold) parameter s
Page 50 and 51: Appendix B MIDI ImplementationModel
Page 52 and 53: Levels:Reverb:Overdrive:Chorus:Dela
Page 54 and 55: Effects can be added to the current
Page 56 and 57: FX-TYPE 9:Classic EQPRAM0 = Low Gai
Page 58 and 59: FX-TYFE $13: Stereo SimdutorPRAM0 =
Page 60 and 61: SpecificationsFrequency Response12H
Page 62: IMPORTANT SAFETY INSTRUCTIONSSAVE T

Contents - Peavey.com

Create successful ePaper yourself

Delete template?

Save as template?