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Top 10 Buenos Aires

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8<br />

$ Antonio Seguí – La Distancia<br />

de la Mirada (1976)<br />

Antonio Seguí, a native of Córdoba,<br />

injects a bit of humor into his otherwise<br />

dystopian graphite and oil pieces. On a<br />

background of gray planes, la Mirada’s<br />

English bulldog gazes out at the<br />

viewer indifferently.<br />

0<br />

7<br />

( Ernesto Deira –<br />

Nine Variations<br />

Over a Well-Tensed<br />

Canvas (1965)<br />

Occupying nine canvases<br />

on an entire wall, this<br />

work’s subtext exalts in,<br />

and questions, chaos.<br />

9<br />

) Frida Kahlo –<br />

Autoretrato con<br />

Chango y Loro (1942)<br />

Mexican Surrealism is<br />

represented in this selfportrait<br />

containing two of<br />

Kahlo’s favorite motifs –<br />

birds and monkeys.<br />

MALBA can be enjoyed in an afternoon.<br />

%<br />

Guillermo Kuitca –<br />

^ Various Pieces<br />

Having occupied the Argentinian<br />

Pavilion at the Venice Biennale in 2007<br />

and worked in a wide range of media,<br />

Kuitca is the most famous in the<br />

contemporary art scene (below).<br />

MALBA Cine<br />

From Thursday to Sunday, the<br />

city’s cineastes descend on MALBA<br />

to take in international art-house, cultclassic,<br />

and domestic films (left).<br />

MALBA’s programmers include some<br />

Abbot and Costello comedies amid<br />

the Jean-Luc Godard thought pieces.<br />

Key<br />

First floor<br />

Second floor<br />

Third floor<br />

& Fernando<br />

Botero – Los<br />

Viudos (1968)<br />

Fernando Botero might<br />

today be known for his<br />

controversial Abu Ghraib<br />

painting series but his<br />

legacy are the rotund<br />

figures in Los Viudos<br />

and other similar works.<br />

* Antonio Berni – Manifestación (1934)<br />

Berni was a great proponent of social<br />

realism. Evident in Manifestación (below) is his<br />

previous dabbling in surrealism.<br />

The New<br />

Argentinian<br />

Avant-Garde<br />

Paradoxically, the period<br />

following the 2001–2002<br />

economic crisis saw<br />

<strong>Buenos</strong> <strong>Aires</strong>’ commercial<br />

art scene explode.<br />

Artists retreated to La<br />

Boca, Almagro, and<br />

Barrancas’ decrepit<br />

homes and warehouses<br />

to produce aesthetic<br />

responses – often<br />

mixed-media and digital<br />

art – to the chaos befalling<br />

their country.<br />

<strong>Buenos</strong> <strong>Aires</strong>’ <strong>Top</strong> <strong>10</strong> 23

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