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8<br />
$ Antonio Seguí – La Distancia<br />
de la Mirada (1976)<br />
Antonio Seguí, a native of Córdoba,<br />
injects a bit of humor into his otherwise<br />
dystopian graphite and oil pieces. On a<br />
background of gray planes, la Mirada’s<br />
English bulldog gazes out at the<br />
viewer indifferently.<br />
0<br />
7<br />
( Ernesto Deira –<br />
Nine Variations<br />
Over a Well-Tensed<br />
Canvas (1965)<br />
Occupying nine canvases<br />
on an entire wall, this<br />
work’s subtext exalts in,<br />
and questions, chaos.<br />
9<br />
) Frida Kahlo –<br />
Autoretrato con<br />
Chango y Loro (1942)<br />
Mexican Surrealism is<br />
represented in this selfportrait<br />
containing two of<br />
Kahlo’s favorite motifs –<br />
birds and monkeys.<br />
MALBA can be enjoyed in an afternoon.<br />
%<br />
Guillermo Kuitca –<br />
^ Various Pieces<br />
Having occupied the Argentinian<br />
Pavilion at the Venice Biennale in 2007<br />
and worked in a wide range of media,<br />
Kuitca is the most famous in the<br />
contemporary art scene (below).<br />
MALBA Cine<br />
From Thursday to Sunday, the<br />
city’s cineastes descend on MALBA<br />
to take in international art-house, cultclassic,<br />
and domestic films (left).<br />
MALBA’s programmers include some<br />
Abbot and Costello comedies amid<br />
the Jean-Luc Godard thought pieces.<br />
Key<br />
First floor<br />
Second floor<br />
Third floor<br />
& Fernando<br />
Botero – Los<br />
Viudos (1968)<br />
Fernando Botero might<br />
today be known for his<br />
controversial Abu Ghraib<br />
painting series but his<br />
legacy are the rotund<br />
figures in Los Viudos<br />
and other similar works.<br />
* Antonio Berni – Manifestación (1934)<br />
Berni was a great proponent of social<br />
realism. Evident in Manifestación (below) is his<br />
previous dabbling in surrealism.<br />
The New<br />
Argentinian<br />
Avant-Garde<br />
Paradoxically, the period<br />
following the 2001–2002<br />
economic crisis saw<br />
<strong>Buenos</strong> <strong>Aires</strong>’ commercial<br />
art scene explode.<br />
Artists retreated to La<br />
Boca, Almagro, and<br />
Barrancas’ decrepit<br />
homes and warehouses<br />
to produce aesthetic<br />
responses – often<br />
mixed-media and digital<br />
art – to the chaos befalling<br />
their country.<br />
<strong>Buenos</strong> <strong>Aires</strong>’ <strong>Top</strong> <strong>10</strong> 23