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Magazine Format Program 1004(c) 141multiple Writers 1009, 1011, 1041 141, 149Notice of Intended Writing Credits Schedule 2 156-157notification by Producer 1018-1022 143-145objectionsalternative to arbitration 1040 149arbitration procedure for 1024-1037 145-148no objection received within 14 days 1022 144-145submitted in writing 1024 145obligation to give credit 1001 140pen-name 1023 145participating writer, definition 1027, 1032 146, 147position, size, and sequence 1013-1016 142-143Producer’s duty to notify 1018-1022 143-145production credits 1046-1047 151productions made or issued by a third party 1043 150productions other than Feature Films and television 1002 140pseudonyms 1023 145sequence of 1015-1016 142-143sharing of A912 33Story Consultant/Story Editor 1018 143-144subsidiary writing creditslimits on 1010 141form of 1005-1007, 1012 141-142Team of Writers 1012, 1041 142, 149Television Productions 1004 140-41unauthorized form of credit 1007 141Variety Programs 1004(c) 141Writer is also director or Producer 1008 141Writers Guildlogo 1047 151participation in credit arbitration 1027-1028 146deadline, failure of Writer to meet 118 121deductions from fees 501-507 129-130discrimination against Writer 112 120Draft Script, definition 206 124exercise of rights 901 133Feature Film, definition 207 124Goods and Services Tax 113 120grievance see also arbitration, Joint Standing Committeedefinition 902 133failure to settle 908 135grievance meeting 906, 907 134,135initiation of formal procedure 904, 905 134notification of parties 906 134266
settlement without recourse to formal procedures 903 134Gross Fees, definition 208 124Independent Production Agreement not to apply to 105 118-119insurance 501 129interest on late payment 115 120Joint Standing Committee see also arbitration, grievanceappointment to 912 135chair-person 914 136convening of 910 135decisions of 918, 919 137documents and correspondence 913 136failure to reach a decision 919 137hearing by 915 136-137not authorized to amend this Agreement 917 137procedures 914, 915, 916 136-137referral of grievance to 908, 909 135representation on 911, 912 135-136time limits for presentations 915 136-137witnesses 913 136late material 118 121Merchandising Rightsassigned by Writer to Producer 805 132definition 209 124minimum fees 302, 303 126, 127negotiation of superior terms and benefits 109 119non-members 106 119Notice of Engagement form 125 122Notice of Intended Writing Credits Schedule 2 156-157oral agreements 123 122Outline, definition 210 124payments to Animation Writer 114, 115, 116, 122 120-121Polish, definition 211 124Prizes 808 133Producerdefinition 212 124to notify Writer of previously engaged writers 119 121retirement plancontribution by Producer 502 129deduction from fees 503 129retransmission royalties 810 133Rewrite, definition 213 124rights licensed 802 131-132Screen Story, definition 214 125Script changes 306 127Script Fee267
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IPA2012-2014Effective November 1, 2
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TABLE OF CONTENTSSection A: General
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Note:Capitalized words in this Agre
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Guild that for reasons of conscienc
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A113 During the period of renegotia
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A211 Daily Dramatic Serial means a
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A227 Free Television means the exhi
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A239 Pilot means the sample episode
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asic narrative, idea, or theme and
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Show Writer (Variety) means a perso
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ARTICLE A4 - NO STRIKE AND UNFAIR D
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or fifteen (15) business days prior
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v) the Joint Standing Committee sha
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A525 The decision of the Arbitrator
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A604 When a Producer is considering
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ii) the performance, communication
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e) Either party upon receipt of not
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A802 Story Editors or Story Consult
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) Where a Writer has made a substan
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When Writers’ names are separated
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proposes a Writer who is also a dir
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Material as available relating to t
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A939 The decision of the Arbitrator
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emain responsible for all obligatio
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i) whom the CMPA or APFTQ confirms
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A1109the Script Material the Produc
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) At least annually and while the p
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A1113payments to which the Writer o
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Pilot, etc.) or $2,000 per episode
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mutually agreed upon by the parties
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not included in the Script. One Pol
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B113a) Where a Writer originates in
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c) Should the Producer wish to cont
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ii) what the development format is
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SECTION C - ADDITIONAL CONDITIONS A
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C117 Documentary Feature Film Polis
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paid as follows:a) on signing of th
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v) All or part of the Script Fee an
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ARTICLE C3 - TELEVISION PRODUCTION
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) based on a Story or Screen Story
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C404 Story or Screen Story2012 2013
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a) based on a Story or Screen Story
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60 minutes or less 3,810 3,886 3,92
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C510i) on signing of the contract 1
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ORb) twenty percent (20%) of the Wr
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C604 Contributing WritersFor each i
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ARTICLE C7 - TELEVISION MAGAZINE SH
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3 minutes orlessEachadditionalminut
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) Script Fees:For each Script on wh
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ARTICLE C9 - TELEVISION CONTINUITYW
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iv) when the program has grossed ov
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C1005 Production FeeOn the first da
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$10,500,000 ($231,825 plus 2% of $5
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) Distributors’ Gross Revenue sha
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c) evidence, satisfactory to the Gu
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SECTION D - OTHER PRODUCTION: SPONS
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ARTICLE D3 - DISTRIBUTION AND USE R
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g) All EducationalWorldh) All of th
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ARTICLE E2 - DEFINITIONSThe followi
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E304E305E306E307E308Grievance Proce
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E404E405E406E407Subsequent WriterIf
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ANIMATION SECTIONThis section is se
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110 Prior to contracting an Animati
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123 No purely oral agreement shall
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205 Collective Society means a soci
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contribution to a Final Script; pro
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ii) on delivery of the material 75%
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503 Deduction From Animation Writer
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to Article 807, the Producer shall
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902 A Grievance is defined as a dif
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912 The Association’s representat
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920 Arbitration. Within two (2) wee
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Association des Producteurs de Film
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LIMITATION OF NUMBER OF WRITERS1009
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DUTY OF PRODUCER TO NOTIFY1018 No l
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1025 The Guild shall forward notice
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1034 The decision of the Arbitrator
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c) the Producer and the Guild are n
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1. a) In the case of a Blended Prod
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Please check one of the following:F
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Animation Section - Schedule 2(See
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Animation Section - Schedule 3Terms
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Animation Section will also bind al
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B. When a Writer is engaged to tran
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SCHEDULE 4 - CONT.REGULAR EMPLOYEE
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APPENDIX ANEGOTIATION PROTOCOLTHE W
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4. Agreement to Bargain in Good Fai
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the Guild may not have complied wit
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(g)(h)(i)(j)(k)(l)subject to the bo
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For CMPA Members:____ The Producer
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APPENDIX C(See Article A704)IPA 201
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-3-2. All additional terms must be
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-2-Tentative Credit: ______________
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APPENDIX E(See Article A707, Animat
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B) Production personnel sharing cre
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APPENDIX GINDEPENDENT PRODUCTION AG
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in the Production to the Distributo
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are assumed by the Distributor here
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Dated this day of , 20__ .Purchaser
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Dated this day of , 20__.Purchaser
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Dated this ________ day of ________
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APPENDIX M(See Section F)IPA 2012-2
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-3-2. All additional terms must be
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We hereby certify that we are/are n
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AncillaryMaterials:________________
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APPENDIX O(See Article E102)CORPORA
Page 222 and 223: APPENDIX QQUEBEC APPENDIX (IPA)As t
Page 224 and 225: A105 Subject to the provisions of A
Page 226 and 227: conditions of Article A4 of the IPA
Page 228 and 229: APPENDIX Q - CONT.REGULAR EMPLOYEE
Page 230: APPENDIX RTerms Pertaining to APFTQ
Page 234 and 235: APPENDIX T
Page 236 and 237: APPENDIX VCORPORATE GUARANTEEMEMORA
Page 238 and 239: to the date of such termination by
Page 240 and 241: APPENDIX X
Page 242 and 243: 22 Minutes X Inc.22 Minutes XI Inco
Page 244 and 245: Big Soul Productions, Inc.Big Widge
Page 246 and 247: Cradle Will Fall Productions Inc.Cr
Page 248 and 249: Frantic Manitoba Productions, Inc.F
Page 250 and 251: Johnny Test IV ProductionsJohnson P
Page 252 and 253: Missing Productions II CorpMissing
Page 254 and 255: Prairie Pants Productions IVPrairie
Page 256 and 257: Shaftesbury Development Inc.Shaftes
Page 258 and 259: Take It Personally Productions, Inc
Page 260 and 261: Part B - List of Producers Bound by
Page 262 and 263: Code2 Productions Inc for “Franni
Page 264 and 265: Johnny Test Productions Inc. for Jo
Page 266 and 267: Nelvana Ltd for the production “J
Page 268 and 269: WRITERS GUILD OF CANADA366 Adelaide
Page 270 and 271: Writers, Story Editors and Story Co
Page 274 and 275: definition 215 125minimum 301-303 1
Page 276 and 277: BIBLEAnimation Bible for APFTQ memb
Page 278 and 279: CONSULTING see STORY CONSULTANTSCON
Page 280 and 281: extension of time to complete assig
Page 282 and 283: Story Consultant/Story Editor A921
Page 284 and 285: paid to Writer after termination of
Page 286 and 287: FEATURE FILM see also SCRIPTAnimati
Page 288 and 289: INSOLVENCY see BANKRUPTCYINSTALMENT
Page 290 and 291: Television Continuitydistribution r
Page 292 and 293: application to Appendix T 228NON-CE
Page 294 and 295: Writer, Story Editor or Story Consu
Page 296 and 297: Excerpts B116 60Group Writers C412
Page 298 and 299: Television Production other than Mo
Page 300 and 301: definition A247 11Excerpts B116 60F
Page 302 and 303: AFPTQ Appendix Q 216-223conflict wi
Page 304 and 305: USE FEE ROYALTIES see DISTRIBUTION
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