Printable PDF verion - Writers Guild of Canada

More documents

Recommendations

Info

Dated this ________ day of ________________, 2______.____________________________(Signature of signing officer)____________________________(Print or type name)204
APPENDIX LBLENDED PRODUCTIONBlended Production means a program which combines live action andanimation techniques.1. a) In the case of a Blended Production where fifty-one percent (51%)or more of the longest initial version of the program consists of live-actioncontent, the Writer(s) shall be contracted under the general provisions of theIndependent Production Agreement.b) In the case of a Blended Production where fifty-one percent (51%)or more of the longest initial version of the program consists of animationcontent, the Writer(s) shall be contracted under the Animation Section.2. Where a program does not clearly fall into 1 a) or b) above, the Guild,the Producer and the relevant Association shall discuss the appropriatecontracting for the program. Where the parties above are unable to agree,the matter shall be referred to a Joint Standing Committee, or, at the requestof any of the parties, to Arbitration.205
Page 1 and 2:
IPA2012-2014Effective November 1, 2
Page 3:
TABLE OF CONTENTSSection A: General
Page 6 and 7:
Note:Capitalized words in this Agre
Page 8 and 9:
Guild that for reasons of conscienc
Page 10 and 11:
A113 During the period of renegotia
Page 12 and 13:
A211 Daily Dramatic Serial means a
Page 14 and 15:
A227 Free Television means the exhi
Page 16 and 17:
A239 Pilot means the sample episode
Page 18 and 19:
asic narrative, idea, or theme and
Page 20 and 21:
Show Writer (Variety) means a perso
Page 22 and 23:
ARTICLE A4 - NO STRIKE AND UNFAIR D
Page 24 and 25:
or fifteen (15) business days prior
Page 26 and 27:
v) the Joint Standing Committee sha
Page 28 and 29:
A525 The decision of the Arbitrator
Page 30 and 31:
A604 When a Producer is considering
Page 32 and 33:
ii) the performance, communication
Page 34 and 35:
e) Either party upon receipt of not
Page 36 and 37:
A802 Story Editors or Story Consult
Page 38 and 39:
) Where a Writer has made a substan
Page 40 and 41:
When Writers’ names are separated
Page 42 and 43:
proposes a Writer who is also a dir
Page 44 and 45:
Material as available relating to t
Page 46 and 47:
A939 The decision of the Arbitrator
Page 48 and 49:
emain responsible for all obligatio
Page 50 and 51:
i) whom the CMPA or APFTQ confirms
Page 52 and 53:
A1109the Script Material the Produc
Page 54 and 55:
) At least annually and while the p
Page 56 and 57:
A1113payments to which the Writer o
Page 58 and 59:
Pilot, etc.) or $2,000 per episode
Page 60 and 61:
mutually agreed upon by the parties
Page 62 and 63:
not included in the Script. One Pol
Page 64 and 65:
B113a) Where a Writer originates in
Page 66 and 67:
c) Should the Producer wish to cont
Page 68 and 69:
ii) what the development format is
Page 70 and 71:
SECTION C - ADDITIONAL CONDITIONS A
Page 72 and 73:
C117 Documentary Feature Film Polis
Page 74 and 75:
paid as follows:a) on signing of th
Page 76 and 77:
v) All or part of the Script Fee an
Page 78 and 79:
ARTICLE C3 - TELEVISION PRODUCTION
Page 80 and 81:
) based on a Story or Screen Story
Page 82 and 83:
C404 Story or Screen Story2012 2013
Page 84 and 85:
a) based on a Story or Screen Story
Page 86 and 87:
60 minutes or less 3,810 3,886 3,92
Page 88 and 89:
C510i) on signing of the contract 1
Page 90 and 91:
ORb) twenty percent (20%) of the Wr
Page 92 and 93:
C604 Contributing WritersFor each i
Page 94 and 95:
ARTICLE C7 - TELEVISION MAGAZINE SH
Page 96 and 97:
3 minutes orlessEachadditionalminut
Page 98 and 99:
) Script Fees:For each Script on wh
Page 100 and 101:
ARTICLE C9 - TELEVISION CONTINUITYW
Page 102 and 103:
iv) when the program has grossed ov
Page 104 and 105:
C1005 Production FeeOn the first da
Page 106 and 107:
$10,500,000 ($231,825 plus 2% of $5
Page 108 and 109:
) Distributors’ Gross Revenue sha
Page 110 and 111:
c) evidence, satisfactory to the Gu
Page 112 and 113:
SECTION D - OTHER PRODUCTION: SPONS
Page 114 and 115:
ARTICLE D3 - DISTRIBUTION AND USE R
Page 116 and 117:
g) All EducationalWorldh) All of th
Page 118 and 119:
ARTICLE E2 - DEFINITIONSThe followi
Page 120 and 121:
E304E305E306E307E308Grievance Proce
Page 122 and 123:
E404E405E406E407Subsequent WriterIf
Page 124 and 125:
ANIMATION SECTIONThis section is se
Page 126 and 127:
110 Prior to contracting an Animati
Page 128 and 129:
123 No purely oral agreement shall
Page 130 and 131:
205 Collective Society means a soci
Page 132 and 133:
contribution to a Final Script; pro
Page 134 and 135:
ii) on delivery of the material 75%
Page 136 and 137:
503 Deduction From Animation Writer
Page 138 and 139:
to Article 807, the Producer shall
Page 140 and 141:
902 A Grievance is defined as a dif
Page 142 and 143:
912 The Association’s representat
Page 144 and 145:
920 Arbitration. Within two (2) wee
Page 146 and 147:
Association des Producteurs de Film
Page 148 and 149:
LIMITATION OF NUMBER OF WRITERS1009
Page 150 and 151:
DUTY OF PRODUCER TO NOTIFY1018 No l
Page 152 and 153:
1025 The Guild shall forward notice
Page 154 and 155:
1034 The decision of the Arbitrator
Page 156 and 157:
c) the Producer and the Guild are n
Page 158 and 159:
1. a) In the case of a Blended Prod
Page 160 and 161: Please check one of the following:F
Page 162 and 163: Animation Section - Schedule 2(See
Page 164: Animation Section - Schedule 3Terms
Page 167 and 168: Animation Section will also bind al
Page 169 and 170: B. When a Writer is engaged to tran
Page 171 and 172: SCHEDULE 4 - CONT.REGULAR EMPLOYEE
Page 175 and 176: APPENDIX ANEGOTIATION PROTOCOLTHE W
Page 177 and 178: 4. Agreement to Bargain in Good Fai
Page 179 and 180: the Guild may not have complied wit
Page 181: (g)(h)(i)(j)(k)(l)subject to the bo
Page 184 and 185: For CMPA Members:____ The Producer
Page 186 and 187: APPENDIX C(See Article A704)IPA 201
Page 188 and 189: -3-2. All additional terms must be
Page 190 and 191: -2-Tentative Credit: ______________
Page 192 and 193: APPENDIX E(See Article A707, Animat
Page 194 and 195: B) Production personnel sharing cre
Page 196 and 197: APPENDIX GINDEPENDENT PRODUCTION AG
Page 202 and 203: in the Production to the Distributo
Page 204 and 205: are assumed by the Distributor here
Page 206 and 207: Dated this day of , 20__ .Purchaser
Page 208 and 209: Dated this day of , 20__.Purchaser
Page 212 and 213: APPENDIX M(See Section F)IPA 2012-2
Page 214 and 215: -3-2. All additional terms must be
Page 216 and 217: We hereby certify that we are/are n
Page 218 and 219: AncillaryMaterials:________________
Page 220 and 221: APPENDIX O(See Article E102)CORPORA
Page 222 and 223: APPENDIX QQUEBEC APPENDIX (IPA)As t
Page 224 and 225: A105 Subject to the provisions of A
Page 226 and 227: conditions of Article A4 of the IPA
Page 228 and 229: APPENDIX Q - CONT.REGULAR EMPLOYEE
Page 230: APPENDIX RTerms Pertaining to APFTQ
Page 234 and 235: APPENDIX T
Page 236 and 237: APPENDIX VCORPORATE GUARANTEEMEMORA
Page 238 and 239: to the date of such termination by
Page 240 and 241: APPENDIX X
Page 242 and 243: 22 Minutes X Inc.22 Minutes XI Inco
Page 244 and 245: Big Soul Productions, Inc.Big Widge
Page 246 and 247: Cradle Will Fall Productions Inc.Cr
Page 248 and 249: Frantic Manitoba Productions, Inc.F
Page 250 and 251: Johnny Test IV ProductionsJohnson P
Page 252 and 253: Missing Productions II CorpMissing
Page 254 and 255: Prairie Pants Productions IVPrairie
Page 256 and 257: Shaftesbury Development Inc.Shaftes
Page 258 and 259: Take It Personally Productions, Inc
Page 260 and 261:
Part B - List of Producers Bound by
Page 262 and 263:
Code2 Productions Inc for “Franni
Page 264 and 265:
Johnny Test Productions Inc. for Jo
Page 266 and 267:
Nelvana Ltd for the production “J
Page 268 and 269:
WRITERS GUILD OF CANADA366 Adelaide
Page 270 and 271:
Writers, Story Editors and Story Co
Page 272 and 273:
Magazine Format Program 1004(c) 141
Page 274 and 275:
definition 215 125minimum 301-303 1
Page 276 and 277:
BIBLEAnimation Bible for APFTQ memb
Page 278 and 279:
CONSULTING see STORY CONSULTANTSCON
Page 280 and 281:
extension of time to complete assig
Page 282 and 283:
Story Consultant/Story Editor A921
Page 284 and 285:
paid to Writer after termination of
Page 286 and 287:
FEATURE FILM see also SCRIPTAnimati
Page 288 and 289:
INSOLVENCY see BANKRUPTCYINSTALMENT
Page 290 and 291:
Television Continuitydistribution r
Page 292 and 293:
application to Appendix T 228NON-CE
Page 294 and 295:
Writer, Story Editor or Story Consu
Page 296 and 297:
Excerpts B116 60Group Writers C412
Page 298 and 299:
Television Production other than Mo
Page 300 and 301:
definition A247 11Excerpts B116 60F
Page 302 and 303:
AFPTQ Appendix Q 216-223conflict wi
Page 304 and 305:
USE FEE ROYALTIES see DISTRIBUTION
show all

Printable PDF verion - Writers Guild of Canada

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?