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A239 Pilot means the sample episode for a proposed dramatic television Serieswhich sets the initial premise, characters and format of the Series. It isacknowledged that not every television series has a Pilot.A240 Polish means minor improvements of script details within the basic structureof the scenes as written, and shall not include changes in the structure,addition or deletion of characters, alterations of plot, or reworking of morethan five percent (5%) of the dialogue.A241 Producer means the individual, corporation, partnership, limited partnershipor other person that controls, administers, or is responsible for a program(whether or not that Producer is or will be the copyright holder of thefinished program).A242 Production Fee means the fee provided in Article C10.A243 Related Person means, in relation to the Producer and/or Distributor as thecase may be: any individual, corporation, partnership, limited partnership,or other person which:i) legally controls the Producer,ii) is legally controlled by or affiliated with the Producer,In this Agreement “legal control” in relation to a corporation meansownership by the applicable person of securities of the corporation towhich are attached more than fifty percent (50%) of the votes that maybe cast to elect the directors of the corporation.For the purposes of this Agreement, the Producer shall be deemed to beaffiliated with another legal entity if one of them is a legally- controlledsubsidiary of the other or both are legally-controlled subsidiaries of thesame legal entity or each of them is legally-controlled, directly orindirectly, by the same legal entity or person.A244 Residual means a payment for use which is based on the Script Fee.A245 Rewrite means writing which significantly changes the plot, story line,dialogue, and/or the characters in a Script10
A246 Screen Story means written narrative material contracted under thisAgreement for a Television Production, based on Source Material,consisting of the basic narrative, idea, or theme and indicating characterdevelopment and action suitable for use in or representing a substantialcontribution to a Final Script; provided, however, that the Writer shall notbe obligated to (a) insert dialogue in a Screen Story (except to the extentnecessary to show characterization), or (b) prepare the Screen Story in theform of an Outline. There is no differentiation between Story or ScreenStory for compensation purposes. When no Story or Screen Story iscontracted separately, the Story or Screen Story shall be deemed to beincluded in the Outline. In the case of a Feature Film, the Story or ScreenStory shall be deemed to be included in the Treatment.A247 Script means a fully written work for a production in screen terms,embodying individual scenes, full dialogue and/or monologue, Narration (ifrequired) and any other descriptions or details necessary to facilitateproduction. See also Feature Film Script (Screenplay) and Television Script(Teleplay).A248 Script Fee means the negotiated fee as provided for Script Material.A249 Script Material means any material covered by this Agreement and includesBook/Libretto, Continuity, Documentary Script, Draft Script, Narration,Narration Script, Outline, Polish, Rewrite, Screen Story, Script, Story, andTreatment for use in any form of production covered by this Agreement.A250 Serial means a series of programs in which, generally, the same characterscarry on a continuing narrative.A251 Series means a series of episodes, each complete in itself held together bythe same title or identifying device, common to all the programs in theseries, or main characters common to many or all of the episodes.A252 Source Material means any material which was not written specifically for aprogram or Feature Film but which becomes the basis for a Script or ScreenStory.A253 Story means written narrative material contracted under this Agreement fora Television Production, not based on Source Material, consisting of the11
Page 1 and 2: IPA2012-2014Effective November 1, 2
Page 3: TABLE OF CONTENTSSection A: General
Page 6 and 7: Note:Capitalized words in this Agre
Page 8 and 9: Guild that for reasons of conscienc
Page 10 and 11: A113 During the period of renegotia
Page 12 and 13: A211 Daily Dramatic Serial means a
Page 14 and 15: A227 Free Television means the exhi
Page 18 and 19: asic narrative, idea, or theme and
Page 20 and 21: Show Writer (Variety) means a perso
Page 22 and 23: ARTICLE A4 - NO STRIKE AND UNFAIR D
Page 24 and 25: or fifteen (15) business days prior
Page 26 and 27: v) the Joint Standing Committee sha
Page 28 and 29: A525 The decision of the Arbitrator
Page 30 and 31: A604 When a Producer is considering
Page 32 and 33: ii) the performance, communication
Page 34 and 35: e) Either party upon receipt of not
Page 36 and 37: A802 Story Editors or Story Consult
Page 38 and 39: ) Where a Writer has made a substan
Page 40 and 41: When Writers’ names are separated
Page 42 and 43: proposes a Writer who is also a dir
Page 44 and 45: Material as available relating to t
Page 46 and 47: A939 The decision of the Arbitrator
Page 48 and 49: emain responsible for all obligatio
Page 50 and 51: i) whom the CMPA or APFTQ confirms
Page 52 and 53: A1109the Script Material the Produc
Page 54 and 55: ) At least annually and while the p
Page 56 and 57: A1113payments to which the Writer o
Page 58 and 59: Pilot, etc.) or $2,000 per episode
Page 60 and 61: mutually agreed upon by the parties
Page 62 and 63: not included in the Script. One Pol
Page 64 and 65: B113a) Where a Writer originates in
Page 66 and 67:
c) Should the Producer wish to cont
Page 68 and 69:
ii) what the development format is
Page 70 and 71:
SECTION C - ADDITIONAL CONDITIONS A
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C117 Documentary Feature Film Polis
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paid as follows:a) on signing of th
Page 76 and 77:
v) All or part of the Script Fee an
Page 78 and 79:
ARTICLE C3 - TELEVISION PRODUCTION
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) based on a Story or Screen Story
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C404 Story or Screen Story2012 2013
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a) based on a Story or Screen Story
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60 minutes or less 3,810 3,886 3,92
Page 88 and 89:
C510i) on signing of the contract 1
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ORb) twenty percent (20%) of the Wr
Page 92 and 93:
C604 Contributing WritersFor each i
Page 94 and 95:
ARTICLE C7 - TELEVISION MAGAZINE SH
Page 96 and 97:
3 minutes orlessEachadditionalminut
Page 98 and 99:
) Script Fees:For each Script on wh
Page 100 and 101:
ARTICLE C9 - TELEVISION CONTINUITYW
Page 102 and 103:
iv) when the program has grossed ov
Page 104 and 105:
C1005 Production FeeOn the first da
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$10,500,000 ($231,825 plus 2% of $5
Page 108 and 109:
) Distributors’ Gross Revenue sha
Page 110 and 111:
c) evidence, satisfactory to the Gu
Page 112 and 113:
SECTION D - OTHER PRODUCTION: SPONS
Page 114 and 115:
ARTICLE D3 - DISTRIBUTION AND USE R
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g) All EducationalWorldh) All of th
Page 118 and 119:
ARTICLE E2 - DEFINITIONSThe followi
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E304E305E306E307E308Grievance Proce
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E404E405E406E407Subsequent WriterIf
Page 124 and 125:
ANIMATION SECTIONThis section is se
Page 126 and 127:
110 Prior to contracting an Animati
Page 128 and 129:
123 No purely oral agreement shall
Page 130 and 131:
205 Collective Society means a soci
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contribution to a Final Script; pro
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ii) on delivery of the material 75%
Page 136 and 137:
503 Deduction From Animation Writer
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to Article 807, the Producer shall
Page 140 and 141:
902 A Grievance is defined as a dif
Page 142 and 143:
912 The Association’s representat
Page 144 and 145:
920 Arbitration. Within two (2) wee
Page 146 and 147:
Association des Producteurs de Film
Page 148 and 149:
LIMITATION OF NUMBER OF WRITERS1009
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DUTY OF PRODUCER TO NOTIFY1018 No l
Page 152 and 153:
1025 The Guild shall forward notice
Page 154 and 155:
1034 The decision of the Arbitrator
Page 156 and 157:
c) the Producer and the Guild are n
Page 158 and 159:
1. a) In the case of a Blended Prod
Page 160 and 161:
Please check one of the following:F
Page 162 and 163:
Animation Section - Schedule 2(See
Page 164:
Animation Section - Schedule 3Terms
Page 167 and 168:
Animation Section will also bind al
Page 169 and 170:
B. When a Writer is engaged to tran
Page 171 and 172:
SCHEDULE 4 - CONT.REGULAR EMPLOYEE
Page 175 and 176:
APPENDIX ANEGOTIATION PROTOCOLTHE W
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4. Agreement to Bargain in Good Fai
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the Guild may not have complied wit
Page 181:
(g)(h)(i)(j)(k)(l)subject to the bo
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For CMPA Members:____ The Producer
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APPENDIX C(See Article A704)IPA 201
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-3-2. All additional terms must be
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-2-Tentative Credit: ______________
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APPENDIX E(See Article A707, Animat
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B) Production personnel sharing cre
Page 196 and 197:
APPENDIX GINDEPENDENT PRODUCTION AG
Page 198 and 199:
Page 200 and 201:
Page 202 and 203:
in the Production to the Distributo
Page 204 and 205:
are assumed by the Distributor here
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Dated this day of , 20__ .Purchaser
Page 208 and 209:
Dated this day of , 20__.Purchaser
Page 210 and 211:
Dated this ________ day of ________
Page 212 and 213:
APPENDIX M(See Section F)IPA 2012-2
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-3-2. All additional terms must be
Page 216 and 217:
We hereby certify that we are/are n
Page 218 and 219:
AncillaryMaterials:________________
Page 220 and 221:
APPENDIX O(See Article E102)CORPORA
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APPENDIX QQUEBEC APPENDIX (IPA)As t
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A105 Subject to the provisions of A
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conditions of Article A4 of the IPA
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APPENDIX Q - CONT.REGULAR EMPLOYEE
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APPENDIX RTerms Pertaining to APFTQ
Page 234 and 235:
APPENDIX T
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APPENDIX VCORPORATE GUARANTEEMEMORA
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to the date of such termination by
Page 240 and 241:
APPENDIX X
Page 242 and 243:
22 Minutes X Inc.22 Minutes XI Inco
Page 244 and 245:
Big Soul Productions, Inc.Big Widge
Page 246 and 247:
Cradle Will Fall Productions Inc.Cr
Page 248 and 249:
Frantic Manitoba Productions, Inc.F
Page 250 and 251:
Johnny Test IV ProductionsJohnson P
Page 252 and 253:
Missing Productions II CorpMissing
Page 254 and 255:
Prairie Pants Productions IVPrairie
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Shaftesbury Development Inc.Shaftes
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Take It Personally Productions, Inc
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Part B - List of Producers Bound by
Page 262 and 263:
Code2 Productions Inc for “Franni
Page 264 and 265:
Johnny Test Productions Inc. for Jo
Page 266 and 267:
Nelvana Ltd for the production “J
Page 268 and 269:
WRITERS GUILD OF CANADA366 Adelaide
Page 270 and 271:
Writers, Story Editors and Story Co
Page 272 and 273:
Magazine Format Program 1004(c) 141
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definition 215 125minimum 301-303 1
Page 276 and 277:
BIBLEAnimation Bible for APFTQ memb
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CONSULTING see STORY CONSULTANTSCON
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extension of time to complete assig
Page 282 and 283:
Story Consultant/Story Editor A921
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paid to Writer after termination of
Page 286 and 287:
FEATURE FILM see also SCRIPTAnimati
Page 288 and 289:
INSOLVENCY see BANKRUPTCYINSTALMENT
Page 290 and 291:
Television Continuitydistribution r
Page 292 and 293:
application to Appendix T 228NON-CE
Page 294 and 295:
Writer, Story Editor or Story Consu
Page 296 and 297:
Excerpts B116 60Group Writers C412
Page 298 and 299:
Television Production other than Mo
Page 300 and 301:
definition A247 11Excerpts B116 60F
Page 302 and 303:
AFPTQ Appendix Q 216-223conflict wi
Page 304 and 305:
USE FEE ROYALTIES see DISTRIBUTION
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