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E404E405E406E407Subsequent WriterIf a Script based on an Outline, First Draft Script or Second Draft Script, issubsequently commissioned from another Writer, the Producer shall firstcontact the original Writer, and negotiate a payment to enable a newcontract to be executed between a new Writer and the Producer. If theProducer provided the Writer with the Concept for the Production, allrights in the Concept shall remain with the Producer.Rights LicensedOn payment of the full Contract Fee, the Producer shall acquire anexclusive license to produce a single Production made from the Script, theright to translate the Script Material for dubbing purposes, and anexclusive license for all distribution, other than Additional Use and asprovided for in the contract.Daily Rate/Half Day RateThe Writer may negotiate a daily or half daily rate.Additional UseIt is understood the daily fee as negotiated covers writing for non-Broadcast programming use. The Producer shall negotiate with the Writera further payment for rights for Additional Uses. Such rights shall beconveyed as follows:a) One free use on community cable channel shall be included in thenegotiated fee;b) For other Broadcast use, the Writer shall receive a payment of tenpercent (10%) of the Contracted Fee for each use;c) For any other Additional Use, as defined, a fee shall be negotiated withthe writer prior to such use;d) Programs may be entered in festivals and competitions, and all usesancillary and incidental to such festivals and competitions may beauthorized without additional payment. However, if as a result, aProgram is broadcast or used, such uses will be dealt with in terms ofthis Article. Wherever possible, the Writer shall be advised in writingof any Program entered in a festival or competition.116
SECTION F – DIGITAL PRODUCTIONF101 Digital Production means audio-visual or visual-only (i.e. with movingimages, or electronically- or otherwise-generated images that simulatemovement) production produced for initial exhibition on the Internet orother non-traditional, non-broadcast platforms and is transmitted from aserver or other non-broadcast transmitting technology to a screen at the enduser’s location.F102 The Guild, the Producer, and the Association shall negotiate in good faith inrelation to the terms and conditions of engagement of Writers, including feefor use, and conversion to conventional media, and at a minimum,i) the Producer shall be required to make contributions, on behalf of theWriters, on account of Insurance & Retirement Plans as per A13 ofthe IPA; and,ii) remit administration fees and make deductions from each Writer’sremuneration as per Articles A12 and A13; andiii) the Writer’s credit must appear on the same platform and in the samemanner where the producer and/or director are credited; andiv) use the Standard Writer Contract for Digital Production provided inthe IPA (Appendix M).117
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IPA2012-2014Effective November 1, 2
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TABLE OF CONTENTSSection A: General
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Note:Capitalized words in this Agre
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Guild that for reasons of conscienc
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A113 During the period of renegotia
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A211 Daily Dramatic Serial means a
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A227 Free Television means the exhi
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A239 Pilot means the sample episode
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asic narrative, idea, or theme and
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Show Writer (Variety) means a perso
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ARTICLE A4 - NO STRIKE AND UNFAIR D
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or fifteen (15) business days prior
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v) the Joint Standing Committee sha
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A525 The decision of the Arbitrator
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A604 When a Producer is considering
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ii) the performance, communication
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e) Either party upon receipt of not
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A802 Story Editors or Story Consult
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) Where a Writer has made a substan
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When Writers’ names are separated
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proposes a Writer who is also a dir
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Material as available relating to t
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A939 The decision of the Arbitrator
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emain responsible for all obligatio
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i) whom the CMPA or APFTQ confirms
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A1109the Script Material the Produc
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) At least annually and while the p
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A1113payments to which the Writer o
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Pilot, etc.) or $2,000 per episode
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mutually agreed upon by the parties
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not included in the Script. One Pol
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B113a) Where a Writer originates in
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c) Should the Producer wish to cont
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ii) what the development format is
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SECTION C - ADDITIONAL CONDITIONS A
Page 72 and 73: C117 Documentary Feature Film Polis
Page 74 and 75: paid as follows:a) on signing of th
Page 76 and 77: v) All or part of the Script Fee an
Page 78 and 79: ARTICLE C3 - TELEVISION PRODUCTION
Page 80 and 81: ) based on a Story or Screen Story
Page 82 and 83: C404 Story or Screen Story2012 2013
Page 84 and 85: a) based on a Story or Screen Story
Page 86 and 87: 60 minutes or less 3,810 3,886 3,92
Page 88 and 89: C510i) on signing of the contract 1
Page 90 and 91: ORb) twenty percent (20%) of the Wr
Page 92 and 93: C604 Contributing WritersFor each i
Page 94 and 95: ARTICLE C7 - TELEVISION MAGAZINE SH
Page 96 and 97: 3 minutes orlessEachadditionalminut
Page 98 and 99: ) Script Fees:For each Script on wh
Page 100 and 101: ARTICLE C9 - TELEVISION CONTINUITYW
Page 102 and 103: iv) when the program has grossed ov
Page 104 and 105: C1005 Production FeeOn the first da
Page 106 and 107: $10,500,000 ($231,825 plus 2% of $5
Page 108 and 109: ) Distributors’ Gross Revenue sha
Page 110 and 111: c) evidence, satisfactory to the Gu
Page 112 and 113: SECTION D - OTHER PRODUCTION: SPONS
Page 114 and 115: ARTICLE D3 - DISTRIBUTION AND USE R
Page 116 and 117: g) All EducationalWorldh) All of th
Page 118 and 119: ARTICLE E2 - DEFINITIONSThe followi
Page 120 and 121: E304E305E306E307E308Grievance Proce
Page 124 and 125: ANIMATION SECTIONThis section is se
Page 126 and 127: 110 Prior to contracting an Animati
Page 128 and 129: 123 No purely oral agreement shall
Page 130 and 131: 205 Collective Society means a soci
Page 132 and 133: contribution to a Final Script; pro
Page 134 and 135: ii) on delivery of the material 75%
Page 136 and 137: 503 Deduction From Animation Writer
Page 138 and 139: to Article 807, the Producer shall
Page 140 and 141: 902 A Grievance is defined as a dif
Page 142 and 143: 912 The Association’s representat
Page 144 and 145: 920 Arbitration. Within two (2) wee
Page 146 and 147: Association des Producteurs de Film
Page 148 and 149: LIMITATION OF NUMBER OF WRITERS1009
Page 150 and 151: DUTY OF PRODUCER TO NOTIFY1018 No l
Page 152 and 153: 1025 The Guild shall forward notice
Page 154 and 155: 1034 The decision of the Arbitrator
Page 156 and 157: c) the Producer and the Guild are n
Page 158 and 159: 1. a) In the case of a Blended Prod
Page 160 and 161: Please check one of the following:F
Page 162 and 163: Animation Section - Schedule 2(See
Page 164: Animation Section - Schedule 3Terms
Page 167 and 168: Animation Section will also bind al
Page 169 and 170: B. When a Writer is engaged to tran
Page 171 and 172: SCHEDULE 4 - CONT.REGULAR EMPLOYEE
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APPENDIX ANEGOTIATION PROTOCOLTHE W
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4. Agreement to Bargain in Good Fai
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the Guild may not have complied wit
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(g)(h)(i)(j)(k)(l)subject to the bo
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For CMPA Members:____ The Producer
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APPENDIX C(See Article A704)IPA 201
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-3-2. All additional terms must be
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-2-Tentative Credit: ______________
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APPENDIX E(See Article A707, Animat
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B) Production personnel sharing cre
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APPENDIX GINDEPENDENT PRODUCTION AG
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in the Production to the Distributo
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are assumed by the Distributor here
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Dated this day of , 20__ .Purchaser
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Dated this day of , 20__.Purchaser
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Dated this ________ day of ________
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APPENDIX M(See Section F)IPA 2012-2
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-3-2. All additional terms must be
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We hereby certify that we are/are n
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AncillaryMaterials:________________
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APPENDIX O(See Article E102)CORPORA
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APPENDIX QQUEBEC APPENDIX (IPA)As t
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A105 Subject to the provisions of A
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conditions of Article A4 of the IPA
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APPENDIX Q - CONT.REGULAR EMPLOYEE
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APPENDIX RTerms Pertaining to APFTQ
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APPENDIX T
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APPENDIX VCORPORATE GUARANTEEMEMORA
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to the date of such termination by
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APPENDIX X
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22 Minutes X Inc.22 Minutes XI Inco
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Big Soul Productions, Inc.Big Widge
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Cradle Will Fall Productions Inc.Cr
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Frantic Manitoba Productions, Inc.F
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Johnny Test IV ProductionsJohnson P
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Missing Productions II CorpMissing
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Prairie Pants Productions IVPrairie
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Shaftesbury Development Inc.Shaftes
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Take It Personally Productions, Inc
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Part B - List of Producers Bound by
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Code2 Productions Inc for “Franni
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Johnny Test Productions Inc. for Jo
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Nelvana Ltd for the production “J
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WRITERS GUILD OF CANADA366 Adelaide
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Writers, Story Editors and Story Co
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Magazine Format Program 1004(c) 141
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definition 215 125minimum 301-303 1
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BIBLEAnimation Bible for APFTQ memb
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CONSULTING see STORY CONSULTANTSCON
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extension of time to complete assig
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Story Consultant/Story Editor A921
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paid to Writer after termination of
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FEATURE FILM see also SCRIPTAnimati
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INSOLVENCY see BANKRUPTCYINSTALMENT
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Television Continuitydistribution r
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application to Appendix T 228NON-CE
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Writer, Story Editor or Story Consu
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Excerpts B116 60Group Writers C412
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Television Production other than Mo
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definition A247 11Excerpts B116 60F
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AFPTQ Appendix Q 216-223conflict wi
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USE FEE ROYALTIES see DISTRIBUTION
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