Printable PDF verion - Writers Guild of Canada
Printable PDF verion - Writers Guild of Canada Printable PDF verion - Writers Guild of Canada
E404E405E406E407Subsequent WriterIf a Script based on an Outline, First Draft Script or Second Draft Script, issubsequently commissioned from another Writer, the Producer shall firstcontact the original Writer, and negotiate a payment to enable a newcontract to be executed between a new Writer and the Producer. If theProducer provided the Writer with the Concept for the Production, allrights in the Concept shall remain with the Producer.Rights LicensedOn payment of the full Contract Fee, the Producer shall acquire anexclusive license to produce a single Production made from the Script, theright to translate the Script Material for dubbing purposes, and anexclusive license for all distribution, other than Additional Use and asprovided for in the contract.Daily Rate/Half Day RateThe Writer may negotiate a daily or half daily rate.Additional UseIt is understood the daily fee as negotiated covers writing for non-Broadcast programming use. The Producer shall negotiate with the Writera further payment for rights for Additional Uses. Such rights shall beconveyed as follows:a) One free use on community cable channel shall be included in thenegotiated fee;b) For other Broadcast use, the Writer shall receive a payment of tenpercent (10%) of the Contracted Fee for each use;c) For any other Additional Use, as defined, a fee shall be negotiated withthe writer prior to such use;d) Programs may be entered in festivals and competitions, and all usesancillary and incidental to such festivals and competitions may beauthorized without additional payment. However, if as a result, aProgram is broadcast or used, such uses will be dealt with in terms ofthis Article. Wherever possible, the Writer shall be advised in writingof any Program entered in a festival or competition.116
SECTION F – DIGITAL PRODUCTIONF101 Digital Production means audio-visual or visual-only (i.e. with movingimages, or electronically- or otherwise-generated images that simulatemovement) production produced for initial exhibition on the Internet orother non-traditional, non-broadcast platforms and is transmitted from aserver or other non-broadcast transmitting technology to a screen at the enduser’s location.F102 The Guild, the Producer, and the Association shall negotiate in good faith inrelation to the terms and conditions of engagement of Writers, including feefor use, and conversion to conventional media, and at a minimum,i) the Producer shall be required to make contributions, on behalf of theWriters, on account of Insurance & Retirement Plans as per A13 ofthe IPA; and,ii) remit administration fees and make deductions from each Writer’sremuneration as per Articles A12 and A13; andiii) the Writer’s credit must appear on the same platform and in the samemanner where the producer and/or director are credited; andiv) use the Standard Writer Contract for Digital Production provided inthe IPA (Appendix M).117
- Page 72 and 73: C117 Documentary Feature Film Polis
- Page 74 and 75: paid as follows:a) on signing of th
- Page 76 and 77: v) All or part of the Script Fee an
- Page 78 and 79: ARTICLE C3 - TELEVISION PRODUCTION
- Page 80 and 81: ) based on a Story or Screen Story
- Page 82 and 83: C404 Story or Screen Story2012 2013
- Page 84 and 85: a) based on a Story or Screen Story
- Page 86 and 87: 60 minutes or less 3,810 3,886 3,92
- Page 88 and 89: C510i) on signing of the contract 1
- Page 90 and 91: ORb) twenty percent (20%) of the Wr
- Page 92 and 93: C604 Contributing WritersFor each i
- Page 94 and 95: ARTICLE C7 - TELEVISION MAGAZINE SH
- Page 96 and 97: 3 minutes orlessEachadditionalminut
- Page 98 and 99: ) Script Fees:For each Script on wh
- Page 100 and 101: ARTICLE C9 - TELEVISION CONTINUITYW
- Page 102 and 103: iv) when the program has grossed ov
- Page 104 and 105: C1005 Production FeeOn the first da
- Page 106 and 107: $10,500,000 ($231,825 plus 2% of $5
- Page 108 and 109: ) Distributors’ Gross Revenue sha
- Page 110 and 111: c) evidence, satisfactory to the Gu
- Page 112 and 113: SECTION D - OTHER PRODUCTION: SPONS
- Page 114 and 115: ARTICLE D3 - DISTRIBUTION AND USE R
- Page 116 and 117: g) All EducationalWorldh) All of th
- Page 118 and 119: ARTICLE E2 - DEFINITIONSThe followi
- Page 120 and 121: E304E305E306E307E308Grievance Proce
- Page 124 and 125: ANIMATION SECTIONThis section is se
- Page 126 and 127: 110 Prior to contracting an Animati
- Page 128 and 129: 123 No purely oral agreement shall
- Page 130 and 131: 205 Collective Society means a soci
- Page 132 and 133: contribution to a Final Script; pro
- Page 134 and 135: ii) on delivery of the material 75%
- Page 136 and 137: 503 Deduction From Animation Writer
- Page 138 and 139: to Article 807, the Producer shall
- Page 140 and 141: 902 A Grievance is defined as a dif
- Page 142 and 143: 912 The Association’s representat
- Page 144 and 145: 920 Arbitration. Within two (2) wee
- Page 146 and 147: Association des Producteurs de Film
- Page 148 and 149: LIMITATION OF NUMBER OF WRITERS1009
- Page 150 and 151: DUTY OF PRODUCER TO NOTIFY1018 No l
- Page 152 and 153: 1025 The Guild shall forward notice
- Page 154 and 155: 1034 The decision of the Arbitrator
- Page 156 and 157: c) the Producer and the Guild are n
- Page 158 and 159: 1. a) In the case of a Blended Prod
- Page 160 and 161: Please check one of the following:F
- Page 162 and 163: Animation Section - Schedule 2(See
- Page 164: Animation Section - Schedule 3Terms
- Page 167 and 168: Animation Section will also bind al
- Page 169 and 170: B. When a Writer is engaged to tran
- Page 171 and 172: SCHEDULE 4 - CONT.REGULAR EMPLOYEE
E404E405E406E407Subsequent WriterIf a Script based on an Outline, First Draft Script or Second Draft Script, issubsequently commissioned from another Writer, the Producer shall firstcontact the original Writer, and negotiate a payment to enable a newcontract to be executed between a new Writer and the Producer. If theProducer provided the Writer with the Concept for the Production, allrights in the Concept shall remain with the Producer.Rights LicensedOn payment <strong>of</strong> the full Contract Fee, the Producer shall acquire anexclusive license to produce a single Production made from the Script, theright to translate the Script Material for dubbing purposes, and anexclusive license for all distribution, other than Additional Use and asprovided for in the contract.Daily Rate/Half Day RateThe Writer may negotiate a daily or half daily rate.Additional UseIt is understood the daily fee as negotiated covers writing for non-Broadcast programming use. The Producer shall negotiate with the Writera further payment for rights for Additional Uses. Such rights shall beconveyed as follows:a) One free use on community cable channel shall be included in thenegotiated fee;b) For other Broadcast use, the Writer shall receive a payment <strong>of</strong> tenpercent (10%) <strong>of</strong> the Contracted Fee for each use;c) For any other Additional Use, as defined, a fee shall be negotiated withthe writer prior to such use;d) Programs may be entered in festivals and competitions, and all usesancillary and incidental to such festivals and competitions may beauthorized without additional payment. However, if as a result, aProgram is broadcast or used, such uses will be dealt with in terms <strong>of</strong>this Article. Wherever possible, the Writer shall be advised in writing<strong>of</strong> any Program entered in a festival or competition.116
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