Printable PDF verion - Writers Guild of Canada
Printable PDF verion - Writers Guild of Canada Printable PDF verion - Writers Guild of Canada
ARTICLE D3 – DISTRIBUTION AND USE RIGHTSD301D302The payment of at least the minimum rates set forth in D2 shall entitle theProducer to :i) make a production based on the Script; andii) the right to distribute the Production subject only to the payment ofthe appropriate Residuals as set out in Article D302.Territory Term MinimumPercentagea) Non-Theatrical (seeArticle A235) – WorldCopyright of film 0%b) Theatrical – World Copyright of filma) if contracted and paid at the timeof the execution of the Writer’soriginal contractb) if contracted after the executionof the Writer’s original contract25%50%c) TV Broadcast “Free” or “pay” (but not including Educational TVBroadcast)Canada One run in each market 20%Montreal, Toronto,Vancouver, WinnipegAll other CanadianmarketsOne run in each market 10%One run in each market 5%United States One run in each market 40%Single US markets One run in each market 10%All other CountriesOne run in each market – eachcountry10%108
CanadaWorld other thanCanada15 years from date that payment forSecond Draft Script was due butmust be contracted and paid at thetime of the execution of the Writer’soriginal contract15 years from date that payment forSecond Draft Script was due butmust be contracted and paid at thetime of the execution of the Writer’soriginal contract50%75%d) All TV Broadcast Uses (but not including Educational TV Broadcast)Worlde) Educational TV15 years from date that payment forSecond Draft Script was due butmust be contracted and paid at thetime of the execution of the Writer’soriginal contract125%Canada One run on one station 5%CanadaOne run on more than one station oron multiple transmitters (e.g.OECA)10%f) Educational TV (not PBS – PBS is covered by “TV Broadcast”)United States One run on one station 5%United StatesOne run on more than one station oron multiple transmitters (belongingto one organization)10%109
- Page 64 and 65: B113a) Where a Writer originates in
- Page 66 and 67: c) Should the Producer wish to cont
- Page 68 and 69: ii) what the development format is
- Page 70 and 71: SECTION C - ADDITIONAL CONDITIONS A
- Page 72 and 73: C117 Documentary Feature Film Polis
- Page 74 and 75: paid as follows:a) on signing of th
- Page 76 and 77: v) All or part of the Script Fee an
- Page 78 and 79: ARTICLE C3 - TELEVISION PRODUCTION
- Page 80 and 81: ) based on a Story or Screen Story
- Page 82 and 83: C404 Story or Screen Story2012 2013
- Page 84 and 85: a) based on a Story or Screen Story
- Page 86 and 87: 60 minutes or less 3,810 3,886 3,92
- Page 88 and 89: C510i) on signing of the contract 1
- Page 90 and 91: ORb) twenty percent (20%) of the Wr
- Page 92 and 93: C604 Contributing WritersFor each i
- Page 94 and 95: ARTICLE C7 - TELEVISION MAGAZINE SH
- Page 96 and 97: 3 minutes orlessEachadditionalminut
- Page 98 and 99: ) Script Fees:For each Script on wh
- Page 100 and 101: ARTICLE C9 - TELEVISION CONTINUITYW
- Page 102 and 103: iv) when the program has grossed ov
- Page 104 and 105: C1005 Production FeeOn the first da
- Page 106 and 107: $10,500,000 ($231,825 plus 2% of $5
- Page 108 and 109: ) Distributors’ Gross Revenue sha
- Page 110 and 111: c) evidence, satisfactory to the Gu
- Page 112 and 113: SECTION D - OTHER PRODUCTION: SPONS
- Page 116 and 117: g) All EducationalWorldh) All of th
- Page 118 and 119: ARTICLE E2 - DEFINITIONSThe followi
- Page 120 and 121: E304E305E306E307E308Grievance Proce
- Page 122 and 123: E404E405E406E407Subsequent WriterIf
- Page 124 and 125: ANIMATION SECTIONThis section is se
- Page 126 and 127: 110 Prior to contracting an Animati
- Page 128 and 129: 123 No purely oral agreement shall
- Page 130 and 131: 205 Collective Society means a soci
- Page 132 and 133: contribution to a Final Script; pro
- Page 134 and 135: ii) on delivery of the material 75%
- Page 136 and 137: 503 Deduction From Animation Writer
- Page 138 and 139: to Article 807, the Producer shall
- Page 140 and 141: 902 A Grievance is defined as a dif
- Page 142 and 143: 912 The Association’s representat
- Page 144 and 145: 920 Arbitration. Within two (2) wee
- Page 146 and 147: Association des Producteurs de Film
- Page 148 and 149: LIMITATION OF NUMBER OF WRITERS1009
- Page 150 and 151: DUTY OF PRODUCER TO NOTIFY1018 No l
- Page 152 and 153: 1025 The Guild shall forward notice
- Page 154 and 155: 1034 The decision of the Arbitrator
- Page 156 and 157: c) the Producer and the Guild are n
- Page 158 and 159: 1. a) In the case of a Blended Prod
- Page 160 and 161: Please check one of the following:F
- Page 162 and 163: Animation Section - Schedule 2(See
ARTICLE D3 – DISTRIBUTION AND USE RIGHTSD301D302The payment <strong>of</strong> at least the minimum rates set forth in D2 shall entitle theProducer to :i) make a production based on the Script; andii) the right to distribute the Production subject only to the payment <strong>of</strong>the appropriate Residuals as set out in Article D302.Territory Term MinimumPercentagea) Non-Theatrical (seeArticle A235) – WorldCopyright <strong>of</strong> film 0%b) Theatrical – World Copyright <strong>of</strong> filma) if contracted and paid at the time<strong>of</strong> the execution <strong>of</strong> the Writer’soriginal contractb) if contracted after the execution<strong>of</strong> the Writer’s original contract25%50%c) TV Broadcast “Free” or “pay” (but not including Educational TVBroadcast)<strong>Canada</strong> One run in each market 20%Montreal, Toronto,Vancouver, WinnipegAll other CanadianmarketsOne run in each market 10%One run in each market 5%United States One run in each market 40%Single US markets One run in each market 10%All other CountriesOne run in each market – eachcountry10%108
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