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Translation of Bhakti Poetry into English: A Case Study ofNarsinh Mehta 267Translation is inevitably interpretation of a text from onelanguage by the means of another and it is very difficult to render therichly suggestive plurivalency of signifiers in another language. Theformal properties of language and culture are usually `lost' intranslation. One has to abandon many times the whole structure of`signifier', and ideally replace another signifier to the signified inone language without changing it. Nevertheless, it is impossible tocompletely separate the signified from its signifier. The wholeproblematic of translation, it seems is the problematic of therelationship between the signifier and the signified, the form and the`meaning'. This theoretical problem strikes the translator with evenmore intensity when one is dealing with ambiguities andcontradictions in the source language text.From this detailed theoretical account, one can see that theactivity of translation of Bhakti poetry is an acute creative encounterand negotiation between two seemingly incompatible traditions,histories, and poetics. However, it becomes almost an existential andcultural imperative of a translator like me who has grown up in aparticular multi lingual and multi-cultural ethos. It is his profoundpersonal need to yoke together these seemingly incompatiblecultural domains. Translation becomes for me almost a yogic act, theact of yoking together of the duality and an act which embodies thepersonal quest for salvation in the post-colonial society.REFERENCESAhmad, Aijaz 1992 In Theory: Classes, Nations, LiteraturesBombay: Oxford University Press.Auden, W.H. 1962 Selected Essays London: Faber.
268 Sachin KetkarDerrida, Jacques 1985 Des Tours de Babel in J.F. Graham (ed)Difference in Translation Itahaca, New york: CornellUniversity Press.Foucault, Michel 2005 `What is an Author?’ in David Lodge andNigel Wood (eds) Modern Criticism and Theory: AReader (Second Edition) 192-205 Delhi:Pearson Education(Singapore) Pvt. Ltd.Ketkar, Sachin 2003 `Translation: The `Renaissance’ Paradigm, AKSingh (ed) Indian Renaissance Literature, CreativeBooks:New Delhi.____________”Is There an Indian School of Translation Studies”New Quest No156 April June 2004____________(tr) “Narsimh Mehta (15 th Century) The First MajorPoet of Gujarat, 20 poems “ New Quest No. 150. Oct- Nov2002 Mumbai 2003.Kristeva, Julia 1984a, 1988b The Revolution in Poetic LanguageMargaret Waller (tr) New York: Columbia University Press.Lodge, David (ed) 1972 Twentieth Century Literary Criticism: AReader London and New York: Longman.____________(ed) 1998 Modern Criticism and Theory: AReader London and New York: Longman.Ong, Walter J. 1972 A dialectic of Aural and Objective Correlativesin David Lodge (ed) Twentieth Century LiteraryCriticism: A Reader London and New York: Longman.Radice, William 1995 Rabindranath Tagore: Selected PoemsWilliam Radice (tr) New Delhi: Penguin Books.Ramanujan, A.K. 1993 Hymns for the Drowning: Poems forVisnu by Nammalvar Ramanujan (tr) New Delhi: PenguinBooks.
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Editors:Udaya Narayana SinghP.P. Gi
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Contributors are requested to conta
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Central Institute of Indian Languag
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Translation TodayVOLUME 3, NOS. 1 &
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Translation in/and Hindi Literature
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looking at translation as an act to
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language, asserts his Brahmin ident
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questions about the matrix of ritua
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distraught relation with his own ab
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post-colonial phase promises to ope
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when English is used as a target or
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2 M. Asaduddinof middle eastern fab
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4 M. Asaduddinseems to work out in
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6 M. Asaduddinliteratures of the Mi
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IntroductionTranslation and the Ind
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Translation and the Indian Traditio
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Texts on Translation and Translatio
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Towards a Theory of Rewriting: Draw
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Page 273 and 274: 252 Sachin Ketkartranslator to over
Page 275 and 276: 254 Sachin Ketkarfor a contemporary
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Page 279 and 280: 258 Sachin Ketkarfield in an unprec
Page 281 and 282: 260 Sachin Ketkarmarried girl in lo
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Page 293 and 294: 272 Rakesh Desaisubject, meant only
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Page 317 and 318: CONTRIBUTORSAsaduddin M. is Profess
Page 319 and 320: 298 ContributorsEnglish. He has pub
Page 321 and 322: TRANSLATION TODAYORDERF O R MPlease
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