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K.M. Sherrif 181remake, the bosom-friend (played by Om Puri) and his cronies areSikhs. In the popular imagination, humour is not a strong point ofthe North Indian Muslim, while it is of the Punjabi Sardar. InGodfather, another commercially successful Malayalam cinema, thepatriarch Anjooran (played by the playwright and actor N.N. Pillai)cannot help looking ludicrously funny in a number of scenes, giventhe history of the anti-feudal struggles in Kerala in the twentiethcentury. In Hulchul, the Hindi remake, Anjooran’s counterpart(played by Amrish Puri), who does not have the burden of history onhis back, looks every bit the terrifying Thakur.The translation of film songs in remakes provokes arethinking of traditional notions of faithfulness in translation. Thelyrics in the remakes are often linked to the lyrics in the original filmonly by the identical tune in which they are sung. In semanticcontent, only the mood is retained to fit into an identical or similarcontext: a romantic rendezvous, a boisterous gathering of youngpeople or the solitary reverie of the love-torn boy or girl. Without thetune, very little remains to link the songs in an inter-textualrelationship. As the notion of poetry being lost in translation goes upin smoke, popular culture has the last laugh.A theoretical framework that can engage all forms of culturalrewriting can be developed out of the basic principles of translationtheory formulated in the last quarter of the twentieth century. Thevaried forms of cultural rewriting in India points to such adevelopment. Although it is too early to see Translation Studiesevolving into a fully blown branch of Culture Studies calledRewriting Studies which can account for the rewriting of all culturalphenomena, it is clear that the discipline can, ultimately, have noother destiny.
Towards a Theory of Rewriting: Drawing182 from the Indian PracticeNOTES1. Translation Studies which used to be included under headings ofeither ‘Linguistics’ or ‘Comparative Literature’ was given aseparate bibliographical entry by the Modern LanguageAssociation of America in 1983.2. See Keith Harvey “Translating Camp Talk: Gay Identities andCultural Transfer” Lawrence Venuti (ed.) Translation StudiesReader, London: Routledge, 2000.REFERENCESDelabastita, Dirk 1990 “Translation and the Mass Media” in AndreLefevere & Susan Bassnett (ed) Translation, History,Culture London: Routledge.Lefevere, Andre 1985 “Why Waste Our Time on Rewrites?: TheTrouble with Interpretation and the Role of Rewriting in anAlternative Paradigm.” In Theo Hermans (ed) TheManipulation of Literature: Studies in LiteraryTranslation. New York: St. Martins Press.____________ 1987 “’Beyond Interpretation’ or the Business of (Re)Writing Comparative Literature Studies 24: 1 (17-39).____________ 1988 Essays in Comparative Literature Calcutta:Papyrus.____________ 1992 Translation and the Manipulation ofLiterary Fame London: Routledge.
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Editors:Udaya Narayana SinghP.P. Gi
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Contributors are requested to conta
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Central Institute of Indian Languag
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Translation TodayVOLUME 3, NOS. 1 &
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Translation in/and Hindi Literature
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looking at translation as an act to
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language, asserts his Brahmin ident
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questions about the matrix of ritua
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distraught relation with his own ab
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post-colonial phase promises to ope
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when English is used as a target or
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2 M. Asaduddinof middle eastern fab
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4 M. Asaduddinseems to work out in
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6 M. Asaduddinliteratures of the Mi
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8 M. Asaduddinthere emerged a secti
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10 M. Asaduddin…[T]he Indian worl
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12 M. AsaduddinIn the post-independ
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14 M. Asaduddinmoment of stringent
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16 M. Asaduddinexample of self-tran
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18 M. AsaduddinBhalla, Alok (ed) 19
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Translating Medieval Orissa 1Abstra
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32 Translating Medieval OrissaKalid
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34 Translating Medieval OrissaGita
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58 Translating Medieval Orissaexamp
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60 Translating Medieval OrissaNOTES
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62 Translating Medieval Orissacateg
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64 Translating Medieval OrissaRamay
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Translation Practices in Pre-coloni
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112 T. S. Satyanathinformation syst
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114 T. S. Satyanathhave claimed to
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116 T. S. Satyanathexpansion of the
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118 T. S. Satyanath2.3 Mention has
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120 T. S. SatyanathTamil and Hindi.
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122 T. S. Satyanathrenderings could
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124 T. S. Satyanathsometimes accomp
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126 T. S. SatyanathNOTES1. The summ
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Disputing Borders on the LiteraryTe
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Translating Gujrati Fiction and Poe
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Translation of Bhakti Poetry into E
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250 Sachin Ketkarshift’ precisely
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252 Sachin Ketkartranslator to over
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254 Sachin Ketkarfor a contemporary
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256 Sachin KetkarHe is resolute in
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258 Sachin Ketkarfield in an unprec
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260 Sachin Ketkarmarried girl in lo
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262 Sachin Ketkartwo cultures espec
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264 Sachin Ketkarproducing useless
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266 Sachin Ketkarare one. Krishna i
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268 Sachin KetkarDerrida, Jacques 1
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Translating Romantic Sensibility: N
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272 Rakesh Desaisubject, meant only
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274 Rakesh DesaiNarsinhrao Divetiya
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276 Rakesh Desaicontemporary realit
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278 Rakesh Desaiis about the same t
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280 Rakesh DesaiIn this context, Na
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Book reviewsLocating the ‘missing
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284 Book Reviewsnature of capital i
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286 Book ReviewsTheories on the Mov
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288 Book Reviewshas to do with the
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290 Book ReviewsFor, that is where
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292 Translation ReviewFirstly, Riml
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294 Translation Reviewmention it. S
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CONTRIBUTORSAsaduddin M. is Profess
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298 ContributorsEnglish. He has pub
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TRANSLATION TODAYORDERF O R MPlease
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