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Subha Chakraborty Dasgupta 175Dey, Bishnu 1965 “Rabindarnath O Silpa-Sahitya AdhuniketarSamasya” Sahityapatra Saradiya.____________1997 “Thomas Stearns Eliot” in Bishnu DeyPrabandha Sangraha (Vol I) Calcutta: Dey's Publishing.Dutta, Satyendranath 1984 “Samapti” in Aloke Ray (ed)Satyendranath Kabyagrantha Calcutta: Sahitya Samsad.Eliot, T.S. 1969 'Coriolan' in T.S.Eliot: The Complete Poems andPlays London: Faber &Faber.Sen, D.C. 1907 “Bangla Bhashay Anubad-Sahitya” in Sahitya 119-125 & 145-153, Vol.18:2&3.Sukumar Sen 1975 Bangla Sahityer Itihas 43 ,Vol III.Toury, Gideon 1980 “The AdeQuate Translation as anIntermediating “Language”: A Stylistic Model for theComparison of a Literary Text and its Translation” in Actesof the VIIIth Congress of the International Associationof Comparative Literature.
Towards a Theory of Rewriting: Drawing fromthe Indian PracticeAbstractThe present paper draws attention to the domain of rewritingwhich constitutes an important segment of translationalpractices in popular culture. The aesthetic and ideologicalimplications of such rewritings have not received muchattention in Culture Studies. Among popular forms ofrewritings are dramatizations of novels, cinematizations ofliterary works and renderings of literary works in performingart forms like kathakali and opera. The paper argues that therewritings of literary texts in the performing arts ofkathaprasangam and harikatha in Malayalam and otherlanguages need to be studied in the context of Culture Studiesand Translation Studies.K.M. SherrifAndre Lefevere was the first Translation Studies scholar toposition translation in a paradigm of rewriting (Lefevere 1984,1987). The notion that translation can only be a rewriting of thesource text was by this time an accepted fact in Translation Studies.Lefevere, however, pointed out that translation was only one of themany forms of rewriting, and that the role of translations in anyculture could only be understood in relation to the role of the otherforms of rewriting in that culture. The forms of rewriting Lefevereenumerated included criticism (which he considered the mostimportant form of rewriting after translation), the review, the blurb,trans-genre rewritings like the dramatization of a novel andintersemiotic rewritings like the cinematic version of a literary text.Lefevere’s ideas on the nature of rewriting and the diverse ways inTranslation Today Vol. 3 Nos. 1 & 2, 2006 © CIIL 2006
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Editors:Udaya Narayana SinghP.P. Gi
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Contributors are requested to conta
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Central Institute of Indian Languag
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Translation TodayVOLUME 3, NOS. 1 &
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Translation in/and Hindi Literature
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looking at translation as an act to
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language, asserts his Brahmin ident
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questions about the matrix of ritua
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distraught relation with his own ab
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post-colonial phase promises to ope
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when English is used as a target or
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2 M. Asaduddinof middle eastern fab
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4 M. Asaduddinseems to work out in
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6 M. Asaduddinliteratures of the Mi
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8 M. Asaduddinthere emerged a secti
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10 M. Asaduddin…[T]he Indian worl
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12 M. AsaduddinIn the post-independ
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14 M. Asaduddinmoment of stringent
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16 M. Asaduddinexample of self-tran
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18 M. AsaduddinBhalla, Alok (ed) 19
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Translating Medieval Orissa 1Abstra
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32 Translating Medieval OrissaKalid
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34 Translating Medieval OrissaGita
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58 Translating Medieval Orissaexamp
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60 Translating Medieval OrissaNOTES
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62 Translating Medieval Orissacateg
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80 Translating Medieval Orissa149 S
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82 Translating Medieval OrissaKalid
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Translation Practices in Pre-coloni
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112 T. S. Satyanathinformation syst
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114 T. S. Satyanathhave claimed to
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116 T. S. Satyanathexpansion of the
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118 T. S. Satyanath2.3 Mention has
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120 T. S. SatyanathTamil and Hindi.
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122 T. S. Satyanathrenderings could
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226 Translation in/and Hindi Litera
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Translating Gujarati Fiction and Po
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Translating Gujrati Fiction and Poe
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Translation of Bhakti Poetry into E
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250 Sachin Ketkarshift’ precisely
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252 Sachin Ketkartranslator to over
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254 Sachin Ketkarfor a contemporary
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256 Sachin KetkarHe is resolute in
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258 Sachin Ketkarfield in an unprec
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260 Sachin Ketkarmarried girl in lo
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262 Sachin Ketkartwo cultures espec
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264 Sachin Ketkarproducing useless
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266 Sachin Ketkarare one. Krishna i
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268 Sachin KetkarDerrida, Jacques 1
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Translating Romantic Sensibility: N
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272 Rakesh Desaisubject, meant only
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274 Rakesh DesaiNarsinhrao Divetiya
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276 Rakesh Desaicontemporary realit
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278 Rakesh Desaiis about the same t
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280 Rakesh DesaiIn this context, Na
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Book reviewsLocating the ‘missing
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284 Book Reviewsnature of capital i
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286 Book ReviewsTheories on the Mov
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288 Book Reviewshas to do with the
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290 Book ReviewsFor, that is where
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292 Translation ReviewFirstly, Riml
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294 Translation Reviewmention it. S
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CONTRIBUTORSAsaduddin M. is Profess
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298 ContributorsEnglish. He has pub
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TRANSLATION TODAYORDERF O R MPlease
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