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Priyadarshi Patnaik 159For instance, here are a few dosas and gunas that Bharatalists. Among gunas he indicates slesa (apt use), prasada (clarity),samatā (evenness), mādhurya (sweetness) etc. Among dosas he listsqudarthā (circumlocution or difficult words), arthantara (digressioninto irrelevance), arthahina (incoherence, multiple meanings),ekārtha (tautology) etc.Dosas and gunas, we must admit, are both context- andculture-dependent and hence relative. Say, ‘sweetness’ may not beapt in all writings. In some, it may even be considered a defect. Noris it the translator’s main job to identify ‘defects’ in the text andremedy them. But dosas and gunas are insightful indicators of thesubtle nuances of the style of writing. They get linked to riti orstylistics. They can make the translator choose the right strategy foremulating the style (or collage of styles) to be found in the text to betranslated, be they dosas or gunas.Finally, it must be said that the five elements of Indianpoetics indicated above do not necessarily work in unity when onecomes to translation. There might be inherently contradictorydemands that each makes on the translator. If one goes by laterpoeticians in the Indian tradition, one would resolve the issue byfocusing on rasa, the emotional evocation of the translation and itsapproximation to the text that is translated. Other elements mustwork in accord, and where they do not, must be subordinated to orabandoned in favour of rasa.I also subscribe to such a view. In spite of the various thingsthat we have to say in literary theory about texts, a very significantcomponent of any act of literature is the response of thereader/audience to it, and this can never be purely intellectual orcerebral. Aesthetic relish always brings in certain emotions or theirevocations. All translations must finally be read/experienced, andthey must evoke certain aesthetic emotions in the reader/audience. In
<strong>Translation</strong> and the Indian Tradition:160 Some Illustrations, Some Insightsthat every literary work can be analyzed through rasa and it can be aguiding principle for any transaltion.NOTES1 . Srimad Bhagavata Mahāpurāna, Gorakhpur Gita Press,Gorakhpur, (3 rd Edition) 1995.2. aho me mohobitatim pasỵatābijitātmanaḥ| yā kantādastaḥkāmam kāmaye yena bāliṣā (30)santam samipe ramanạmratipradam bittapradam nityamimambihāya |akāmadam dukhhabhayādisọkamohapradam tucḥamahambhagegnyā (31)aho mayātmā paritāpito bruthā sānketyabrutyati bigaryabartayā |strairnānrād yārthatřśonosocyāt křītena bittam ratimātmanechṭī|(32)yadasthi vinirmita bamsbangsyasthunạm romanakhehạtvacāpinardum |khyaranna badvāra magārametad birnmutrapurnammadupetikānya | (33)idehanām pure hyāsminhamekeba mudḥadịhị3. dekha mohara mohazāla | agyāne bancili mu kālasarba nāśili dhana lobhe | nārī svabhābe kāmabhābeasādhu purusạnka mele | kāntara bhāve kāmabholeramili dhane dei mana | dhika e moharajībananikate achi mora bhartā | sarba sampada sukha-dātāanātha nātha janahitā | mukati gatira bidhātāze nitya purusạ ratana | tāhānka dure thoi manaramili kupuru sạ sange | dhane surati sukha rangebuddhi mohara dusta ati | bipāka phale hīnagatibanchili tuchajana mele | purba pātaka karmaphala
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Editors:Udaya Narayana SinghP.P. Gi
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Contributors are requested to conta
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Central Institute of Indian Languag
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Translation TodayVOLUME 3, NOS. 1 &
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Translation in/and Hindi Literature
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looking at translation as an act to
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language, asserts his Brahmin ident
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questions about the matrix of ritua
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distraught relation with his own ab
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post-colonial phase promises to ope
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when English is used as a target or
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2 M. Asaduddinof middle eastern fab
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4 M. Asaduddinseems to work out in
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6 M. Asaduddinliteratures of the Mi
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10 M. Asaduddin…[T]he Indian worl
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12 M. AsaduddinIn the post-independ
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14 M. Asaduddinmoment of stringent
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16 M. Asaduddinexample of self-tran
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18 M. AsaduddinBhalla, Alok (ed) 19
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Translating Medieval Orissa 1Abstra
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Translation Practices in Pre-coloni
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Translating Gujrati Fiction and Poe
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250 Sachin Ketkarshift’ precisely
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252 Sachin Ketkartranslator to over
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254 Sachin Ketkarfor a contemporary
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264 Sachin Ketkarproducing useless
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268 Sachin KetkarDerrida, Jacques 1
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272 Rakesh Desaisubject, meant only
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274 Rakesh DesaiNarsinhrao Divetiya
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Book reviewsLocating the ‘missing
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284 Book Reviewsnature of capital i
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CONTRIBUTORSAsaduddin M. is Profess
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298 ContributorsEnglish. He has pub
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TRANSLATION TODAYORDERF O R MPlease
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