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NGV Annual Report 2003-04-Part 2 - National Gallery of Victoria

NGV Annual Report 2003-04-Part 2 - National Gallery of Victoria

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110 Acquire & Lend <strong>NGV</strong> <strong>Annual</strong> <strong>Report</strong> <strong>2003</strong>/<strong>04</strong>Presented through the <strong>NGV</strong> Foundation byYvonne Boyd, Member, 20<strong>04</strong>Thomas Shotter Boys (England 1803–74) George French Angas, after, The cityand harbour <strong>of</strong> Sydney, from near Vaucluse1852, hand-coloured colour lithograph.The Joseph Brown Collection. Presentedthrough the <strong>NGV</strong> Foundation by Dr JosephBrown AO OBE, Honorary Life Benefactor,20<strong>04</strong>Mike Brown (Australia 1938–97), Iwandered lonely as a cloud, um, whatsanext line 1972, colour photo-screenprint.Presented through the <strong>NGV</strong> Foundation byJohn McPhee, Member, 20<strong>04</strong>Benjamin Duterrau (born England 1767,arrived Australia 1832, died 1851), Theconciliation 1835, etching. The JosephBrown Collection. Presented through the<strong>NGV</strong> Foundation by Dr Joseph Brown AOOBE, Honorary Life Benefactor, 20<strong>04</strong>Brent Harris (born New Zealand 1956,arrived Australia 1981), The Untimely no.31998; The Untimely no.7 1998, colourwoodcut on Japanese paper, ed. 11/20.Presented through the <strong>NGV</strong> Foundationfrom the Athol Hawke and Eric HardingCollection <strong>of</strong> Contemporary Prints andDrawings, Fellow, 20<strong>04</strong>Louis Kahan (born Austria 1905, arrivedAustralia 1947, died 2002), Australianimagination XVII (1973), colour <strong>of</strong>fsetlithograph on cream paper. The JosephBrown Collection. Presented through the<strong>NGV</strong> Foundation by Dr Joseph Brown AOOBE, Honorary Life Benefactor, 20<strong>04</strong>John W. Lewin (born England 1770, arrivedAustralia 1800, died 1819), The Treecreeper (1822) plate 25 from A NaturalHistory <strong>of</strong> the Birds <strong>of</strong> New South Wales(1838/75), hand-coloured engraving oncream paper on cardboard. The JosephBrown Collection. Presented through the<strong>NGV</strong> Foundation by Dr Joseph Brown AOOBE, Honorary Life Benefactor, 20<strong>04</strong>Colin Little (born Australia 1952–82), Helies and he knows he lies (1980s), colourscreenprinton pink paper. Presentedthrough the <strong>NGV</strong> Foundation by JohnMcPhee, Member, 20<strong>04</strong>Joseph Lycett (England c. 1775–1828,lived in Australia 1814–22), Distant view<strong>of</strong> Hobart Town, Van Diemen’s Land, fromBlufhead 1825, in Views <strong>of</strong> Australia: orNew South Wales & Van Diemen’s LandDelineated in Fifty Views with DescriptiveLetter Press 1824–25, hand-colouredaquatint and etching. The Joseph BrownCollection. Presented through the <strong>NGV</strong>Foundation by Dr Joseph Brown AO OBE,Honorary Life Benefactor, 20<strong>04</strong>Marie McMahon (born Australia 1953),You are standing on Aboriginal land 1984,colour screenprint. Presented through the<strong>NGV</strong> Foundation by John McPhee, Member,20<strong>04</strong>Carol Porter (born Australia 1948), BrrmBrrm 1995, colour photo-screenprint, ed.119/185. Presented through the <strong>NGV</strong>Foundation by John McPhee, Member,20<strong>04</strong>Thomas Prattent, engraver (active inEngland late 18th century) Robert Cleveley,after, View in Port Jackson 1789, handcolouredengraving. The Joseph BrownCollection. Presented through the <strong>NGV</strong>Foundation by Dr Joseph Brown AO OBE,Honorary Life Benefactor, 20<strong>04</strong>Margaret Preston (Australia 1875–1963,lived in Europe 19<strong>04</strong>–07, 1912–19), MiddleHarbour (1946), monotype on paper oncardboard. The Joseph Brown Collection.Presented through the <strong>NGV</strong> Foundation byDr Joseph Brown AO OBE, Honorary LifeBenefactor, 20<strong>04</strong>Walter Preston, engraver (born England1777, arrived Australia 1812, died after1821) John Eyre, after Port JacksonHarbour, in New South Wales, with adistant view <strong>of</strong> the Blue Mountains 1812,hand-coloured engraving on lined paper.The Joseph Brown Collection. Presentedthrough the <strong>NGV</strong> Foundation by Dr JosephBrown AO OBE, Honorary Life Benefactor,20<strong>04</strong>Thea Proctor (Australia 1879–1966, lived inEngland 1903–12, 1914–21), Woman withfans (c. 1930), woodcut on Japanese paper.The Joseph Brown Collection. Presentedthrough the <strong>NGV</strong> Foundation by Dr JosephBrown AO OBE, Honorary Life Benefactor,20<strong>04</strong>Tom Roberts (born England 1856, arrivedAustralia 1869, lived in Europe 1881–85, 1903–19, died 1931), Louis Buvelot(1886), etching, aquatint, plate tone and spitetching printed in brown ink on buff paper.The Joseph Brown Collection. Presentedthrough the <strong>NGV</strong> Foundation by Dr JosephBrown AO OBE, Honorary Life Benefactor,20<strong>04</strong>John Ryrie (born Australia 1961), Narcissus2002, colour linocut, ed. 1/40. Anonymousgift, 20<strong>04</strong>Ethel Spowers (Australia 1890–1947,lived in England and France 1921–24),The works, Yallourn 1933, colour linocut,ed. 3/50. The Joseph Brown Collection.Presented through the <strong>NGV</strong> Foundation byDr Joseph Brown AO OBE, Honorary LifeBenefactor, 20<strong>04</strong>Eveline Syme (born England (<strong>of</strong> Australianparents) 1888, lived in Europe 1923–31,died 1961), The bay 1933, colour linocuton Japanese paper, ed. 11/25. The JosephBrown Collection. Presented through the<strong>NGV</strong> Foundation by Dr Joseph Brown AOOBE, Honorary Life Benefactor, 20<strong>04</strong>Fred Williams (Australia 1927–82),(Untitled) (c. 1958), relief etching;Landscape 1961, aquatint and engravingprinted in sepia ink (on zinc), JM188, 1 <strong>of</strong> 2states ed. 13/25-2; Sherbrooke Forestnumber 1 1961, engraving and aquatint (oncopper), JM186, III <strong>of</strong> 23 states, pro<strong>of</strong> B;Sherbrooke Forest number 1 1961,engraving and aquatint (on copper), JM186,X <strong>of</strong> 23 states, counterpro<strong>of</strong> B; SherbrookeForest number 1 1961, engraving andaquatint (on copper), JM186, XII <strong>of</strong> 23states, pro<strong>of</strong> A; Sherbrooke Forest number 11961, engraving and aquatint (on copper),JM186, XIII <strong>of</strong> 23 states, pro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving and aquatint (on copper), JM186,XIV <strong>of</strong> 23 states, ed. 1/9; Sherbrooke Forestnumber 1 1961, engraving and aquatint (oncopper), JM186, XV <strong>of</strong> 23 states, ed. 2/50;Sherbrooke Forest number 1 1961,engraving, aquatint and rough biting printedin sepia ink (on copper), JM186, XVI <strong>of</strong> 23states, pro<strong>of</strong> A; Sherbrooke Forest number 11961, engraving, aquatint, rough biting anddrypoint printed in sepia ink (on copper),JM186, XVII <strong>of</strong> 23 states, pro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in sepia ink (on copper),JM186, XVIII <strong>of</strong> 23 states, pro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in brown ink (on copper),JM186, XIX <strong>of</strong> 23 states, counterpro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in brown ink (on copper),JM186, XX <strong>of</strong> 23 states, pro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in brown ink (on copper),JM186, XX <strong>of</strong> 23 states, counterpro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint (on copper), JM186, XXI <strong>of</strong> 23states, pro<strong>of</strong> A; Sherbrooke Forest number 11961, engraving, aquatint, rough biting anddrypoint printed in sepia ink (on copper),JM186, XXI <strong>of</strong> 23 states, counterpro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in brown ink (on copper),JM186, XXII <strong>of</strong> 23 states, pro<strong>of</strong> A;Sherbrooke Forest number 1 1961,engraving, aquatint, rough biting anddrypoint printed in brown ink (on copper),JM186, XXII <strong>of</strong> 23 states, counterpro<strong>of</strong> A;Sherbrooke Forest number 2 1961,engraving and aquatint (on copper), JM187,III <strong>of</strong> 8 states, ed. 6/8; Sherbrooke Forestnumber 2 1961, engraving and aquatint (oncopper), JM187, III <strong>of</strong> 8 states, counterpro<strong>of</strong>8/8; Sherbrooke Forest number 2 1961,engraving and aquatint (on copper), JM187,IV <strong>of</strong> 8 states, counterpro<strong>of</strong> 17/25; Fallentree 1962, etching, engraving and aquatint(on copper), JM192, I <strong>of</strong> 4 states, pro<strong>of</strong> A;Fallen tree 1962, etching, engraving,aquatint and drypoint (on copper), JM192, II<strong>of</strong> 4 states, pro<strong>of</strong> A; Fallen tree 1962,etching, engraving, aquatint and drypointprinted in sepia ink (on copper), JM192, III<strong>of</strong> 4 states, ed. 34/35; Forest at Almertonnumber 1 1962, aquatint, engraving anddrypoint (on copper), JM189, II <strong>of</strong> 3 states,

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