27.11.2012 Views

premio europeo de diseño y medio ambiente european - Dimad

premio europeo de diseño y medio ambiente european - Dimad

premio europeo de diseño y medio ambiente european - Dimad

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

PREMIO EUROPEO DE<br />

DISEÑO Y MEDIO AMBIENTE<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD


EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BEST_ED_1 (1 st Edition)<br />

Jury and Experts’ Committee:<br />

Chairpersons:<br />

Rosa Arce, Scientific Director and<br />

Manuel Estrada, DIMAD’s Chairman<br />

Enrique Jiménez Larrea, IDAE<br />

Alberto Corsín, EOI<br />

Pedro Feduchi<br />

Santiago Miranda<br />

Carlos San José<br />

Antonio Serrano<br />

Elisa Sáinz, ddi<br />

César Ruiz-Larrea, ASA<br />

Felisa Arribas, EOI<br />

Jan Carel Diehl (The Netherlands)<br />

Henrique Cayatte (Portugal)<br />

Alberto Corazón<br />

Carmelo Di Bartolo (Italy)<br />

Javier Díez<br />

Javier Fernán<strong>de</strong>z<br />

Manuel Lecuona<br />

Santiago Miranda<br />

Sophie Thomas (United Kingdom)<br />

Ignacio Valero<br />

Sergio Volturo<br />

DIMAD - CENTRAL DE DISEÑO<br />

organisation team:<br />

Manager:<br />

Concha Moreno<br />

Coordination:<br />

Giorgia Sorarù<br />

Communication:<br />

Paloma Castro<br />

Press:<br />

Valentina Volpato<br />

BEST_ED_1 team:<br />

Technical Coordination:<br />

Kateleine van <strong>de</strong>r Maas<br />

Teresa Fernán<strong>de</strong>z<br />

Exhibition <strong>de</strong>sign:<br />

Ignacio Valero<br />

José Miguel Celestino<br />

Graphic Design:<br />

David Pérez Medina<br />

Typesetting:<br />

Margarita Hernán<strong>de</strong>z Omar<br />

Andrés José Gómez<br />

Page setting:<br />

Pablo Díaz<br />

Translated by:<br />

Paloma González<br />

Text Editors:<br />

Gloria Escribano<br />

Javier Fernán<strong>de</strong>z<br />

Printing:<br />

Gráficas Muriel<br />

Paper:<br />

Cyclus Print,<br />

100% post-use recycled paper,<br />

un<strong>de</strong>r RAL UZ-14 Blue Angel<br />

standards, distributed by Antalis,<br />

and Escudo Grey recycled<br />

cardboard, distributed by<br />

Torraspapel.<br />

Acknowledgements:<br />

To the stu<strong>de</strong>nts at Escuela <strong>de</strong> Arte<br />

4 in Madrid: Stephany Bermú<strong>de</strong>z,<br />

Laura Fominaya, Patricia Garrido<br />

Tapia, Carlos Guisasola Suárez,<br />

Andrea Places Suárez and Adrián<br />

Prieto, for their cooperation with<br />

their proposals on the exhibition<br />

assembly.<br />

Organisers:<br />

Sponsors:<br />

The European Social Fund, with its aim of<br />

contributing towards sustainable <strong>de</strong>velopment,<br />

takes into account in a crossdisciplinary<br />

way the support given to<br />

actions such as this, which foster respect<br />

for environmental care. This particular<br />

action falls within the scope of the Adaptability<br />

and Employment Multi-regional Operational<br />

Programme, giving momentum to<br />

the culture of sustainability in business and<br />

the use of the environment’s potential as a<br />

source of creating employment.<br />

With cooperation from:<br />

With the support of:<br />

PREMIO EUROPEO DE<br />

DISEÑO Y MEDIO AMBIENTE<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD


Throughout the centuries human beings have greatly <strong>de</strong>veloped their capacity<br />

to use Nature for their own benefit in or<strong>de</strong>r to achieve a more comfortable,<br />

pleasant life. But at the same time their activity is becoming more and more of<br />

a risk for nature, which so generously guarantees their survival. It is no longer<br />

questionable that climatic change is clear proof that this risk is near.<br />

Design is one of the exponents of humans’ transforming and creative capacities,<br />

and it also represents a first class cultural and economic value. Creative factors<br />

contribute to boost economic life and may play an essential role in the improvement<br />

and protection of the environment.<br />

But <strong>de</strong>sign and creative capacity may become a horse running on behalf of irresponsible<br />

consumption and industries or, on the contrary, may be of invaluable<br />

help to contribute towards human activities more in line with preserving life on<br />

Earth as we have known it up to now.<br />

From the beginnings of <strong>de</strong>sign as a project discipline, the concern for the effects of<br />

industrial activities on our environment has been constant among many <strong>de</strong>signers.<br />

From Breuer’s writings in the Bauhaus in 1927 on a rational use of green materials,<br />

or Buckminster’s Dymaxion as a paradigm for sustainable materials. To the<br />

increasingly common concern of young architects and <strong>de</strong>signers in search of new<br />

more sustainable materials to reduce the environmental impact of their <strong>de</strong>signs.<br />

The time has come to move from good i<strong>de</strong>as to good <strong>de</strong>eds. Looking for the best<br />

examples and practices to spread them among society, companies, universities,<br />

institutions and the professional <strong>de</strong>signers themselves. In or<strong>de</strong>r to turn what today<br />

is an exceptional practice into an essential requirement to promote, request<br />

or carry out <strong>de</strong>sign.<br />

To put <strong>de</strong>sign at the service of people and at the service of society is one of <strong>Dimad</strong>’s<br />

power i<strong>de</strong>as since its origins and it has also been one of the reasons for the<br />

establishment of this European Environmental Design Award, promoted by outstanding<br />

public figures and institutions in the fields of architecture, <strong>de</strong>sign, training<br />

and the environment. An award that has been born with four basic goals:<br />

I. To value and foster actions carried out in Europe by companies, institutions<br />

or <strong>de</strong>signers which are particularly outstanding examples of good <strong>de</strong>sign<br />

from an environmental viewpoint.<br />

II. To raise awareness among companies, public institutions, <strong>de</strong>signers and society<br />

of the importance of allocating sustainability values to their <strong>de</strong>signs and<br />

products.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

III. To make society at large and productive sectors in particular aware of the importance<br />

of conceiving <strong>de</strong>sign as a welfare and wealth trigger and as carrier of<br />

cultural values and a utility.<br />

IV. To turn Madrid into a benchmark for sustainable <strong>de</strong>sign. To place the Central <strong>de</strong><br />

Diseño and Mata<strong>de</strong>ro Madrid at the centre of the <strong>de</strong>sign values inclu<strong>de</strong>d in the<br />

three previous goals.<br />

These objectives have managed to bring together such different entities as the Madrid<br />

Designers’ Association (DIMAD), the Institute for Energy Diversification and Saving<br />

(IDAE) of the Ministry of Industry, Tourism and Tra<strong>de</strong>, the Association Sustainability<br />

and Architecture (ASA), the Foundation Arte y Derecho (Art and Law) and the<br />

European Social Fund through the Business School EOI, Escuela <strong>de</strong> Negocios. All the<br />

above institutions contribute with their means, i<strong>de</strong>as and human resources to select<br />

and acknowledge every year the best projects that:<br />

• Promote improvements in the field of architectural <strong>de</strong>sign and sustainable building.<br />

• Introduce new products or changes in existing products, to improve our daily life.<br />

• Foster the publishing of books and publications with innovations in their elaboration<br />

and with environmentally-related contents.<br />

• Develop graphic <strong>de</strong>sign campaigns or actions promoting environmental values.<br />

• Lead business, institutional or private initiatives than inclu<strong>de</strong> <strong>de</strong>sign and the environment<br />

among their main elements.<br />

All the actions are precisely covered within the five categories of this Award: Building,<br />

Industrial Design, Graphic Design, Communication Campaigns and Initiatives.<br />

In this first edition, 146 projects from all over Europe have taken part in the above<br />

categories. This can be consi<strong>de</strong>red a reasonable success, taking into account the<br />

number and quality of the projects registered.<br />

This first edition, covered and organised from DIMAD by an enthusiastic group of<br />

<strong>de</strong>sign practitioners who have ma<strong>de</strong> the Scientific Committee’s work possible, and<br />

the Jury who have selected 4 projects as absolute First Prizes and have awar<strong>de</strong>d Special<br />

Mentions to other 7 projects.<br />

Combining aesthetic values, innovation, usefulness and viability, environmental protection<br />

and social values. We are convinced that the projects registered and the final<br />

selection of winners are in themselves good exponents of the significance our society<br />

already places on environmental concerns. The quality of the work speaks of how<br />

Design can transmit this concern to industries, improving aspects of our everyday life<br />

that may contribute towards a better future.<br />

Rosa Arce<br />

Scientific Director<br />

Manuel Estrada<br />

DIMAD’s Chairman<br />

5


BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_AWARDS<br />

Category: Sustainable Building<br />

First Prize<br />

“WWF Netherlands Head Office”<br />

carried out by RAU (The Netherlands)<br />

Special Mention<br />

“Wikado”<br />

carried out by 2012Architekten (The Netherlands)<br />

Special Mention<br />

“Spanish Pavilion for the Expo Zaragoza 2008”<br />

carried out by Mangado y Asociados S.L. (Spain)<br />

Category: Industrial Design<br />

Special Mention<br />

“W+W (Washbasin+Watercloset)”<br />

carried out by Gabriele and Oscar Buratti for Innovation Lab Roca,<br />

Roca Sanitarios S.A. (Spain)<br />

Category: Publishing<br />

First Prize<br />

“The eco <strong>de</strong>sign handbook”<br />

carried out by Alastair Fuad-Luke (United Kingdom)<br />

Special Mention<br />

“Éco<strong>de</strong>sign, chemins vertueux”<br />

carried out by P’Reference (Francia)<br />

Category: Graphic Design Campaigns or Actions<br />

First Prize<br />

“Ecofont”<br />

carried out by SPRANQ (The Netherlands)<br />

Special Mention<br />

“Reinicia” (logo and applications)<br />

carried out by Eduardo <strong>de</strong> Fraile (Spain)<br />

Special Mention<br />

“WWF paper dispenser”<br />

carried out by Saatchi&Saatchi CPH (Denmark)<br />

Category: Business, Individual or Institutional Initiatives<br />

First Prize<br />

“Eco by Cosentino”<br />

carried out by Cosentinogroup (Spain)<br />

Special Mention<br />

“Trash<strong>de</strong>sign”<br />

carried out by Trash<strong>de</strong>signmanufactory (Austria)<br />

7


For the last few years IDAE has upheld the strategy of managing to have energy<br />

efficiency unavoidably integrated with <strong>de</strong>sign as a further attribute, ad<strong>de</strong>d to the<br />

<strong>de</strong>fining ones relating to aesthetics, functionality or the senses.<br />

Behind every <strong>de</strong>sign product there lies a reflection and a need to meet. Exactly<br />

the same lies behind efficiency, and probably the same renewed way of looking<br />

at the world, i.e., life.<br />

Energy is a scarce, precious resource, and wasting it goes against common sense,<br />

intelligence, aesthetics and, I would even say, ethics. We must turn the energy<br />

efficiency motto –i.e., get more with less- into a paradigm of our way of life,<br />

and a question, as I said before, of common sense, intelligence and opportunity<br />

to carry on progressing, achieve a better quality of life and build up a common<br />

future for everybody.<br />

Thus, the concept of ECODESIGN comes in, in all its power; i.e., the optimisation<br />

and <strong>de</strong>sign of products, both regarding efficiency in energy consumption<br />

when it refers to products requiring power to work, and life cycle.<br />

If the concept of <strong>de</strong>sign is new, so is that of energy efficiency. Energy efficiency<br />

policies and the promotion of renewable sources of energy enjoy today –both<br />

internationally and certainly in Spain- a strategic value which was unthinkable<br />

only three <strong>de</strong>ca<strong>de</strong>s ago; environmental concern seemed then to affect only those<br />

consi<strong>de</strong>red naïve who had started to theorise on the need to strike a balance<br />

between economic growth, energy consumption and respect for Nature.<br />

I would like to point out here that, in any case, it is no longer a question of<br />

willingness or awareness. Everything related to ecological <strong>de</strong>sign requirements<br />

applicable to products that use power has been laid down in Royal Decree<br />

1369/2007, transposing in Spain the European Directive on Eco<strong>de</strong>sign (Directive<br />

2005/32/EC), later amen<strong>de</strong>d by Directive 2008/28/EC.<br />

These two directives have recently been recast into Directive 2009/125/EC [1],<br />

establishing eco<strong>de</strong>sign requirements for energy-related products; not just those<br />

for consumption as it was up to now. Later on, Regulation (EC) 66/2010 [2]<br />

ensures coordination between the <strong>de</strong>sign of these products and their ecological<br />

label of the European Union.<br />

The aim is to create a single framework for the ecological <strong>de</strong>sign of products related<br />

to energy that ensures efficiency and coherence, with a common approach<br />

for the whole EU. Besi<strong>de</strong>s laying down the minimum requirements to market the<br />

products, their environmental benchmarks are established regarding the most<br />

ecological products on the market.<br />

Un<strong>de</strong>r the existing Directive on ecological <strong>de</strong>sign, this is already feasible for<br />

products relating to energy, which may enjoy public employment and/or ten<strong>de</strong>r<br />

and tax benefits.<br />

The current publication presents the European Environmental Design Awards,<br />

envisaging them as a cultural value affecting the economy. In times of crisis we<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

need to build creative factors into production in or<strong>de</strong>r to increase productivity. All<br />

this, directly addressing the severe environmental challenges while at the same time<br />

maintaining our welfare standards.<br />

The search for practical solutions that turn our life habits and our productive ways<br />

into more efficient, environmentally-friendly patterns is a social and economic need.<br />

And if we do find them, we must disseminate them as much as possible to serve as<br />

mo<strong>de</strong>ls; this is the main aim of the awards.<br />

One of the essential goals of IDEA is to carry out awareness-raising actions targeting all<br />

sectors, thus contributing to building up a new energy culture based on sustainability.<br />

We want to shake both the consumers’ and the manufacturers’ consciences, move<br />

them so that energy is appropriately <strong>de</strong>alt with, giving it priority in those aspects<br />

in which it is present in our lives, which are almost all of them. For this reason,<br />

and because <strong>de</strong>sign, creativity and art are means, like no other, to shake consciences<br />

through reflection and emotion, we are proud to take part in this initiative which<br />

rewards ECODESIGN.<br />

Finally, I would particularly like to stress the need to incorporate <strong>de</strong>sign into so-called<br />

sustainable building. That is, the significant role architectural and space <strong>de</strong>sign may play in<br />

this process of the search for new solutions to achieve sustainable, bioclimatic buildings.<br />

At IDAE, we think it is essential to foster measures that act on energy consumption<br />

in buildings, that help to achieve energy sustainability.<br />

Buildings are constant energy consumers, right from the moment they are built, during<br />

their life cycle until they are <strong>de</strong>molished, in very significant amounts, while producing<br />

at the same time polluting emissions.<br />

Just as a point of information, the building sector in Spain –per use and exploitation-<br />

represents around 20% of end-user energy consumption.<br />

This energy consumption and the environmental impact related to it can and must<br />

be dramatically reduced, through a series of measures connected on the one hand<br />

with urban town planning and on the other, through the articulation of a series of<br />

strategies that contribute to consi<strong>de</strong>ring energy as a starting point criterion when<br />

<strong>de</strong>signing projects.<br />

If everything in project is still ma<strong>de</strong> following conventional views, the city of tomorrow<br />

will still have to face the challenge of preserving quality of life and being committed<br />

to our future. However, it is possible nowadays to plan and <strong>de</strong>sign introducing in<br />

the processes and projects, concepts and criteria that allow for a more rational use of<br />

energy and for urban environments more in line with sustainable <strong>de</strong>velopment.<br />

It is also possible, and I would say essential nowadays, to think that energy may<br />

become an essential part of project <strong>de</strong>sign criteria and of their conditioning consi<strong>de</strong>rations,<br />

gearing the dynamics of land use towards sustainability and a better use of<br />

resources.<br />

Enrique Jiménez Larrea<br />

Chairman of IDAE<br />

February 2009<br />

[1] DIRECTIVE 2009/125/EC OF THE EUROPEAN PARLIAMENT AND COUNCIL, of 21 October 2009, establishing a framework for the setting of eco<strong>de</strong>sign<br />

requirements for energy-related products. Recast of Directive 2005/32/EC and Directive 2008/28/EC, which amen<strong>de</strong>d and expan<strong>de</strong>d its scope<br />

to allow the Community eco<strong>de</strong>sign requirements to inclu<strong>de</strong> energy-related products, not just those using energy.<br />

[2] Regulation (EC) 66/2010, of 25 November 2009, on the EU ecolabel, which ensures coordination between the EU ecolabel system and the establishment<br />

of requirements within the scope of Directive 2009/125/EC.<br />

9


CATEGORY<br />

SUSTAINABLE BUILDING<br />

INDUSTRIAL DESIGN<br />

PUBLISHING<br />

GRAPHIC DESIGN CAMPAIGNS<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUCIONAL INITIATIVE<br />

10<br />

CATEGORY AND AWARD / PROJECT > PAGE<br />

SUSTAINABLE BUILDING<br />

OUTSTANDING<br />

WWF HEAD OFFICE NETHERLANDS<br />

> 12<br />

SUSTAINABLE BUILDING MERIT<br />

WIKADO<br />

> 14<br />

SUSTAINABLE BUILDING MERIT<br />

SPANISH PAVILION FOR EXPO ZARAGOZA<br />

2008<br />

> 16<br />

INDUSTRIAL DESIGN MERIT<br />

W+W (WASHBASIN + WATER CLOSET)<br />

> 18<br />

PUBLISHING OUTSTANDING<br />

THE ECO DESIGN HANDBOOK<br />

> 20<br />

PUBLISHING MERIT<br />

ÉCODESIGN, CHEMINS VERTUEUX<br />

(ECODESIGN, VIRTUOUS ROADS)<br />

> 22<br />

GRAPHIC DESIGN CAMPAIGNS<br />

OUTSTANDING<br />

ECOFONT PROFESSIONAL<br />

> 00<br />

GRAPHIC DESIGN CAMPAIGNS MERIT<br />

RESTART (REINICIA)<br />

> 24<br />

GRAPHIC DESIGN CAMPAIGNS MERIT<br />

WWF PAPER DISPENSER<br />

> 26<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

OUTSTANDING<br />

ECO BY COSENTINO ®<br />

> 28<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

MERIT<br />

TRASHDESIGN<br />

> 30<br />

PROJECT > PAGE<br />

6 SOCIAL-RENT-HOUSES IN ZELHEM THE<br />

NETHERLANDS<br />

> 34<br />

60BAG.COM<br />

> 34<br />

ARKA ECOPOD<br />

> 34<br />

ARTICULADO BOOK. OPINIONS AND<br />

REFLECTIONS ABOUT THE DESIGN<br />

> 35<br />

BAKUS<br />

> 35<br />

BELLOCH CHAIR - 100% RECYCLED AND<br />

RECYCLABLE<br />

> 35<br />

BILLBIRDHOUSE<br />

> 36<br />

BILLDOGHOUSE<br />

> 36<br />

BIOCLIMATIC COMMUNITY<br />

> 36<br />

BIONICTILE: DESIGN OF GLAZED<br />

CERAMIC PRODUCTS FOR THE SELECTIVE<br />

REDUCTION OF ENVIROMENTAL NO X<br />

> 37<br />

BOBHANGER (THE ECOLOGICAL HANGER)<br />

> 37<br />

BOLD CHAIR – BENCH<br />

> 37<br />

BONA DUST CARE SYSTEM<br />

> 38<br />

BONA THINK DO GREEN<br />

> 38<br />

BOOK LAMP<br />

> 38<br />

CAVALLUM<br />

> 39<br />

CC8. CLIMATE CONFERENCE. CLIMATE<br />

CONCERT<br />

> 39<br />

CENTRE FOR ECOLOGICAL ACTIVITIES<br />

“SLUNÁKOV”<br />

> 39<br />

PROJECT > PAGE<br />

CENTRE FOR ENVIROMENTAL EDUCATION,<br />

ARCHAEOLOGY AND SUSTAINABILITY IN<br />

ZUTPHEN, THE NETHERLANDS<br />

> 40<br />

CINEMA BOOK<br />

> 40<br />

CITY GARDEN MODEL<br />

> 40<br />

COMBOX, THE NEW GENERATION OF<br />

COMPOSTERS<br />

> 41<br />

CROSSWAY<br />

> 41<br />

DESIGN ACTIVISM: BEAUTIFUL<br />

STRANGENESS FOR A SUSTAINABLE<br />

WORLD<br />

> 41<br />

DESIGNERS, VISIONARIES AND OTHER<br />

STORIES: A COLLECTION OF SUSTAIN-<br />

ABLE DESIGN ESSAYS<br />

> 42<br />

DEUTSCHLAND IM HERBST. A PROJECT<br />

BY ROTOR<br />

> 42<br />

DOG POO BAGS<br />

> 42<br />

DONATE YOUR MOBILE<br />

> 43<br />

DUCHI<br />

> 43<br />

DVELAS<br />

> 43<br />

ECOALF, FABRICS FOR A NEW GENERATION<br />

> 44<br />

ECO-BULEVAR DE VALLECAS. MADRID<br />

> 44<br />

ECOHOSTEL<br />

> 44<br />

ECOLOGICAL DESIGN: TOWARDS DESIGN<br />

AND PRODUCTION IN HARMONY WITH<br />

NATURE<br />

> 45<br />

ECONO<br />

> 45<br />

PROJECT > PAGE<br />

ECOPACK’S ATTITUDE AT THE DESIGN-<br />

PACK GALLERY<br />

> 45<br />

ECOPÉRGOLA MODEL TAO<br />

> 46<br />

ECOPROYECTA<br />

> 46<br />

EL-RECETARIO.NET. CONSTRUCTIVE<br />

SOLUTIONS FROM WASTE<br />

> 46<br />

EMBELL SYSTEM, FIRST MOPPING KIT<br />

USING CLEAN WATER<br />

> 47<br />

EMOTIONALLY DURABLE DESIGN: OB-<br />

JECTS, EXPERIENCES AND EMPATHY<br />

> 47<br />

EPHEMERAL RESTAURANT CASSIA<br />

> 47<br />

ERGONOMIC BONA MINI EDGER<br />

> 48<br />

EXPOSITION XPOELDER: CLIMATE<br />

CHANGE<br />

> 48<br />

F. H. I. F. F.<br />

> 48<br />

FAT BOB ROCKER<br />

> 49<br />

FUJY SOSTENIBLE HOUSE<br />

> 49<br />

GARDENY<br />

> 49<br />

GOOD FOR ENVIRONMENT! (G4E!)<br />

> 50<br />

GREEN BOX<br />

> 50<br />

GREEN SPOT “CEMEX LIMPIO”<br />

> 50<br />

HEADBOARD PALLET<br />

> 51<br />

HOM, AUTONOMOUS SOLAR STREET<br />

LIGHT<br />

> 51<br />

PROJECT > PAGE<br />

HOUSE AND SUSTAINABILITY IN SPAIN<br />

> 51<br />

I’M NOT JUST A BOX<br />

> 52<br />

IMPULSE COLLECTION<br />

> 52<br />

INTERNATIONAL GREEN ROOF CON-<br />

GRESS<br />

> 52<br />

ARTEMATICA VITRUM BASE<br />

> 53<br />

ISER<br />

> 53<br />

KYOTO HOUSE<br />

> 53<br />

LAUREANA HOUSE<br />

> 54<br />

LUCE LAMP<br />

> 54<br />

MADE IN GREEN LABEL<br />

> 54<br />

NEOROMÁNTICO SUSTAINABLE BENCH<br />

> 55<br />

NEW BRIDGE OVER THE HENARES RIVER<br />

NEXT TO THE ARABIC BRIDGE IN GUAD-<br />

ALAJARA, SPAIN<br />

> 55<br />

NEW PACKAGING<br />

> 55<br />

OKO BUILDING<br />

> 56<br />

PARC DEL PINAR DE PERRUQUET<br />

> 56<br />

PENMAN<br />

> 56<br />

PNEU_FABRIC COVER TO MAKE A SEAT<br />

OUT OF TWO OLD TIRES<br />

> 57<br />

POSITIVE DEVELOPMENT: FROM VICIOUS<br />

CIRCLES TO VIRTUOUS CYCLES THROUGH<br />

BUILT ENVIRONMENT DESIGN<br />

> 57<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_CONTENTS<br />

PROJECT > PAGE<br />

POSTERS<br />

> 57<br />

PRET A PORTER<br />

> 58<br />

R4 HOUSE<br />

> 58<br />

RECYCLOOP<br />

> 58<br />

REFUNC<br />

> 59<br />

RELAJA (SUSTAINABLE URBAN FURNI-<br />

TURE)<br />

> 59<br />

RESSENY<br />

> 59<br />

RICICLANTICA<br />

> 60<br />

SEAM CHAIR<br />

> 60<br />

SHELL SCENARIOS POSTERS<br />

> 60<br />

SOLAR COOKER<br />

> 61<br />

SOLIDARY ROUTE TO MAURITANIA<br />

> 61<br />

SOLTAG, ENERGY HOUSING<br />

> 61<br />

SPUD RAINCOAT<br />

> 62<br />

STARS<br />

> 62<br />

SUPERUSE THE BOOK<br />

> 62<br />

SUPERUSE.ORG<br />

> 63<br />

SUSTAINABLE BY DESIGN: EXPLORA-<br />

TIONS IN THEORY AND PRACTICE<br />

> 63<br />

SUSTAINABLE FASHION AND TEXTILES:<br />

DESIGN JOURNEYS<br />

> 63<br />

PROJECT > PAGE<br />

TABLE BOARD<br />

> 64<br />

TABLE TELEPHONE BOOTH<br />

> 64<br />

TAMAGO<br />

> 64<br />

NEWLY DESIGNED WOOD FLOORING<br />

> 65<br />

THE B&W HOUSE (THE BLACK & WHITE<br />

HOUSE)<br />

> 65<br />

TOT HOUSE<br />

> 65<br />

TRÄD<br />

> 66<br />

TRASH?<br />

> 66<br />

TUEJAR ARMCHAIR<br />

> 66<br />

TYPO CHAIR<br />

> 67<br />

VILLA UH1<br />

> 67<br />

VITRO HOUSE<br />

> 67<br />

WHOLE SYSTEM DESIGN. AN INTE-<br />

GRATED APPROACH TO SUSTAINABLE<br />

ENGINEERING<br />

> 68<br />

X DAYS PROJECT<br />

> 68<br />

ZECOCHAIR<br />

> 68<br />

ZEYRON TECHNOLOGIES, PIONEERS IN<br />

DOMOTICS OF WATER<br />

> 69<br />

ZEYRON THERMO<br />

> 69<br />

ZICLA. INNOVATION IN RECYCLING<br />

WASTE: NEW MATERIALS-NEW PROD-<br />

UCTS FOR SUSTAINABLE BUILDING<br />

> 69<br />

11


TITLE / YEAR<br />

WWF NETHERLANDS HEAD OFFICE / 2006<br />

AUTHOR / COMPANY<br />

RAU<br />

CLIENT<br />

WWF, THE NETHERLANDS<br />

COLLABORATORS<br />

BBN, RAU (BUILDING MANAGEMENT) / ARUP, ÁMSTERDAM (INSTALLATION CONSULTANT) / ABT,<br />

ARNHEM (STRUCTURAL CONSULTANT) / DGMR, DRACHTEN (ACOUSTICS-BUILDING PHYSICS) /<br />

VAN ZOELEN, UTRECHT (BUILDING CONTRACTOR) / ULC, UTRECHT (MECHANICAL CONTRACTOR)<br />

/ VERWEY, UTRECHT (ELECTRICAL CONTRACTOR)<br />

Rau transformed a former 1950’s agricultural laboratory into the first CO 2 neutral<br />

and (almost entirely) energy autonomous office in the Netherlands. By breaking<br />

through the rigidity of the existing structure and adding an organic blob at<br />

the centre, the rejuvenated building got a friendly appearance that blends in with<br />

the surrounding nature reserve.<br />

Rau’s intervention did not only give the building a new face, but fundamentally<br />

changed the user experience. Natural ventilation and the use of natural materials<br />

offer a balanced and healthy indoor environment.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

OUTSTANDING<br />

It is not often that so many qualities converge to award a first prize as is the case<br />

now: The team of architects and their long commitment to sustainability, the<br />

customer and his pioneering effort towards nature preservation, the commission<br />

itself and the <strong>de</strong>cision to maintain a previous building that would be recycled<br />

into a new one with substantial reforms to achieve a balance with the environment<br />

as is achieved here.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

12 13


TITLE / YEAR<br />

WIKADO / 2008<br />

AUTHOR / COMPANY<br />

CÉSARE PEEREN, JEROEN BERGSMA AND JOS DE KRIEGER / 2012ARCHITECTEN<br />

CLIENT<br />

STICHTING KINDERPARADIJS DE MEIDOORN<br />

COLLABORATORS<br />

GEBROEDERS KRAAIJEVELD<br />

Wikado is a <strong>de</strong>sign for a playground in Rotterdam ma<strong>de</strong> out of windmill pieces.<br />

Five (discar<strong>de</strong>d) rotor bla<strong>de</strong>s are used to create a maze-like space with a panna<br />

–a type of ball game– court in the centre, placed on the existing concrete circle.<br />

Four towers are placed around it, each with a distinctive character. Between the<br />

towers there hangs a net which works as a climbing structure, but also prevents<br />

balls from ending up in the neighbours’ gar<strong>de</strong>ns.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

MERIT<br />

Holland is a country in which the <strong>de</strong>sign of urban areas for children’s games<br />

has a long tradition linked to both social and plastic art experimentation. So<br />

the 2012Architecten proposal to use for one of them recycled pieces from windpower<br />

generators comes as no surprise. The outcome is both novel and stimulating.<br />

A path that is beginning to be used and that is offered here as an example of<br />

great formal and creative value.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

14 15


TITLE / YEAR<br />

SPANISH PAVILION FOR EXPO ZARAGOZA 2008 / 2005-2006 (PROJECT), 2006-2008 (CONSTRUCTION)<br />

AUTHOR / COMPANY<br />

FRANCISCO JOSÉ MANGADO / MANGADO Y ASOCIADOS, S.L.<br />

COLLABORATORS<br />

JOSÉ Mª GASTALDO, RICHARD KRÁLOVI, CRISTINA CHU, HUGO MÓNICA AND CÉSAR MARTÍN<br />

GÓMEZ (ARCHITECTURE) / NB 35, S.L. (STRUCTURAL ENGINEERING) / FUNDACIÓN CENER-CIE-<br />

MAT (ENERGY-EFFICIENCY) / ALS LIGHTING, ARQUITECTOS CONSULTORES DE ILUMINACIÓN<br />

(LIGHTING) / CARLOS RIVEIRO, ANTONIO IGNACIO FRAMIÑAN AND CARLOS PAZ (SITE MANAG-<br />

ERS-CONSTRUCTORA SAN JOSÉ) (CONTRACTOR) / FERNANDO OLIVÁN AND VICENTE DE LUCAS<br />

(QUANTITY SURVEYOR)<br />

The <strong>de</strong>sire to reproduce the space of a forest, or of a group of bamboos on a<br />

layer of water, has formed the subconscious basis of the project. On the one<br />

hand there is the creation of a mechanism able to generate extraordinary possibilities<br />

from the point of view of energy logic and environmental awareness,<br />

an essential and symbolic aspect for the Spanish Pavilion. On the other hand,<br />

one of the most attractive spaces one may encounter is transferred to the field<br />

of architecture.<br />

Changing spaces, full of hints and nuances, in which concepts such as verticality<br />

and <strong>de</strong>pth play an essential role.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

SUSTAINABLE BUILDING<br />

MERIT<br />

Spain’s Pavilion at the Zaragoza World Expo 2008 is one of the buildings that<br />

has received most awards in the last few years. Nevertheless, we did not wish to<br />

fail to highlight here how its formal values have come to the service of i<strong>de</strong>as of<br />

sustainability and respect for the environment. An example to follow and one<br />

that opens up paths to dispel the misconception that plastic art and environmental<br />

creativity cannot go hand in hand along the same path.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_SUSTAINABLE BUILDING<br />

16 17


TITLE / YEAR<br />

W+W (WASHBASIN + WATER CLOSET) / 2009<br />

AUTHOR / COMPANY<br />

ROCA INNOVATION LAB (CONCEPT) AND BURATTI + BATTISTON ARCHITECTS (DESIGN) / ROCA<br />

SANITARIO S.A.<br />

W+W combines functionality and water-saving benefits fusing Washbasin and<br />

WC.<br />

The project W+W intends to fuse both appliances.<br />

Through the new Roca “water-reuse” technology, washbasin waste water fills<br />

the toilet cistern, reducing water usage by up to 25% compared with the standard<br />

toilet. An automatic cleaning system avoids bad smells and flushing bacteria<br />

into the cistern.<br />

W+W is the choice when sustainability and good <strong>de</strong>sign are top priorities.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

INDUSTRIAL DESIGN<br />

MERIT<br />

An interesting product joining excellent execution quality and a smart solution<br />

to re-use washbasin water in the toilet cistern. Roca has managed to tune in<br />

with the increasing environmental awareness of Northern European markets<br />

by providing a very interesting solution, which, no doubt, will influence future<br />

conceptualisations for this type of product.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_INDUSTRIAL DESIGN<br />

18 19


TITLE / YEAR<br />

THE ECO DESIGN HANDBOOK / FIRST EDITION 2002, SECOND EDITION 2004, THIRD EDITION 2009<br />

AUTHOR / COMPANY<br />

ALASTAIR FUAD-LUKE / THAMES AND HUDSON, LONDON, UK (PUBLISHERS)<br />

CLIENT<br />

THAMES AND HUDSON, LONDON, UK (PUBLISHERS)<br />

COLLABORATORS<br />

MULTI-LANGUAGE EDITIONS WITH CO-PUBLISHERS: 2002 - CARTAGO, SPAIN / LOGOS, ITALY /<br />

DUMONT, GERMANY / CHRONICLE BOOKS, USA / 2003 - RIKUYOSHA CO, JAPAN / 2004 - CHRONI-<br />

CLE BOOKS, USA / 2010 - CHRONICLE BOOKS, USA<br />

Three international multi-language editions of The Eco-Design Handbook<br />

(2002, 2004 and 2009) have become a benchmark for celebrating the global<br />

state of the art of eco-<strong>de</strong>sign.<br />

Each edition has documented the leading <strong>de</strong>signers, <strong>de</strong>signer-makers and manufacturers<br />

breathing a new eco-consciousness into their products, raising the<br />

expectations of consumers for fresh aesthetics, functionality and responsibility.<br />

Clear for all to see are the legion opportunities to <strong>de</strong>sign a better, more equable<br />

world where society and nature become partners.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

PUBLISHING<br />

OUTSTANDING<br />

The Eco<strong>de</strong>sign Handbook stands out both for the neat <strong>de</strong>sign of its edition and<br />

for its content, and is a gui<strong>de</strong> of daily use objects which have been conceived<br />

with environmental protection and user friendly criteria. It covers a list of 570<br />

products, 125 selected materials, information on a great number of <strong>de</strong>signers,<br />

manufacturers and ecology organisations and 140 references to eco-<strong>de</strong>sign strategies.<br />

Its publication has contributed to the dissemination of eco<strong>de</strong>sign among<br />

<strong>de</strong>signers and consumers and opened the road for other books and other publications,<br />

and for the spread of opportunities linked to sustainability challenges.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_PUBLISHING<br />

20 21


TITLE / YEAR<br />

ÉCODESIGN, CHEMINS VERTUEUX (ECODESIGN, VIRTUOUS ROADS) / 2007<br />

AUTHOR / COMPANY<br />

FABRICE PELTIER AND HENRI SAPORTA / P’REFERENCE- DESIGNPACKGALLERY<br />

The book Éco<strong>de</strong>sign, Chemins Vertueux draws up a panorama of packaging’s<br />

ecological footprint. It explores the axes of progress inherent to this issue and<br />

offers innovative solutions in packaging ecoconception.<br />

Conceiving packaging that pollutes less all along its life cycle, helps consumers<br />

get rid of it in a better way and limits their environmental impact, including during<br />

recycling, this is the new global challenge.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

PUBLISHING<br />

MERIT<br />

Éco<strong>de</strong>sign, Chemins Vertueux is a great book, both in <strong>de</strong>sign and content. Its<br />

<strong>de</strong>sign inclu<strong>de</strong>s many excellent photos, and its content, related to waste and<br />

packaging, their history, recycling, ecological impact, resources, energy, air and<br />

water, materials, etc. is also an analysis of responsible attitu<strong>de</strong>s to the environment<br />

and packaging.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_PUBLISHING<br />

22 23


TITLE / YEAR<br />

ECOFONT / 2009<br />

AUTHOR / COMPANY<br />

GERJON ZOMER, ALEXANDER KRAAIJ AND RICK VAN DEN BOS / SPRANQ CREATIVE COMMUNI-<br />

CATIONS / ECOFONT B.V.<br />

How much of a letter can be removed while maintaining readability? After long<br />

hours of research and work, the author managed to get a font that uses up to<br />

20% less ink. To do so, extensive tests were carried out, which showed that the<br />

best results were achieved using small circles. The type selected had to be based<br />

on a wi<strong>de</strong>ly used type face. Therefore the Vera Sans was chosen –a Verdana<br />

look-a-like un<strong>de</strong>r GNU license– as the basis of the Ecofont.<br />

A communication website around it was set up which offered the Ecofont<br />

“Free to download, free to use”. Within two months after launch, the font was<br />

downloa<strong>de</strong>d over 700,000 times!<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

OUTSTANDING<br />

Ecofont is, first of all, a robust graphic proposal. A type face that keeps its careful,<br />

legible stroke in small bodies and large formats.<br />

With this award to Ecofont, we are rewarding an i<strong>de</strong>a’s efficiency. An i<strong>de</strong>a that<br />

shows how some simple actions may translate into significant savings in our<br />

daily habits, a more sound use of raw materials and more rational consumption<br />

of manufactured products.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

24 25


TITLE / YEAR<br />

REINICIA (RESTART) / 2008-2009<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

REINICIA<br />

Reinicia is a project of electronic waste management that provi<strong>de</strong>s the citizen<br />

with a collection system for useless <strong>de</strong>vices. Some of these <strong>de</strong>vices can later be<br />

reused in other areas or institutions.<br />

The plug is a symbol that unifies most electronic <strong>de</strong>vices. The name “Reinicia”<br />

provi<strong>de</strong>s new life to <strong>de</strong>vices that looked like having a single use.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

MERIT<br />

Reinicia has a great fundamental quality. It says everything it has to say, nothing<br />

else. Neatly and clearly. What comes out of one end of the plug, goes into the<br />

other, restarting the process.<br />

Ecology and communication also means avoiding unnecessary noise.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

26 27


TITLE / YEAR<br />

WWF PAPER DISPENSER / 2007<br />

AUTHOR / COMPANY<br />

CLIFF KAGAWA HOLM AND SILAS JANSSON (ART DIRECTORS) / SAATCHI&SAATCHI CPH<br />

CLIENT<br />

WWF<br />

To make people realize that saving the planet starts with them saving paper, the<br />

authors have used standard public paper dispensers, making a simple modification<br />

with green paper foil and the silhouette of South America.<br />

This has allowed them to prove that the survival of the forest is directly connected<br />

to what people consume in everyday life.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

GRAPHIC DESIGN CAMPAIGNS<br />

MERIT<br />

This Paper Dispenser has an innovative <strong>de</strong>sign suggesting that saving the planet<br />

is directly connected to individual paper savings. By using a standard paper dispenser<br />

with a slight modification, green foil and the silhouette of South America,<br />

it manages to challenge people and transmit that the survival of the forests is<br />

directly related to what people consume in their daily lives. This product unites<br />

creativity and the dissemination of the concept of environmental protection.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_GRAPHIC DESIGN CAMPAIGNS<br />

28 29


TITLE / YEAR<br />

ECO BY COSENTINO ® / 2008-2009<br />

AUTHOR / COMPANY<br />

I+D DEPARTMENT AND PRODUCT AND INNOVATION DEPARTMENT / COSENTINOGROUP<br />

CLIENT<br />

LOWE´S FROM USA<br />

COLLABORATORS<br />

COSENTINO NORTH AMERICA<br />

Eco by Cosentino ® is a new revolutionary surfacing product. It is composed of<br />

75% post-industrial and post-consumer recycled raw material, including glass,<br />

mirrors, porcelain and stone scrap bound together with an eco-friendly corn-oil<br />

based resin.<br />

Eco by Cosentino ® offers a hard durable surface that has high stain, scratch<br />

and scorch performance. It is non-porous and does not require sealers. Available<br />

in ten sophisticated <strong>de</strong>signer colours.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

OUTSTANDING<br />

The philosophy behind pre- and post-production material recycling, the concept<br />

and implementation of a type of material non-existent in Nature and as such<br />

with innovative, far from false-natural perception aesthetics, turn this product<br />

into an excellent example of how compatibility and industrial production should<br />

proceed.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_BUSINESS, INDIVIDUAL OR INSTITUCIONAL INITIATIVE<br />

30 31


TITLE / YEAR<br />

TRASHDESIGN / 2007<br />

AUTHOR / COMPANY<br />

MAGDALENA HÖLLER / TRASHDESIGNMANUFACTORY<br />

Trash<strong>de</strong>sign unites <strong>de</strong>sign and social awareness. Long-term unemployed and<br />

disabled people craft elegant and high-quality jewellery, furniture, accessories<br />

and trophies out of washer drums, PC cases, circuit boards and so on. These<br />

leftovers of society are the resources used to produce creative and outstanding<br />

objects –each piece is handma<strong>de</strong> and therefore unique.<br />

Acquiring one of these products means supporting both a social and an environmental<br />

i<strong>de</strong>a.<br />

EUROPEAN ENVIRONMENTAL<br />

DESIGN AWARD<br />

BUSINESS, INDIVIDUAL OR<br />

INSTITUTIONAL INITIATIVE<br />

MERIT<br />

Trash<strong>de</strong>sign brings together <strong>de</strong>sign, environment protection and social awareness.<br />

Long-term unemployed and disabled people craft smart, high-quality<br />

jewellery, furniture, accessories and other products with recycled materials.<br />

The objects thus ma<strong>de</strong> are unique, creative, contribute to the protection of the<br />

environment and promote social integration.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_BUSINESS, INDIVIDUAL OR INSTITUCIONAL INITIATIVE<br />

32 33


TITLE / YEAR<br />

6 SOCIAL-RENT-HOUSES IN ZELHEM THE NETHERLANDS / 2005<br />

AUTHOR / COMPANY<br />

GROTENBREG ARCHITECTEN<br />

CLIENT<br />

PRO WONEN CORPORATION FOR SOCIAL HOUSES<br />

This project won the first prize in a national competition of sustainable buildings.<br />

The houses have the following features: Extreme low-energy-use, photovoltaic-cells<br />

on the south-si<strong>de</strong> of the houses, sun-warmed-water-collectors on the<br />

south-si<strong>de</strong>, high-tech-sun-gaz-combi-boiler for room heating and warm-water,<br />

warmth-winning out of the ventilation-air, green-house at the south-si<strong>de</strong> of the<br />

house, grass-sedum-roof to keep the rainwater, small windows at the north-si<strong>de</strong><br />

of the house, day-light-concept and wood-frame-high-isolation.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

60BAG.COM / 2008<br />

AUTHOR / COMPANY<br />

REMIGIUSZ TRUCHANOWICZ AND KATARZYNA OKINCZYC / DEVON VISUAL GROUP REMIGIUSZ<br />

TRUCHANOWICZ<br />

CLIENT<br />

HSBC BANK SWITZERLAND, POLISH INSTITUTE IN SWITZERLAND AND CENTER OF MODERN<br />

ART (WARSAW)<br />

60Bags are bio<strong>de</strong>gradable carrier bags that are manufactured using the natural<br />

flax based non-woven fabric. The fabric is produced with flax fibre industrial<br />

waste so as not to exploit natural resources. Once a bag is discar<strong>de</strong>d it <strong>de</strong>composes<br />

naturally within just 60 days. This means 60Bag can be used and stored as<br />

long as <strong>de</strong>sired and then thrown away without polluting the environment.<br />

60Bag.com is the natural answer to the environmental needs of today.<br />

INDUSTRIAL DESIGN<br />

TITLE<br />

ARKA ECOPOD<br />

AUTHOR / COMPANY<br />

HAZEL SELENA / ARKA ECOPOD LTD.<br />

Inspired by the process of regeneration and new life, the authors wanted to give<br />

the Ecopod coffin a unique shape and make it from bio<strong>de</strong>gradable materials.<br />

By finishing it in brightly coloured papers, the Ecopod helps to move funerals<br />

away from their more sombre tradition, towards a more inspiring celebration<br />

of the life that has passed.<br />

Ma<strong>de</strong> by hand from recycled newspapers and hand finished with paper ma<strong>de</strong><br />

from mulberry pulp, the Ecopod is available in a range of colours with screenprinted<br />

motifs, plain white, or gold.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ARTICULADO BOOK. OPINIONS AND REFLECTIONS ABOUT DESIGN / 2009<br />

AUTHOR / COMPANY<br />

ANA YAGO AND JOSÉ ANTONIO JIMÉNEZ / SANSERIF CREATIUS, S.L.<br />

CLIENT<br />

ADCV (DESIGNERS’ ASSOCIATION FROM THE VALENCIA A. REGION)<br />

COLLABORATORS<br />

IMPIVA (SMALL AND MEDIUM VALENCIAN ENTERPRISE INSTITUTE)<br />

A not-for-profit publication featuring opinions from leading names in international<br />

<strong>de</strong>sign –Ana Yago, Karim Rashid, Milton Glaser...– and other experts<br />

–A. Rawsthorn, J. Errea…– on the relationship between <strong>de</strong>sign, the environment<br />

and the economy.<br />

It has been conceived to transmit values like sustainable growth, recycling, low<br />

impact production processes. Printed in one colour on ecological paper, it is a<br />

portable book-product Coordinated by José A. Giménez, with the support of<br />

ADCV and Impiva.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

34 35<br />

PUBLISHING<br />

TITLE / YEAR<br />

BAKUS / 2008<br />

AUTHOR / COMPANY<br />

TATI GUIMARÃES AND NIKOLINE ARNS / CICLUS<br />

CLIENT<br />

CICLUS<br />

Bakus is a table mat <strong>de</strong>signed for Ciclus, a sustainable <strong>de</strong>sign studio in Barcelona.<br />

The concept was to make an object that had an interaction with the user<br />

and pushed him into the i<strong>de</strong>a of reusing his daily garbage, in this case, the wine<br />

corks.<br />

The result is a functional, emotive simple, elegant piece with a stainless steel<br />

finish, which is a long-lasting material.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BELLOCH CHAIR - 100% RECYCLED AND RECYCLABLE / 2009<br />

AUTHOR / COMPANY<br />

LAGRANJA / SANTA & COLE<br />

The 100% recycled and recyclable Belloch Chair is Santa & Cole and Lagranja’s<br />

joint bid to achieve a product committed with the environment.<br />

The result is a contemporary and economical chair, suitable either for indoor<br />

(with natural beech wood legs) or outdoor (with matt anodized aluminium legs)<br />

use, manufactured with an innovative material composed by 60% of recycled<br />

polypropylene from post-consumer agricultural plastic waste, and 40% of recycled<br />

dust from sawmills.<br />

INDUSTRIAL DESIGN


TITLE / YEAR<br />

BILLBIRDHOUSE / 2005<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The Billbirdhouse is a birdhouse ma<strong>de</strong> from used billboards. Mostly boards<br />

with typographic, artistic prints have been used. The handles for the birds to<br />

perch on come from markets, pieces of furniture thrown onto the street or broken<br />

umbrellas lying in the street after a windy day.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BILLDOGHOUSE / 2008<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

Billdoghouse is a dog kennel ma<strong>de</strong> from the typical used billboards of a “For<br />

Rent” or “For Sale” sign used in The Netherlands. The number of billboards<br />

used <strong>de</strong>pends on the size of the dog, but in most cases, just a billboard is required<br />

for the complete kennel.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BIOCLIMATIC COMMUNITY / 2008<br />

AUTHOR / COMPANY<br />

LUCÍA ARRANZ AND MIGUEL ORDÓÑEZ<br />

CLIENT<br />

BIOCLIMÁTICOS<br />

The logo represents the Bioclimatic Community, a meeting place for people interested<br />

in bioclimatic architecture and the environment.<br />

The figure is a house because it is the base of architectural activity, the main<br />

discipline in which the project <strong>de</strong>veloper, Edwin Rodriguez, works. The leaf<br />

instead of the chimney symbolizes the renewable energies and photosynthesis,<br />

a fundamental process for life. The colours, brown and green, are a reference<br />

to the Earth.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

BIONICTILE: DESIGN OF GLAZED CERAMIC PRODUCTS FOR THE SELECTIVE REDUCTION OF<br />

ENVIROMENTAL NO X / 2009<br />

AUTHOR / COMPANY<br />

FRANCISCO RAYA, FELIPE SIERRA AND JOSE LUÍS ROS / CERACASA, S.A.<br />

COLLABORATORS<br />

FMC FORET AND THE CHEMICAL TECHNOLOGY INSTITUTE OF THE VALENCIA POLYTECHNIC UNI-<br />

VERSITY<br />

Bionictile ® is a ceramic product <strong>de</strong>signed after a process of microscopic observation<br />

of plant leaves that imitates their pattern to increase the specific surface of<br />

the ceramic piece that is in contact with air.<br />

This <strong>de</strong>sign makes the enamel photocatalyst that, along with the sun’s UV rays,<br />

breaks down the pollution in cities in large quantities. Bionictile ® is able to break<br />

down NO X air at a rate of 31.2 mg per m 2 per hour. Values which make this<br />

product a continuous <strong>de</strong>contamination tool and very inexpensive.<br />

SUSTAINABLE BUILDING<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BOBHANGER (THE ECOLOGICAL HANGER) / 2007<br />

AUTHOR / COMPANY<br />

JOAN NADAL / ZECODESIGN<br />

Bobhanger is ma<strong>de</strong> from recycled cardboard and needs two reused bottles to<br />

function. The clothes hanger and PET bottles are two small objects with a large<br />

environmental footprint. The proposed solution is to make recyclable hangers<br />

from just one material, and recycle bottles along the way. The middle object is a<br />

cardboard <strong>de</strong>sign that folds into the main structure, to which two reused water<br />

bottles are attached. A rolled up magazine can also be stuck through the holes.<br />

INDUSTRIAL DESIGN<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

BOLD CHAIR – BENCH / 2009<br />

AUTHOR / COMPANY<br />

ANA YAGO AND JOSÉ ANTONIO JIMÉNEZ / SANSERIF CREATIUS, S.L.<br />

Chair or bench in 100% bio<strong>de</strong>gradable corrugated cardboard. Functional and<br />

unexpensive. Auxiliary processes are reduced to the production of the assembly<br />

unit. Also reduced are costs, environmental impact and the collateral energy<br />

consumption. Its assembly and handling are carried out exclusively in special<br />

employment centres to reinforce values of integration and respect, not just environmental,<br />

but also social.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

36 37<br />

INDUSTRIAL DESIGN


TITLE / YEAR<br />

BONA DUST CARE SYSTEM / 2005<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

Bona DCS 70 has a long-lasting Hepa filter and a patented 2-step cyclone system.<br />

These two features enable drastically longer running times. The totally<br />

sealed system prevents any dust from escaping when changing the bag, guaranteeing<br />

a dust-free process at all stages.<br />

The new Bona DCS 70 is also easier to transport thanks to the ergonomic<br />

handles and big wheels.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

BONA THINK DO GREEN / 2009<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

The firm’s mission is to bring out the best in woo<strong>de</strong>n floors. Bona is a familyowned<br />

company foun<strong>de</strong>d in 1919. A long-term ownership has enabled them to<br />

work with a long-term commitment to innovation based on concern and respect,<br />

always with a sustainable outlook and taking floor, craftsman and indoor outdoor<br />

environment in mind. Bona strives to continuously launch better products<br />

with less environmental impact.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

BOOK LAMP / 2006<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

Michael Bom has always been interested in books and this inspired him to make<br />

a lamp out of a used book. A source of inspiration was also how books are<br />

constructed. The “architecture” of a book makes it really strong and durable.<br />

With this in mind, he carried through his <strong>de</strong>sign.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

38 39<br />

TITLE / YEAR<br />

CAVALLUM / 2007<br />

AUTHOR / COMPANY<br />

TATI GUIMARÃES / CICLUS<br />

CLIENT<br />

HERA HOLDING<br />

Cavallum is a box of wine that becomes a lamp. It has been <strong>de</strong>signed by Ciclus,<br />

a sustainable <strong>de</strong>sign studio in Barcelona foun<strong>de</strong>d by Tati Guimarães.<br />

Originally created as a corporate gift for Hera Holding, the box is ma<strong>de</strong> of<br />

recycled cardboard and certified wood. Hera, a Barcelona firm that manages<br />

waste, asked Tati for a surprising gift that had a powerful ecological message.<br />

The unusual lamp was approved with honours and that drove its commercialization<br />

to a wi<strong>de</strong>r branch of consumers.<br />

INDUSTRIAL DESIGN<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

CC8. CLIMATE CONFERENCE. CLIMATE CONCERT / 2008<br />

AUTHOR / COMPANY<br />

COMMANDO GROUP<br />

CLIENT<br />

HAFSLUND BY APPOINTMENT OF KITCHEN AD AGENCY<br />

The i<strong>de</strong>ntity is based on a typographic composition of “CC” and “8”. The system<br />

is <strong>de</strong>signed to be used in future Conferences. The symbol communicates the<br />

circulatory system. The i<strong>de</strong>a is that the symbol can be used alone or together<br />

with the Signature “CC8 Climate Concert & Climate Conference”.<br />

The paper used is grey recycled which, against the black and white used in the<br />

tra<strong>de</strong>mark symbol, reflects an environmentally friendly stance, in addition to the<br />

pure visual qualities and characteristics.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

CENTRE FOR ECOLOGICAL ACTIVITIES “SLUNÁKOV” / 2006<br />

AUTHOR / COMPANY<br />

ROMAN BRYCHTA (MGR. AKAD. ARCH.), ADAM HALÍ AND PETR LEŠEK (ING. ARCH.) AND ONDREJ<br />

HOFMEISTER (ING.) / PROJEKTIL ARCHITEKTI S.R.O.<br />

CLIENT<br />

CITY OLOMOUC, NATIONAL FOUND OF THE CZECH REPUBLIC FOR ENVIRONMENT<br />

COLLABORATORS<br />

KATERINA HORÁKOVÁ, KATARÍNA JÄGROVÁ AND LENKA SLÍVOVÁ (ING. ARCH.) / WWW.KULTI-<br />

VAR.CZ (GRAPHIC DESIGNERS)<br />

Centre “Slunákov” has been <strong>de</strong>signed for full yearlong operation. The heat <strong>de</strong>mand<br />

is covered using a combination of renewable energy sources –biomass and<br />

solar energy. Ventilation and warm air heating are ensured by fresh air and by<br />

warm air circulation ventilation with heat recovery from outgoing air. The earth<br />

heat exchanger serves mainly to bring cooler air insi<strong>de</strong> in the summer months.<br />

Two automatic wood pellet furnaces provi<strong>de</strong> the main source of heat for heating<br />

and are a supplementary source for heating the hot water.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

CENTRE FOR ENVIROMENTAL EDUCATION, ARCHAEOLOGY AND SUSTAINABILITY IN ZUTPHEN,<br />

THE NETHERLANDS / 2006<br />

AUTHOR / COMPANY<br />

GROTENBREG ARCHITECTEN<br />

CLIENT<br />

GOVERNMENT OF THE CITY OF ZUTPHEN<br />

The Centre for Enviromental Education, Archaeology and Sustainability in<br />

Zutphen bore the following aspects in mind: Life Cycle Assesment; renewable<br />

resource concept; low energy-day-light-approach; industrial, prefabricated, flexible<br />

use and disassembling-building-techniques; healthy working-conditions; accurate<br />

selection of the right kind of wood for the right function; green roofs<br />

against dust and to keep rainwater; low-temperature-wall and floor-heating;<br />

central cableduct for infrastructure for electricity and data; and self-regulating<br />

air-grid for fresh-air ventilation.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

CINEMA BOOK / 2007<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

GENERAL DIRECTORATE FOR ENVIRONMENTAL CONTROL OF MURCIA A. REGION<br />

COLLABORATORS<br />

JUAN JIMENEZ (DESIGN ASSISTANT) / JAVIER UROSAS (PHOTOGRAPHY)<br />

Cinema-Book was <strong>de</strong>signed with the aim of increasing people’s awareness to<br />

take part in a humanitarian project of cultural exchange with Spanish-speaking<br />

countries.<br />

The book shows a photographic sequence in which, making use of a visual<br />

metaphor, the act of distributing culture can be seen.<br />

PUBLISHING<br />

TITLE / YEAR<br />

CITY GARDEN MODEL / 2006<br />

AUTHOR / COMPANY<br />

ÁNGEL ARAGONÉS / DODECAEDRO, S.A.<br />

CLIENT<br />

ALCORCÓN TOWN COUNCIL<br />

This gar<strong>de</strong>n mo<strong>de</strong>l creates passages and locations with seating-containing elements<br />

necessary to conform to an environment punctuated by a sha<strong>de</strong> of vegetation.<br />

Its visitors are graced with floral fragrances in locations that could not<br />

naturally sustain the planting of trees.<br />

The seats and armrests have been ergonomically <strong>de</strong>signed. Its self-irrigation<br />

system saves and reduces water consumption. It needs very limited maintenance.<br />

The whole mo<strong>de</strong>l, carried out with a diversity of materials, stands for low cost,<br />

high aesthetic <strong>de</strong>sign, a perfect link between nature and sustainability.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

COMBOX, THE NEW GENERATION OF COMPOSTERS / 2008-2009<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

40 41<br />

AUTHOR / COMPANY<br />

COMPOSTADORES<br />

Combox is a new generation of composters which are eco-<strong>de</strong>signed, locally<br />

manufactured, high-quality, adaptable, modular, compartmentable, extendable,<br />

versatile and accessible to everyone. The Combox are unique because they allow<br />

the incorporation of a base that makes them suitable for paved floors.<br />

They help stop climate change and are transported efficiently and packed with<br />

recyclable and reusable packaging.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

CROSSWAY / 2009<br />

AUTHOR / COMPANY<br />

MR RICHARD HAWKES / HAWKES ARCHITECTURE LTD.<br />

CLIENT<br />

MR & MRS HAWKES<br />

COLLABORATORS<br />

ECOLIBRIUM SOLUTIONS<br />

Crossway is a sustainable home nestled quietly within the English countrysi<strong>de</strong>,<br />

floo<strong>de</strong>d with daylight beneath a soaring terracotta Timbrel vault handma<strong>de</strong><br />

from clay dug within 6 km of the site. The vault is exposed throughout the<br />

house, soaring as though somehow <strong>de</strong>fying gravity. The layout is simple, spacious<br />

and airy. Every room has a unique joy. The sun is harnessed to provi<strong>de</strong> all<br />

energy needs.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

DESIGN ACTIVISM: BEAUTIFUL STRANGENESS FOR A SUSTAINABLE WORLD / 2009<br />

AUTHOR / COMPANY<br />

ALASTAIR FUAD-LUKE / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This is a comprehensive synthesis of emerging expressions of <strong>de</strong>sign activism<br />

which aim to <strong>de</strong>liver positive social, environmental and ethical impacts. Its aim<br />

is to bring to life the diverse nature of <strong>de</strong>sign activism by examining its history,<br />

<strong>de</strong>sign approaches and methods, and providing contemporary examples.<br />

Design Activism challenges professional, pro-am and citizen <strong>de</strong>signers to contribute<br />

to new processes of participatory engagement that enable improved social<br />

capacity to transit to more sustainable ways of living and working.<br />

PUBLISHING


TITLE / YEAR<br />

DESIGNERS, VISIONARIES AND OTHER STORIES: A COLLECTION OF SUSTAINABLE DESIGN<br />

ESSAYS / 2007<br />

AUTHOR / COMPANY<br />

JONATHAN CHAPMAN AND NICK GANT / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This book unpacks the complex and crucial <strong>de</strong>bates surrounding sustainable<br />

<strong>de</strong>sign to <strong>de</strong>liver a compelling manifesto for change, at a time of looming ecological<br />

crisis, mounting environmental legislation and limited progress. This is<br />

a book about sustainable <strong>de</strong>sign, by the leading sustainable <strong>de</strong>sign thinkers, for<br />

creative practitioners, professionals, stu<strong>de</strong>nts and aca<strong>de</strong>mics and which provi<strong>de</strong>s<br />

the rea<strong>de</strong>r with a rich resource of future visions, critical propositions, creative<br />

i<strong>de</strong>as and <strong>de</strong>sign strategies for working towards a sustainable tomorrow, today.<br />

PUBLISHING<br />

TITLE / YEAR<br />

DEUTSCHLAND IM HERBST. A PROJECT BY ROTOR / 2008<br />

AUTHOR / COMPANY<br />

LIONEL DEVLIEGER, MAARTEN GIELEN, TRISTAN BONIVER AND MICHAËL GHYOOT / ROTOR<br />

CLIENT<br />

URSULA BLICKLE STIFTUNG (COMMISSIONER)<br />

The Brussels based collective Rotor <strong>de</strong>fines itself as a platform for the endorsement<br />

of industrial waste re-use. Deutschland im Herbst was both an exhibition<br />

(at the Ursula Blickle Stiftung in Kraichtal, Germany), and a publication.<br />

The aim of the project was to reflect upon the very moment an industrial<br />

waste-product comes into being. The catalogue provi<strong>de</strong>s text and image to such<br />

origination processes, through a series of eleven specific study-cases.<br />

The photograph, by Ccil Michel and François De Herdt shows the “Drooling<br />

of white foamed polyurethane from a boots factory”.<br />

PUBLISHING<br />

TITLE / YEAR<br />

DOG POO BAGS / 2008<br />

AUTHOR / COMPANY<br />

NINA DAUTZENBERG AND ANDREA GADESMANN / JUNGESCHACHTEL<br />

These humorous paper bags for the stylish and practical disposal of dog poo<br />

turn the less attractive moments in the life of a dog owner into an original happening.<br />

The 16 recyclable paper bags mean a simple, clean and practical disposal<br />

of dog poo. Funny prints, such as “Doggy bag”, “Don’t blame me” or “Size<br />

matters” make the walk to the next garbage bin an easy task. The i<strong>de</strong>a for dog<br />

poo bags was born out of the authors’ passion for dogs and <strong>de</strong>sign.<br />

The daily walks with Cuno, the agency’s dog, served as a source of inspiration.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

DONATE YOUR MOBILE / 2008<br />

AUTHOR / COMPANY<br />

210 PUBLICIAD, FUNDACIÓN ENTRECULTURAS AND SPANISH RED CROSS / 210 PUBLICIDAD<br />

Everything seems to be perishable in the society we live in today. Everything<br />

quickly becomes obsolete, whether or not it is still useful”. With this in mind the<br />

Spanish Red Cross and “Entreculturas” have launched the Donate your Mobile<br />

campaign, a social action aimed at mobile phone users with a double purpose:<br />

using the income generated for re-using mobiles for humanitarian and education<br />

actions in the least favoured countries, and helping protect the environment by<br />

collecting mobiles no longer in use.<br />

All this by fostering their re-use and recycling.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

DUCHI / 2004<br />

AUTHOR / COMPANY<br />

CÉSARE PEEREN / 2012ARCHITECTEN<br />

CLIENT<br />

DUCHI SHOESTORE<br />

COLLABORATORS<br />

JAN KORBES AND MARCO BROEDERS<br />

Shoestore Duchi has been built out of surplus materials. The central element is a<br />

shoe fitting island, ma<strong>de</strong> from surplus wood. Two ergonomic couches have been<br />

ma<strong>de</strong> with a footrest at working height for the employees. The back of the couch<br />

functions as a support for customers trying out new shoes, which they can do by<br />

walking on the conveyor belt from a supermarket. The circular shelves around<br />

the seating island give shape to the fitting area. This way the shop stays one<br />

entity, spatially and functionally.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

DVELAS / 2009<br />

AUTHOR / COMPANY<br />

ENRIQUE KAHLE, ARRAITZ KOCH, BORJA FUENTES, ESPERANZA KAHLE AND CARLOS MARTÍNEZ<br />

/ DVELAS REUSAIL PROYECT<br />

Dvelas <strong>de</strong>signs and manufactures contemporary furnishings reutilising old<br />

used sails. The spontaneous i<strong>de</strong>a of converting used sails into useful objects,<br />

acquires a bigger complexity when it evolves into an ethical initiative based on<br />

four fundamental strategic lines: Econversion (simple transformation processes<br />

that insist on the material’s smooth quality), Excellence (unique products with a<br />

precise i<strong>de</strong>ntification of their history and origins), Responsibility (an active and<br />

voluntary contribution to the improvement of the social, working and ecological<br />

environments) and Promotion (of the ecology, sailing and <strong>de</strong>sign).<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

42 43


TITLE / YEAR<br />

ECOALF, FABRICS FOR A NEW GENERATION / 2008<br />

AUTHOR / COMPANY<br />

GRUPO FUN&BASICS S.A.<br />

COLLABORATORS<br />

CATALAN CENTRE FOR RECYCLING, CATALAN AGENCY FOR WASTE TREATMENT, DEPARTMENT<br />

OF ENVIRONMENT AND HOUSIN / JULIO RODRIGO, HEAD OF THE ENVIRONMENTAL ENGINEER-<br />

ING DEPARTMENT<br />

Fun&basics has managed to bring creativity and environmental commitment<br />

together, and has created the first 100% recyclable collection. The components<br />

of these mo<strong>de</strong>ls have been selected so that they can be recycled. The collection<br />

can therefore be 100% recyclable using Ecoalf 1.0.<br />

Ecoalf is an exclusive fabric ma<strong>de</strong> with two polyester threads that are 100%<br />

recycled using PET plastic bottles, recyclable TPE backing, PVC free.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ECO-BULEVAR DE VALLECAS. MADRID / 2004-2005 (FASE I), 2006-2007 (FASE II)<br />

AUTHOR / COMPANY<br />

BELINDA TATO, JOSE LUIS VALLEJO AND DIEGO GARCÍA-SETIÉN / ECOSISTEMA URBANO<br />

CLIENT<br />

MUNICIPAL URBAN LAND AND HOUSING COMPANY. MADRID CITY COUNCIL<br />

COLLABORATORS<br />

I. PRIETO, M. E. LACARRA, D. DELGADO, D. BENITO, J. EIZAGUIRRE, P. LUCAS, A. LOPEZ, A.<br />

BARREDO, L. CASAS, F. PEPE AND M. MORADIELLOS / TECTUM INGENIERÍA, S.L. (STRUCTURE) /<br />

IP INGENIERÍA (INSTALLATIONS) / I. LÓPEZ (BOTANICAL ITEMS) / C. AMORÓS AND M. GONZÁLEZ<br />

(SURVEYORS) / GRUPO ENTORNO, S.A. (CONSTRUCTORS).<br />

The Eco-Boulevard Of Vallecas can be <strong>de</strong>fined as an operation of urban recycling:<br />

an installation of three socially revitalizing air-trees. Placed along the<br />

existing housing complex, it reduces and re-arranges asymmetric traffic routes<br />

and the superficial area within the existing housing complex, thus achieving the<br />

reconfiguration of the executed urban <strong>de</strong>velopment.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

ECOHOSTEL / 2009<br />

AUTHOR / COMPANY<br />

MAARTEN VERBRUGGHE AND LISELOT CLAEYS / ECOHOSTEL ANDROMEDA<br />

Ecohostel originates from the need for budget accommodation in a city with<br />

growing sustainability awareness. Adaptive reuse of an old barge combined with<br />

ecological techniques provi<strong>de</strong>s the guests the opportunity to travel with a lower<br />

ecological footprint, without compromising comfort.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

ECOLOGICAL DESIGN: TOWARDS DESIGN AND PRODUCTION IN HARMONY WITH NATURE / 2005<br />

AUTHOR / COMPANY<br />

JOAQUÍM VIÑOLAS MARLET / EDITORIAL BLUME<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

44 45<br />

CLIENT<br />

EDITORIAL BLUME<br />

COLLABORATORS<br />

LYIDIA CARRASCO RODRÍGUEZ (GRAPHIC DESIGN)<br />

This book seeks to explore into what is un<strong>de</strong>rstood by ecological <strong>de</strong>sign from a<br />

number of different points of view, including those of biology, history, sociology,<br />

philosophy, technology and methodology. It is as much concerned with theoretical<br />

aspects as it is with practical ones and hence it tries to set out information,<br />

tools and principles which may be useful when implementing social and environmental<br />

projects in the human-ma<strong>de</strong> environment.<br />

PUBLISHING<br />

TITLE / YEAR<br />

ECONO / 2006<br />

AUTHOR / COMPANY<br />

IVÁN MARTÍN / EQUILICUÁ<br />

COLLABORATORS<br />

GOODFORE S.L. / MURRAY (PACKAGING DESIGN)<br />

Econo is a small greenhouse for plants in flowerpots or vegetable gar<strong>de</strong>ns that<br />

protects and optimizes the use of water. Taking advantage of the combination<br />

of evaporation (sun heat) and con<strong>de</strong>nsation (afternoon cooling) it traps water<br />

evaporating from the soil and returns it to the pot. As such, the amount of water<br />

necessary for the survival of the plant is reduced.<br />

Econo helps preserve a natural resource, while educating and communicating<br />

about environmental commitment.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ECOPACK’S ATTITUDE AT THE DESIGNPACK GALLERY / 2009<br />

AUTHOR / COMPANY<br />

FABRICE PELTIER / P’REFERENCE-DESIGNPACKGALLERY<br />

The Designpack Gallery is a space <strong>de</strong>dicated to the art of packaging <strong>de</strong>sign.<br />

This exhibition draws up a panorama of packaging’s ecological footprint and<br />

presents innovative solutions in ecoconception. A type of packaging that pollutes<br />

less all along its life cycle helps consumers get rid of it in a better way. That<br />

is the new global challenge.<br />

Along with the exhibition, a conference was held around the same topic.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

ECOPÉRGOLA MODEL TAO / 2006<br />

AUTHOR / COMPANY<br />

ÁNGEL ARAGONÉS / DODECAEDRO, S.A.<br />

CLIENT<br />

ALCORCÓN TOWN COUNCIL<br />

This pergola creates sha<strong>de</strong> and shelter and a floating vegetable gar<strong>de</strong>n to be used<br />

in areas where it is impossible to plant trees. This creates a balanced equilibrium<br />

between industrial <strong>de</strong>sign and a high level of natural sustainability.<br />

The Ecopergola has capacity to cover 25 m 2 surface area per unit and is supported<br />

by one mast. Its self-irrigation system saves and reduces water consumption<br />

and needs limited maintenance. Ma<strong>de</strong> with a diversity of materials and<br />

fabrication methods.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ECOPROYECTA / 2007<br />

AUTHOR / COMPANY<br />

F33<br />

CLIENT<br />

ECOPROYECTA / PABLO CARBONELL ALONSO<br />

Ecoproyecta is a sustainable architecture company and its corporate i<strong>de</strong>ntity had<br />

to transmit its work philosophy and foundation values. The self-promotional<br />

element represents one of this company’s aspirations: to reduce CO 2 emissions<br />

with its activity, a <strong>de</strong>cisive factor in climate change.<br />

This element is a cardboard mini-box, which contains a pot and oregano, mint<br />

or basil seeds of the Laminaceae family, one of the most important Mediterranean<br />

species –from the ethnobotanical and economic point of view. Furthermore,<br />

the box is <strong>de</strong>signed to be reused as a pencil case.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

EL-RECETARIO.NET. CONSTRUCTIVE SOLUTIONS FROM WASTE / 2007<br />

AUTHOR / COMPANY<br />

FLOU FLOU / ASOCIACIÓN MAKEA TU VIDA<br />

CLIENT<br />

ASOCIACIÓN MAKEA TU VIDA<br />

El-Recetario.Net is an online platform of knowledge exchange, which allows<br />

the cataloguing, consultation and management of constructive recipes for the<br />

household. El-Recetario.Net is an open co<strong>de</strong> project, with free access and free<br />

consultation.<br />

The recipes are furniture solutions from the creative reuse of waste, with <strong>de</strong>tailed<br />

instructions for assembly with the materials and the steps for users to<br />

build their own furniture and spaces.<br />

PUBLISHING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

EMBELL SYSTEM, FIRST MOPPING KIT USING CLEAN WATER / 2008<br />

AUTHOR / COMPANY<br />

EMBELL EQUIPMENT / DESARROLLO INDUSTRIAL EMBELL, S.L.<br />

Embell System is specially-<strong>de</strong>signed to increase cleaning quality with its unmatched<br />

clean water supply system. Its internal <strong>de</strong>sign is entirely mechanical, so<br />

it requires no maintenance and no external power source.<br />

To use it, the tank must be filled with water so that every time the mop is<br />

used, it is done in fresh, clean water, with no refilling requirements. The system<br />

automatically supplies itself with clean water, making mopping more effective,<br />

as well as avoiding the accumulation of residual filth on the floor. It reduces the<br />

number of refills, thus reducing the amount of water, time and cleaning products<br />

nee<strong>de</strong>d to mop.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

46 47<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

EMOTIONALLY DURABLE DESIGN: OBJECTS, EXPERIENCES AND EMPATHY / 2005<br />

AUTHOR / COMPANY<br />

JONATHAN CHAPMAN / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

Emotionally Durable Design is a call to arms for professionals, stu<strong>de</strong>nts and<br />

aca<strong>de</strong>mic creatives. The publication proposes the emergence of a new genre of<br />

sustainable <strong>de</strong>sign that reduces consumption and waste by increasing the durability<br />

of relationships established between users and products. In this provocative<br />

text, Jonathan Chapman pioneers a radical <strong>de</strong>sign about-face to reduce the<br />

impact of mo<strong>de</strong>rn consumption without compromising commercial viability or<br />

creative edge.<br />

PUBLISHING<br />

TITLE / YEAR<br />

EPHEMERAL RESTAURANT CASSIA / 2008<br />

AUTHOR / COMPANY<br />

DIEGO AND PEDRO SERRANO / INNOVA::DESIGNERS<br />

The sustainable project Cassia champions recycling at DecorHabitat 2008, the<br />

<strong>de</strong>coration, art and <strong>de</strong>sign fair of the city of Lerida. In this edition, the Serrano<br />

Brothers have <strong>de</strong>signed a space for a café-restaurant, constructed un<strong>de</strong>r the<br />

motto of sustainability.<br />

The project consists of re-using all the discar<strong>de</strong>d materials generated by the<br />

construction of the fair itself, during the week before the opening date, so that<br />

it becomes the raw material used for the <strong>de</strong>coration and construction of the café<br />

and restaurant of the same fair.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

ERGONOMIC BONA MINI EDGER / 2003<br />

AUTHOR / COMPANY<br />

BONA / BONA IBERICA<br />

Bona Mini Edge is the handy, lightweight edger for sanding not just the edges<br />

of rooms but also stair-steps and landings. It has a dust-free system and comes<br />

equipped with an integrated halogen spotlight. Bona Mini Edge won the “Red<br />

Dot Design Award” in 2004 –one of the most prestigious industrial <strong>de</strong>sign competitions<br />

worldwi<strong>de</strong>.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

EXHIBITION XPOELDER: CLIMATE CHANGE / 2009<br />

AUTHOR / COMPANY<br />

OCEANOGRÁFICA: DIVULGACIÓN, EDUCACIÓN Y CIENCIA, S.L.<br />

CLIENT<br />

ELDER MUSEUM OF SCIENCE AND TECHNOLOGY<br />

Xpoel<strong>de</strong>r: Climate Change is part of a collection of itinerant exhibitions whose<br />

motto is “the museum where you are”. Their purpose is to move science directly<br />

to schools and stimulate the curiosity of stu<strong>de</strong>nts towards various scientific issues<br />

and the importance of science in life.<br />

Ma<strong>de</strong> by the El<strong>de</strong>r and the Publishing Company Oceanográfica, it raises<br />

awareness, through comics characters, to climate change and encourages visitors<br />

to find solutions to it.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

F. H. I. F. F. / 2008<br />

AUTHOR / COMPANY<br />

JODY BARTON<br />

F. H. I. F. F. –“Fuckin’ Hell It’s Fuckin’ Fucked” consists of a booklet, T-shirt and<br />

Screenprint. It is part of a personal project to examine the climate change <strong>de</strong>bate<br />

from a new position. The <strong>de</strong>signer imagines what the <strong>de</strong>bate may look like from<br />

various points of view: somebody from thousands of years in the future, from<br />

ancient Greece, from another planet, or from the position of a bacteria. Does the<br />

humanist vision exist outsi<strong>de</strong> of space and time?<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

FAT BOB ROCKER / 2009<br />

AUTHOR / COMPANY<br />

FRANÇOIS ROYER / STANKER<br />

Fat Bob Rocker is a rocking chair with adjustable swing, refined lines and impeccable<br />

finishings. Creative recycling meets neo-retro <strong>de</strong>sign in the Stanker Collection,<br />

one <strong>de</strong>signer’s reaction to a culture of relentless consuming and waste.<br />

French <strong>de</strong>signer Francois Royer’s part-time hobby has evolved into a full-blown<br />

expression of both the economy of re-use and the creation of functional art from<br />

industrial <strong>de</strong>bris.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

FUJY SOSTENIBLE HOUSE / 2005<br />

AUTHOR / COMPANY<br />

LUCA LANCINI<br />

CLIENT<br />

MAYTE ARIZA DE ALBERTY<br />

Fujy House is an initiative whose objective is to show through an example<br />

done to scale, that sustainability is possible “here and now” and that it can be<br />

achieved on the one hand by using existing constructive and technological elements<br />

that can be found on the Spanish market, and on the other hand by raising<br />

awareness amongst the leading companies of the sector.<br />

The housing has been <strong>de</strong>signed in accordance with the rules of bioclimatic architecture,<br />

using materials of low environmental impact and via the installation<br />

of various technological systems that guarantee maximum efficiency.<br />

SUSTAINABLE BUILDING<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

GARDENY / 2009<br />

AUTHOR / COMPANY<br />

FELIP PICH-AGUILERA BAURIER, TERESA BATLLE PAGÉS AND JOSÉ MARIA PUIGDEMASA<br />

HOSPITAL / PICH AGUILERA AND ARQUITECTOS S.P.L.<br />

CLIENT<br />

CONSORTIUM OF THE SCIENTIFIC AND TECHNOLOGICAL AGRO-INDUSTRY CENTRE<br />

COLLABORATORS<br />

A. SENDARRUBIAS, J. MILANÉS, P. CASALDALIGA, B. ROS, J. CAMPS, M. DOLCET, J. GOMEZ,<br />

BOMA-SALA, EINESA, SOCIETAT ORGANICA, F. SOLSONA AND CIMNE-BEE-GROUP<br />

Gar<strong>de</strong>ny is an architectural proposal which consists of rehabilitating three “H<br />

buildings” (military quarters of Lerida city) and reconverting them into big containers<br />

of multiple usage, for industrial research and the agro-food university.<br />

The buildings are going to be formalized into a single building through modular<br />

umbrageous greenhouses originating directly from the innovative agricultural<br />

world, thus generating a thermal space that, together with other bioclimatic<br />

strategies, allow for the use of the existing natural resources in an efficient way.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

48 49


TITLE / YEAR<br />

GOOD FOR ENVIRONMENT! (G4E!) / 2004<br />

AUTHOR / COMPANY<br />

MAITE CANTÓN, VICTOR ARCE, SANTIAGO RISCO, JENNA WATSON, MARIANO SANZ AND IVÁN<br />

MARTÍN / GOODFORE, S.L.<br />

The eco<strong>de</strong>sign platform Good For Environment! (G4E!) is a business project<br />

that seeks to contribute to sustainable <strong>de</strong>velopment in its three dimensions: social,<br />

economic and environmental. It provi<strong>de</strong>s the necessary values and solutions,<br />

mediating in the process of conception and production and acting as a link<br />

between the principal actors in society.<br />

G4E! looks to provi<strong>de</strong> sustainable criteria and solutions starting from the early<br />

stages of conceptualization, when it is possible to efficiently reduce the impact<br />

of a product or service.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

GREEN BOX / 2009<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

Green Box is the first modular building prefabricated, reusable, transportable,<br />

bioclimatic, with an infinite life cycle, with zero energy consumption, and without<br />

waste generation.<br />

Luis <strong>de</strong> Garrido was inspired by natural and emergent shapes in land, sea and<br />

sky and discovered that triangles are the most natural shapes in Nature. These<br />

triangles enable one of the aims of Green Box ’s <strong>de</strong>sign to be reached: to give the<br />

home a landscaped roof that can be passed by as if it were continuing the land.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

GREEN SPOT “CEMEX LIMPIO” / 2009<br />

AUTHOR / COMPANY<br />

RAÚL RODRÍGUEZ DE TORRES, JUAN ANTONIO ALONSO GARCÍA AND SORIANO PLATAS /<br />

CEMEX, S.A. AND SP ARQUITECTURA E INGENIERIA, S.L.<br />

CLIENT<br />

CEMEX, S.A.<br />

Cemexlimpio by concrete company Cemex is a green spot. Its vocation for flexibility<br />

creates a system through modular elements linked where standard waste<br />

containers are placed. Each “L” shaped module is leaned upon the previous one<br />

allowing for different lengths and flexible lay-outs. A slight disor<strong>de</strong>r is kept to<br />

remind people of what waste looks like. The colours are the current waste co<strong>de</strong>s,<br />

to be easily recognized and help the critical moment, just when waste is split up.<br />

It is ma<strong>de</strong> with a recycled material: return waste concrete.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

HEADBOARD PALLET / 2008<br />

AUTHOR / COMPANY<br />

PABLO MACÍAS AND BELÉN SÁNCHEZ / CUATRO TUERCAS<br />

A sustainable <strong>de</strong>sign would be a <strong>de</strong>sign that not only doesn’t generate any but<br />

also diminishes existing waste. A <strong>de</strong>sign that, at a glance, shows its intention and<br />

invites people to change their habits. An excellent sustainable <strong>de</strong>sign would be<br />

one in which the only energy that is consumed is the creative type. The Headboard<br />

Pallet points to that direction.<br />

Its aim is sustainability and functionality, without giving up aesthetic values.<br />

The pallet adapts perfectly to its new function only by changing its context.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

HOM, AUTONOMOUS SOLAR STREET LIGHT / 2008<br />

AUTHOR / COMPANY<br />

ALESSANDRO CAVIASCA / STUDIO ITINERANTE ARQUITECTURA, S.L.<br />

Hom, Autonomous Solar Street Light is mo<strong>de</strong>rn, functional and full performing<br />

all in one. A LED programmable system allows huge autonomy and high<br />

efficiency, does not generate heat or need maintenance, and lights all night even<br />

in winter months. Its stand alone system makes it unnecessary to dig trenches<br />

to connect it and makes it possible to light isolated areas. It has a useful life of<br />

50,000 hours (LED system).<br />

Hom esthetical, technical and specific energy aspects make it an element with<br />

high performance and low environmental impact.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

HOUSE AND SUSTAINABILITY IN SPAIN / 2008<br />

AUTHOR / COMPANY<br />

TONI SOLANAS / TONI SOLANAS’ ARCHIQUECTURE STUDIO<br />

CLIENT<br />

EDITORIAL GUSTAVO GILI<br />

The quality of Spanish architecture is valued throughout the world. However,<br />

the <strong>de</strong>gree of sustainability of the buildings is still poor. This is why it is worth<br />

getting acquainted with some examples by those who are starting their way towards<br />

managing building resources which are friendlier with the environment:<br />

bioclimatic buildings, changes or improvements in the industry, ecological constructions<br />

and restoration among others.<br />

This publication is a reference for sustainable architecture in which thirty-two<br />

architects express their concerns and show us forty buildings where solutions<br />

that will soon be wi<strong>de</strong>ly used are applied.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

50 51<br />

PUBLISHING


TITLE / YEAR<br />

I’M NOT JUST A BOX / 2007<br />

AUTHOR / COMPANY<br />

GUILLEM FERRAN<br />

CLIENT<br />

CAMPER<br />

COLLABORATORS<br />

FASCINATION PROJECT, CAMPER<br />

The author’s proposal is that costumers may re-use the Camper cardboard shoebox.<br />

By using a belt with it, the box can turn into a rucksack to be used for a<br />

certain period of time.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

IMPULSE COLLECTION / 2009<br />

AUTHOR / COMPANY<br />

MICHIEL VAN DER KLEY / UNSEEN PRODUCTS<br />

CLIENT<br />

UNSEEN PRODUCTS<br />

In 2007 the author won a prize with the <strong>de</strong>sign of paper lights at a contest<br />

organised by a group of paper producing companies from Nepal. While getting<br />

the prototypes ready, he researched into the possibility of making 3 dimensional,<br />

organically curved shapes with paper. After a lot of experiments and tests, using<br />

very thin layers of the local paper (lokta paper) and a special kind of glue ma<strong>de</strong><br />

it possible.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

INTERNATIONAL GREEN ROOF CONGRESS / 2009<br />

AUTHOR / COMPANY<br />

WOLFGANG ANSEL / IGRA - INTERNATIONAL GREEN ROOF ASSOCIATION<br />

Un<strong>de</strong>r the banner of “Bringing Nature Back to Town”, almost 300 green roof<br />

professionals from around the world got together for 3 intensive days of experience<br />

transfer. Participants from 40 countries and 5 continents substantiated very<br />

clearly that rooftop greening has become a “global player” in the field of sustainable<br />

building concepts. Sustainable urban <strong>de</strong>velopment places high <strong>de</strong>mand<br />

on the technical, ecological and aesthetic quality of construction.<br />

The goal is to build in harmony with nature and, thanks to green roof architecture,<br />

to create attractive living spaces and habitats.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ARTEMATICA VITRUM BASE / 2009<br />

AUTHOR / COMPANY<br />

GABRIELE CENTAZZO / VALCUCINE<br />

A perfect synthesis of sense of beauty, high quality and technology, all Artematica<br />

Vitrum Base arrangements have unique features that are the result of<br />

extremely innovative techniques, such as <strong>de</strong>materialisation. This construction<br />

method makes the door extremely resistant to humidity, heat and impact as well<br />

as making it lighter, with consequent longer hinge life and more silent closing<br />

movements.<br />

All these features result in less consumption of materials and energy and thus<br />

in an eco-compatible approach to production.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ISER / 2009<br />

AUTHOR / COMPANY<br />

DAVID RODRIGUEZ / ISER<br />

Based in Valencia, Spain, Iser (Renewable Energy Systems And Integration) is<br />

a company specialised in <strong>de</strong>veloping studies on energy efficiency, engineering,<br />

promotion, planning, <strong>de</strong>velopment and construction of projects for solar, wind,<br />

geothermal and biomass energy. Iser has implemented more than 100 installations<br />

all over Spain, including ground-breaking projects ranging from natural<br />

parks to international collaborations focused on implementing systems such as<br />

solar air-conditioning or spatial solar technology for terrestrial applications.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

KYOTO HOUSE / 2008<br />

AUTHOR / COMPANY<br />

FELIPE PICH-AGUILERA AND TERESA BATLLE / PICH AGUILERA, ARQUITECTOS S.P.L. AND PMP, S.L.<br />

CLIENT<br />

PMP, S.L. PROMOCIONES<br />

Kyoto House is a single-family house ma<strong>de</strong> of concrete, based on sustainability<br />

criteria. Thanks to a rational and repeatable scheme, this project aims to introduce<br />

all the aspects to which sustainable architecture must answer: good passive<br />

behaviour (bioclimatic <strong>de</strong>sign), integrating intermediate spaces and constructive<br />

systems that help reduce energy and resource <strong>de</strong>mand; building-integrated renewable<br />

energy systems and finally, materials and construction proposals that<br />

take recycling, reutilization and the environment into account.<br />

The building structure has been commercially <strong>de</strong>signed jointly by the company<br />

Prefabricados Pujol and Promotions Montse Pujol (PMP SL).<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

52 53


TITLE / YEAR<br />

LAUREANA HOUSE / 2003-2007<br />

AUTHOR / COMPANY<br />

AURELIO CALDERÓN AND ANA MARÍA GONZÁLEZ / LAUREANA ARQUITECTURA SOSTENIBLE<br />

This single family home is set within a vault, which unites the structure, enclosure,<br />

insulation and roof in this element. Bioclimatic <strong>de</strong>sign and the use of bioconstruction<br />

materials and constructive solutions, passive natural ventilation<br />

systems and clean energies converge in this construction. The water used in the<br />

home is cycled through a natural purifier. This building’s <strong>de</strong>sign is a reflection of<br />

the landscape, allowing true integration into its surroundings.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

LUCE LAMP / 2005<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The Luce Lamp is ma<strong>de</strong> from a used book Mikael Bom found in secondhand<br />

shops. It is multifunctional as it can be used as a wall sconce as well as a table<br />

lamp.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

MADE IN GREEN LABEL / 2005<br />

AUTHOR / COMPANY<br />

AITEX (TECNOLOGICAL TEXTILY INSTITUTE)<br />

The “Ma<strong>de</strong> in Green” label has three fundamental concepts: Health (the textiles<br />

article contains no substances that are harmful to health), respect for the environment<br />

(the article has been manufactured in production centres with an externally<br />

audited and certified environmental management standard), and respect<br />

for workers’ human rights according to the ILO in the production centres where<br />

the article is manufactured.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

NEOROMÁNTICO SUSTAINABLE BENCH / 2009<br />

AUTHOR / COMPANY<br />

MIGUEL MILÁ / SANTA & COLE<br />

The Neoromántico Sostenible Bench is the result of a revision of the classical<br />

NeoRomántico bench, an icon in <strong>de</strong>sign in the European public space, <strong>de</strong>signed<br />

by Miguel Milá in 1995. Composed of a structure with a recycled polypropylene<br />

injection arm with 30% long fibreglass and PVC extrusion slats blen<strong>de</strong>d with<br />

50% recycled plant fibres, the Neoromántico Sostenible Bench is created as an<br />

urban element committed to the environment and attentive to the new technologies<br />

and trends of the public space.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

NEW BRIDGE OVER THE HENARES RIVER NEXT TO THE ARABIC BRIDGE IN GUADALAJARA,<br />

SPAIN / 2002-2003 (PROJECT), 2006-2008 (WORK)<br />

AUTHOR / COMPANY<br />

MAITE AGUADO ROCA AND XAVIER CARRASCAL FRÍAS / CMKM ARQUITECTURA<br />

CLIENT<br />

GUADALAJARA CITY COUNCIL<br />

COLLABORATORS<br />

ESTEYCO<br />

The main objective of this new bridge was to split the Arabic Bridge into two in<br />

or<strong>de</strong>r to support the increasing traffic between the two river banks. The Arabic<br />

Bridge is a building dated from the 10 th Century and <strong>de</strong>clared Historic Heritage.<br />

The objective of the project editor team is to take the split of the Arabic Bridge<br />

as a reciprocal dialogue relationship between the two bridges. The result is<br />

un<strong>de</strong>rstood as a performance that unites the historical presence of the Arabic<br />

Bridge, the new infrastructure and the environment.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

NEW PACKAGING / 2009<br />

AUTHOR / COMPANY<br />

JOAN RIPOLLES ARRUFAT / NEW PACKAGING, S.A<br />

CLIENT<br />

NEW PACKAGING, S.A<br />

This packaging is manufactured un<strong>de</strong>r the Cradle to Cradle philosophy: recycled<br />

and recyclable products for life. Eco-<strong>de</strong>sign is applied to the whole process:<br />

<strong>de</strong>coration, transport system, re-use, recycling, in or<strong>de</strong>r to achieve eco-efficiency<br />

in the process and in the products.<br />

The result is packaging with high technical properties and also adapted to the<br />

clients’ needs. It has both the advantages of plastic and the price and operative<br />

characteristics of compact cardboard.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

54 55


TITLE / YEAR<br />

OKO BUILDING / 2009<br />

AUTHOR / COMPANY<br />

JAVIER SEGARRA SANCHIS / BIOTECTURA, S.L.<br />

COLLABORATORS<br />

PATRICIA VILAR AND VERÓNICA VEGA (INTERIOR DESIGN) / SETSOLAR ECOENERGIAS, S.L.<br />

(SOLAR PANNELS) / SISTEM CUBIERTAS IBERICA, S.L. (FSC WOOD BOARDS)<br />

The building incorporates the first <strong>de</strong>ck of Spain with great lights and great<br />

height ma<strong>de</strong> from FSC plywood and photovoltaic solar panels with a power of<br />

210 KW. It is self-financing up to 88%, with the production and sale of photovoltaic<br />

electricity. Through a combination of biomass, geothermal, solar thermal<br />

and LED lighting, the building achieves 77% maintenance savings over a conventional<br />

building of the same characteristics. The building is the headquarters<br />

of the network of sustainable entrepreneur “Oko” and houses the centre for<br />

innovation and <strong>de</strong>velopment for bio-sustainable buildings.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

PARC DEL PINAR DE PERRUQUET / 2008<br />

AUTHOR / COMPANY<br />

GERARD VECIANA & ELISABET FAURA ARCHITECTS / ARTEKS ARQUITECTURA<br />

CLIENT<br />

VILA-SECA TOWN COUNCIL AND GENERALITAT DE CATALUNYA PTOP ( DIRECTORATE OF<br />

ARCHITECTURE AND LANDSCAPE)<br />

COLLABORATORS<br />

AMATRIA INGENIERIA, JAVIER PENALBA, URSSA FIBERLINE AND MYJ GRUAS<br />

In Mediterranean peri-urban littoral, the pollution of maritime aerosol affects the<br />

survival and the growth of pines and other plants. In this situation, creating an extension<br />

forest like the existing one is not viable. The coastal pine groves of “piñonero”<br />

(pine-nut) pine have both great landscape and ecological value, and are habitats<br />

worth preserving for their broa<strong>de</strong>r public interest. Since it is not possible to replant<br />

a pine grove as the existing one, the proposal here is to generate an artificial sha<strong>de</strong><br />

by means of a pergola that is reminiscent of the semidarkness of the pine grove.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

PENMAN / 2006<br />

AUTHOR / COMPANY<br />

MICHAEL BOM AND ANTOINET DEURLOO / BOMDESIGN<br />

The Penman is a penhol<strong>de</strong>r ma<strong>de</strong> from a used vinyl record. It is moul<strong>de</strong>d by the<br />

four hands of the <strong>de</strong>signers and Each piece has a unique shape.<br />

It is a very stable object and can hold a consi<strong>de</strong>rable amount of pencils and other<br />

stationary items.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

PNEU_FABRIC COVER TO MAKE A SEAT OUT OF TWO OLD TIRES / 2006<br />

AUTHOR / COMPANY<br />

GABRIELA CHANG VALDOVINOS / DAY DREAMING, S.L..<br />

The end of a product life may become the beginning of a new one. Discar<strong>de</strong>d<br />

tyres become a new object when they are given a new use.<br />

Pneu is a fabric circumference with a cord inserted in its brim, to allow for<br />

a tyre insi<strong>de</strong>. It creates a tense and hammock-like surface to sit on, in a simple<br />

wrap and tighten system. By piling up two tyres, a comfortable height for a seat<br />

is achieved. It is also a simple way to solve basic furniture needs in urban and<br />

rural areas. Its interior can be used as storage space.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

POSITIVE DEVELOPMENT: FROM VICIOUS CIRCLES TO VIRTUOUS CYCLES THROUGH BUILT EN-<br />

VIRONMENT DESIGN / 2008<br />

AUTHOR / COMPANY<br />

JANIS BIRKELAND / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

In this book Janis Birkeland presents the innovative new paradigm in which<br />

the built environment provi<strong>de</strong>s greater life quality, health, amenity and safety<br />

for all, without sacrificing resources or money. With a different form of <strong>de</strong>sign,<br />

<strong>de</strong>velopment itself can become a “sustainability solution”. A cornerstone of this<br />

new paradigm is the ecoretrofitting of the vast urban fabric we already inhabit.<br />

The author presents a revolutionary new tool called SmartMo<strong>de</strong> to achieve this<br />

end.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

56 57<br />

PUBLISHING<br />

TITLE / YEAR<br />

POSTERS / 2006-2009<br />

AUTHOR / COMPANY<br />

ELZBIETA CHOJNA<br />

The posters here presented are ma<strong>de</strong> of cut-out pieces of paper. The work is<br />

ecological as the materials used are utilized very economically. Cut pieces of<br />

paper which remain after making a poster are stored and used in further works.<br />

The pieces that are too small to use are recycled.<br />

Ecology should be like nature, full of forms and colours. This is the reason why<br />

loud colours are chosen for the ecoposters. The topics the author is most interested<br />

in, in relation to natural environment are concerned with the problems of<br />

animals –both domestic and wild– and the uneven fight between man and the<br />

animal world.<br />

GRAPHIC DESIGN CAMPAIGNS


TITLE / YEAR<br />

PRET A PORTER / 2002<br />

AUTHOR / COMPANY<br />

ROCA CERÁMICA TECHNICAL DEPARTMENT / ROCA CERAMICA<br />

The tile range Roca’s Pret a Porter porcelain is an innovative and sustainable<br />

system whose most notable feature is that it can be laid 100% dry and instantly,<br />

without the need for cement or pointing.<br />

This highly versatile system, exclusive to Roca, is very clean, generates no<br />

waste or rubble at all and allows for complete removal for subsequent reuse.<br />

Moreover, the pieces are easy to replace and can be used from the moment of<br />

laying.<br />

Roca places itself in the forefront of the permanent search for solutions that<br />

combine quality, <strong>de</strong>sign and sustainable <strong>de</strong>velopment.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

R4 HOUSE / 2007<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

R4House are the two sprucest transportable and bioclimatic houses in the world<br />

to be built entirely from recycled, reused and recuperated materials, with zero<br />

net energy consumption and no waste generation during construction or <strong>de</strong>construction.<br />

They have an infinite life cycle and strictly comply with all recognised<br />

sustainable indicators.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

RECYCLOOP / 2007-2009<br />

AUTHOR / COMPANY<br />

JAN JONGERT AND JEROEN BERGSMA / 2012ARCHITECTEN<br />

CLIENT<br />

FESTIVAL A/D WERF, HANS VENHUIZEN, HET BLAUWE HUIS AND CBK DORDRECHT<br />

COLLABORATORS<br />

PIETER SCHEER, JOHN BOSMA, DIRK OVERDUIN AND LOUISA VERMOERE<br />

The Recycloop temporarily unites two waste flows, sinks and water, in a shiny<br />

structure. Sinks from <strong>de</strong>molished buildings are the walls of multifunctional<br />

space. The sinks can appear in different shapes and are easy to mount and dismount<br />

due to a skilful fastening system. When the sun shines Recycloop reflects<br />

light like a disco ball. On the insi<strong>de</strong>, the sun shines through the holes, but when<br />

it rains the sinks give shelter. Rainwater is collected through the gray water<br />

circuit.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

58 59<br />

TITLE / YEAR<br />

REFUNC / 2003<br />

AUTHOR / COMPANY<br />

DENIS OUDENDIJK AND JAN KORBES / REFUNC.NL<br />

COLLABORATORS<br />

MANTAS LESAUSKAS, ISIS HOOS, THIJS MASTHOF, KAY KLOP, BART GROENEWEGEN, JOB<br />

SALTZHER, DIRK OVERDUIN, JOEP DE GROOT, THOMAS TRUM, TJEU DONDERS AND BORIS<br />

DUIJNEVELD<br />

Garbage architecture provi<strong>de</strong>s a second life for found or thrown-away objects<br />

and operates on the bor<strong>de</strong>rs of architecture, art and <strong>de</strong>sign, creating new products<br />

from old materials. Origin for <strong>de</strong>signs is found in the object itself, by listening<br />

to its own composition, history, or local and social context. The authors do<br />

not start from a <strong>de</strong>sign, they need a problem to play with, 3D troubleshooting,<br />

and creative improvisation with whatever is locally available.<br />

Waste materials lead the way to often unpredictable results. Wherever there is<br />

garbage, this work team can do research and workshops on creative recycling.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

RELAJA (SUSTAINABLE URBAN FURNITURE) / 2007<br />

AUTHOR / COMPANY<br />

JON MARÍN AND ÁLEX JIMÉNEZ / NUTCREATIVES<br />

The project concept “Relaja” was <strong>de</strong>veloped in the Canary Islands to improve<br />

the local situation. The waste treatment of stone slabs from a construction company<br />

was the starting point. This waste was recovered through the <strong>de</strong>sign of<br />

a modular outdoor bench due to the local <strong>de</strong>mand for non-imported public<br />

furniture. Furthermore, the simple production of Relaja might support the integration<br />

of people at risk of social exclusion, giving a solution to a diagnosed<br />

problem in the Local Agenda 21. Thus, this product is a transposable example<br />

of how <strong>de</strong>sign can help the local economy, ecology and society.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

RESSENY / 2007<br />

AUTHOR / COMPANY<br />

JON MARÍN<br />

Resseny (www.resseny.blogspot.com) is an online platform from which to spread<br />

good practices whereby <strong>de</strong>sign in its wi<strong>de</strong>st sense has an important role for the<br />

promotion of sustainable values. Regularly updated, the author of Resseny reviews<br />

from a refreshing and rigorous perspective many different examples of<br />

products, services, systems or strategies related to <strong>de</strong>sign and its environment.<br />

The website was born three years ago with the aim of being an informational<br />

and educational tool, a channel for communication and popularization of <strong>de</strong>sign<br />

for sustainability.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE


TITLE / YEAR<br />

RICICLANTICA / 2007<br />

AUTHOR / COMPANY<br />

GABRIELE CENTAZZO / VALCUCINE<br />

Valcucine’s research has created a method to give the door surface a feeling of<br />

organic <strong>de</strong>formation. Riciclantica, the first door in the world to be 2 mm thick,<br />

is distinguished by new shapes and volumes inspired by nature. It almost looks<br />

as if life is pulsating within the material of which the front is ma<strong>de</strong>. The use<br />

of special materials such as carbon, aluminium, steel, layered laminate and the<br />

novelty of glass (2008) also contributes to making the Riciclantica door unique<br />

in the furniture sector.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SEAM CHAIR / 2009<br />

AUTHOR / COMPANY<br />

CHRIS KABEL<br />

COLLABORATORS<br />

DROOGDESIGN AND LANKHORST PURE COMPOSITES<br />

This chair has been <strong>de</strong>veloped with the help of the Aerospace Material Research<br />

Department of the Technical University Delft and Lankhorst Indutech, the <strong>de</strong>veloper<br />

of the Pure material. Pure is a 100% polypropylene (PP). A bag is sewed<br />

in the shape of a chair and filled with sand so that it gets its shape. After around<br />

an hour baking on 130°C (this is less than an apple pie!!!) the fibres are impregnated<br />

and fixed together. A hole lets the sand come out and what is left is an<br />

ultra light piece of furniture that does not need resin and glass or carbon fibres<br />

to create superlight (using little material) and super strong constructions that are<br />

100% recyclable.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SHELL SCENARIOS POSTERS / 2008<br />

AUTHOR / COMPANY<br />

PETER GRUNDY<br />

CLIENT<br />

SHELL INTERNATIONAL LTD.<br />

COLLABORATORS<br />

SHELL SCENARIOS TEAM<br />

Peter Grundy has <strong>de</strong>signed three generations of publications with three respective<br />

MDs. Scenarios are tools that help people un<strong>de</strong>rstand how the future may<br />

affect the present. As part of Shell Energy Scenarios 2008, the author has <strong>de</strong>signed<br />

two presentations (posters).<br />

Poster 1 shows a set of visual tools called anchors used in Power Point shows<br />

to highlight the main energy topics.<br />

Poster 2 <strong>de</strong>picts the various global components of the message.<br />

GRAPHIC DESIGN CAMPAIGNS<br />

TITLE / YEAR<br />

SOLAR COOKER / 2008<br />

AUTHOR / COMPANY<br />

DR. DIETER SEIFERT AND MANOLO VILCHEZ / ALSOL TECNOLOGÍAS SOLARES S.L.<br />

Domestic solar cooker of pre-cut aluminium plates (structure) and high reflection<br />

flexible aluminium mirrors for the parabolic concentrator. In flat box with<br />

all materials and visual gui<strong>de</strong>, it’s easy to set up. The materials are of very high<br />

durability, ensuring a future of high value recycling. It cooks all kind of dishes<br />

without consuming fossil energy resources. Boils 1 litre of water in 8 minutes!<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

SOLIDARY ROUTE TO MAURITANIA / 2008<br />

AUTHOR / COMPANY<br />

EDUARDO DEL FRAILE<br />

CLIENT<br />

NGO AMAMI AND GENERAL DIRECTORATE FOR ENVIRONMENTAL CONTROL OF MURCIA REGION<br />

COLLABORATORS<br />

JUAN JIMENEZ AND ANTONIO MARQUEZ (DESIGN ASSISTANT) / EDUARDO DEL FRAILE (COLOR<br />

PHOTOGRAPHY) / GABRIEL PASAMONTES (BLACK&WHITE PHOTOGRAPHY) / ANA LEAL (TEX)<br />

This book came about from a solidarity expedition to Mauritania, arranged to<br />

reuse medical material from different hospitals.<br />

The creative proposal was to portray the current situation of Mauritania in<br />

parallel to the expedition itself. The result was a book to raise awareness and<br />

serve as a documentary reference for the purpose of the route, which later on<br />

would be used to raise economic funds for the NGO Amami, located in one of<br />

the poorest areas of Nouakchott, capital city of Mauritania.<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

60 61<br />

PUBLISHING<br />

TITLE / YEAR<br />

SOLTAG, ENERGY HOUSING / 2005<br />

AUTHOR / COMPANY<br />

NIELSEN & RUBOW A/S, CENERGIA APS, KUBEN BYFORNYELSE DENMARK A/S AND VELUX A/S<br />

(DENMARK) / RUBOW ARCHITECTS<br />

CLIENT<br />

EU “DEMOHOUSE”<br />

Soltag Enery Housing is a system for houses which produces energy and healthy<br />

indoor living conditions without “polluting” its surroundings thanks to the installation<br />

of solar thermal collectors in its roof, which allows the house to be<br />

self-sufficient in terms of energy.<br />

It also uses high performance insulation materials, efficient ventilation systems<br />

and solar heating systems.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

SPUD RAINCOAT / 2009<br />

AUTHOR / COMPANY<br />

MAITE CANTÓN AND MARIANO SANZ / EQUILICUÁ<br />

COLLABORATORS<br />

GOODFORE S.L.<br />

This raincoat is ma<strong>de</strong> entirely using bioplastic <strong>de</strong>rived from potato starch and<br />

other natural resources, resulting in a 100% bio<strong>de</strong>gradable and compostable<br />

product. This implies that at the end of its life cycle it returns entirely to the biosphere,<br />

transformed into organic matter and thus, closing the loop. To reinforce<br />

this concept, every raincoat contains a small clay ball with seeds in it. As such,<br />

the users know that they have to plant the raincoat when it becomes useless.<br />

This way it won’t only return to a natural cycle, but will also help to cultivate<br />

the seeds insi<strong>de</strong>.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

STARS / 2008<br />

AUTHOR / COMPANY<br />

STUDIO VOLLAERSZWART<br />

CLIENT<br />

CITY OF ROTTERDAM<br />

Stars is a light sculpture by studio Vollaerszwart. It sparkles on the Rotterdam<br />

skyline. In the city the stars are barely ever visible. Stars is an artificial starry sky,<br />

visible every night. The Delftse Poort, the Nationale Ne<strong>de</strong>rlan<strong>de</strong>n offices building,<br />

has been dressed with thousands of LED-lights, across a total length of 150<br />

metres. These lights have been placed on the building’s faca<strong>de</strong> at random, thus<br />

creating a natural pattern.<br />

This monumental light sculpture functions completely without electricity. The<br />

durable LED-lights use solar cells to charge themselves during the day, and remain<br />

lit for eight hours during the night. They blink at four different frequencies.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

SUPERUSE THE BOOK / 2006<br />

AUTHOR / COMPANY<br />

JAN JONGERT AND CÉSARE PEEREN / 2012ARCHITECTEN<br />

CLIENT<br />

010 PUBLISHERS<br />

COLLABORATORS<br />

ED VAN HINTE<br />

Superuse is a practical and inspiring book about constructing new buildings<br />

with surplus materials. It presents i<strong>de</strong>as for tools and methods for architects such<br />

as the harvest map. The book is illustrated with 15 clearly and concisely presented<br />

examples from 2012Architecten in the Netherlands and elsewhere. It also<br />

consi<strong>de</strong>rs the subject from the ecological and methodological points of view.<br />

Superuse.org is the accompanying online community about reuse and <strong>de</strong>sign.<br />

PUBLISHING<br />

TITLE / YEAR<br />

SUPERUSE.ORG / 2006<br />

AUTHOR / COMPANY<br />

JAN JONGERT, CÉSARE PEEREN AND JEROEN BERGSMA / 2012ARCHITECTEN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

62 63<br />

COLLABORATORS<br />

SUITE 75<br />

Superuse.org is an online community of <strong>de</strong>signers, architects and anyone interested<br />

in inventive ways of recycling. The site allows anybody to post items of<br />

various scales within a variety of reuse categories. All examples of products,<br />

furniture, interiors, buildings and reuse on a urban scale are welcome. As well as<br />

exhibiting applications, the website promotes the <strong>de</strong>velopment of knowledge on<br />

the subject by promoting discussion, user interaction and comment.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

SUSTAINABLE BY DESIGN: EXPLORATIONS IN THEORY AND PRACTICE / 2006<br />

AUTHOR / COMPANY<br />

STUART WALKER / EARTHSCAN PUBLICATIONS LTD. / JAMES & JAMES SCIENTIFIC PUBLISHERS<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

To advance the subject of <strong>de</strong>sign one has to engage in the activity of <strong>de</strong>signing.<br />

This book offers an innovative, <strong>de</strong>sign-centred approach that explores both<br />

the meaning and practice of sustainable <strong>de</strong>sign. The author explores the <strong>de</strong>sign<br />

process in the context of sustainability, and challenges conventional ways of<br />

<strong>de</strong>fining, <strong>de</strong>signing and producing functional objects. He discusses the personal<br />

<strong>de</strong>sign process, tacit knowledge, ephemeral <strong>de</strong>sign, experimental <strong>de</strong>sign, and the<br />

relationship between intellectual <strong>de</strong>sign criteria, physical expression and aesthetic<br />

experience.<br />

PUBLISHING<br />

TITLE / YEAR<br />

SUSTAINABLE FASHION AND TEXTILES: DESIGN JOURNEYS / 2008<br />

AUTHOR / COMPANY<br />

KATE FLETCHER / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

This book brings together for the first time information about lifecycle sustainability<br />

impacts of fashion and textiles, practical alternatives, <strong>de</strong>sign concepts<br />

and social innovation. It challenges existing i<strong>de</strong>as about the scope and potential<br />

of sustainability issues in fashion and textiles, and sets out a more pluralistic,<br />

engaging and forward-looking picture, drawing on i<strong>de</strong>as of systems thinking,<br />

human needs, local products, slow fashion and participatory <strong>de</strong>sign, as well as<br />

knowledge of materials.<br />

PUBLISHING


TITLE / YEAR<br />

TABLE BOARD / 2009<br />

AUTHOR / COMPANY<br />

SONIA SIMON MATEO / U_ MÖBEL<br />

COLLABORATORS<br />

MARKUS LASSAN / IGNACIO BISBAL (PHOTOGRAPHER)<br />

The project Table Board <strong>de</strong>rives out of the interest in using and recycling timber.<br />

Knots, cracks, stains, <strong>de</strong>fects of wood that make them not usable, represent the<br />

main objective of the project.<br />

Traditional methods of craftsmanship are used when carving each piece to apply<br />

the finishes. The methods and techniques used such as gilding, engraving or<br />

tempera over gilding, intend to recover the tradition of Arts and Crafts.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TABLE TELEPHONE BOOTH / 2007<br />

AUTHOR / COMPANY<br />

GÜNTHER SPATZ / RE-INDESIGN<br />

In 1976 new telephone booths ma<strong>de</strong> of Aluminium started to be installed in<br />

Austria, been out in the weather in cities and urban areas for about 30 years.<br />

The <strong>de</strong>signer recovers this first-class material from the scrap to <strong>de</strong>velop new<br />

products, thus connecting the now and then. At present the old telephone booths<br />

have reincarnated into tables, available with drawers, in various heights and<br />

colours.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

TAMAGO / 2009<br />

AUTHOR / COMPANY<br />

INDRA MERCA AND JANIS MERCS / MERCIDESIGN<br />

CLIENT<br />

MERCIDESIGN<br />

Tamago invites to give the “first steps forward with letters and numbers”. With<br />

this multi-function, 100% recycled, children’s piece of furniture, the little ones<br />

can shape their environment, building up literacy and numeracy through creative<br />

play.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

NEWLY DESIGNED WOOD FLOORING / 2009<br />

AUTHOR / COMPANY<br />

FERNANDO SUBIRATS / DURA TARIMAS FLOTANTES, S.L.<br />

In Dura warehouse, pre-cut wood sheets which have not passed the quality parameters<br />

are stacked. After assessing the material and mixing the different layers,<br />

the edge shows a new product: balanced and symmetrical boards for wood<br />

flooring. The 100 pallets stored and rejected can now produce over 25,000 m 2<br />

of wood flooring of various mo<strong>de</strong>ls.<br />

The wood so far kept in factories, may finally have a new use.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

THE B&W HOUSE (THE BLACK & WHITE HOUSE) / 2009<br />

AUTHOR / COMPANY<br />

JOSEP ADELL - TEAM SPAIN / POLYTECHNIC UNIVERSITY OF MADRID<br />

COLLABORATORS<br />

AIA ARQUITECTURA S.XXI<br />

The Black & White House (55 m 2 ) is a prototype clad with photovoltaic modules<br />

to maximise the energy capture surface area.<br />

A key concept for this housing is its portability and easy assembly anywhere.<br />

On the other hand, the self-orientating solar roof captures the maximum energy<br />

offered by the Sun, providing 10.3% extra energy compared with a static south<br />

facing roof.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

TOT HOUSE / 2007<br />

AUTHOR / COMPANY<br />

FERNANDO OÍZA, MICHEL ARAUZO AND ENRIQUE KAHLE / KAHLE OÍZA ARAUZO ARQUITECTURA, S.L.<br />

CLIENT<br />

IBÓN LABORDE AND BELÉN AYALA<br />

COLLABORATORS<br />

MARÍA AMEZCUA (FINANCIAL CONTROL AND EFFECTIVE IMPLEMENTATION DEPARTMENT) /<br />

DANIEL LARRALDE (PROJECT DEVELOPMENT) / FS ESTRUCTURAS, JORGE GARCÍA (INSTALA-<br />

TIONS) / CONTRUCCIONES EGARFE (CONTRACTORS)<br />

Tot House originated in the <strong>de</strong>sign of economical housing for a middle class<br />

family in the Cintruenigo’s urban periphery, a small town in inland Spain with<br />

one of the major in<strong>de</strong>xes of sun hours per year. Despite it being a usual standard<br />

concerning type, plan and dimensions, the authors tried to avoid common clichés<br />

by consi<strong>de</strong>ring the different functional, typological and technological possibilities<br />

currently on offer based on sustainable construction criteria.<br />

SUSTAINABLE BUILDING<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

64 65


TITLE / YEAR<br />

TRÄD / 2008<br />

AUTHOR / COMPANY<br />

VICENTE PORRES AND JOSUÉ GAMONAL / NOVIEMBRE ESTUDIO<br />

Träd is not only a storage system, Träd is a shelter, a personal space where the<br />

children can carry out their fantasies and games. A place that allows them to<br />

feel safe, to learn and to imagine. That enchanted wood where one can dream of<br />

heroes and princesses...and live a thousand and one adventures.<br />

The tree as an icon of wisdom, shelter and playground. Symbol of life and<br />

growth. Approach to an increasingly absent nature, as a comeback to traditional<br />

games towards imagination <strong>de</strong>velopment, with no artifices, as a basis for the<br />

growth of the child’s personal world.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TRASH? / 2006<br />

AUTHOR / COMPANY<br />

VICENTE PORRES AND JOSUÉ GAMONAL / NOVIEMBRE ESTUDIO<br />

How much trash do humans throw away every day? Is trash really all we throw<br />

away? What if we could extend the life cycle of the objects we use in our dairy<br />

life? With Trash? the authors want people to think about the life of the objects,<br />

telling them that this cycle could be longer in a society that generates more and<br />

more garbage everyday.<br />

Trash? is a garbage bag that can be used as a puff. It can be used indoors or<br />

outdoors, just fill it up with garbage and enjoy the seat.<br />

Buy, enjoy, throw away and buy again seems to be all that mo<strong>de</strong>rn society<br />

does. With Trash? one buys, enjoys, enjoys again and, to end the cycle, recycles<br />

the bag.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

TUEJAR ARMCHAIR / 2008<br />

AUTHOR / COMPANY<br />

MARIO PEDRET / ESTUDIO VERDEMALAQUITA<br />

The Tuejar armchair is constructed from salvaged wood pallets and it has been<br />

<strong>de</strong>signed ergonomically to achieve maximum comfort and practicality.<br />

It is ma<strong>de</strong> by carpenters in a semi-industrial process, assembled individually.<br />

Furthermore, the imperfect form of the wood pallets gives the chair a unique<br />

finish and adds character. It is a new product that does not exploit natural resources,<br />

more specifically finite wood resources, providing functionality while<br />

being environmentally responsible.<br />

INDUSTRIAL DESIGN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

66 67<br />

TITLE / YEAR<br />

TYPO CHAIR / 2008<br />

AUTHOR / COMPANY<br />

MICHAEL BOM / BOMDESIGN<br />

The abstract typographic Typo Chair is ma<strong>de</strong> from re-used billboards of Finnish<br />

Birch multiplex. It is impressive through its graphic presence and is well formed<br />

and comfortable. The Typo Chair is a real eye catcher for any space. Because<br />

each board is printed differently each chair has a unique typographic <strong>de</strong>sign.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

VILLA UH1 / 2008<br />

AUTHOR / COMPANY<br />

RB ARKITEKTUR<br />

CLIENT<br />

UNIKA HEM SKANDINAVIEN<br />

Villa Uh1 grows out of the surrounding slope and interacts with the landscape<br />

eliminating the bor<strong>de</strong>r between building and landscape. The i<strong>de</strong>a was to minimize<br />

the impact of the construction while at the same time creating a new typology.<br />

While <strong>de</strong>signing the house the authors <strong>de</strong>ci<strong>de</strong>d to create a patio so that<br />

questions of privacy and full access to the evening sun would easily be solved.<br />

The sedum roof drains rain water and provi<strong>de</strong>s good thermal insulation to the<br />

house which uses geothermal heating.<br />

SUSTAINABLE BUILDING<br />

TITLE / YEAR<br />

VITRO HOUSE / 2005<br />

AUTHOR / COMPANY<br />

LUIS DE GARRIDO<br />

CLIENT<br />

ANAVIF - ANAS (SPANISH NATIONAL ASSOCIATION TOWARDS SUSTAINABLE ARCHITECTURE)<br />

The main objective of Vitrohouse is to <strong>de</strong>monstrate that real sustainable architecture<br />

should be ma<strong>de</strong> only by means of dry-assembled components. This will<br />

optimize the best use of resources, reduce waste to the maximum (or remove<br />

it completely), and <strong>de</strong>crease, also to the maximum, the energy consumed in its<br />

construction. At the same time, buildings may consi<strong>de</strong>rably extend their life<br />

cycle, since their components can be easily disassembled, repaired and reused<br />

as many times as one likes. In fact, Vitrohouse has an infinite life cycle.<br />

SUSTAINABLE BUILDING


TITLE / YEAR<br />

WHOLE SYSTEM DESIGN. AN INTEGRATED APPROACH TO SUSTAINABLE ENGINEERING / 2008<br />

AUTHOR / COMPANY<br />

PETER STASINOPOULOS, MICHAEL H. SMITH, KARLSON “CHARLIE” HARGROVES AND CHERYL<br />

DESHA / EARTHSCAN PUBLICATIONS LTD.<br />

CLIENT<br />

EARTHSCAN PUBLICATIONS LTD.<br />

COLLABORATORS<br />

THE NATURAL EDGE PROJECT, THE WORLD FEDERATION OF ENGINEERING ORGANIZATIONS,<br />

UNESCO AND THE AUSTRALIAN GOVERNMENT<br />

Whole System Design provi<strong>de</strong>s a clear <strong>de</strong>sign methodology, supported by<br />

worked examples that <strong>de</strong>monstrate how advances in energy, materials and water<br />

productivity can be achieved through applying an integrated approach to<br />

sustainable engineering.<br />

PUBLISHING<br />

TITLE / YEAR<br />

X DAYS PROJECT / 2008<br />

AUTHOR / COMPANY<br />

OSCAR LHERMITTE<br />

The concept of this project is to turn free daily newspapers into a sustainable<br />

product, <strong>de</strong>signed by the consumer. The proposal is to make one’s own piece of<br />

furniture by collecting day by day these free papers. The “334” bench and “89”<br />

stool are ma<strong>de</strong> of 3 parallel bars of metal and many newspapers fol<strong>de</strong>d and<br />

stacked next to each other.<br />

The challenge of this series is to recycle a product, but also to <strong>de</strong>sign furniture<br />

without using any screw, glue, sol<strong>de</strong>ring, etc. Making this furniture costs around<br />

5 pounds, and some spare time.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZECOCHAIR / 2009<br />

AUTHOR / COMPANY<br />

JOAN NADAL / ZECODESIGN<br />

The Zeco Chair is routed out of one sheet of 1x1 metres Medite Ecologique<br />

(MDF panel with Zero ad<strong>de</strong>d Formal<strong>de</strong>). The excess wood is its own packaging<br />

and the chair can be easily assembled by the consumer using a mallet. No glues,<br />

screws, or fixings are nee<strong>de</strong>d.<br />

When an or<strong>de</strong>r is placed it is manufactured to or<strong>de</strong>r, obviating the need for a<br />

big warehouse, extra transportation or excessive packaging. This system allows<br />

a wi<strong>de</strong> range of sizes with a variety of finishes.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZEYRON TECHNOLOGIES, PIONEERS IN DOMOTICS OF WATER / 2009<br />

AUTHOR / COMPANY<br />

ZEYRON TECHNOLOGIES<br />

Zeyron Technologies provi<strong>de</strong>s the solution for the control and management of<br />

water and energy resources in buildings. Environmentally aware and specialized<br />

in electronic engineering applied to energy efficiency, the authors have <strong>de</strong>veloped<br />

two innovative technologies for controlling the water in flow-rate, temperature<br />

and consumption. This is an example of how <strong>de</strong>sign and technology can join<br />

together for maximum comfort, energy saving and health control because of<br />

controlled cleansing against legionella.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

TITLE / YEAR<br />

ZEYRON THERMO / 2009<br />

AUTHOR / COMPANY<br />

ZEYRON TECHNOLOGIES AND PUIGFALCÓ / ZEYRON TECHNOLOGIES<br />

Zeyron Thermo is laying the foundations for the bathroom of the future by<br />

replacing the thermostatic tap.<br />

The full-colour, 3.5”, touch-sensitive screen is intuitively interactive.<br />

Its technology guarantees perfect, immediate, precise, continuous control of all<br />

water variables: flow-rate, temperature and consumption. It also enables adjustment<br />

of another 2 variables, i.e., lighting or ambiance. The product coherently<br />

combines Image, comfort, safety and energy efficiency.<br />

INDUSTRIAL DESIGN<br />

TITLE / YEAR<br />

ZICLA. INNOVATION IN RECYCLING WASTE: NEW MATERIALS-NEW PRODUCTS FOR SUSTAINABLE<br />

BUILDING / 2005<br />

AUTHOR / COMPANY<br />

VERÓNICA KUCHINOW AND ALFREDO BALMACEDA / ZICLA<br />

Zicla is a company specialized in recycled products and in waste valorisation<br />

where innovation and commercial viability are the basis of all their activity.<br />

Zicla’s project consists of transforming what one throws into new products<br />

technically and economically viable with an important environmental ad<strong>de</strong>d<br />

value. Their proposals try to make quality products out of waste, with new<br />

processes where the differential fact in using waste materials makes attractive<br />

products with a very high environmental message.<br />

BUSINESS, INDIVIDUAL OR INSTITUTIONAL INITIATIVE<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE<br />

68 69


2012ARCHITECTEN<br />

www.2012Architecten.nl<br />

THE NETHERLANDS<br />

210 PUBLICIDAD<br />

www.210publicidad.com<br />

SPAIN<br />

AITEX<br />

www.ma<strong>de</strong>ingreen.com/ imico@aitex.es<br />

SPAIN<br />

ALASTAIR FUAD LUKE<br />

www.fuad-luke.com / info@fuad-luke.com<br />

UNITED KINGDOM (UK)<br />

ALSOL TECNOLOGÍAS SOLARES S.L.<br />

www.alsol.es / info@alsol.es<br />

SPAIN<br />

ARKA ECOPOD<br />

www.ecopod.co.uk / info@ecopod.co.uk<br />

UNITED KINGDOM<br />

ARQUITECTURA PICH AGUILERA<br />

www.picharchitects.com / info@picharchitects.com<br />

SPAIN<br />

ARTEKS ARQUITECTURA<br />

www.arteksarquitectura.com<br />

ANDORRA<br />

ASOCIACIÓN MAKEA TU VIDA<br />

www.flouflou.es<br />

SPAIN<br />

BOMDESIGN<br />

www.bom<strong>de</strong>sign.nl<br />

THE NETHERLANDS<br />

BONA IBERICA<br />

www.bona.com / bonaiberica@bona.com<br />

SUECIA<br />

CEMEX, S.A. / SP ARQUITECTURA E INGENIERIA, S.L.<br />

raul@rodriguez<strong>de</strong>torres.es / jaalonso@sparquitectura.com<br />

SPAIN<br />

CERACASA S.A.<br />

www.ceracasa.com / marketing@ceracasa.com<br />

SPAIN<br />

CHRIS KABEL<br />

www.chriskabel.com<br />

THE NETHERLANDS<br />

CICLUS<br />

www.ciclus.com<br />

SPAIN<br />

CMKM ARQUITECTURA<br />

www.cmkmarquitectura.com<br />

SPAIN<br />

COMMANDO GROUP<br />

www.commandogroup.com<br />

NORWAY<br />

COMPOSTADORES<br />

www.compostadores.com<br />

SPAIN<br />

COSENTINOGROUP<br />

www.cosentinogroup.net / info@cosentinogroup.net<br />

SPAIN<br />

CUATRO TUERCAS<br />

www.cuatrotuercas.com<br />

SPAIN<br />

DESARROLLO INDUSTRIAL EMBELL S.L<br />

www.sistemaembell.com<br />

SPAIN<br />

DEVON VISUAL GROUP REMIGIUSZ TRUCHANOWICZ<br />

www.60bag.com / contact@60bag.com<br />

POLAND<br />

DODECAEDRO S.A.<br />

www.do<strong>de</strong>caedro.net<br />

SPAIN<br />

DVELAS REUSAIL PROYECT<br />

www.dvelas.com / dvelas@dvelas.com /<br />

arraitzkoch@dvelas.com / enriquekahle@dvelas.com<br />

SPAIN<br />

EARTHSCAN PUBLICATIONS LTD.<br />

www.earthscan.co.uk<br />

UNITED KINGDOM<br />

ECOFONT B.V. / SPRANQ CREATIVE COMMUNICATIONS<br />

www.ecofont.com<br />

THE NETHERLANDS<br />

ECOHOSTEL ANDROMEDA<br />

andromeda@ecohostel.be<br />

BELGIUM<br />

ECOSISTEMA URBANO<br />

www.ecosistemaurbano.com<br />

SPAIN<br />

EDUARDO DEL FRAILE<br />

www.eduardo<strong>de</strong>lfraile.com<br />

SPAIN<br />

ELZBIETA CHOJNA<br />

www.chojna.net / e@chojna.net<br />

POLAND<br />

ESTUDIO DE ARQUITECTURA TONI SOLANAS<br />

tonisol@coac.net<br />

SPAIN<br />

ESTUDIO DIV504<br />

www.duratarimas.com / fernandosubirats@yahoo.es<br />

SPAIN<br />

ESTUDIO VERDEMALAQUITA<br />

www.ver<strong>de</strong>malaquita.es / mario@ver<strong>de</strong>malaquita.es<br />

SPAIN<br />

F33<br />

www.f33.es<br />

SPAIN<br />

GABRIELE E OSCAR BURATTI / INNOVATION LAB ROCA<br />

www.burattibattiston.it<br />

SPAIN / ITALY<br />

GOODFORE<br />

www.goodfore.com / www.equilicua.com /<br />

www.holamurray.com<br />

SPAIN<br />

GROTENBREG.ARCHITECTEN<br />

grotenbreg.architect@kpnplanet.nl<br />

THE NETHERLANDS<br />

GRUPO FUN&BASICS S.A.<br />

www.ecoalf.com<br />

SPAIN<br />

GUILLEM FERRAN<br />

buenas@guillemferran.com<br />

SPAIN<br />

HAWKES ARCHITECTURE LTD.<br />

www.hawkesarchitecture.co.uk<br />

UNITED KINGDOM<br />

IGRA - INTERNATIONAL GREEN ROOF ASSOCIATION<br />

www.igra-world.com<br />

GERMANY<br />

INNOVA::DESIGNERS<br />

www.innova<strong>de</strong>signers.com<br />

SPAIN<br />

ISER<br />

www.iser.es / d.rodriguez@iser.es<br />

SPAIN<br />

JAVIER SEGARRA SANCHIS / BIOTECTURA, S.L.<br />

www.oko.es<br />

SPAIN<br />

JOAQUÍM VIÑOLAS MARLET<br />

solar_<strong>de</strong>sign@hotmail.com<br />

SPAIN<br />

JODY BARTON<br />

www.jodybarton.co.uk<br />

UNITED KINGDOM<br />

JUNGESCHACHTEL<br />

www.jungeschachtel.<strong>de</strong> / www.poopoobags.com<br />

GERMANY<br />

KAHLE OÍZA ARAUZO ARQUITECTURA<br />

www.koarquitectura.com / estudio@koarquitectura.com<br />

SPAIN<br />

LAUREANA ARQUITECTURA<br />

www.laureana.es<br />

SPAIN<br />

LUCA LANCINI<br />

www.lucalancini.com<br />

SPAIN<br />

LUCÍA ARRANZ AND MIGUEL ORDÓÑEZ<br />

luciarranz@gmail.com / estudio@miguelordonez.es<br />

SPAIN<br />

LUIS DE GARRIDO<br />

www.luis<strong>de</strong>garrido.com / <strong>de</strong>garrido@ono.com<br />

SPAIN<br />

MANGADO Y ASOCIADOS, S.l.<br />

www.fmangado.com<br />

SPAIN<br />

BEST_ED_1_EUROPEAN ENVIRONMENTAL DESIGN AWARD_PREMIO EUROPEO DE DISEÑO Y MEDIO AMBIENTE_DIRECTORY<br />

70 71<br />

MERCIDESIGN<br />

www.tamago.lv<br />

LATVIA<br />

NEW PACKAGING, S.A<br />

www.newpackaging.net<br />

SPAIN<br />

NOVIEMBRE ESTUDIO<br />

www.noviembreestudio.com / www.pinkelephant.es<br />

SPAIN<br />

NUTCREATIVES<br />

www.nutcreatives.com / www.resseny.blogspot.com /<br />

jon@nutcreatives.com<br />

SPAIN<br />

OCEANOGRÁFICA<br />

www.oceanografica.com ·<br />

SPAIN<br />

OSCAR LHERMITTE<br />

www.oscarlhermitte.com<br />

FRANCE/ENGLAND<br />

P’REFERENCE<br />

www.<strong>de</strong>signpackgallery.fr / www.p-reference.fr<br />

FRANCE<br />

PETER GRUNDY<br />

www.grundini.com<br />

UNITED KINGDOM<br />

PNEU<br />

www.daydreaming.es<br />

SPAIN<br />

PROJEKTIL ARCHITEKTI<br />

www.projektil.cz<br />

CZECH REPUBLIC<br />

RAU<br />

www.rau.eu<br />

THE NETHERLANDS<br />

RB ARKITEKTUR<br />

www.rbarkitektur.se / info@rbarkitektur.se<br />

SWEDEN<br />

REFUNC<br />

www.refunc.nl<br />

THE NETHERLANDS<br />

REINDESIGN<br />

www.spatz-rein<strong>de</strong>sign.at<br />

AUSTRIA<br />

ROCA CERAMICA<br />

www.pretaporter.roca.com / www.rocatile.com/<br />

info.tiles@rocatile.com/ pret.a.porter@roca.net<br />

SPAIN<br />

ROTOR<br />

www.rotordb.org<br />

BELGIUM<br />

RUBOW ARCHITECTS<br />

www.rubowarkitekter.dk<br />

DENMARK<br />

SAATCHI&SAATCHI CPH<br />

www.saatchi.dk<br />

DENMARK<br />

SANSERIF CREATIUS SL<br />

www.sanserif.es<br />

SPAIN<br />

SANTA & COLE<br />

www.santacole.com / info@santacole.com<br />

SPAIN<br />

STANKER<br />

www.stanker.fr / stanker.<strong>de</strong>sign@free.fr<br />

FRANCE<br />

STUART WALKER<br />

www.earthscan.co.uk / s.walker@lancaster.ac.uk<br />

UNITED KINGDOM<br />

STUDIO ITINERANTE ARQUITECTURA, SL<br />

www.siarq.net / info@siarq.net.<br />

Spain<br />

STUDIO MICHIEL VAN DER KLEY / UNSEEN PRODUCTS<br />

www.michielvan<strong>de</strong>rkley.nl<br />

THE NETHERLANDS<br />

STUDIO VOLLAERSZWART<br />

www.vollaerszwart.com<br />

THE NETHERLANDS<br />

TRASHDESIGNMANUFACTORY<br />

www.trash<strong>de</strong>sign.at<br />

AUSTRIA<br />

U_ MÖBEL<br />

u_lab@yahoo.com<br />

SPAIN<br />

UNIVERSIDAD POLITÉCNICA DE MADRID<br />

www.solar<strong>de</strong>cathlon.es / josep.a<strong>de</strong>ll@upm.es<br />

SPAIN<br />

VALCUCINE<br />

www.valcucine.it<br />

ITALY<br />

ZECODESIGN<br />

www.zeco<strong>de</strong>sign.com / zeco<strong>de</strong>sign@gmail.com<br />

ANDORRA<br />

ZEYRON TECHNOLOGIES<br />

www.zeyron.com / www.puigfalco.com<br />

SPAIN<br />

ZICLA<br />

www.zicla.com<br />

SPAIN

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!