Motionless as an Idol - Columbus State University

Motionless as an Idol - Columbus State University Motionless as an Idol - Columbus State University

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Bullock 42Works CitedAnderson, Jon W. and Gwen Kennedy Neville. "More Varieties of Religious Experience:Time and Faith for Southern Catholics/'Religion in the Contemporary South .Eds.O. Kendall White Jr. and Daryl White. Athens, Georgia: University of GeorgiaPress, 1995.23-33.Blotner, Joseph. Faulkner: A Biography .NewYork: Random House, Inc, 1974.Brooks, Cleanth. On the Prejudices, Predilections, and Firm Beliefs of William Faulkner .Baton Rouge, Louisiana: Louisiana State University Press, 1987.Burns, Margie. "A Good Rose is Hard to Find: 'Southern Gothic' as Social Dislocation inFaulkner and O'Connor." Works and Days: Essays in the Socio-HistoricalDimensions ofLiterature and the Arts 6 (1988): 185-201.Cezanne, Paul. The Eternal Feminine . PrivateCollection, New York. Cezanne: 1839-1906, Nature into Art . ByHajo Diichting. Hungary: Taschen, 1999. 76.—. Peasantwith a Blue Blouse . London,formerly Christie's. Cezanne: Visions of a GreatPainter .ByHenri Lallemand. Singapore: New Line Books Ltd, 2004. 126.TDillman, Caroline Matheny. "Southern Women: In Continuity or Change?" W omen inthe South . Ed.Mathews, Holly F. Athens, Georgia: U of Georgia Press, 1989. 8-17.Donaldson, Susan V. "Faulkner, Gender, and Art in the South. " Faulkner and the Artist .Eds. Kartiganer, Donald M. and Ann J.Abadie. Jackson, Mississippi: UniversityPress of Mississippi, 1996. 51-81.Faulkner, Peter. Modernism . London:Methuen & Co Ltd, 1977.Faulkner, William. "A Rose for Miss Emily." The Seagull Reader .Ed. Joseph Kelly.New York: Norton, 2001. 73-83.—. TheSound and the Fury . 1929. New York: Vintage Books, 1984.

Bullock 43—. AsI Lav Dying . 1930.New York: Vintage Books, 1985.—. Faulknerin the University: Class Conferences at The University of Virginia 1957-1958 . Eds.Gwynn. Frederick L. and Joseph L. Blotner. New York: VintageBooks, 1959.Geist, Sidney. Interpreting Cezanne .Cambridge, Massachusetts: Harvard UniversityPress, 1988.Halle, David. Inside Culture . Chicago:University of Chicago Press, 1993.Hill, Samuel S., Jr. Introduction. Southern Churches in Crisis . Boston:Beacon Press,1966. xi-xvii.Honnighausen, Lothar. "The Impact of the Arts on Faulkner's Writing."Amerikastudien/American Studies 42.4 (1997): 559-71.Lallemand, Henri. Cezanne: Visions of a Great Painter .Singapore: New Line Books,2006.Levey, Michael. From Giotto to Cezanne .NewYork: Thames and Hudson Ltd, 1962.Lind, Use Dusoir. "The Effect of Painting on Faulkner's Poetic Form. ,,Faulkner,Modernism, and Film: Faulkner and Yoknapatawpha .Jackson, MS: UP ofMississippi, 1979. 127-48.Nash, Jesse. "Icons of Sensuality and Childishness: Women in New OrleansAdvertising. " Women in the South .Ed. Mathews, Holly F. Athens, Georgia: U ofGeorgia Press, 1989. 18-26.Parini, Jay. One Matchless Time: A Life of William Faulkner .New York: HarperCollinsPublishers, 2004.Pearce, Richard. The Politics of Narration . London: Rutgers University Press, 1991.

Bullock 42Works CitedAnderson, Jon W. <strong>an</strong>d Gwen Kennedy Neville. "More Varieties of Religious Experience:Time <strong>an</strong>d Faith for Southern Catholics/'Religion in the Contemporary South .Eds.O. Kendall White Jr. <strong>an</strong>d Daryl White. Athens, Georgia: <strong>University</strong> of GeorgiaPress, 1995.23-33.Blotner, Joseph. Faulkner: A Biography .NewYork: R<strong>an</strong>dom House, Inc, 1974.Brooks, Cle<strong>an</strong>th. On the Prejudices, Predilections, <strong>an</strong>d Firm Beliefs of William Faulkner .Baton Rouge, Louisi<strong>an</strong>a: Louisi<strong>an</strong>a <strong>State</strong> <strong>University</strong> Press, 1987.Burns, Margie. "A Good Rose is Hard to Find: 'Southern Gothic' <strong>as</strong> Social Dislocation inFaulkner <strong>an</strong>d O'Connor." Works <strong>an</strong>d Days: Essays in the Socio-HistoricalDimensions ofLiterature <strong>an</strong>d the Arts 6 (1988): 185-201.Cez<strong>an</strong>ne, Paul. The Eternal Feminine . PrivateCollection, New York. Cez<strong>an</strong>ne: 1839-1906, Nature into Art . ByHajo Diichting. Hungary: T<strong>as</strong>chen, 1999. 76.—. Pe<strong>as</strong><strong>an</strong>twith a Blue Blouse . London,formerly Christie's. Cez<strong>an</strong>ne: Visions of a GreatPainter .ByHenri Lallem<strong>an</strong>d. Singapore: New Line Books Ltd, 2004. 126.TDillm<strong>an</strong>, Caroline Matheny. "Southern Women: In Continuity or Ch<strong>an</strong>ge?" W omen inthe South . Ed.Mathews, Holly F. Athens, Georgia: U of Georgia Press, 1989. 8-17.Donaldson, Sus<strong>an</strong> V. "Faulkner, Gender, <strong>an</strong>d Art in the South. " Faulkner <strong>an</strong>d the Artist .Eds. Kartig<strong>an</strong>er, Donald M. <strong>an</strong>d Ann J.Abadie. Jackson, Mississippi: <strong>University</strong>Press of Mississippi, 1996. 51-81.Faulkner, Peter. Modernism . London:Methuen & Co Ltd, 1977.Faulkner, William. "A Rose for Miss Emily." The Seagull Reader .Ed. Joseph Kelly.New York: Norton, 2001. 73-83.—. TheSound <strong>an</strong>d the Fury . 1929. New York: Vintage Books, 1984.

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