Motionless as an Idol - Columbus State University

Bullock 30acknowledge that *'[n]o region in the country [...] was more dominated by nor moredefined in terms of religion,'" and that religion was unquestionably Protestant (2). SamuelS. Hill also comments on this phenomenon of Southern culture saying, "no single featureof the southern religious picture is more revealing than the absence of pluralism anddiversity from the popular denominations'" (xvii). The practice of any religion outside ofmainstream Protestantism, specifically Catholicism, contributed to a conflict between thecompeting heritage of each institution, both Catholicism and Protestantism, which isproudly displayed and considered inherent through their daily manifestations. Thedifference between these two heritages is obvious in many ways, but for the casualobserver, the exterior of their buildings, as aptly described by Jon W. Anderson andGwen Kennedy Neville, is enough to distinguish between them:Catholic churches throughout the South stand spatially and stylistically apart frommainstream Protestant one. Their common red-brick-and-plaster gothic stylestands apart not just from the neoclassical 'colonial 1styles favored by Protestantchurches; itstands in a period of renewed counterreformation in the nineteenthcentury that obliterated previous styles and was itself supplanted by moreecumenical, 'modern' styles [...] (24)Ifind this passage to be significantly parallel to the description of Miss Emily's house inthe story, and its architecture communicative of meaning similar to that of the Catholicchurches in the South. Both Miss Emily and Catholics are housed in buildings that revealthrough their facades just how much they are not part of the mainstream society, makingit all the easier for their respective communities to pinpoint their difference and penalizethem for it. I do not think an affiliation between Miss Emily and Catholicism is necessary