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Introduction to Sports Biomechanics: Analysing Human Movement ...

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leading in<strong>to</strong> the acquisition of other relevant knowledge, being translated in<strong>to</strong> a systematic<br />

observation strategy, driving the evaluation and diagnosis, and providing the<br />

structure for the intervention.<br />

The requisite knowledge for development of a systematic observation strategy<br />

(see the next section) includes how <strong>to</strong> observe, based on the overall movement or its<br />

phases (see Appendix 2.2), the best observation (or vantage) points, and how many<br />

observations are needed. Aids <strong>to</strong> the development of this strategy include the use of<br />

videography and rating scales. It is advisable for all movement analysts <strong>to</strong> practise<br />

observation even when using video, particularly if movements are fast and complex, as<br />

in notating games. Furthermore, the analyst should develop pre-pilot and pilot pro<strong>to</strong>cols<br />

<strong>to</strong> ensure all problems are overcome before the ‘big day’. The maxim ‘pilot, pilot,<br />

then pilot some more’ is well founded.<br />

Knowledge of effective instruction, feedback and intervention provide the appropriate<br />

information <strong>to</strong> translate critical features in<strong>to</strong> intervention cues, couched in<br />

behavioural terms, which are appropriate <strong>to</strong> one’s ‘clients’. These should not be verbose<br />

– no more than six words – and figurative not literal. Remember that analogies must<br />

be meaningful; advising that the backhand clear in badmin<strong>to</strong>n is like ‘swiping a fly off<br />

the ceiling with a <strong>to</strong>wel’ has no meaning <strong>to</strong> someone who has never performed such an<br />

action or seen another person do it. The cues <strong>to</strong> be devised can be verbal, visual, aural or<br />

kinaesthetic, and may differ for various phases of a movement; for example a javelin<br />

coach may see value in attending <strong>to</strong> the aural cues of footfall during the run-up, but<br />

would switch <strong>to</strong> other cues for the delivery phase. The movement analyst needs, therefore,<br />

<strong>to</strong> derive relevant cues for each movement phase, and should attend <strong>to</strong>: the cue<br />

structure (what the action is); its content (what does the action – the doers); and<br />

cue qualification (how <strong>to</strong> gauge success). Special conditions may be added if more<br />

information is needed. Examples include: rotate (action) the hip and trunk (the doers);<br />

swing (action) the arm (doer) forwards (qualification).<br />

OBSERVATION STAGE – OBSERVING RELIABLY<br />

QUALITATIVE ANALYSIS OF SPORTS MOVEMENTS<br />

As should be evident from Box 2.2, this stage primarily involves implementing the<br />

observation strategy devised in the preparation stage, and videographing the performers<br />

involved in the study. I use the term ‘videographing’ (or video recording) the<br />

performers advisedly; first, considerable skill is needed <strong>to</strong> observe reliably fast<br />

movements in sport by eye alone (see Table 2.1) and, secondly, good digital video<br />

cameras are now readily available and not expensive.<br />

We need <strong>to</strong> record sports movements as they are fast and the human eye cannot<br />

resolve movements that occur in less than 0.25 s. Two important benefits of videography<br />

are that the performers can observe their own movements in slow motion and<br />

frame by frame, and that it makes qualitative analysis much easier. However, there are<br />

some potential drawbacks. Performers might be aware of the cameras and, consciously<br />

or subconsciously, change movement patterns (the Hawthorne effect). Also, there<br />

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