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Introduction to Sports Biomechanics: Analysing Human Movement ...

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QUALITATIVE ANALYSIS OF SPORTS MOVEMENTS<br />

here mainly on the first of these – gathering knowledge. The identification of critical<br />

features of the performance is so important that I have devoted a large section <strong>to</strong> this<br />

aspect of the preparation stage later in the chapter.<br />

The gathering of relevant knowledge is dynamic and ongoing. A successful<br />

movement analyst needs knowledge, first and foremost, of the activity or movement,<br />

from which he or she will then develop the critical features of performance. Secondly,<br />

knowledge is needed of the performers; this includes the needs of the performers, and<br />

coaches or therapists, which should be identified in the ‘needs analysis’. Although the<br />

preparation for later stages of the qualitative analysis process takes place, at least in<br />

gathering relevant knowledge, in the preparation stage, these will also be dealt with<br />

later. Developing a systematic observation strategy is covered in the next section, and<br />

developing a feedback strategy is dealt with on pages 56–8. In Chapter 3, we will<br />

discuss which qualitative representations of movement patterns <strong>to</strong> use in the evaluation<br />

and diagnosis stage, in addition <strong>to</strong> video analysis.<br />

Your knowledge of the activity, as a movement analyst, should draw on many sport<br />

and exercise science disciplines. For example, as a primary Physical Education teacher,<br />

you would source knowledge mainly from the discipline of mo<strong>to</strong>r development: a<br />

secondary Physical Education teacher, by contrast, would focus more on an analysis of<br />

individual skills and techniques using, primarily, biomechanics. As a movement analyst<br />

working with novices, mo<strong>to</strong>r learning and practice would be major sources of information<br />

for you. On the other hand, a movement analyst working with good club-standard<br />

performers would probably focus on a biomechanically-derived identification of critical<br />

features, and a movement analyst working with elite performers would concentrate on<br />

the critical features at that standard, and might use a more quantitative approach.<br />

In all of our work as movement analysts, whether qualitative or quantitative, we<br />

should always seek <strong>to</strong> adhere <strong>to</strong> ‘evidence-based’ practice, which raises the question as <strong>to</strong><br />

what evidence we gather and from where. A movement analyst has, in general, access <strong>to</strong><br />

various sources of knowledge about the sports activity being studied. Some issues arise<br />

in using these sources, including the fragmentary nature of some sources and weighing<br />

conflicting evidence from various sources. Experience also influences success in using<br />

source material, and helps <strong>to</strong> deal with anecdotal evidence and, with care, personal bias.<br />

The gathering of valid knowledge of the activity under consideration is invaluable if<br />

done systematically, and one needs <strong>to</strong> keep practising developing critical features based<br />

on the knowledge gathered. A warning here is appropriate – although the Internet is a<br />

fruitful source of information, in general there is little, if any, quality control over what<br />

appears there. There are exceptions <strong>to</strong> this warning, particularly peer-reviewed websites<br />

such as the Coaches’ Information Services site (http://coachesinfo.com/) run by the<br />

International Society of <strong>Biomechanics</strong> in <strong>Sports</strong> (ISBS; http://www.isbs.org). Valid<br />

information is best sourced from such expert opinion, which can also be found in<br />

professional journals such as the Sport and Exercise Scientist (British Association of<br />

Sport and Exercise Sciences; http://www.bases.org.uk) and sport-specific coaching<br />

journals (such as Swimming Technique, now an integral part of Swimming World Magazine;<br />

http://www.swimmingworldmagazine.com). Many of these sources are accessible<br />

through the Internet. The performers and their support staff included in any<br />

49

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