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Introduction to Sports Biomechanics: Analysing Human Movement ...

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INTRODUCTION TO SPORTS BIOMECHANICS<br />

136<br />

realised through cross-validated quintic splines. The first or last of these are used in<br />

most commercial quantitative analysis packages. Details of these three techniques are<br />

included in Appendix 4.1 for interested readers.<br />

Quintic splines appear <strong>to</strong> produce more accurate first and second derivatives than<br />

most other techniques that are commonly used in sports biomechanics. The two<br />

filtering techniques (Fourier truncation and digital filters) were devised for periodic<br />

data, where the pattern of movement is cyclical, as in Figure 4.8(a). Sporting<br />

activities that are cyclic, such as running, are obviously periodic, and some others<br />

can be considered quasi-periodic. Problems may be encountered in trying <strong>to</strong> filter<br />

non-periodic data, although these may be overcome by removing any linear trend<br />

in the data before filtering; this makes the first and last data values zero. The<br />

Butterworth filter often creates fewer problems here than Fourier truncation, but<br />

neither technique deals completely satisfac<strong>to</strong>rily with constant acceleration motion,<br />

as for the centre of mass when a sports performer is airborne.<br />

The main consideration for the sports biomechanist using smoothing or filtering<br />

routines is a rational choice of filter cut-off frequency or spline smoothing<br />

parameter. A poor choice can result in some noise being retained if the filter cut-off<br />

frequency is <strong>to</strong>o high, or some of the signal being rejected if the cut-off frequency is<br />

<strong>to</strong>o low. As most human movement is at a low frequency, a cut-off frequency of<br />

between 4 and 8 Hz is often used. Lower cut-off frequencies may be preferable for<br />

slow events such as swimming, and higher ones for impacts or other rapid energy<br />

transfers. The cut-off frequency should be chosen <strong>to</strong> include the highest frequency<br />

of interest in the movement. As filters are sometimes implemented as the ratio of the<br />

cut-off <strong>to</strong> the sampling frequency in commercially available software, an appropriate<br />

choice of the latter might need <strong>to</strong> have been made at an earlier stage.<br />

The need for data smoothness demands a minimum ratio of the sampling <strong>to</strong> cut-off<br />

frequencies of 4:1, and preferably one as high as 8:1 or 10:1. The frame rate used<br />

when video recording, and the digitising rate (the sampling rate), must allow for<br />

these considerations.<br />

The use of previously published filter cut-off frequencies or manual adjustment of<br />

the smoothing parameter is not recommended. Instead, a technique should be used<br />

that involves a justifiable procedure <strong>to</strong> take in<strong>to</strong> account the peculiarities of each<br />

new set of data. Attempts <strong>to</strong> base the choice of cut-off frequency on some objective<br />

criterion have not always been successful. One approach is <strong>to</strong> compare the RMS<br />

difference between the noisy data and that obtained after filtering at several different<br />

cut-off frequencies with the standard deviation obtained from repetitive digitisation<br />

of the same ana<strong>to</strong>mical point. The cut-off frequency should then be chosen so that<br />

the magnitudes of the two are similar. Another approach is called residual analysis,<br />

in which the residuals between the raw and filtered data are calculated for a range of<br />

cut-off frequencies: the residuals are then plotted against the cut-off frequency, and<br />

the best value of the latter is chosen as that at which the residuals begin <strong>to</strong> approach<br />

an asymp<strong>to</strong>tic value, as in Figure 4.9; some subjective judgement is involved in<br />

assigning the cut-off frequency at which this happens.

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