Introduction to Sports Biomechanics: Analysing Human Movement ...
Introduction to Sports Biomechanics: Analysing Human Movement ...
Introduction to Sports Biomechanics: Analysing Human Movement ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
INTRODUCTION TO SPORTS BIOMECHANICS<br />
128<br />
impact of the ball and racket is not the focus of the study; 100 Hz is often needed<br />
for quantitative analysis of activities as fast as a golf swing – this is double the<br />
maximum sampling rate of most standard digital video cameras. The Nyquist<br />
sampling theorem requires that the sampling frequency is at least twice the<br />
maximum frequency in the signal (not twice the maximum frequency of interest) <strong>to</strong><br />
avoid aliasing (Figure 4.6). Aliasing is a phenomenon seen in films when wheels on<br />
cars and stagecoaches, for example, appear <strong>to</strong> revolve backwards. Furthermore, the<br />
temporal resolution – the inverse of the sampling rate – improves the precision of<br />
both the displacement data and their time derivatives. For accurate time measurements,<br />
or <strong>to</strong> reduce errors in velocities and accelerations, higher frame rates may be<br />
needed.<br />
If several lighting conditions are available, then natural daylight is usually preferable.<br />
If artificial lighting is used, floodlights mounted with one near the optical axis of the<br />
camera and one <strong>to</strong> each side at 30° <strong>to</strong> the plane of motion give good illumination.<br />
Careful attention must also be given <strong>to</strong> lighting when choosing the camera shutter<br />
speed.<br />
Whenever possible, information should be incorporated within the camera’s field<br />
of view, identifying important features such as the name of the performer and<br />
date. The ‘take number’ is especially important when videography is used in conjunction<br />
with other data acquisition methods, such as force plates (Chapter 5) or<br />
electromyography (Chapter 6).<br />
The recording of the movement should be as unobtrusive as possible. The performer<br />
may need <strong>to</strong> become accus<strong>to</strong>med <strong>to</strong> performing in front of a camera in an experimental<br />
context. The number of experimenters should be kept <strong>to</strong> the bare minimum<br />
in such studies.<br />
In controlled studies, away from competition, as little clothing as possible should be<br />
worn by the performers <strong>to</strong> minimise errors in locating body landmarks, providing<br />
that this does not affect their performance.<br />
In any videography study, written informed consent should be obtained from all<br />
participants; in sport, the coach may be able <strong>to</strong> provide consent for his or her<br />
athletes, but this varies from country <strong>to</strong> country and should always be checked.<br />
Furthermore, approval from your Institutional Research Ethics Committee may be<br />
required.<br />
The above procedures impose some unnecessary restrictions on two-dimensional<br />
videography, leading <strong>to</strong> severe practical limitations on camera placements, particularly<br />
in sports competitions, because of the requirement that the optical axis of the camera<br />
is perpendicular <strong>to</strong> the movement plane. A more flexible camera placement can be<br />
obtained, for example by the use of a two-dimensional version of the direct linear<br />
transformation (see below). This overcomes some of the camera location problems that<br />
arise in competition because of specta<strong>to</strong>rs, officials and advertising hoardings. It<br />
requires the use of a more complex transformation from image <strong>to</strong> movement plane<br />
coordinates. Many of the above procedural steps then become redundant, but others,<br />
similar <strong>to</strong> those used in three-dimensional analysis, are introduced. This more flexible