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Introduction to Sports Biomechanics: Analysing Human Movement ...

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Phase planes<br />

MORE ON MOVEMENT PATTERNS – THE GEOMETRY OF MOTION<br />

made of the loss of ‘time’ as a variable, although marking the data, or time, points as<br />

in Figure 3.16 adds some indication of how the angles change with time. We do, however,<br />

lose access <strong>to</strong> time-series shape patterns, that is slope = velocity; curvature =<br />

acceleration; such relationships do not apply <strong>to</strong> angle–angle diagrams.<br />

Perhaps the main criticism of angle–angle diagrams is that they do not show coordination<br />

changes very clearly without painstaking analysis of the patterns, as for the<br />

hip–knee coupling above. Only the ankle–knee coupling of the three joint couplings<br />

that we compared between walking and running was qualitatively different <strong>to</strong>pologically<br />

between the two modes of gait. Phase planes, a <strong>to</strong>tally different approach,<br />

are based on the notion that any system, such as a body segment, can be graphed as<br />

diagrams of two variables; for the phase planes used in human movement analysis, these<br />

variables are usually joint angle and angular velocity. As it turns out, although the<br />

relevance of a phase-plane for a single joint <strong>to</strong> coordination between joints may seem<br />

hard <strong>to</strong> fathom, phase planes turn out <strong>to</strong> be pivotal for our understanding of movement<br />

coordination, as will be evident later in this section.<br />

Example phase planes, for the hip (Figure 3.17(a)) and the knee (Figure 3.17(b))<br />

joints in a running stride, are shown in Figure 3.17. Its description – although not its<br />

analysis – is ‘child’s play’ compared <strong>to</strong> both angle–time series and angle–angle diagrams.<br />

As we define flexion as a decrease in joint angle and extension as an increase, then flexion<br />

must be from left <strong>to</strong> right and extension from right <strong>to</strong> left in Figure 3.17. Similarly, as<br />

we saw in the previous section on time series, a flexion velocity is negative and an<br />

extension velocity is positive; so, flexion must be below the horizontal (zero) line in<br />

Figure 3.17 and extension above it. And that is about that; the diagrams of Figure 3.17<br />

must progress clockwise. Why? Well let’s assume the opposite – they proceed anticlockwise.<br />

In this case, in the <strong>to</strong>p half of Figure 3.17(a) the joint would be flexing –<br />

from right <strong>to</strong> left – while the angular velocity was positive, indicating extension. We<br />

have proved a contradiction; therefore, our phase planes must progress clockwise with<br />

time.<br />

The value of phase planes starts <strong>to</strong> become evident when we define the so-called<br />

‘phase angle’ as shown for ‘real data’ in Figure 3.18. We have changed the graph so<br />

that it is ‘centred’ on its mean value, for reasons that need not concern us in this book.<br />

If we now subtract the phase angle – defined anticlockwise from the right horizontal –<br />

for one joint from that for a second joint at the same instant, we define a variable<br />

known as relative phase. Here, we subtract the knee phase angle from that for the<br />

hip, rp = pah – pak. We can do this for every time instant in the cycle <strong>to</strong> arrive at<br />

values of this relative phase as a function of time, which is known as ‘continuous relative<br />

phase’.<br />

A graph of continuous relative phase as a function of time is shown in Figure 3.19.<br />

Continuous relative phase is simply another coordination ‘pattern’, although more<br />

difficult <strong>to</strong> interpret than angle–angle diagrams. In Figure 3.19, for example, we see that<br />

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