Jacob_mj_select CV - Mary Jane Jacob
Jacob_mj_select CV - Mary Jane Jacob
Jacob_mj_select CV - Mary Jane Jacob
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MARY JANE JACOB<br />
CURRICULUM VITAE<br />
Chicago, The Arts Club of Chicago, Art Gallery of Ontario donor’s forum (lecture on<br />
Chicago public art)<br />
Chicago, ArtTable,“Breakfast at Christie’s Conversations in Arts & Culture” (interview)<br />
2010<br />
Madrid, ARCO, 4th International Contemporary Art Experts Forum (section keynote)<br />
Moscow, US Embassy lecture tour on “American Cultural Scene: The Concept of Public<br />
Art and Its Role in American Society”: American Center, Russian State University for the<br />
Humanities, Stroganov Moscow State University of Arts and Industry, and telecast to forum<br />
in Yekaterinburg (lectures)<br />
Helsinki, Pro Arte Foundation, IHME Days (keynote)<br />
Cambridge, Harvard University “Urban Futures” Opportunities and Challenges for<br />
Transforming the Urban Landscape,” conference celebrating 40 Years of the Loeb<br />
Fellowship (panelist)<br />
New York, Independent Curators International “The Curatorial Intensive: Curating in the<br />
Public Realm” (course instructor)<br />
Derry, Ireland, International Cultural Arts Network, “Exchange: Collaborative<br />
Arts/Conflict Transformation” (keynote)<br />
Biella, Italy, Fondazione Pistoletto, “Methods: Processes of Change” workshop (speaker)<br />
Mestre, Italy, Contemporary Art Center (lecture)<br />
Charleston, College of Charleston (lecture)<br />
Chicago, College Art Association, Public Art Dialogue (keynote at PAD’s annual meeting)<br />
SELECT BILIOGRAPHY OF OTHER TEXTS<br />
Chronological listing (excluding catalogues of exhibitions and public projects curated and noted<br />
above):<br />
Chicago Makes Modernism, co-edited with Jacquelynn Baas (Chicago: University of Chicago Press,<br />
2012). Also contributed introduction, essay “Like Minded: <strong>Jane</strong> Addams, John Dewey, and Laszlo<br />
Moholy-Nagy,” and two interviews (Michelangelo Pistoletto and artway of thinking)<br />
Exhibition Histories: Culture in Action and Project UNITÉ (London: Afterall Books, Exhibition Histories<br />
series, 2013)<br />
Beyond Biennials, ed. Bruce Altschuler (London: Phaidon, 2013), chapter on “Places with a Past”<br />
and “Places with a Future”<br />
Show Time: Changing Exhibitions, ed. Jens Hoffmann (London: Thames and Hudson, 2012), chapters<br />
on “Places with a Past” and “Culture in Action,” and interview<br />
Also these forthcoming books devote chapters to <strong>Jacob</strong>’s curatorial projects:<br />
Duke University Press’s Cooperation (ed. Tom Finkelpearl)<br />
Pew Trust’s anthology on innovative exhibition-making since the 1960s (eds. Ralph<br />
Rugoff and Paula Marincola)<br />
Huey Copeland’s Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural<br />
America (University of Chicago Press, 2012).<br />
<strong>Mary</strong> <strong>Jane</strong> <strong>Jacob</strong>, Robert Pippin, and Walter Benn Michaels, “Changes in art and society: A<br />
View form the Present,” Platypus Review 46 (May 2012)<br />
http://platypus1917.org/2012/05/01/changes-in-art-and-society/<br />
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