Jacob_mj_select CV - Mary Jane Jacob

MARY JANE JACOB
CURRICULUM VITAE
707 West Junior Terrace, #10
Chicago, Illinois 60613
Telephone (773) 348-3353
mjacob@saic.edu
www.maryjanejacob.org
ACADEMIC AFFILIATIONS
Professor, Department of Sculpture, School of the Art Institute of Chicago (SAIC),
1999-present
Executive Director of Exhibitions and Exhibition Studies, SAIC, 2008-present
Board member, Mitglieder des Universitatsrates der Bauhaus-Universität Weimar
[University Council], Germany, 2010-2012
Guest Professor, DAAD, Bauhaus-Universität Weimar, Germany, Public Art and New
Artistic Strategies Program, 2007-2010
Adjunct Faculty, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York,
1996-2004
CURATORIAL POSTS
1991,2000-08 Curator, Spoleto Festival USA, Charleston, South Carolina
1994-99 Consulting Curator, The Fabric Workshop and Museum, Philadelphia
1986-89 Chief Curator, Museum of Contemporary Art, Los Angeles
1980-86 Chief Curator, Museum of Contemporary Art, Chicago
1976-80 Associate Curator of Modern Art, Detroit Institute of Arts
CURRENT BOARDS
Editorial Board, The Exhibitionist: Journal on Exhibition Making (Berlin and Turin: Archive
Books)
Editorial Board, Public Art Dialogue (London: Routledge Press)
Fellowship Award Committee, College Art Association
Awards Committee, Women’s Caucus for Art
Consultant, Pew Charitable Trust, Pew Center for Arts and Heritage, and Dance
Advance Program, Philadelphia
Board of Advisors, Artist and Buddhist Contemplatives Project, New York
Board of Advisors, More Art, New York
Board of Advisors, Connecting Cultures, Milan
Board of Advisors, Storefront for Art and Architecture, New York
Member, Arts Club of Chicago
EDUCATION
1973-76 University of Michigan, Ann Arbor, M.A. in History of Art with Museum
Orientation; thesis: The Impact of Shaker Design on the Art of Charles Sheeler
1972 Florida State University Study Center, Florence, Italy
1969-73 University of Florida, Gainesville, B.F.A.
FELLOWSHIPS AND AWARDS
2012 Andy Warhol Foundation Curatorial Research Fellowhip
2011 Honoree “30 most influential women in the art world,” ArtTable, New York
2010 Achievement in the Field of Public Art Award, Public Art Dialogue, College Art
2010 Lifetime Achievement Award, Women’s Caucus for Art, College Art Association
2003 Bellagio Study Center Residency, The Rockefeller Foundation
1997-98 Getty Residency Visiting Fellowship, Bard College, New York
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MARY JANE JACOB
CURRICULUM VITAE
1989 Peter Norton Family Foundation Curator’s Grant
1980-81 National Endowment for the Arts, Museum Professional Fellowship Grant
1973-74 National Endowment for the Humanities Fellowship
SELECT PUBLIC PROJECTS, PUBLIC EXHIBITION PROGRAMS, and MUSEUM
EXHIBITIONS with notation of RELATED PUBLICATIONS
2013-14 “Classrooms at the Crossroads: Social Practice in Chicago 1900 to now” (working
title), co-curated with Pablo Helguera, Sullivan Galleries, The School of the Art
Institute of Chicago (SAIC)
2012-13 “City (Re-) Searches: Experiences of Publicness,” lead on research team (PIE
Group: Practice, Ideas and Experiences with artist Jeanne van Heeswijk from The
Netherlands), and EU program bringing into dialogue Kaunas, Lithuania with Cork
and Derry, Ireland
2011 “Asian Program: Jitish Kallat, Kimsooja, Wolfgang Laib, Kamin Lertchaiprasert,”
Sullivan Galleries, SAIC [directed collaborative program]
2010 “Studio Chicago: Picturing the Studio” and “Summer Studio,” Sullivan Galleries,
SAIC [directed collaborative program; part of citywide collaborative program
“Studio Chicago”]; see book The Studio Reader: On the Space of Artists, 2010
2009 “Learning Modern,” Sullivan Galleries, SAIC [part of citywide collaboration
“Living Modern Chicago”]; see book Chicago Makes Modernism, 2012
2008 “,” SAIC
“Department (Store): A collaboration of all departments and programs with J.
Morgan Puett,” Sullivan Galleries, SAIC
2006 Magdalena Abakanowicz, Agora, permanent public art installation, Grant Park
Chicago
2001-2007 Spoleto Festival USA, Charleston, South Carolina
2001 “Evoking History: Listening Across Culture and Communities”
Artists: Neil Bogan, Ping Chong, and Lonnie Graham
See Reflections on Evoking History: Listening Across Cultures and Communities (Charleston:
Spoleto Festival USA, 2002) and Evoking History, in Spoleto Festival USA
2001(program book)
2002 “Evoking History: Memory of Water and Memory of Land”
Artists: Kimsooja, Suzanne Lacy/Rick Lowe. Marc Latamie, J. Morgan
Puett, Yinka Shonibare, Nari Ward
See “The Memory of Charleston,” in Spoleto Festival USA 2002 (program book)
2003 “Latitude 32°/Nagivating Home”
Artists: Suzanne Lacy and Rick Lowe
See “Containers of Time” in Spoleto Festival 2003 (program book)
2004 “Water Table”
Artists: Kendra Hamilton, Walter Hood, Ernesto Pujol, and Frances
Whitehead
See “Places with a Future: Site-Specific Art and Community Conversations,” in
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MARY JANE JACOB
CURRICULUM VITAE
Spoleto Festival USA 2004 (program book)
2005 “Places with a Future”
Artists for the Borough Houses project: Rob Miller, J, Morgan Puett, and
Frances Whitehead
Artists for the Memminger District project: Kendra Hamilton, Walter
Hood, and Ernesto Pujol
Artists for the Phillips Community project: Kendra Hamilton, Walter
Hood, Donna Hurt, Tora Johnson, and Ernesto Pujol
See “Phillips Community/Reading Another Landscape: Interview with Walter
Hood,” in Spoleto Festival 2005 (program book)
2006-07 “Places with a Future: Phillips Community” (community development and
youth programs
� Artists: Kendra Hamilton, Walter Hood, Donna Hurt, Tora Johnson, and
Ernesto Pujol
2008 “Memminger Garden,” permanent public artwork, Memminger Theater
� Artist: Walter Hood, Kendra Hamilton, Ernesto Pujol; architects Huff +
Gooden, Charleston
2000-04 “Awake: Art, Buddhism, and the Dimensions of Consciousness,” curated
developmental process and co-organized a national research consortium to
investigate the shared aspects of the meditating, creative, and perceiving mind, and
the relationship of Buddhist philosophy to contemporary artmaking. Resulted in
over 50 programs (exhibitions, performances, projects) from 2002-05 and a book.
See Buddha Mind in Contemporary Art (Berkeley: University of California Press, 2004)
2000-2002 Arts and Appalachian Clean Stream Program: Artist-and-Community Projects, a
Federal Partnership of the National Endowment for the Arts and Office of Surface
Mining, U.S. Department of the Interior: Proposal by Frances Whitehead with
Michael Van Valkenburgh for Monday Creek Restoration Project, Murray City,
Ohio; and planning for Appalshop, Whitesburg, Kentucky, with Alfredo Jaar.
2000 Master Public Art Plan, Planning Team, San Jose International Airport
1998 “Núcleo Histórico: Eva Hesse and Robert Smithson,” XXIV Bienal de Sao Paulo,
Brazil (exh. cat.)
1997 “Changing Spaces: Artists’ Projects from The Fabric Workshop and Museum,
Philadelphia.” Traveled to Miami Art Museum; High Museum of Art and other
Atlanta venues; Detroit Institute of Arts; Vancouver Art Gallery; and Power Plant
Contemporary Art Gallery, Toronto
Artists commissioned included: Marina Abramovic, Miroslaw Balka,
Barbara Bloom, Maria Fernanda Cardoso, Marie-Ange Guilleminot, Mona
Hatoum, Jim Hodges, Narelle Jubelin, Anish Kapoor, James Luna, Keith
Piper, Beverly Semmes, Jana Sterbak, Bill Viola, Carrie Mae Weems,
Rachel Whiteread, and Yukinori Yanagi
1996 “Conversations at The Castle,” Arts Festival of Atlanta (exh. cat., Conversations at The
Castle: Changing Audiences and Contemporary Art, The MIT Press, Cambridge and
London, 1998)
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MARY JANE JACOB
CURRICULUM VITAE
“Points of Entry,” The Carnegie Institute/Three Rivers Arts Festival (exh. cat.,
Ram Publications, Santa Monica, California, 1998)
1994 “Diaspora: Carrie Mae Weems: Ritual & Revolution,” DAK’ART 98, Galerie
Nationale d’Art, Dakar, Senegal (exh. cat., USIA)
1993 “Culture in Action: New Public Art in Chicago,” Sculpture Chicago (exh. cat., Bay
Press, Seattle, 1995) [essay “Outside the Loop” reprinted in El arte último a través de sus
exposiciones manifesto 1980-1995, Anna M. Guasch, ed. (Madrid: Editorial Akal, 2000)]
1992-96 Louise Bourgeois, Jane Addams Memorial (permanent), Navy Pier Park, Chicago,
The Art Institute of Chicago Ferguson Fund and Chicago Park District
1991-92 Ronald Jones, Pritzker Park (temporary), downtown Loop, Chicago, Sculpture
Chicago and the City of Chicago Department of Planning
1991 “Places with a Past: New Site-Specific Art in Charleston,” Spoleto Festival USA
(exh. cat., Rizzoli International, New York, 1991)
“Shigeko Kubota: Video Sculpture,” The American Museum of the Moving Image,
New York (exh. cat.)
1989 “A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary
Art, Los Angeles. Co-curated with Ann Goldstein. (exh. cat., The MIT Press,
Cambridge and London, 1989) [essay “Art in the Age of Reagan: 1980-1988”
reprinted in El arte último a través de sus exposiciones manifesto 1980-1995, Anna M.
Guasch, ed. (Madrid: Editorial Akal, 2000)]
“Mario Merz at MOCA,” Museum of Contemporary Art, Los Angeles (exh. cat.,
Fabbri Editore, Milan, 1989)
1988 “Christian Boltanski: Lessons of Darkness,” Museum of Contemporary Art, Los
Angeles; The New Museum of Contemporary Art, New York; and Museum of
Contemporary Art, Chicago. Co-curated with Lynn Gumpert. Traveled to
University Art Museum, Berkeley; Vancouver Art Gallery; and The Power Plant
Contemporary Art Gallery, Toronto (exh. cat.)
“Ann Hamilton,” Museum of Contemporary Art, Los Angeles (exh. brochure)
“East Meets West: Japanese and Italian Art Today,” ART/LA88, Convention
Center, Los Angeles; exhibition and symposium. Co-curated with Lynn Gumpert.
(exh. brochure)
“Richard Deacon,” Museum of Contemporary Art, Los Angeles (exh. brochure)
1987 “A Quiet Revolution: British Sculpture Since 1965,” Museum of Contemporary
Art, Chicago and San Francisco Museum of Modern Art. Co-curated with Graham
Beal. Traveled to Newport Harbor Art Museum, Newport Beach, California;
Hirshhorn Museum and Sculpture Garden, Washington D.C.; and Albright-Knox
Art Gallery, Buffalo, New York. (exh. cat. Thames & Hudson, London, 1987)
1986 “Jannis Kounellis Retrospective,” Museum of Contemporary Art, Chicago (exh. cat.
Arnoldo Mondadori Editore, Milan, 1986)
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MARY JANE JACOB
CURRICULUM VITAE
1985 “Gordon Matta-Clark: A Retrospective,” Museum of Contemporary Art, Chicago.
Traveled to Stedelijk Museum, Amsterdam; Städtisches Museum,
Monchengladbach; Kunsthalle Basel; Le Nouveau Musée, Lyon/Villeurbanne;
MUHKA, Museum van Hedendaagse Kunst, Antwerpen; Long Beach Museum of
Art, California; Carnegie-Mellon University Art Gallery, Pittsburgh; The Brooklyn
Museum, New York; University Art Museum, Berkeley; Mackenzie Art Gallery,
University of Regina, Canada; Musée d'Art Contemporain, Montreal; Pori Art
Museum, Pori, Finland; and Herbert F. Johnson Museum, Cornell University,
Ithaca (exh. cat.)
UPCOMING LECTURES
� Open Engagement conference, Art and Social Practice MFA program, Portland State
University, May 2012
� MFA in Curatorial Practice program and MFA in Community Arts program, Maryland
Institute College of Art, fall 2012
� University of Minnesota, Institute for Advanced Study
� International Sculpture Conference, Chicago October 2012
RECENT LECTURES (past two years only/since 2010)
2011
Oslo, “Slow Days—A Gathering towards public art program for Bjørvika” (lead
participant in a creative think-tank/research event toward the development of a public art
program for Bjørvika, Oslo Harbor)
New York, MoMA, “International Museum Education Institute: Focus Brazil—
Pedagogy, Art, Participation” (speaker)
County Donegal, “Connect,” international conference on community-based cultural
practice as a critical signifier of socio-economic change, Inishowen, County Donegal
(speaker), and “Illuminate,” Inishtrahull Island, County Donegal, event and permanent
exhibition marking a history of displacement and its effect on contemporary experiences of
migration in the northwest of Ireland (keynote speaker inaugurating this site of memory).
Organized by North-55 and the Inishowen Partnership)
Dublin, “Reflective Lived Lives Conversation,” a think-tank on Seamus McGuinness’s
public art project Lived Lives, a five-year project with the Irish community of bereaved
families of youth suicide, to study next steps (chaired meeting among potential partners)
Dublin, “PACT conference: Poverty, Arts, Community Transformation” (participant)
Dublin, “the Ireland:Iceland Project,” think-tank on this nascent collective experiment,
between Irish and Icelandic people to illuminate the economic and social times we live in
and which may be a cultural tipping point (advisor and lead participant of the convening).
Also addressed a convening of government officials, urban planners, and public art
administrators on the role of artists in public space
Venice, IUAV University, Graduate Programme in Visual and Performing Arts “Art as a
Thinking Process” (lecture; book forthcoming)
Milan, Viafarini (lecture) and juror for the inaugural social practice residency
Piacenza, University of Milan, architecture school (lecture)
Faenza, Italy, Festival dell'arte contemporanea (panelist on audiences for art)
Chicago, Graham Foundation, “Architecture on Display” (conversationalist; to be
published in book of conversations on the Biennale d’architecttura di Venezia)
Appleton, Wisconsin, Lawrence University, “Innovation through Collaboration” series
(convocation speech)
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MARY JANE JACOB
CURRICULUM VITAE
Chicago, The Arts Club of Chicago, Art Gallery of Ontario donor’s forum (lecture on
Chicago public art)
Chicago, ArtTable,“Breakfast at Christie’s Conversations in Arts & Culture” (interview)
2010
Madrid, ARCO, 4th International Contemporary Art Experts Forum (section keynote)
Moscow, US Embassy lecture tour on “American Cultural Scene: The Concept of Public
Art and Its Role in American Society”: American Center, Russian State University for the
Humanities, Stroganov Moscow State University of Arts and Industry, and telecast to forum
in Yekaterinburg (lectures)
Helsinki, Pro Arte Foundation, IHME Days (keynote)
Cambridge, Harvard University “Urban Futures” Opportunities and Challenges for
Transforming the Urban Landscape,” conference celebrating 40 Years of the Loeb
Fellowship (panelist)
New York, Independent Curators International “The Curatorial Intensive: Curating in the
Public Realm” (course instructor)
Derry, Ireland, International Cultural Arts Network, “Exchange: Collaborative
Arts/Conflict Transformation” (keynote)
Biella, Italy, Fondazione Pistoletto, “Methods: Processes of Change” workshop (speaker)
Mestre, Italy, Contemporary Art Center (lecture)
Charleston, College of Charleston (lecture)
Chicago, College Art Association, Public Art Dialogue (keynote at PAD’s annual meeting)
SELECT BILIOGRAPHY OF OTHER TEXTS
Chronological listing (excluding catalogues of exhibitions and public projects curated and noted
above):
Chicago Makes Modernism, co-edited with Jacquelynn Baas (Chicago: University of Chicago Press,
2012). Also contributed introduction, essay “Like Minded: Jane Addams, John Dewey, and Laszlo
Moholy-Nagy,” and two interviews (Michelangelo Pistoletto and artway of thinking)
Exhibition Histories: Culture in Action and Project UNITÉ (London: Afterall Books, Exhibition Histories
series, 2013)
Beyond Biennials, ed. Bruce Altschuler (London: Phaidon, 2013), chapter on “Places with a Past”
and “Places with a Future”
Show Time: Changing Exhibitions, ed. Jens Hoffmann (London: Thames and Hudson, 2012), chapters
on “Places with a Past” and “Culture in Action,” and interview
Also these forthcoming books devote chapters to Jacob’s curatorial projects:
Duke University Press’s Cooperation (ed. Tom Finkelpearl)
Pew Trust’s anthology on innovative exhibition-making since the 1960s (eds. Ralph
Rugoff and Paula Marincola)
Huey Copeland’s Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural
America (University of Chicago Press, 2012).
Mary Jane Jacob, Robert Pippin, and Walter Benn Michaels, “Changes in art and society: A
View form the Present,” Platypus Review 46 (May 2012)
http://platypus1917.org/2012/05/01/changes-in-art-and-society/
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MARY JANE JACOB
CURRICULUM VITAE
Two-part interview by Caroline Picard, “The Energetic Persistence if Water: An Interview with
Mary Jane Jacob”
art21 link:
http://blog.art21.org/2012/02/28/the-energetic-persistence-of-water-an-interview-with-maryjane-jacob/
badatsports link:
http://badatsports.com/2012/the-energetic-persistence-of-water-part-2-an-interview-with-maryjane-jacob/
Trees for Life: A New Vision for Art, Ecology, and Community (San Francisco: Contemporary Jewish
Museum, 2012)
Earth with Meaning: Alan Cohen, produced and edited (New York: DAP Books, 2011)
Grain of Emptiness: Buddhist-Inspired Contemporary Art, (New York: Rubin Museum, 2010)
“On Practicing in Public” in The Exhibitionist: Journal on Exhibition Making (Berlin and Turin: Archive
Books), No. 2, 2010.
The Studio Reader: On the Space of Artists, co-edited with Michelle Grabner (Chicago: University of
Chicago Press, 2010)
Learning Mind: Experience Into Art, co-edited with Jacquelynn Baas (Berkeley: University of California
Press, 2009). Also contributed essay “Being with Cloud Gate” and “The Empty Conversation”
“Mary Jane Jacob,” in On Curating: Interview with ten International Curators, edited by Carolee Thea
(New York: DAP Books, 2009)
“Places with a Past. Places with a Future” and ”Positioning the Studio: The Space Between Public &
Private,” in Fireside Conversations, edited by Liz Burns and Clodagh Kenny (Dublin: Fire Station
Artists’ Studios, 2009)
Interview http://badatsports.com/2009/episode-209-mary-jane-jacob/
“Of People and Of Place,” in Art in a City Revisited (Liverpool: Liverpool University Press, 2009)
“Inside Out,” in : La Corte de Rey Arturo (Madrid, Museo Nacional Centro de Arte Reina Sofia, 2008)
“When Monolog becomes Dialog, “in Magdalena Abakanowicz: Cysterna (Warsaw: Centrum Sztuki
Wspolczesnej Zamek Ujazdowskim, 2008)
“Making Agora Public,” in Magdalena Abakanowicz Agora (Chicago: Richard Gray Gallery, 2008)
“Being with Cloud Gate,” in : Past, Present, Future (Boston: The Institute of Contemporary Art, Boston,
2008)
Entry “Culture in Action,” in Skulptur Projekte Münster (Münster: Westfälisches Landesmuseum für
Kunst und Kulturgeschichte, 2007)
Essay in Anti-Contemporary Art Festival (Kuopio: State Provincial Office of Eastern Finland, EU, 2007)
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MARY JANE JACOB
CURRICULUM VITAE
“The Curator’s Task: Opening Up Space and Time,” Curator Magazine (2006)
Contributor to Ericson Zeigler (Saratoga Springs, New York: Tang Museum of Art, Skidmore
College, 2006)
“Making Space for Art,” in Festschrift (Philadelphia: Philadelphia Exhibitions Initiative, Philadelphia
Center for Arts and Heritage, 2006)
Contributor to Rethinking the Public in Public Art (Taipei: Dimension Endowment of Art, 2006)
“The Material of Memory,” in The Object of Labor (Chicago: The School of the Art Institute of
Chicago and MIT Press, 2006)
Contributor to Presence (Louisville, Kentucky: Speed Museum of Art, 2006)
“Introduction: Letter to the Artist on the Tenth Anniversary of the Rwandan Genocide,” in Alfredo
Jaar: The Fire This Time (Milan: Charta, 2005)
“Musing on the Place in Art,” in The Snow Show (London: Thames & Hudson, 2005)
“Cultural Gifting,” in Bik Van der Pol—with love from the kitchen (Rotterdam: NAI Publishers, 2005)
“Reciprocal Generosity,” in what we want is free: generosity and exchange in recent art (Albany: State
University of New York, 2005)
Buddha Mind in Contemporary Art, co-edited with Jacquelynn Baas (Berkeley: University of California
Press, 2004). Also contributed introduction, essay “Making Space for Art,” and twelve artists’
interviews.
Carolee Thea, interview with Mary Jane Jacob, “Bringing Art to the People: A Conversation with
Mary Jane Jacob,” Sculpture (March 2003)
Malcolm Dickson, interview with Mary Jane Jacob, “Kick Out the Jams: Mary Jane Jacob on
Socially Engaged Practice in the U.S.,” Matters (Scottish Arts Council, Edinburgh), 16 (Spring 2003),
p. 7-10
Contributor to Now What? Dreaming a better world in six parts (Utrecht: BAK/basis voor actuele kunst,
2003)
“Visitor’s Voice,” FRAMEnews (Helsinki: FRAME Finnish Fund for Art Exchange), 1/2003, p. 12-23
“Revistando el Pasado,” in Intercambio de Experiencias en el Arte Contemporáneo. Crónicas, Controversias y
Puentes (Mexico City: SITAC, Patronato de arte Contemporáneo a.c., publication from the First
International Symposium on Contemporary Art Theory, 2002)
Contributor to “Learning from ‘documenta,’” Parkett (No. 64, 2002, p. 174-75,198-99)
“A Recipe for Exhibitions,” in Words of Wisdom: A Curator’s Vade Mecum on Contemporary Art (New
York: Independent Curators International, 2001)
“Competing for an Audience: Entertainment versus Education,” in Directors Choice: The Sixth Annual
Directors Forum Transcripts, (New York: American Federation of Arts, 2000)
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MARY JANE JACOB
CURRICULUM VITAE
“papiers pleins—pensées-plumes—paroles privées,” in Louise Bourgeois (Cologne: Karsten Greve
Gallery, 1999)
“Removing the Frame, interview with Mary Jane Jacob,” in Conversations Before the End of Time, by Suzi
Gablik (London: Thames & Hudson, 1995)
“An Unfashionable Audience,” in Mapping the Terrain: New Genre Public Art, edited by Suzanne Lacy
(Seattle: Bay Press, 1995) [reprinted in L’art exposé: Quelques réflexions sur l’exposition dans les années 90, sa
topographie, ses commissaires, son public et ses idéologies, Bernard Fibicher, ed. (Kusnacht: Cantz Verlag and
Musée cantonal des beaux-arts, Sion, 1995)]
“Ana Mendieta,” in Santeria Aesthetics in Contemporary Latin American Art, Arturo Lindsay, ed.
(Washington, D.C.: Smithsonian Institution Press, 1995) [originally published in Ana Mendieta (New
York: Galerie Lelong, 1991)
“softshouldersbigshoulders,” with Russell Lewis in Narelle Jubelin: Soft Shoulder (Chicago: The
Renaissance Society at The University of Chicago and New York: Grey Art Gallery & Study Center,
New York University, 1994)
“The Continuing Tradition: The Impact of Surrealism on Contemporary Art,” in Revolution by Night
(Canberra: National Gallery of Australia, 1993) (exh. cat.)
“Jannis Kounellis in Chicago,” in Kounellis (Barcelona: Ediciones Poligrafia S.A. and New York:
Rizzoli International, 1990)
Alberto Burri: Annottarsi (New York: The Rayburn Foundation, 1988)
“Anni Albers: A Modern Weaver as Artist,” in The Woven and Graphic Art of Anni Albers (Washington,
D.C.: The Smithsonian Institution Press, 1985)
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