Million Book Collection - The Fishers of Men Ministries
Million Book Collection - The Fishers of Men Ministries Million Book Collection - The Fishers of Men Ministries
22 THE GODS OF THE NATIONSthat actions of this quality were in the theatresascribed to the gods who presided over them ; butthese acts of immorality were not the fictions ofpoets or the acting of players, but the very substanceof the theology itself in which the worshipof all these nations was embodied. Priapus appearedto make a laugh on the stage exactly inthe costume in which he was worshipped in thetemples, or in which he entered into the rites ofmarriage ; a costume of indescribable turpitude,the shame of our human nature. The players onthe stage and the statues in the temples equallyexhibited Jove bearded and Mercury beardless,Saturn in decrepitude and Apollo in youthfulbeauty. In the rites of Juno, of Ceres, of Venus,of the mother of the gods, words were uttered andscenes acted such as no decent person would sufferto be spoken or acted before his own mother ; orrather they contained, as a portion of themselves,the worst crimes which the theatres represented ;nay, crimes which they stopped short of acting,and persons so infamous that they were not toleratedeven on the stage, where yet to take partwas a civil dishonour. What, then, was the natureof those rites wherein those were chosen totake part whom the utmost license of the stagefrom its boards ?20 Let us conceivesuch a conception can be adequately represented20 " Quee sunt ergo ilia sacra quibus agendis tales elegit sanctitasquales nee thymelica in se admittit obscoenitas." De Civ. Dei, vi. 7.
WHEN CHRIST APPEARED.23to the mind-that the vilest drama ever actedupon a modern theatre was being daily carried onin all the churches of Christendom by troops ofpriests and priestesses, with all the paraphworship, " with > V J-L/iJ. pravers, i^JL IA) V V^J. KJ« invoc JLJ.J. T Vy \JlAi U-M-\S J-JL«sacrifices, as a service acceptable to the Euler ofman's lot, and as an account of what that rulerhad Himself done, and of what He loved to beimitated by others. That would be a picture ofheathen worship in the time of Augustus ; thatwould be the moral food on which was nurturedthat crowd of nations which acknowledged Cesar'ssway; that the conception of divine things wroughtinto the minds of the hundred millions of men whoformed the Roman empire.Was it surprising that all worshippers of thegods should look for their example rather inJupiter's actions than in Plato's teaching or themoral judgments of Cato?21 A nature subject intself to the sway of passion was stimulated byauthority supposed to be divine to the commissionof every criminal excess ; and herein lay a strongproof of the malignant and impure character ofthese gods.On the other hand, the same eye-witness challengesthe defenders of the pagan gods to produceia single instance wherein moral precepts of livingwere delivered to their worshippers upon divine21 " Omnes cultores talium deorum-magis intuentur quid Jupiterfecerit, quam quid docuerit Plato vel censuerit Cato." De Civ. Dei, ii. 7.
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22 THE GODS OF THE NATIONSthat actions <strong>of</strong> this quality were in the theatresascribed to the gods who presided over them ; butthese acts <strong>of</strong> immorality were not the fictions <strong>of</strong>poets or the acting <strong>of</strong> players, but the very substance<strong>of</strong> the theology itself in which the worship<strong>of</strong> all these nations was embodied. Priapus appearedto make a laugh on the stage exactly inthe costume in which he was worshipped in thetemples, or in which he entered into the rites <strong>of</strong>marriage ; a costume <strong>of</strong> indescribable turpitude,the shame <strong>of</strong> our human nature. <strong>The</strong> players onthe stage and the statues in the temples equallyexhibited Jove bearded and Mercury beardless,Saturn in decrepitude and Apollo in youthfulbeauty. In the rites <strong>of</strong> Juno, <strong>of</strong> Ceres, <strong>of</strong> Venus,<strong>of</strong> the mother <strong>of</strong> the gods, words were uttered andscenes acted such as no decent person would sufferto be spoken or acted before his own mother ; orrather they contained, as a portion <strong>of</strong> themselves,the worst crimes which the theatres represented ;nay, crimes which they stopped short <strong>of</strong> acting,and persons so infamous that they were not toleratedeven on the stage, where yet to take partwas a civil dishonour. What, then, was the nature<strong>of</strong> those rites wherein those were chosen totake part whom the utmost license <strong>of</strong> the stagefrom its boards ?20 Let us conceivesuch a conception can be adequately represented20 " Quee sunt ergo ilia sacra quibus agendis tales elegit sanctitasquales nee thymelica in se admittit obscoenitas." De Civ. Dei, vi. 7.