This year's Fifth Form charity event was a sponsored 22 hour footballmatch taking place at Sherborne School. It was a great success, with over £250being raised by members of the Form for Cancer Research. The event took placeon December 21 st <strong>and</strong> 22nd, <strong>and</strong> included every member of the Form.Thanks must go to all referees, including Mr. Maun the Form Master <strong>and</strong>co-organiser, <strong>and</strong> all other members of staff who participated. Thanks are alsodue to all supporters who turned up, especially the vocal support offered by thegirls of <strong>Lord</strong> <strong>Digby's</strong> School.SIMON CLIFFORDThe Fourth Form decided to carry on what has now become a tradition inthe school in raising money for a charity. We asked our form Prefect, JohnParsons, if we could organise a disco. We were given permission, so weimmediately set about organising it.Within a month we had sold 120 tickets at a price of 50 pence. This moneywent towards hiring the Bradford Abbas "Disco Road Show" under thesupervision of Peter Robins, <strong>and</strong> the purchase of drinks <strong>and</strong> crisps.After the Disco <strong>and</strong> after selling the drinks <strong>and</strong> crisps we finally made aprofit ofjust over £45. A cheque was presented to the British Heart foundation inorder to buy new equipment to enable people with heart disease to have a better<strong>and</strong> more comfortable life.RUSSELL M. BLYTHEForm Three decided to help British young athletes to train for the MoscowOlympics by doing a sponsored 15 hour continuous basketball game.On Saturday May 25th the game began. 9 a.m. was the time for the firstgame to start. There were eight teams of five boys. Each game, refereed byvolunteers from the staff <strong>and</strong> from the upper forms of the school, lasted 15minutes. At 11.45 p.m. the last game commenced, <strong>and</strong> when the final whistleblew the team that had won the most games was announced.The total amount of money raised was £362.91, half of which will be spenton recreational or sporting facilities within the school.JEREMY CLIFFORDDuring the Michaelmas term of 1978 the Second Form organised asponsored run which was a great success. It took place in December <strong>and</strong> theweather was very good, although it started to rain towards the end.The turn-out was good for this event, <strong>and</strong> many boys had their sponsor formsfull ofsignatures. Form 11 Prefects M. Morrison <strong>and</strong> R. Rayner were at the cornerof the playing field, on either side, ticking off the number of laps that each boyaccomplished. The course was the whole ofthe playing field except <strong>Lord</strong> <strong>Digby's</strong>School hockey fieldMany people stopped at ten laps, but some went on to run twenty. The runwas in aid of Cancer Research <strong>and</strong> the event was enjoyed by many. The amountof money raised was £71.42.28MlCHAEL C.P. WOODSThe First Form met at Sherborne School swimming pool, hoping to swim asmany lengths as possible to raise as much money as we could. It was a veryenjoyable swim, after which we were all very tired. Some people swam as manyas forty lengths in twenty-five minutes.The swim raised over £70 for the World Wild Life Fund. I should like tothank, on behalf of the Form, Mr. Shapl<strong>and</strong> who organised itWe also met at the Boarding House for a sponsored walk <strong>and</strong> waited for Mr.Goode, who anived in his cap <strong>and</strong> boots. We left in the Foster's Flyer, aniving tostart our walk at Hardy's Monument. It was a lovely day for walking, <strong>and</strong> sometwo thous<strong>and</strong> people in all walked the course that day. We were all tired at the endof fifteen miles walking.I should like to thank Mr. Goode for organising our part in the walk, whichraised £150 for the Royal Commonwealth Society for the Blind.DRAMATHE JOINT PLAYJEREMY JAMES"A Midsummer Night's Dream" in mid-winter? As played by <strong>Lord</strong> <strong>Digby's</strong><strong>and</strong> Foster's Schools this was a resounding success, ably produced by JackEdwards, Sue Rawlinson <strong>and</strong> Mike Goode.The audiences on the Thursday, Friday <strong>and</strong> Saturday nights assembled tofind that they had a fine pre-view ofthe imaginative "magic" wood, which createdthe right mood from the start This splendid setting with a finely-paintedbackcloth was created by Mr. E.L. Maltby, ably assisted by Mr. J.F. Crouch.The opening scene with Theseus (Simon Dixon) <strong>and</strong> Hippolyta (lanePorter) with their courtiers, Philostrate (lames Roberts) <strong>and</strong> Egeus (KevinHunt), appeared somewhat stilted to start with; but soon warmed up to give lively<strong>and</strong> animated performances as the evening progressed The young swains,Lys<strong>and</strong>er (Stephen Wbeatley) <strong>and</strong> Demetrius (Matthew Frost), were well cast<strong>and</strong> proved equally ardent suitors to the vivacious Hermia of Sarah Penney <strong>and</strong>the statuesque <strong>and</strong> more woeful Helena of J ulie Swindells.The "author's comedy team" of the "Mechanicals" repeatedly arousedlaughter <strong>and</strong> appreciation, <strong>and</strong> were led by Quince with a broad Scouse accent(or was it Brummagem?) played with enthusiasm by Andrew Banfield, withBottom (Jonathan Field) leading the reluctant actors in a hilarious romp whichwas greatly enjoyed, ably backed up by Snug (Timothy Carr), Flute (GaryConkling), Snout (Andrew Williams) <strong>and</strong> Starve ling (Am<strong>and</strong>a Hall).The "tragedy" of Pyramus was joyfully <strong>and</strong> energetically performed.Bottom produced a memorable performance of skill <strong>and</strong> lively imagination,which delighted the audience, without overshadowing his colleagues who playedup well to his extravagances. The masks ofBott om' s Ass's Head <strong>and</strong> Snug's Lionwere superbly made by Mr. M.J. Goode.Titania <strong>and</strong> Oberon, who caused confusion in the magic wood, were in thecapable h<strong>and</strong>s of Katie Kemp <strong>and</strong> Jonathan Moyle, <strong>and</strong> Puck, the fleet-footed29
messenger <strong>and</strong> sprite ofthe woodl<strong>and</strong>, was played with sensitivity <strong>and</strong> a light butsure touch by Matthew Brady.The fairies <strong>and</strong> Titania's attendants sang <strong>and</strong> danced attractively, <strong>and</strong> theirgrouping <strong>and</strong> movements created an impressive picture. Peaseblossom (SaraJane Carter), Cobweb (Janet Schofield), Moth (Jocelyn Baker) <strong>and</strong> MustardSeed (Julia Hughes) succeeded admirably in bewitching poor Bottom, <strong>and</strong> wereassisted by Fairies Helena Ketley <strong>and</strong> Karen Shotter, together with Oberon <strong>and</strong>Titania's attendants, Robert Sloley <strong>and</strong> Neil Saint, Juliet Jones, Lynne Jones<strong>and</strong> Melanie Sealey. The courtiers to Theseus were Robin Curson <strong>and</strong> JeremyClifford.However well acted, no play can succeed without a well-drilled <strong>and</strong>competent back-stage team. The performers in this production of the "Dream"were well served in this respect by stage-manager David Rose, assisted byRosemary Pemble <strong>and</strong> unobtrusive but swiftly efficient stage-h<strong>and</strong>s Paul Bale,Philip Trehern, Robert Roriston, Simon Holt, Katie Manns, Joanna Toms <strong>and</strong>Andrea Middlemore. The lighting throughout was well directed by David Austin,William Richards, Philippa Mayell <strong>and</strong> Sarah Churchill. Sound was by MichaelPheysey <strong>and</strong> Philip Dolbear.The very effective setting was constructed under the direction ofMr. Crouchby Paul Bale, Phi lip Dolbear, Robert Roriston, Philip Trehem, MichaelPheysey, Fabian Tassano, Richard Saunders, Kevin Hudson, Ian Cosse,ls,Step hen Rowsell <strong>and</strong> Ian Perkin, while Mr. Maltby's assistants were ChristopherDawson <strong>and</strong> Kelvin Whittaker.Make-up was by Mr. McKay, helped by Richard Rayner, Clive Podger,Terence Bennett, Laura Weston, Karen Cheleda, Sally Taylor, Tracey Healey<strong>and</strong> Sarah Derrick. The costumes were quite outst<strong>and</strong>ing, being imaginative,colourful <strong>and</strong> skilfully blended, all being produced by Mrs. J. Helson, Mrs. S.Goode, Mrs. E. Tuck, Belinda Warwick, Angela Helson <strong>and</strong> other members of<strong>Lord</strong> <strong>Digby's</strong> School. The off-stage music, which greatly helped to sustain themood, consisted of recorder players Deborah Hill <strong>and</strong> Nicola Ginn, horn playerMark Brewer <strong>and</strong> drummer Nicholas Shepherd The prompter was Sally Taylor.Business manager was Mr. D.J. Register.The whole team succeeded in their object of giving the audience amemorable <strong>and</strong> thoroughly enjoyable evening.THE COMMONERS' CONCERTB. D.(from "The Western Gazette")Once again a great variety oftalent, much of it hitherto undiscovered, wasdisplayed at this year's Commoners' Concert, which played to two full houses onthe 30th <strong>and</strong> 31 st of March.The opening item was the Fourth form play, "Ivy Cottage", by Emest Hill, astory of a happily married couple, played by S. Kilvington <strong>and</strong> M. Symons, whorent a country cottage for their holiday. But it is not long before suspense <strong>and</strong>intrigue rear their heads. Is the Vicar, (M. Dixon), really a vicar? Is the postman,(L. Varah), really a postman? Is Don Wheatley, (M. Garrett), telling the truthabout the well water <strong>and</strong> the rats? Is the old woman, (B. Brown), telling the truthabout Dan Wheatley? Who or what is Eccentric Sam? The players delighted theaudience with their characterisations, <strong>and</strong> congratulations are also due to Mr.M.J. Goode, who produced the play <strong>and</strong> provided the voice of Eccentric Sam.There then followed a number of short musical items. The Bede's juniorchoir, winners of the inter-house competition, sang "Consider Yourself', fromLionel Bart's ever-popular musical "Oliver',, followed by the school choir, in itsentirety, performing Sarson's "Cavalier Song".A team, ofTennessee hill billies, who occasionally masquerade as membersofform three, proved a great hit with the audience as they flopped <strong>and</strong> sang theirway about the stage with great gusto, <strong>and</strong> a good deal of precision, to theaccompaniment of K. Morgan at the piano.The plot ofthe Sixth form play, "The Patient", byAgatha Christie, revolvedaround the age-old question, did the patient, (Tim Davis - well wrapped up inb<strong>and</strong>ages), fall or was he pushed? Paralysed by the fall, the patient, Mrs.Wingfield, is on the point of providing the answer with the aid of a machine ofdubious reliability, the brainchild ofLansen, the technician, (L. Hillman), v:henshe has to give up, too exhausted to continue. The Inspector, (M. Fr~),questions the members of her family, her husb<strong>and</strong> (J. Brack) <strong>and</strong> his secretary,Brenda(K. Harvey), Emmeline, (M. Morris), <strong>and</strong> Ross, (R Green) with ruthlessefficiency, <strong>and</strong> the red herrings lie thick on the ground But in the end, when thelights go up <strong>and</strong> the monosyllabic nurse, (C. Podger) is caught with a hypodennicin her h<strong>and</strong>, the Inspector had been ready <strong>and</strong> waiting, the key to it all being, ofcourse, the note concealed in the vase. Our thanks are due to Mr. J. Edwards,who produced the play, Fabian Tassano, who rang the bicycle bell, <strong>and</strong> the stageh<strong>and</strong>s, who, when they were not doing their best to distract the cast, operated theaforementioned machine with great skill. (The clinical efficiency o/Dr. Ginsberg(J. Field) must also receive a mention . ......................... Editor.) This exercise in mental agility <strong>and</strong> deduction was followed by some rathermore relaxing musical items. J. Prout played Anthony Hedges' "Pony Ride" onthe piano, followed by the Senior Choirs of Sl Aldhelm's <strong>and</strong> Bede's Housesrendition of"Cargoes", by Shaw. J. Hartperformed Frank Loesser's "The UglyDuckling" on the flute, <strong>and</strong> was then joined by W. Harding, on the violin, toperform the Gavotte from H<strong>and</strong>el's Suite in G.'They were followed by another popular instrumental item, Mark Brewer'sperformance of"Moon River" by Henry Mancini, <strong>and</strong> "Hello Dolly" by JerryHerman, on the trumpet.Also included under the heading of"Instrumental Items" (though I use theterm in its freest possible sense), were the recently formed b<strong>and</strong>, "Cold Blood",featuring Fabian Tassano <strong>and</strong> Paul Bale on vocals, Nick Brummell on leadquitar, Andy Howe on bass <strong>and</strong> Nick Shepherd on drums. Both audiences weretreated to a display of virtuosity, the like of which has not been seen on aCommoners' Concert stage for many years, (well, two), as the b<strong>and</strong> gave theirinterpretation of "Paranoid" <strong>and</strong> "Doctor, Doctor", with a little audienceparticipation thrown in for good measure. .Modesty, or so we are told, prevented the members of the cast of "lIearts<strong>and</strong> Flowers" from revealing their identity, although it was possible for the sharpeyedto detect likenesses to certain members ofstaff. Under the direction of thenarrator, Mr. S.G. McKay, <strong>and</strong> with musical interruptions courtesy of KevinMorgan, the "old-fashioned melodrama" of Kenneth Lillington unfolded, theevil squire Hardbottle duly being hissed in all the appropriate places, being3011