ToneLab Owner's Manual - Vox
ToneLab Owner's Manual - Vox ToneLab Owner's Manual - Vox
4. PHASERA model of a much respected and popular analogue phaser, housed in a bananayellow box![1] “SPEED” 0.100...10.00 [Hz](EX) Adjusts the modulation speed.[2] “RESO(RESONANCE)” 0.0...10.0 Adjusts the amount of resonance.[3] “DEPTH” 0.0...10.0 Adjusts the modulation depth.(*) MANUAL 1.0...10.0 Adjusts the center frequency of thesweep.5. TREMOLOThis effect is based on the highly acclaimed tremolo circuit found in a BLACK2x12.The SPREAD setting lets you create panning effects that are spread to leftand right.[1] “SPEED” 1.00...10.00 [Hz](EX) Adjusts the tremolo speed.[2] “SPREAD”0.0...10.0 Adjusts the left/right spaciousness.[3] “DEPTH” 0.0...10.0 Adjusts the tremolo depth.6. ROTARYThis models a stereo rotary speaker.When you adjust the SPEED control of the ROTARY effect (either via thefront panel or the optional foot controller) the effect takes awhile to reach the specifiedspeed - just like a real rotating speaker. Why? Because, in the real world, ittakes a second or two for the motor controlling the speaker rotation to speed up orslow down! (You can use TIME to adjust the length of this transition.)[1] “SPEED” 0.80...10.00 [Hz](EX) Adjusts the rotational speed of the speaker.[2] “TIME” 1.0...10.0 Adjusts the time required for the rotationalspeed to change.[3] “DEPTH” 0.0...10.0 Adjusts the modulation depth.E. DELAY EFFECTSHere you can make settings for a delay effect inserted after the cabinet. You canchoose one of three (3) distinctly different delay effects. In all three cases, themaximum delay time possible is two seconds.(EX): This indicates a parameter that you can control from the expression pedalof the optional foot controller.(*): This indicates a parameter that you can set when using the Sound Editor.These parameters cannot be edited when using ToneLab alone.DELAY FINE: knob 1 MIX: knob 2 FEEDBACK: knob 3DELAY/TAPE ECHO/MULTI HEAD “TIME” 0...2000 [ms] “MIX” 0.0...10 “FEEDBACK” 0.0...1038
1. OFFSelect this if you don’t want to use the delay effect.2. DELAYWhen this high quality digital delay effect is employed, the tone of each repeat isso good it is indistinguishable from the original note(s).3. TAPE ECHO (T ECHO)This is an incredibly accurate model of one of the most respected analogue tapeecho machines ever made. In the original the “echo” is produced by a playbackhead and the exact “delay time” is set by varying the motor speed. Many professionalsprefer these “lo-fi” units because of the warm, dark echoes they produce.4. MULTI HEAD (MULTI HD)This is a model of a tape echo unit boasting three playback heads. Here we usetwo out of the three for a classic sound. Furthermore, each of the two resulting“echoes” (one from each head) has its own feedback loop. The result? A complexand warm “multi-tap” echo effect.[1] “TIME” 0...2000 Makes a fine adjustment in a range of –64...+63[ms]relative to the current delay time.[2] “MIX” 0.0...10.0 Adjusts the mix amount of the delayed sound.[3] “FEEDBACK” 0.0...10.0 Adjusts the amount of feedback.WARNING! WARNING! If you crank up the FEEDBACK knob too much, an uncontrollable,cascading “runaway” of echoes will occur. So, use your ears and yourcommon sense when setting this!TAP 0...2000 Sets the delay time. Press the TAP button twice at thedesired interval.(*) TONE 1.0...10.0 (TAPE ECHO/MULTI HEAD) Adjusts the tone of thedelay.(*) MODE 1, 2, 3, 4, 5 (MULTI HEAD) Specifies the combination of headsthat will be used.1: Conventional echo.2: The delayed sound produces a rhythm of “ta-ta-ta (rest).”3: The delayed sound produces a rhythm of “ta (rest) ta-ta.”4: The delayed sound produces a rhythm of “ta-ta (rest) ta.”5: The delayed sound produces a rhythm of “ta-ta-ta-ta.”INPUT LEVEL: (EX) This is the input level of the delay controlled by theoptional foot controller.REVERB DELAY MODULATION PEDAL CABINET AMP TYPE Amp/EffectTYPE39
- Page 6 and 7: CREATE YOUR OWN SOUNDS9. To create
- Page 8 and 9: 5. UK BLUES .......................
- Page 11 and 12: IntroductionWELCOME ABOARD!Many tha
- Page 13 and 14: Apart from the vitalvalve tone this
- Page 15 and 16: A Guitarist’s Guided Panel TourHe
- Page 17 and 18: 2 EFFECTS SECTIONThe PEDAL effects
- Page 19: NR SENS: Noise reduction (p.19)****
- Page 22 and 23: SetupNOTE: You MUST turn off the po
- Page 24: USING ToneLab FOR LIVE PERFORMANCEE
- Page 27 and 28: Creating and Storing Your OwnProgra
- Page 29 and 30: ADJUSTING THE NOISE REDUCTION (UTIL
- Page 31 and 32: Explanations of the Amp andEffect T
- Page 33 and 34: Tube TalkUs Brits call ‘em valves
- Page 35 and 36: 3. AC30As already stated, the VOX A
- Page 37 and 38: 7. UK ’80SThis is modelled on a 1
- Page 39 and 40: ups. It is also incredibly responsi
- Page 41 and 42: B. CABINET MODELSNow let’s look a
- Page 43 and 44: 11. OFFOK, this not a cabinet. The
- Page 45 and 46: 3. ACOUSTICWanna go “unplugged”
- Page 47: D. MOD (Modulation) EFFECTSThis sec
- Page 51 and 52: TunerFor your convenience, ToneLab
- Page 53 and 54: 1. Press the UTILITY button (3.4) t
- Page 55 and 56: Control via MIDIMIDI stands for Mus
- Page 57 and 58: 2. Press the 1/PREV or 2/NEXT butto
- Page 59 and 60: BACKING UP1. Connect ToneLab’s MI
- Page 61 and 62: Restoring the Factory PresetProgram
- Page 63 and 64: 5. You can’t hear any MODULATION,
- Page 65 and 66: ProgramChange Variable RangeSystem
- Page 67 and 68: Program list1-1 BLIZZARDAMP CABINET
- Page 69 and 70: 5-1 DIRTAMP CABINET TREBLE MIDDLE B
- Page 71 and 72: 9-1 OLDGUYAMP CABINET TREBLE MIDDLE
- Page 73 and 74: IndexSymbols16Numerics1OCTAVE 362OC
- Page 75 and 76: Program SheetThis sheet is for you
1. OFFSelect this if you don’t want to use the delay effect.2. DELAYWhen this high quality digital delay effect is employed, the tone of each repeat isso good it is indistinguishable from the original note(s).3. TAPE ECHO (T ECHO)This is an incredibly accurate model of one of the most respected analogue tapeecho machines ever made. In the original the “echo” is produced by a playbackhead and the exact “delay time” is set by varying the motor speed. Many professionalsprefer these “lo-fi” units because of the warm, dark echoes they produce.4. MULTI HEAD (MULTI HD)This is a model of a tape echo unit boasting three playback heads. Here we usetwo out of the three for a classic sound. Furthermore, each of the two resulting“echoes” (one from each head) has its own feedback loop. The result? A complexand warm “multi-tap” echo effect.[1] “TIME” 0...2000 Makes a fine adjustment in a range of –64...+63[ms]relative to the current delay time.[2] “MIX” 0.0...10.0 Adjusts the mix amount of the delayed sound.[3] “FEEDBACK” 0.0...10.0 Adjusts the amount of feedback.WARNING! WARNING! If you crank up the FEEDBACK knob too much, an uncontrollable,cascading “runaway” of echoes will occur. So, use your ears and yourcommon sense when setting this!TAP 0...2000 Sets the delay time. Press the TAP button twice at thedesired interval.(*) TONE 1.0...10.0 (TAPE ECHO/MULTI HEAD) Adjusts the tone of thedelay.(*) MODE 1, 2, 3, 4, 5 (MULTI HEAD) Specifies the combination of headsthat will be used.1: Conventional echo.2: The delayed sound produces a rhythm of “ta-ta-ta (rest).”3: The delayed sound produces a rhythm of “ta (rest) ta-ta.”4: The delayed sound produces a rhythm of “ta-ta (rest) ta.”5: The delayed sound produces a rhythm of “ta-ta-ta-ta.”INPUT LEVEL: (EX) This is the input level of the delay controlled by theoptional foot controller.REVERB DELAY MODULATION PEDAL CABINET AMP TYPE Amp/EffectTYPE39
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