ToneLab Owner's Manual - Vox

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SetupNOTE: You MUST turn off the power of all your equipment before you make connections.If you ignore this warning, you may damage your speaker system orexperience malfunctions!BASIC CONNECTIONS1. Use audio cables to connect the ToneLab’s OUTPUT L/MONO (9.2) to yourmixer/recorder or guitar amp. (p.13, 14)NOTE: If you’re making connections in mono, use the OUTPUT L/MONO jack.However to take the fullest advantage of ToneLab’s sound, we strongly recommendthat you use stereo connections.If you are using headphones, plug them into the PHONES jack (5.2).NOTE: Signal from the OUTPUT jack will still be heard even if headphones areplugged in.If you want to use an optical cable to connect ToneLab to a digital mixer orrecorder, connect the cable to the S/P DIF OUT jack (9.4). (p.13)2. If you connect ToneLab to a mixer or recorder, set the AMP/LINE switch (9.1)to “LINE.” If you connect it to a guitar amp, set the switch to “AMP.”3. Turn the LEVEL knob (9.3) located on the rear of ToneLab all the way towardthe left (as seen from the rear), setting the volume to 0.4. Connect the included AC/AC power supply to the rear panel AC9V power supplyjack (6.1), and then connect the plug to an AC outlet.5. Plug your guitar into the INPUT jack (5.1).6. First, turn down the volume of your amp or mixer so you don’t hear crackles orpops when the power is turned on! Then turn on the STANDBY switch (6.2) toturn on the power.7. Adjust the volume by using the controls of your amp or mixer, and ToneLab’srear panel LEVEL knob (9.3).To a mixer/recorderor guitar ampLINE/AMPTo a digitalmixer/recorderS/P DIF OUTDedicated foot controllerVOX BUSGuitarOUTPUTL/MONORTo a MIDI sequenceror computer~AC9VAC/AC powersupplyTo an ACoutletHeadphonesPHONESToneLabMono jackINPUT12
MIC1-10dBVMIC GAINU10 60+10dB -40dBTRIMMIC2BALBALORORUNBALUNBALLINE IN 1 LINE IN 2LOW CUTLOW CUT75Hz75Hz18dB/OCT18dB/OCTU+15U2EFX+15U-15 +15U-12 +12U-15+15L R1MUTEALT 3– 4AUX1MON/EFXEQHI12kHzMID2.5kHzLOW80HzPANdBdB1010SOLO55UU55101020203030404050506060-10dBVMIC GAINU10 60+10dB -40dBTRIMU+15U+15U-15 +15U-12 +12U-15+15L R2MUTEALT 3– 4AUX1MON/EFX2EFXEQHI12kHzMID2.5kHzLOW80HzMIC3BALORUNBALLINE IN 3LOW CUT75Hz18dB/OCT-10dBVMIC GAIN-15 +15U-12 +12U-15+15MID2.5kHzLOW80HzBALORUNBALLINE IN 4LOW CUT75Hz18dB/OCT-10dBVMIC GAINUU10 6010 60+10dB -40dB+10dB -40dBTRIMTRIMU AUX U AUX11MON/MON/EFXEFX+15+15UU2EFX2EFX+15+15U EQ U EQHIHI12kHz12kHz-15 +15U-12 +12U-15MIC4STEREO AUX RETURNS AUX SEND TAPE TAPE MAIN OUTSMIC5 MIC611 INPUT OUTPUTLLMICRO SERIES 1402-VLZ14-CHANNEL MIC/LINE MIXER22RRLEFT(1/MONO) RIGHT ALL BAL/UNBALBAL/UNBALBALBALORORMONOMONOMONOMONOUNBALUNBALLLLLLINE IN 5 LINE IN 6BALBALBALBALLOW CUTLOW CUTOROROROR75Hz75HzUNBALUNBALUNBALUNBAL18dB/OCT18dB/OCTRRRRUULEVELLEVELLEVELLEVEL+4+4+4+410 6010 60-10-10-10-10PHONES+10dB -40dB+10dB -40dBTRIMTRIM LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 LINE IN 13-14U AUX U AUX UUAUXAUX U AUX U AUXUU111111MON/MON/MON/MON/MON/MON/EFXEFXEFXEFXEFXEFX1+15+15+15+15+15+15+10+20NORMALLEDUUUUUUAUX 1 MASTERU2222222 PREEFXEFXEFXEFXEFXEFX POSTAUX 1EFX TO+15+15+15+15+15+15SELECTMONITOR+20U EQ U EQ U EQ U EQ U EQ U EQ SOURCELEFT RIGHTHIHIHIHIHIHIMAIN+28 CLIP12kHz12kHz12kHz12kHz12kHz12kHzMIX+10-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15UUUUUU+7ALTMIDMIDMIDMIDMIDMIDMID3-4+42.5kHz2.5kHz2.5kHz2.5kHz2.5kHz2.5kHz2.5kHz+2-12 +12-12 +12-12 +12-12 +12-12 +12-12 +12UUUUUUTAPE0-2LOWLOWLOWLOWLOWLOWLOW80Hz80Hz80Hz80Hz80Hz80Hz80Hz-4+15-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15-7ASSIGNPANPANPANPANPANPANPAN TO MAIN MIX-10-20NORMAL(AFL)LEVEL SET(PFL)-300dB=0dBu-10dBVMIC GAIN-10dBVMIC GAINPANPANL RL RL RL RL RL RL RL RSOLOMODE345 6 7–8 9–10 11–12 13–14MUTEMUTEMUTEMUTEMUTEMUTEMUTEMUTEALT 3– 4ALT 3– 4ALT 3– 4ALT 3– 4ALT 3– 4ALT 3– 4ALT 3– 4ALT 3– 4PHANTOM POWERRUDE SOLO LIGHTCONTROLROOM / PHONES MAIN MIXdBdBdBdBdBdBdBdBdBdB10101010101010101010SOLO SOLOSOLOSOLO SOLOSOLOSOLOSOLOSOLO5555555555UUUUUUUUUU5555555555101010101010101010102020202020202020202030303030303030303030 3040404040404040404040 4050505050505050505050 5060606060606060606060 60AUXRETURNSNOTE: Since ToneLab uses an actual valve (vacuum tube), it will produce nosound for several seconds until the valve warms up. This isn’t a malfunction – it’sjust the nature of valves.USING ToneLab FOR DIRECT-LINE RECORDINGIntroductionPanel TourEXAMPLE OF ANALOGUE CONNECTIONS• When using ToneLab for analogue recording, set the rear panel AMP/LINEswitch (9.1) to the “LINE” position, and connect the OUTPUT L/MONO and Rjacks (9.2) to the channel input jacks of your mixer or recorder.HINT: If you’re using a mono connection, use the OUTPUT L/MONO jack.HINT: If you’re using stereo connections, pan the input channels of your mixer/recorder to the far left and right respectively.SetupProgram/ManualCreatingand StoringGuitarOUTPUTL/MONORLINE/AMPLINELINE IN 1PAN LTapeSendLINE IN 2PAN RTapeReturnHeadphonesToneLabMono jackINPUTMixer/recorderPHONESEXAMPLE OF DIGITAL CONNECTIONS• When using ToneLab for digital recording, set the rear panel AMP/LINE switch(9.1) to the “LINE” position, and connect ToneLab’s S/P DIF OUT jack (9.4) tothe digital input jack (S/P DIF format IEC60958 EIAJ CP-1201) of your mixer orrecorder.NOTE: The volume of the S/P DIF OUT jack is adjusted by the GLOBAL setting“DOUT LVL.” See p.50 for details.GuitarS/P DIF OUTS/P DIF INHeadphonesToneLabMono jackINPUTDigital mixer/recorderPHONES13
Page 6 and 7: CREATE YOUR OWN SOUNDS9. To create
Page 8 and 9: 5. UK BLUES .......................
Page 11 and 12: IntroductionWELCOME ABOARD!Many tha
Page 13 and 14: Apart from the vitalvalve tone this
Page 15 and 16: A Guitarist’s Guided Panel TourHe
Page 17 and 18: 2 EFFECTS SECTIONThe PEDAL effects
Page 19: NR SENS: Noise reduction (p.19)****
Page 24: USING ToneLab FOR LIVE PERFORMANCEE
Page 27 and 28: Creating and Storing Your OwnProgra
Page 29 and 30: ADJUSTING THE NOISE REDUCTION (UTIL
Page 31 and 32: Explanations of the Amp andEffect T
Page 33 and 34: Tube TalkUs Brits call ‘em valves
Page 35 and 36: 3. AC30As already stated, the VOX A
Page 37 and 38: 7. UK ’80SThis is modelled on a 1
Page 39 and 40: ups. It is also incredibly responsi
Page 41 and 42: B. CABINET MODELSNow let’s look a
Page 43 and 44: 11. OFFOK, this not a cabinet. The
Page 45 and 46: 3. ACOUSTICWanna go “unplugged”
Page 47 and 48: D. MOD (Modulation) EFFECTSThis sec
Page 49 and 50: 1. OFFSelect this if you don’t wa
Page 51 and 52: TunerFor your convenience, ToneLab
Page 53 and 54: 1. Press the UTILITY button (3.4) t
Page 55 and 56: Control via MIDIMIDI stands for Mus
Page 57 and 58: 2. Press the 1/PREV or 2/NEXT butto
Page 59 and 60: BACKING UP1. Connect ToneLab’s MI
Page 61 and 62: Restoring the Factory PresetProgram
Page 63 and 64: 5. You can’t hear any MODULATION,
Page 65 and 66: ProgramChange Variable RangeSystem
Page 67 and 68: Program list1-1 BLIZZARDAMP CABINET
Page 69 and 70: 5-1 DIRTAMP CABINET TREBLE MIDDLE B
Page 71 and 72: 9-1 OLDGUYAMP CABINET TREBLE MIDDLE
Page 73 and 74:
IndexSymbols16Numerics1OCTAVE 362OC
Page 75 and 76:
Program SheetThis sheet is for you
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