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Number in series 26; Year of publication 1932 - Fell and Rock ...

Number in series 26; Year of publication 1932 - Fell and Rock ...

Number in series 26; Year of publication 1932 - Fell and Rock ...

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146 THE FELL AND ROCK CLIMBING CLUB JOURNALSo far, perhaps, this merely technical description will notsound tempt<strong>in</strong>g. But the accompaniments <strong>and</strong> the scene muchmore than outweigh these unconventional peculiarities. Thesemounta<strong>in</strong>s have a nobility <strong>of</strong> form, their ridges a dar<strong>in</strong>g <strong>in</strong>their l<strong>in</strong>es that—from a distance, or near to—will capture anyclimber's imag<strong>in</strong>ation. They rise to their 5,000-odd feet, atplaces, almost straight up from sea level. Their lower slopes<strong>and</strong> valleys are a tangle <strong>of</strong> brush <strong>and</strong> forest that <strong>in</strong> Spr<strong>in</strong>g orAutumn (the best seasons, for appall<strong>in</strong>g floods afflict them <strong>in</strong>July <strong>and</strong> August) blaze with colour. Above the thickets, withstill plenty <strong>of</strong> height <strong>in</strong> h<strong>and</strong>, the bare ridges sweep up with allthe outrageous audacity <strong>of</strong> granite, articulat<strong>in</strong>g with the summitaretes <strong>in</strong> scores <strong>of</strong> wildly contorted p<strong>in</strong>nacles which shift <strong>and</strong>change bewilder<strong>in</strong>gly <strong>and</strong> <strong>in</strong>trigu<strong>in</strong>gly as you advance towardsthem.The long valleys which run <strong>in</strong>to the very centre <strong>of</strong> the rangeare as allur<strong>in</strong>g. The bed <strong>of</strong> the valley for a mile together will beone smooth sheet <strong>of</strong> clean <strong>and</strong> flawless granite, over which fleetsor ripples or foams an unbelievably clear water—Diamond water,<strong>in</strong>deed ! You walk up stretch after stretch <strong>of</strong> this noble highwaybeside the stream, pass<strong>in</strong>g enormous boulders cut with Buddhisttexts <strong>in</strong> magnificent characters, or, <strong>in</strong> some valleys, withgigantic figures <strong>of</strong> the Buddha himself. Towards you comeparties <strong>of</strong> Koreans, very much a people <strong>of</strong> holiday-makers.Tall, wizard-like men <strong>in</strong> long, flow<strong>in</strong>g frock coats <strong>and</strong> peg-toptrousers <strong>of</strong> f<strong>in</strong>e white nettle-l<strong>in</strong>en. Their feet <strong>in</strong> pale rubberslippers peaked like boats at the toe, <strong>and</strong> on their heads thosefantastic black gauze top-knot cages—<strong>in</strong> shape like a Frenchman'stop hat or a Welshwoman's with the peak cut <strong>of</strong>f. Inside youcan just discern the sacred black nob <strong>of</strong> twisted locks which thehat, if it can so be called, exists to shelter. If ra<strong>in</strong> threatens,out comes an extra headgear, a t<strong>in</strong>y oiled-silk lampshade thatconcert<strong>in</strong>as together like a fan when not wanted, <strong>and</strong> is balancedon top <strong>of</strong> the gauze cage with str<strong>in</strong>gs to hold it tied beneath thech<strong>in</strong>. Picture, look<strong>in</strong>g out from under such habiliments, long,lean, sour visages adorned with scanty black beards, <strong>and</strong> youwill see that your companions on the path do not let down thescene you meet them <strong>in</strong>.Appearances apart, no one has many good words to say formost <strong>of</strong> the Korean men. They are idle, disda<strong>in</strong>ful <strong>and</strong>

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