Untitled - Heather James Fine Art
Untitled - Heather James Fine Art Untitled - Heather James Fine Art
Fukusa of a Fan Motif with Cranes and TortoisesJapan, Meiji Period, (1868-1912)Silk Emboidery36 x 36 in.2185 / AS 1168The practice of laying fukusa over presents placed on wooden or lacquer trays becamewide spread during the Edo period, (17th to 19thcentury). What begun as a functionalpractice to protect gifts from the elements, took on a decorative life of its own. Well to do familiesowned large numbers of fukusa and often, commissioned famous artists of the time to design exclusively for them. The drawings were thencreated by such techniques as tie-dying, stenciling, slit embroidery, tapestry, painting with embroidery and combinations of all methods.Each time a fukusa was required, it was chosen not only for the occasion but also for the season, the gift itself, and status of the donorand the recipient.
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- Page 16: Oil Lamp of a StagChina, Han Dynast
- Page 20: Scholars RockChina, 19th CenturyYin
- Page 24: Ando Hiroshge (1797-1858)Mount Atag
- Page 28: Ando Hiroshge (1797-1858)Zenko Temp
- Page 32: Embroidered Roundels of TurtlesJapa
- Page 38: Fukusa of Scholars with ScrollJapan
- Page 42: EagleJapan, Meiji Period (1868-1912
- Page 46: Embroidery of Birds and IrisesJapan
- Page 50: Swirling DragonsJapan, Meiji Period
- Page 54: Scroll Painting of a White HawkJapa
- Page 58: UsabataJapan, Meiji Period (1868-19
- Page 62: Fudo Myo-o, “The Immovable One”
- Page 67 and 68: Contemporary
- Page 70: Kaoru Mansour (b. 1956)Iro (hana) #
- Page 74: Kaoru Mansour (b. 1956)Fish #101Mxe
- Page 78: Yang Maoyuan (b. 1966)UntitledMarbl
Fukusa of a Fan Motif with Cranes and TortoisesJapan, Meiji Period, (1868-1912)Silk Emboidery36 x 36 in.2185 / AS 1168The practice of laying fukusa over presents placed on wooden or lacquer trays becamewide spread during the Edo period, (17th to 19thcentury). What begun as a functionalpractice to protect gifts from the elements, took on a decorative life of its own. Well to do familiesowned large numbers of fukusa and often, commissioned famous artists of the time to design exclusively for them. The drawings were thencreated by such techniques as tie-dying, stenciling, slit embroidery, tapestry, painting with embroidery and combinations of all methods.Each time a fukusa was required, it was chosen not only for the occasion but also for the season, the gift itself, and status of the donorand the recipient.