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Tbilisis saerTaSoriso kinofestivali ukve mecxred mouyris Tavs kinoTeatr „amiranSi“ kinos moyvarulebsa da kinoindustriaSi<br />

dasaqmebul profesionalebs.<br />

agvistoSi ruseTis mier saqarTvelos ori regionis okupacias ukvalod arc CvenTvis Cauvlia. wels Cven festivals ver<br />

CavatarebT sasurveli masStabiT, ise, rogorc es kinotradiciebiT mdidar Tbiliss ekadreba. iZulebulebi gavxdiT Segvez-<br />

Ruda rogorc filmebis, aseve mowveul stumarTa raodenoba.<br />

ruseTTan uaRresad daZabuli urTierTobis miuxedavad Cven ar gagviwyvetia kavSiri rus kinematografistebTan. amis dasturia<br />

ramdenime rusuli <strong>filmi</strong>s monawileoba Cvens programaSi. piriqiT, Cveni survilia, kidev ufro gaRrmavdes qarTveli<br />

da rusi kinematografistebis SemoqmedebiTi urTierToba. meores mxriv, Cveni kavSiri uars ambobs ruseTSi gamarTul im<br />

RonisZiebebSi monawileobaze, romelic ruseTis mTavrobis organizebiTa da dafinansebiT tardeba.<br />

acnobierebs ra saqarTvelos dedaqalaqSi saerTaSoriso kulturuli RonisZiebis Catarebis mniSvnelobas, saqarTvelos<br />

saxelmwifo uamravi sirTulis miuxedavad tradiciulad mxarSi gvidgas da welsac afinansebs kinofestivals. saxelmwifos<br />

Tanadgomis gareSe kinofestivali ar Sedgeboda. amitom madlobas vuxdiT saqarTvelos kulturis, ZeglTa dacvisa da sportis<br />

saministros da piradad ministrs, baton grigol vaSaZes, aseve Tbilisis mers, baton gigi ugulavas, kinofestivalis<br />

erTgul partniorsa da Tanaorganizators, saqarTvelos kinematografiis erovnul centrs da piradad centris direqtors,<br />

baton konstantine ClaiZes.<br />

kinofestivalis megobarTa wre wlidan wlamde izrdeboda. maTi gulSematkivrobisa da uangaro daxmarebis gareSe Cveni programis<br />

ganxorcielebas ver SevZlebdiT. madlobas vuxdiT yvela kerZo sponsors, romlebic adrec dagvxmarebian da dResac<br />

Cvens gverdiT dganan.<br />

xazi gvinda gavusvaT kinofestivalis TanamSromlobas ucxoeTis qveynebis saelCoebsa da kulturis centrebTan. rogorc<br />

wina wlebSi, welsac Cveni saimedo partniorebi arian goeTes instituti (direqtori – verner violi) da aleqsandr diumas<br />

saxelobis franguli kulturis centri (direqtori – Joel basteneri), aseve italiis saelCo.<br />

sul bolos gvsurs aRvniSnoT yvelaze mniSvnelovani aspeqti: kinofestivalis Catarebis aranairi stimuli ar gveqneboda,<br />

rom ar vgrZnobdeT mayureblis udides interessa da mxardaWeras. madlobas vuxdiT Cvens erTgul, gemovnebian da ganaTlebul<br />

auditorias.<br />

gaga CxeiZe<br />

kinoxelovnebis centr “promeTes” Tavmjdomare<br />

nino anjafariZe<br />

Tbilisis saerTaSoriso kinofestivalis direqtori<br />

Tbilisi international fi lm festival gathers fi lm amateurs and professionals employed in the fi lm industry at Amirani movie theatre for the<br />

ninth time now.<br />

Occupation of two Georgian regions by Russia in August did not pass without leaving a trace on us. We are unable to hold the festival<br />

at a desirable scale this year, in a worthy manner that is suitable to Tbilisi, the city of rich cinematographic tradition. We’ve been forced<br />

to limit number of both the fi lms and the guests.<br />

Regardless the extremely tense relationship with Russia we have not broken off with Russian cinematographers. It is evidenced by the<br />

participation of several Russian fi lms in our program. Moreover it is our desire to make deeper creative relationship between Georgian<br />

and Russian fi lmmakers. On the other hand our Union refuses to take part in such events in Russia, that are organized and fi nanced by<br />

the government of Russia.<br />

Acknowledging the importance of holding an international cultural event in the capital of Georgia the state of Georgia has traditionally<br />

supported us despite multitude of problems and sponsored this fi lm festival as well. Without their good offi ces the fi lm festival would<br />

hardly take place. Therefore we would like to express our gratitude to the Ministry of culture, monuments protection and sports of Georgia<br />

and the Minister - Mr. Grigol Vashadze, also to the mayor of Tbilisi Mr. Gigi Ugulava, and to the devoted partner and co-organizer of<br />

the festival - Georgian National Film Center and personally to the director of the center - Mr. Konstantin Chlaidze.<br />

Circle of the friends of the fi lm festival keeps extending from year to year. Without their encouragement and unselfi sh support we would<br />

be unable to implement our program. We would like to thank all private sponsors who have helped us before and are close by today.<br />

We would like to emphasize cooperation of the fi lm festival with embassies of the foreign countries and centres of culture. Goethe<br />

Institute (director – Werner Wöll), Alexander Dumas French Culture Centre (director – Joel Bastenaire) and embassy of Italy as well are<br />

our reliable partners this year, as in previous years.<br />

Finally we would like to point out the most important aspect: we would have no incentive of holding the fi lm festival if not the huge<br />

interest and support of the fi lmgoers. We give our thanks to our devoted, tasteful and educated audience.<br />

Gaga Chkheidze<br />

Director of Prometheus Film Art Centre<br />

Nino Anjaparidze<br />

Director of Tbilisi International Film Festival<br />

7 1


7<br />

saerTaSoriso Jiuri International Jury<br />

lana RoRoberiZe<br />

1955 wels, Tbilisis saxelmwifo universitetis filologiuri fakultetis da aspiranturis (inglisuri enisa da literaturis<br />

ganxriT) damTavrebis Semdeg, daicva disertacia Temaze “uolt uitmenis leqsis socialuri buneba”. imave<br />

wels daibeWda misi monografia “uolt uitmeni”, aseve uitmenis “balaxis foTlebis” da rabindranaT Tagoris “mebaRis”<br />

Targmanebi.<br />

1958 wels daamTavra moskovis kinematografiis sakavSiro instituti (vgiki) kinoreJisoris specialobiT; sakurso <strong>filmi</strong><br />

_ “gelaTi”, sadiplomo <strong>filmi</strong> _ “Tbilisi _ 1500 weli”.<br />

1958 _ 1992 wlebSi gadaRebuli aqvs mxatvruli filmebi: “erTi cis qveS”; “me vxedav mzes”; “feriscvaleba” ; “roca<br />

ayvavda nuSi”; “aurzauri salxineTSi”; “ramdenime interviu pirad sakiTxebze”; “dRes Rame uTenebia”; “oromtriali”;<br />

“valsi peCoraze”; dokumenturi <strong>filmi</strong> “werili Svilebs” _ lado aleqsi-mesxiSvilis Sesaxeb.<br />

mis filmebs mopovebuli aqvs araerTi saerTaSoriso kinofestivalis prizi.<br />

lana RoRoberiZe sabWoTa kavSiris saxelmwifo premiis (1979) da saqarTvelos respublikis saxelmwifo premiis (1984)<br />

laureatia, miRebuli aqvs saqarTvelos saxalxo artistis wodeba, dajildovebulia saqarTvelos Rirsebis ordeniT.<br />

1988 wels arCeul iqna qal kinematografistTa saerTaSoriso asociaciis prezidentad, Stabbina _ londoni. iyo mravali<br />

saerTaSoriso kinofestivalis Jiuris wevri da Tavmjdomare.<br />

1997 wels miiRo safrangeTis respublikis Rirsebis erovnuli ordeni, rogorc “reJisorma, poetma, mTargmnelma,<br />

saqarTvelo-safrangeTis megobrobis saparlamento jgufis Tavmjdomarem”.<br />

gamocemuli aqvs poeturi Targmanebis krebuli “ucxouri poezia qarTulad” (1996) da wigni “rac magondeba da rogorc<br />

magondeba" (2003).<br />

Lana Gogoberidze<br />

After graduating from the Tbilisi State University (Department of the English Language and Literature) in 1955, Lana<br />

Gogoberidze made her dissertation on Social Nature of Walt Whitman’s Poetry. In the same year, she published a monograph<br />

on Walt Whitman and two collections of her translations of Leaves of Grass by Walt Whitman and Gardener by<br />

R.Tagore.<br />

In 1958, Lana Gogoberidze graduated from the Department of Filmmaking of the Moscow State Institute of Cinematography<br />

(VGIK). Her diploma works include Gelathi and Tbilisi -1500.<br />

In 1958-1992 she shot the following feature fi lms: Under One Sky, See the Sun, Frontiers, When Almonds Blossomed, The<br />

Waltz on the Pechora, Some Interviews on Personal Questions, the Little Incident, Whirlwind, Day is Longer than Night; a<br />

documentary: Letters to My Children (the fi lm depicts life of Lado Aleksi-Meskhishvili).<br />

Lana Gogoberidze’s fi ction and documentaries have won many international awards. She is the State Award of the USSR<br />

(1979) and State Award of Georgian SSR (1984) winner and a honorary title holder of People’s Artist of Republic of Georgia<br />

and Order of Honor.<br />

In 1988, Lana Gogoberidze was elected a President of International Association of Women Directors with headquarters in<br />

London. She has been a jury panel member and chair at many international fi lm festivals.<br />

In recognition of her efforts in fi lmmaking, poetry, translation and in promoting Georgia-France friendship (as a chair of<br />

parliamentary group), Lana Gogoberidze received French National Order of the Legion of Honor in 1997.<br />

She has published a collection of translations «Foreign Poetry in Georgian » in 1996 and her memoirs « What I Remember<br />

and How I Recall » in 2003.<br />

7 2


saerTaSoriso Jiuri International Jury<br />

miqele panela<br />

miqele panela florenciis saerTaSoriso festivalis Intercity-sa da Teatro della Limonaia-is erT-erTi direqtoria.<br />

1999-2001 wlebSi is xelmZRvanelobda Teatris seqcias florenciis frinj festivalze.<br />

festivali Intercity yovelwliurad tardeba. is florenciasa da sesto fiorentinos msoflios sxvadasxva qalaqebTan<br />

akavSirebs, rac italiel mayurebels saSualebas aZlevs gaecnos Soreuli qalaqebis Tanamedrove mwerlobas da kulturas.<br />

miqele panela sxvadasxva dros miwveuli iyo san-pauluSi, dublinSi, torontoSi, londonsa da bevr sxva qalaqSi Tanamderove<br />

italiuri mwerlobis warsadgenad da kulturuli siaxleebis dasaTvaliereblad.<br />

panela xSirad Targmnis Tanamedrove italiur mwerlobas da atarebs seminarebs msoflios sxvadasxva qveynebSi. igi<br />

aseve muSaobs mark ravenhilis, miqele mark buqardis, jilian slovos da sxvaTa teqstebze rogorc Tanamedrove sityvis<br />

ukve aRiarebuli eqsperti.<br />

Michele Panella<br />

Michele Panella is the Associate Director of the International Festival Intercity based in Florence, Italy and Teatro della<br />

Limonaia. He also directed the theatre section of the Florence Fringe Festival (1999 -2001).<br />

Intercity Festival is an annual event which connects Florence and Sesto Fiorentino with another city in the world, offering<br />

to the Italian public an opportunity to become acquainted with new writing and culture of distant places.<br />

Michele has been invited to San Paolo, Dublin, Toronto, London and many other cities to present the Italian contemporary<br />

dramaturgy and also to observe the contemporary cultural scenes.<br />

Panella usually workshops and translates the Italian new writing, and also works on the modern texts of Sarah Kane, Mark<br />

Ravenhill, Michel Marc Bouchard, Gillian Slovo and others in various countries around the world being already established<br />

as an international messenger of a new word in arts.<br />

7 3


7<br />

saerTaSoriso Jiuri International Jury<br />

jo raiti<br />

daibada 1972 wels londonSi. swavlobda kembervelis xelovnebis kolejSi, Semdeg londonis san martinis xelovnebis<br />

skolaSi swavlobda kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil reJisors Soris Jurnal Varietyis<br />

reitingSi “10 Directors to Watch”. 2007 wels raiti gaxda istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />

veneciis saerTaSoriso kinofestivali gaxsna (misi <strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />

Joe Wright<br />

Born in 1972 in London. Attended the Camberwell College of Arts. Trained as a fi lmmaker at London’s St. Martins art school.<br />

Named one of Variety’s “10 Directors to Watch” (2006). In 2007, he became the youngest director in history to have a fi lm<br />

open the Venice Film Festival (his fi lm ATONEMENT was chosen to open 64th Venice International Film Festival).<br />

7 4


saerTaSoriso Jiuri International Jury<br />

robert smaigerti<br />

robert smaigerti 1964 wels daibada esenSi (germania) imdroindeli iugoslaviidan politikuri devnilebis ojaxSi.<br />

swavlobda filosofias, fsiqologias, sociologiasa da Jurnalistikas. jer msaxiobad muSaobda, Semdeg TviTon daiwyo<br />

piesebis wera da speqtaklebis dadgma, CaerTo kinobiznesSic. 1999 wlidan muSaobs agreTve art-menejerad, qmnis<br />

interdisciplinarul da inovaciur koncefciebs sxvadasxva saxis art-proeqtebisTvis. amJamad muSaobs konceftualuri<br />

mimarTulebis xelmZRvanelad da kinoreJisorad kinosaprodiusero kompania INTERARTES-Si (ruris metropolia),<br />

romelic awarmoebs mxatvrul, dokumentur da musikalur filmebs, axorcielebs eqsperimentul kinoproeqtebs. es<br />

kompania, romelsac araerTi warmatebuli kino- da tele<strong>filmi</strong> aqvs ganxorcielebuli, xelovnebis sxvadasxva disciplinebis<br />

kombinirebis gziT kinowarmoebis xarisxis amaRlebasac cdilobs.<br />

amJamad robert smaigerti iRebs mxatvrul-dokumentur films „ganimedis Svilebi“, romlis moqmedeba nawilobriv<br />

saqarTveloSi viTardeba.<br />

Robert Smajgert<br />

Robert Smajgert was born 1964 in the City of Essen / Germany as the son of political refugees of former Yugoslavia. He<br />

studied Philosophy, Psychology, Sociology und Journalism and worked as an actor before he started to write and direct<br />

stage plays and became familiar with the fi lm business. Since 1999 he works as an Arts Manager, creating interdisciplinary<br />

and innovative concepts for art projects, too. Actually Smajgert is busy as a conceptional-head and fi lm-director for<br />

INTERARTES fi lm production / Metropole Ruhr, which initiates and creates feature, documentary and musical fi lms and experimental<br />

cinematographic projects. In combination of different artistic disciplines INTERARTES, which made many highly<br />

successful cinema and TV fi lms, searches for enhanced quality in fi lm production as well. As a fi lm-director Smajgert works<br />

actually on the movie “Children of Ganymed” which also plays in Georgia.<br />

7 5


saerTaSoriso Jiuri International Jury<br />

serJ sobJinski<br />

serJ sobJinski Tavdapirvelad erovnul kulturul dawesebulebebSi muSaobda mmarTvelis Tanamdebobaze: strasburgis<br />

erovnul TeatrSi, « komedi fransezSi », lilis erovnul orkestrSi, lionis erovnul orkestrSi. Semdeg teritoriuli<br />

TviTmmarTvelobebis, qalaq ruanis da provans-alp-kot d’aJuris regionis saqalaqo samsaxurebSi kulturis<br />

departamentis direqtoris funqciebs asrulebda. garda amisa mas safrangeTis sagareo saqmeTa saministroSi Tanam-<br />

Sromlobisa da kulturuli sakiTxebis sferoSi mrCevlis Tanamdebobac ekava. 2004 wels Jil Jakobma, kanis festivalis<br />

direqtorma, mas axali programis, « msoflios kinos » ganxorcieleba Caabara. man es programa 3 wlis ganmavlobaSi<br />

marTa 2007 wlamde. dRes is kulturis sferoSi konsultantis funqciebs asrulebs.<br />

Serge Sobczynski<br />

Initially Serge Sobczynski worked as an executive director in national institutions of culture: National Theatre of Strasbourg,<br />

Comedie-Francaise, Lille National Orchestra and Lyon National Orchesrta. Then he worked as a director of the department<br />

of culture at the municipalities in Rouen and Alpes-Côte d’Azur regions. In addition he served as a counsellor in<br />

the fi eld of cooperation and culture at the Ministry of Foreign Affairs of France. In 2004 Gilles Jakob, a director of Cannes<br />

Festival charged him to implement a new program, Tous Les Cinemas du Mounde. Serge Sobczynski ran the program for<br />

three years up to 2007. At present he serves as a counsellor in the fi eld of culture.<br />

7 6


gaxsnis <strong>filmi</strong><br />

Opening Film


gaxsnis <strong>filmi</strong> / Opening Film<br />

123 wT, 35 mm, feradi<br />

123 min, 35 mm, colour<br />

ATONEMENT<br />

sinanuli gaerTianebuli samefo / safrangeTi 2007<br />

britanuli romani, romlis moqmedeba ramdenime aTeul weliwads<br />

moicavs. damwyebma mweralma braioni Telisma, 13 wlis rom<br />

iyo, radikalurad Secvala ramdenime adamianis cxovreba imiT,<br />

rom Tavisi ufrosi dis sayvareli daadanaSaula danaSaulis<br />

CadenaSi, romelic mas ar Caudenia.<br />

reJisori: jo raiti<br />

scenari: kristofer hemptoni<br />

(ian makiuenis romanis mixedviT)<br />

operatori: siamus makgarvi<br />

monawileoben: kira naiTli, jeimz makavoi, romola garai<br />

musika: dario marianeli<br />

mxatvari: sara grinvudi<br />

kostiumebi: Jaklin diureni<br />

montaJi: pol toTili<br />

prodiuserebi: tim bivani, erik felneri, pol vebsteri<br />

aRmasrulebeli prodiuserebi: riCard eiri, robert foqsi,<br />

debra heivordi, liza Cesini<br />

Atonement UK / France 2007<br />

A British romance that spans several decades. Fledgling writer<br />

Briony Tallis, as a 13-year-old, irrevocably changes the course of<br />

several lives when she accuses her older sister’s lover of a crime<br />

he did not commit.<br />

Director: Joe Wright<br />

Screenplay: Christopher Hampton<br />

(based on the novel by<br />

Ian McEwan)<br />

DOP: Seamus McGarvey<br />

Cast: Keira Knightley, James McAvoy, Romola Garai<br />

Music: Dario Marianelli<br />

Production design: Sarah Greenwood<br />

Costumes: Jacqueline Durran<br />

Editing: Paul Tothill<br />

Producers: Tim Bevan, Eric Fellner, Paul Webster<br />

Executive Producers: Richard Eyre,<br />

Robert Fox, Debra Hayward, Liza Chasin<br />

Production:<br />

Working Title Films<br />

Oxford House,<br />

76 Oxford Street,<br />

London, W1D 1BS<br />

phone: 020 7307 3000<br />

fax: 020 7307 3001/2/3<br />

www.workingtitlefi lms.com<br />

jo raiti<br />

Joe Wright<br />

filmografia/Filmography<br />

2007 Atonement<br />

2005 Pride and Prejudice<br />

2003 Charles II: The Power & the Passion (TV<br />

mini-series)<br />

2002 Bodily Harm (TV mini-series)<br />

2001 Bob & Rose (TV series)<br />

2000 Nature Boy (TV mini-series)<br />

1998 The End<br />

1997 Crocodile Snap<br />

daibada 1972 wels londonSi. daavadebulia disleqsiiT<br />

da skolaSi ver miiRo saSualo moswrebis atestati. swavlobda<br />

kembervelis xelovnebis kolejSi, Semdeg londonis<br />

wminda martinis xelovnebis skolaSi swavlobda<br />

kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil<br />

reJisors Soris Jurnal Variety-is reitingSi<br />

“10 Directors to Watch”. 2007 wels raiti gaxda<br />

istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />

veneciis saerTaSoriso kinofestivali gaxsna (misi<br />

<strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />

Born in 1972 in London. Is Dyslexic and left school with no Olevels.<br />

Attended the Camberwell College of Arts. Trained<br />

as a fi lmmaker at London’s St. Martins art school. Named<br />

one of Variety’s “10 Directors to Watch” (2006). In 2007,<br />

he became the youngest director in history to have a fi lm<br />

open the Venice Film Festival (his fi lm ATONEMENT was<br />

chosen to open 64th Venice International Film Festival).<br />

World Sales:<br />

Focus Features<br />

65 Bleecker St., 3rd Fl.<br />

New York, NY 10012<br />

phone: 212-539-4000<br />

fax: 212-539-4099<br />

7 9


<strong>daxurvis</strong> <strong>filmi</strong><br />

Closing Film


<strong>daxurvis</strong> <strong>filmi</strong> / Closing Film<br />

104 wT, 35 mm, feradi<br />

104 min, 35 mm, colour<br />

DIKOE POLE / ДИКОЕ ПОЛЕ<br />

veluri veli ruseTi 2008<br />

axalgazrda eqimi mitia samuSaod Soreul stepebSi midis, rom<br />

RvTisgan miviwyebul adamianebs daexmaros. mas yoveldRe akiTxaven<br />

pacientebi: pirveli smisgan sikvdilis piramde misuli<br />

kacia, meores momakvdavi Zroxa moyavs eqimTan... tramalebSi<br />

cxovreba saSiSia, mitias CxubSi daWrili adamianebis movlac<br />

xSirad uwevs. erT dRes qalaqidan mitias sacole Camodis _ imis<br />

saTqmelad, rom sxva kacs miyveba colad. mitia marto rCeba,<br />

Tumca is mudmivad grZnobs viRacis Tu raRacis arsebobas mis<br />

Soriaxlos. droTa ganmavlobaSi es ucnauri safrTxe realobad<br />

iqceva.<br />

reJisori: mixeil kalatoziSvili<br />

scenari: piotr luciki, aleqsei samoriadovi<br />

operatori: piotr duxovskoi<br />

monawileoben: oleg dolini, aleqsandr ilini, aleqsandr<br />

ilini umcrosi, roman medianovi, irina butanaeva, aleqsandr<br />

korSunovi, daniela stoianoviCi<br />

musika: aleqsei aigi<br />

mxatvari: sergei avstrievskixi<br />

xma: igor terexovi<br />

prodiuserebi: mixeil kalatoziSvili, sergei sneJkini,<br />

andrei bondarenko<br />

Wild Field Russia 2008<br />

This is the story of Mitja, a young doctor, who chooses to work in<br />

the middle of nowhere, to help the people who are forgotten by<br />

God. He lives and works in the steppe, which seems empty and<br />

deserted. But every day he has patients coming in his homehospital:<br />

one man’s heart stops after heavy drinking, another comes<br />

with a dying cow. Life is dangerous in the steppe. Sometimes<br />

Mitja has to treat wounded people. One day his bride comes<br />

to visit him from a far away city: she comes to tell him that she<br />

decided to leave him and marry another man. He is left alone.<br />

But he feels that there is somebody or something always present<br />

nearby. In the long run this strange menace becomes a reality.<br />

Director: Mikheil Kalatozishvili<br />

Screenplay: Pjotr Luzik, Alexey Samorjadov<br />

DOP: Pjotr Dukhovskoy<br />

Cast: Oleg Dolin, Alexandr Iljin, Alexandr Iljin junior,<br />

Roman Medjanov, Irina Butanaeva,<br />

Alexandr Korshunov, Daniella Stojanovich<br />

Music: Alexey Aygi<br />

Production design: Sergey Avstrievskikh<br />

Sound: Igor Terekhov<br />

Producer: Mikheil Kalatozishvili,<br />

Sergey Snezhkin, Andrey Bondarenko<br />

Production:<br />

Mikhail Kalatozov Fund<br />

Barmaley Studio<br />

Zoologitsheskaya str. b.1<br />

123242 Moscow - Russian Federation<br />

Tel. +7 495 254 32 77<br />

Fax +7 495 254 85 61<br />

olga@kalatozov.ru<br />

filmografia/Filmography<br />

2008 dikoe pole / Wild Field<br />

2002 mne tifl is gorbatiy snitsja / I’m Dreaming<br />

of Hogged Tifl is (doc.)<br />

2001 dva atoma / Two Atoms (doc.)<br />

2000 misterii / Misteries<br />

1992 rcheuli / The Beloved<br />

1981 mokhutsi memankane / Mechanic<br />

(short)<br />

mixeil kalatoziSvili<br />

reJisori, prodiuseri. daibada 1959 wels TbilisSi. 1987<br />

wels daamTavra moskovis kinematografiis saxelmwifo<br />

institutis kinosareJisoro fakulteti (efim Ziganis<br />

saxelosno). muSaobda kinostudiebSi “qarTuli <strong>filmi</strong>”<br />

(1985-91) da “len<strong>filmi</strong>” (1994-2000). aris “mixail kalatozovis<br />

fondis” (moskovi) prezidenti.<br />

Mikheil Kalatozishvili<br />

Director, producer. Born in 1959 in Tbilisi, Georgia. In 1987<br />

he graduated from Moscow State Film Institute (VGIK),<br />

speciality - fi lm director (Efi m Dzigan’s studio), worked at<br />

the “Kartuli Filmi” and the “Lenfi lm” Studios. He is the president<br />

of “Mikhail Kalatozov Fund” (Moscow).<br />

World Sales:<br />

Intercinema<br />

Druzhinnikovskaya, 15<br />

123242 Moscow, Russian Federation<br />

Tel. +7 499 255 9052<br />

Fax +7 499 255 9053<br />

post@intercin.ru<br />

7<br />

11


saerTaSoriso konkursi


International Competition


saerTaSoriso saerTaSoriso konkursi / International Competition<br />

87 wT, 35 mm, feradi<br />

87 min, 35 mm, colour<br />

L’ARIA SALATA<br />

mlaSe haeri italia 2008<br />

fabio sapatimros energiiT aRsavse moxelea, is didi mondomebiT<br />

muSaobs da yofil patimrebs sazogadoebaSi xelaxla integraciaSi<br />

exmareba. erT-erTi aseTi SemTxvevis dros axalgazrda<br />

kaci aRmoaCens, rom patimari, romelsac exmareba, misi dakarguli<br />

mamaa. moulodneli Sexvedra ojaxis warsulis aCrdilebs<br />

aRviZebs, romlebic fabiom mexsierebidan amoSala. is das ,<br />

qristinas, upirispirdeba, romelsac ar unda Zveli Wrilobebis<br />

gaxseneba. yovelive es maTi cxovrebis simSvides arRvevs.<br />

reJisori: alesandro anjelini<br />

scenari: alesandro anjelini, anjelo karbone<br />

operatori: arnaldo katinari<br />

monawileoben: jorjo pazoti, miqela seskoni, jorjo kolangeli,<br />

kati-luiz saundersi<br />

musika: luka toci<br />

mxatvari: alesandro maraco<br />

kostiumebi: aniela CanCo<br />

montaJi: masimo fioki<br />

xma: remo ugolineli<br />

prodiuseri: donatela boti<br />

Salty Air Italy 2006<br />

Fabio is prison offi cer full of energy who works with passion and<br />

dedication helping former prison inmates with their reintegration<br />

into society. In the course of one such assessment, the young<br />

man is shocked to discover that the inmate he is interviewing is<br />

apparently his long lost father. This unexpected encounter forces<br />

Fabio to face the ghosts of a family past which he had blotted<br />

out in his mind, and clash with his sister Cristina, who does not<br />

want to reopen old wounds that jeopardize the tranquility of their<br />

current lives.<br />

Director: Alessandro Angelini<br />

Screenplay: Alessandro Angelini, Angelo Carbone<br />

DOP: Arnaldo Catinari<br />

Cast: Giorgio Pasotti, Michela Cescon, Giorgio Colangeli, Katy<br />

Louise Saunders<br />

Music: Luca Tozzi<br />

Production design: Alessandro Marrazzo<br />

Costumes: Daniela Ciancio<br />

Editing: Massimo Fiocchi<br />

Suond: Remo Ugolinelli<br />

Producer: Donatella Botti<br />

7 14<br />

Production:<br />

Bianca Film<br />

Via Lampertico 7<br />

00191 Roma Italy<br />

tel:+39 6 3296791<br />

fax:+39 6 3296790<br />

filmografia/Filmography<br />

2006 L’Aria salata<br />

2005 El Barrilete<br />

2001 Un Cuento de boxeo<br />

2000 Ragazzi del Ghana<br />

1998 Fame for Your Name<br />

alesandro anjelini<br />

daibada romSi 1971 wels. sanam reJisoris asistentad<br />

muSaobiT kinokarieras daiwyebda, presis saagentoebisTvis<br />

fotografad muSaobda. aTi wlis ganmavlobaSi TanamSromlobda<br />

bevr italiel reJisorTan, romelTa Soris<br />

iyvnen nani moreti, mimo kalopresti, franCeska komenCini<br />

da serjo rubini.<br />

Alessandro Angelini<br />

Born in Rome in 1971, Alessandro Angelini worked as a<br />

photographer for various press agencies before beginning<br />

his fi lmmaking career as an assistant and fi rst assistant<br />

director. Over the past ten years he has worked with many<br />

important Italian directors, including Nanni Moretti, Mimmo<br />

Calopresti, Francesca Comencini and Sergio Rubin.<br />

Rai Cinema<br />

Piazza Adriana 12<br />

00193 Roma<br />

tel: +39 6 684701<br />

fax: +39 6 6871638<br />

Sales:<br />

01 Distribuzione<br />

Piazza Adriana, 12 - 00193 Roma<br />

Tel. 06-684701 Fax. 06-6872141<br />

info@01distribution.it


83 wT, 35 mm, feradi<br />

83 min, 35 mm, colour<br />

DIORTHOSI / ΔΙΌΡΘΩΣΗ<br />

Sesworeba saberZneTi 2007<br />

kacs cixidan aTavisufleben. mas wasasvleli arsad aqvs da,<br />

rogorc Tanamedrove odisevsi, is aTenis quCebSi daexeteba,<br />

romelic emigrantebiT, usaxlkaroebiT da sxva marginalebiT aris<br />

dasaxlebuli. am xetialSi is qals da patara gogonas xvdeba. vin<br />

aris es sami adamiani? iqneb isini erTi dangreuli ojaxis wevrebi<br />

arian an iqneb im sastiki da konfliqtebiT savse sazogadoebis<br />

msxverplni, romelic maT erTad cxovrebas SeuZlebels xdis.<br />

reJisori: Tanos anastopulosi<br />

scenari: Tanos anastopulosi, vasilis raisisi<br />

operatori: ilias adamisi<br />

monawileoben: iorgos simeonidisi, ornela kapetani, savina<br />

alimani, buiar alimani, nikos georgakisi<br />

mxatvari: maiu trikerioti<br />

montaJi: napoleon stratogianakisi<br />

xma: stefanos eftimiu, kenan akavi, kostas varibopiotisi<br />

prodiuseri: Tanos anastopulosi<br />

Correction Greece 2007<br />

A man is released from prison. With nowhere to go, he wanders<br />

like a modern Ulysses through a contemporary Athens peopled<br />

by migrants, the homeless, and other marginalized members of<br />

society. Along the way, he meets a woman and a little girl. Are<br />

the three of them members of a disrupted family or just persecutors<br />

and victims of a violent and confl ict-driven society that prevents<br />

them from living together?<br />

Director: Thanos Anastopoulos<br />

Screenplay: Thanos Anastopoulos, Vasilis Raisis<br />

DOP: Ilias Adamis<br />

Cast: Yorgos Symeonidis, Ornela Kapetani, Savina Alimani, Bujar<br />

Alimani, Nikos Georgakis<br />

Production design: Mayou Trikerioti<br />

Editing: Napoleon Stratogiannakis<br />

Suond: Stefanos Efthimiou, Kenan Akkawi,<br />

Costas Varibopiotis<br />

Producer: Thanos Anastopoulos<br />

Production:<br />

Fantasia Audiovisual Ltd<br />

24, Kallisperi Str, 11742 Athens, Greece<br />

Tel: +30 210 9210882<br />

Mail: fanfi lm@hol.gr<br />

Contact person: Thanos Anastopoulos<br />

filmografia/Filmography<br />

2007 Diorthosi / Correction<br />

2004 Olo to varos tou kosmou / Atlas – All the<br />

Weight of the World<br />

1998 Pos se lene? / What’s Your Name? (doc.)<br />

1993 I Poli kato apo tin poli / The City under<br />

the City (doc.)<br />

1989 Theatis / Onlooker (short)<br />

1984 Nyktodia / Nocturne (short)<br />

Tanos anastopulosi<br />

daibada 1965 wels aTenSi, saberZneTi. swavlobda filosofias<br />

ioaninas universitetSi, Semdeg swavla ganagrZo<br />

parizSi, I universitetsa (Pantheon Sorbonne) da socialur<br />

mecnierebaTa Tanamedrove kvlevis umaRles skolaSi<br />

(E.H.E.S.S). kinos garda TeatrSic muSaobs, dadgmuli aqvs<br />

ori speqtakli. 2004 wels gadaiRo pirveli srulmetra-<br />

Jiani mxatvruli <strong>filmi</strong>. “Sesworeba” misi meore srulmetraJiani<br />

mxatvruli <strong>filmi</strong>a.<br />

Thanos Anastopoulos<br />

Born in Athens in 1965. Studied Philosophy at the University<br />

of Ioannina - Greece. Post graduate studies at the University<br />

of Paris I (Pantheon Sorbonne) and at the Ecole des Hautes<br />

Etudes en Sciences Sociales (E.H.E.S.S). He directed short<br />

fi lms, documentaries and two theatre plays. In 2004 he made<br />

his fi rst feature fi lm. CORRECTION is his second feature fi lm.<br />

anastato@gmail.com - Mob: +30 6974 905220<br />

7 15


saerTaSoriso saerTaSoriso konkursi / International Competition<br />

86 wT, 35 mm, feradi<br />

86 min, 35 mm, colour<br />

JAGDHUNDE<br />

monadire ZaRlebi germania 2007<br />

Sobis wina dReebi. henriki da misi 16 wlis vaJi larsi ukermarkSi,<br />

germaniis Crdilo-aRmosavleT nawilSi, erT Zvel fermaSi cxovroben.<br />

fermis kuTvnili sabZeli saqorwino sastumrod unda gadakeTdes.<br />

am mxareSi axaldasaxlebul mama-Svils adgilobrivi macxovreblebi<br />

ar scnoben. henriki da larsi TiTqmis ar elaparakebian<br />

erTmaneTs. rodesac larsi gaigebs, rom mamamiss dedamisis dasTan,<br />

ianasTan aqvs urTierToba, is Tavs kidev ufro gariyulad igrZnobs.<br />

larsi marias gaicnobs. isini erTad daseirnoben soflis daTovlil<br />

SemogarenSi, romelic mojadoebuls hgavs. ojaxuri qaosi piks<br />

aRwevs siyvarulis dResaswaulze, rodesac moulodnelad larsis<br />

deda Camodis Tavis sayvarelTan erTad. axaldaqorwinebulTaTvis<br />

gankuTvnili momavali saxli grZnobaTa Widilis adgilad iqceva.<br />

reJisori: an-kristin raielsi<br />

scenari: marek helsneri, an-kristin raielsi<br />

operatori: florian foesti<br />

monawileoben: konstantin fon iaSerofi, oizef haderi, luize<br />

berndti, sven lemani, iudiT engeli, ulrike krumbigeli,<br />

marek harlofi<br />

musika: henri raielsi<br />

mxatvari: grit vendike<br />

kostiumebi: doerte Snaideri<br />

montaJi: halina daugirdi<br />

xma: florian kiunle<br />

aRmasrulebeli prodiuseri: fabian poelmani<br />

prodiuserebi: zuzan Simki, iorg trentmani<br />

Hounds Germany 2007<br />

It is shortly before Christmas. Henrik and his 16-year-old son Lars live together<br />

at an old farmstead in the Uckermark, in the northeastern corner<br />

of Germany. The barn is to be renovated as a wedding hotel. Since<br />

father and son are not from this area, they live in isolation from the<br />

local inhabitants. The relationship between Lars and Henrik is marked<br />

by a complete lack of communication. When Lars learns about an<br />

affair his father is having with his Aunt Jana, he feels more alone than<br />

ever. Lars meets Marie. Together they roam through the enchanted<br />

wintry countryside. The family chaos at the festival of love reaches a<br />

peak when Lars’ mother unexpectedly shows up with her lover. The<br />

future venue for wedding couples turns into a battlefi eld of emotions.<br />

Director: Ann-Kristin Reyels<br />

Screenplay: Marek Helsner, Ann-Kristin Reyels<br />

DOP: Florian Foest<br />

Cast: Constantin von Jascheroff, Josef Hader, Luise Berndt, Sven<br />

Lehmann, Judith Engel, Ulrike Krumbiegel, Marek Harloff<br />

Music: Henry Reyels<br />

Production design: Grit Wendicke<br />

Costumes: Dörte Schneider<br />

Editing: Halina Daugird<br />

Suond: Florian Kühnle<br />

Executive Producer: Fabian Pöhlmann<br />

Producers: Susann Schimk, Jörg Trentmann<br />

7 16<br />

filmografia/Filmography<br />

2007 Jagdhunde / Hounds<br />

2005 Das Karussell (movie- and TV-spot)<br />

2004 DIM (short)<br />

2002 Tatjana (doc.)<br />

2000 Raumpfl ege (short)<br />

an-kristin raielsi<br />

daibada 1976 wels laifcigSi. 1997-2001 wlebSi muSaobda<br />

praqtikantad da asistentad kino- da telewarmoebaSi.<br />

2004 wels oTx sxva student-reJisorTan erTad dadga<br />

speqtakli berlinis maqsim gorkis Teatris scenaze. 2001-<br />

2007 wlebSi reJisuras swavlobda potsdam-babelsbergis<br />

kinosa da televiziis umaRles skola „konrad volfSi“.<br />

„monadire ZaRlebi“ misi pirveli srulmetraJiani mxatvruli<br />

<strong>filmi</strong>a.<br />

Ann-Kristin Reyels<br />

Born in Leipzig in 1976. 1997-2001 worked as an intern and<br />

assistant at various fi lm and television productions. Directed<br />

a stage play together with four other student directors<br />

at the Maxim Gorki Theater Berlin in 2004. 2001-2007 studied<br />

directing at the HFF fi lm and television academy “Konrad<br />

Wolf” in Potsdam-Babelsberg. After a number of short<br />

fi lms HOUNDS is Ann-Kristin Reyels’ fi rst featurelength fi lm.<br />

Production:<br />

Credofi lm GmbH<br />

Schiffbauerdamm 13<br />

D-10117 Berlin<br />

Tel.: 030-25 76 24 0<br />

Fax: 030-25 76 24 22<br />

www.credofi lm.de<br />

offi ce@credofi lm.de


106 wT, 35 mm, feradi<br />

106 min, 35 mm, colour<br />

dRes Rame anicasTvis yvelaferi Seicvleba. is Sekravs bargs,<br />

daemSvidobeba megobrebs da sayvarlis seifs daacarielebs, sanam<br />

axali cxovrebis dasawyebad TviTmfrinavSi Cajdeba. magram<br />

man ar icis, rom es dRe mis garSemo myofi adamianebisTvisac<br />

mniSvnelovani dRea. amitom anicas bolo dRe belgradSi Sei-<br />

Zleba ise mSvidad ar warimarTos, rogorc man dagegma.<br />

Tonight, everything changes for Anica. She’ll pack her belongings,<br />

say her goodbyes and empty her boyfriend’s safe before<br />

boarding a fl ight to a new life. However, what she doesn’t know<br />

is that today is also a big day for those around her – and her last<br />

day in Belgrade might not run as smoothly as planned.<br />

filmografia/Filmography<br />

2008 Love and Other Crimes<br />

2005 Lost and Found<br />

2003 (A)torsion (short)<br />

2002 Little Morning Story (short)<br />

2001 Belgrade Sound (doc.)<br />

2001 Night Porter (short)<br />

2000 The Plum Tree (short)<br />

2000 Landscapes (doc.)<br />

LOVE AND OTHER CRIMES<br />

siyvaruli da sxva danaSaulebi germania / serbeTi / avstria / slovenia 2008<br />

reJisori: stefan arsenieviCi<br />

scenari: stefan arsenieviCi, boian vuletiCi,<br />

srjan kolieviCi<br />

operatori: simon tanSeki<br />

mxatvari: folker Seferi<br />

kostiumebi: veronika alberti<br />

montaJi: endriu birdi<br />

xma: tomica marton-iankovi<br />

prodiuserebi: herbert Sveringi, miroslav mogoroviCi<br />

Love and Other Crimes Germany / Serbia / Austria / Slovenia 2008<br />

Director: Stefan Arsenijević<br />

Screenplay: Stefan Arsenijević,<br />

Bojan Vuletić, Srđan Koljević<br />

DOP: Simon Tanšek<br />

Production design: Volker Schaeffer<br />

Costumes: Veronika Albert<br />

Editing: Andrew Bird<br />

Sound: Tomica Marton-Jankov<br />

Producers: Herbert Schwering, Miroslav<br />

Mogorović<br />

daibada 1977 wels belgradSi. kino- da telereJisuraSi<br />

xelovnebis magistris xarisxiT daamTavra belgradis<br />

dramatuli xelovnebis fakulteti, sadac dRes asocirebuli<br />

profesoris rangSi muSaobs. Tanadamaarsebelia<br />

kinosaprodiusero kompaniisa Art & Popcorn. mis<br />

moklemetraJian filmebs miRebuli aqvs 30-ze meti nacionaluri<br />

da saerTaSoriso jildo, maT Soris berlinales<br />

“oqros daTvi”, evropuli kinoakademiis prizi<br />

da nominacia “oskarze”. “siyvaruli da sxva danaSaulebi”<br />

misi pirveli srulmetraJiani mxatvruli <strong>filmi</strong>a.<br />

Stefan Arsenijevic<br />

Production:<br />

Art & Popcorn (Serbia)<br />

Coin Film (Germany)<br />

KGP Kranzelbinder Gabriele Production<br />

(Austria)<br />

Studio Arkadena (Slovenia)<br />

stefan arsenieviCi<br />

Born in Belgrade in 1977. MA in fi lm and TV directing on<br />

the Faculty of Drama Arts in Belgrade, where he works as<br />

an assistant professor. Co-founder of the fi lm production<br />

house “Art & Popcorn”. For his short fi lms won over 30 national<br />

and international awards, including Golden Bear in<br />

Berlin, European Film Academy Award and nomination for<br />

the Oscar. “Love and other crimes” is his fi rst feature fi lm<br />

World Sales:<br />

The Match Factory<br />

Eduard-Schmid-Str. 13<br />

D-81541 München<br />

Tel.: +49 89 20001200<br />

Fax: +49 89 200012010<br />

info@matchfactory.de<br />

7 17


saerTaSoriso saerTaSoriso konkursi / International Competition<br />

110 wT, 35 mm, feradi<br />

110 min, 35 mm, colour<br />

A NYOMOZÓ<br />

gamomZiebeli ungreTi 2008<br />

37 wlis eqimi-paTologi tibori martoxela kacis cxovrebas eweva,<br />

mas adamianebTan urTierToba uWirs. klinikaSi, sadac is muSaobs,<br />

ramdenime sarTuliT qveviT dedamisi wevs, romelic kibosgan kvdeba.<br />

tibori arkvevs, rom dedisTvis SvedeTSi arsebobs mkurnalobis<br />

SesaZlebloba, magram mkurnalobas iseTi Tanxa sWirdeba, romelsac<br />

tibori ver gawvdeba. am dros mis cxovrebaSi Cndeba ucnauri<br />

calTvala kaci saxelad ciklopi, romelic tibors saWiro Tanxas<br />

sTavazobs, Tu is erT adamians moklavs. tibori Tanxmdeba, ise rom<br />

ar icis, vin iqneba misi msxverpli. mkvlelobis Semdeg miRebuli<br />

werilidan tibori moulodnel ambebs Seityobs.<br />

reJisori: atila gigori<br />

scenari: atila gigori<br />

operatori: mate herbai<br />

monawileoben: solt angeri, iudit rezesi, Sandor terhesi,<br />

ildiko toTi, eva kerekeSi, solt zagoni<br />

musika: laslo melisi<br />

mxatvari: Sandra Stevanoviti<br />

kostiumebi: beata hofmani<br />

montaJi: zoltan kovaCi<br />

xma: zoltan toTi, atila toJeri, Caba maiori, kristian holmi<br />

prodiuseri: ferenc pustai<br />

The Investigator Hungary 2008<br />

37-year-old Tibor, who works as a pathologist, leads a lonely life as<br />

someone who has problems communicating with people. In the hospital<br />

where he works, a few fl oors up, lies his mother who is dying of<br />

cancer. Tibor fi nds out about a possible cure for his mother’s illness<br />

available in Sweden, but this would require the kind of money he just<br />

doesn’t have. At this point a mysterious one-eyed man called Cyclops<br />

enters his life and offers him the funding he needs if he agrees<br />

to carry out an assassination. Tibor accepts the job, without knowing<br />

the identity of his intended target. A letter he receives after the killing,<br />

however, reveals to him circumstances of which he was totally<br />

unaware..<br />

Director: Attila Gigor<br />

Screenplay: Attila Gigor<br />

DOP: Máté Herbai<br />

Cast: Zsolt Anger, Judit Rezes, Sándor Terhes, Ildikó Tóth, Éva<br />

Kerekes, Zsolt Zágoni<br />

Music: László Melis<br />

Production design: Sandra Stevanovity<br />

Costumes: Beáta Hoffmann<br />

Editing: Zoltán Kovács<br />

Sound: Zoltán Tóth, Attila Tőzsér,<br />

Csaba Major, Christian Holm<br />

Producer: Ferenc Pusztai<br />

7 18<br />

Attila Gigor<br />

Production:<br />

KMH Film<br />

Kesmark utca 24, H-1158 Budapest,<br />

Hungary<br />

tel.: +36 1 414 0885<br />

fax: +36 1 414 0887<br />

filmografia/Filmography<br />

2008 The Investigator<br />

2008 Vengeance (short)<br />

2006 We Missed our Stop (short)<br />

2004 Hungarian Tiger (TV-short)<br />

2004 Man in the Mirror (short)<br />

2003 Diary (diary-fi lm)<br />

2002 Unfi nished Stories (experimental)<br />

2001 Interdictor (doc.)<br />

atila gigori (atila galambosi)<br />

daibada 1978 wels budapeStSi, ungreTi. swavlobda samsaxiobo<br />

xelovnebas ungreTis sxvadasxva Teatralur saswavlebelSi.<br />

2000 wels swavla ganagrZo ungreTis kinosa<br />

da Teatris akademiaSi, romelic 2005 wels daamTavra<br />

tele- da kinoreJisoris specialobiT. misi pirveli<br />

srulmetraJiani <strong>filmi</strong> “gamomZiebeli” 2008 wels dajildovda<br />

ungruli kinos 39-e kvireulis 4 priziT – sauke-<br />

Teso Janruli <strong>filmi</strong>sTvis, saukeTeso msaxiobisTvis,<br />

saukeTeso scenarisTvis da saukeTeso montaJisTvis.<br />

Born in 1978 in Budapest, Hungary. Attila Gigor, sometimes<br />

credited as Attila Galambos, studied acting at various<br />

Hungarian drama schools. In 2000 he enrolled at the Hungarian<br />

Academy of Film and Drama, where he was a student<br />

of director Sándor Simó and, after the latter’s death,<br />

of Ferenc Grunwalsky. His fi rst feature, The Investigator / A<br />

nyomozó, was awarded Best Genre Film, Best Actor, Best<br />

Screenplay and Best Editor prizes of the 39th Hungarian<br />

Film Week in 2008.<br />

World Sales:<br />

TrustNordisk<br />

Filmbyen12 2650 Hvidovre, Denmark<br />

tel.: +45 36 868 788<br />

fax: +45 36 774 448<br />

info@trustnordisk.com


114 wT, 35 mm, feradi<br />

114 min, 35 mm, colour<br />

RUSALKA / РУСАЛКА<br />

qalTevza ruseTi 2007<br />

warmosaxviTi ambavi sakuTar TavSi Caketil gogoze, romelic<br />

izrdeba rwmeniT, rom flobs survilebis asrulebis unars. ukve<br />

axalgazrda qali iZulebulia realobas dauqvemdebaros es rwmena,<br />

rodesac is moskovSi Cadis da siyvaruls, Tanamedroveobasa<br />

da materializms ejaxeba.<br />

reJisori: ana meliqiani<br />

scenari: ana meliqiani<br />

operatori: oleg kiriCenko<br />

monawileoben: maria Salaieva, evgeni ciganovi, maria sokova<br />

musika: igor vdovini<br />

mxatvari: uliana riabova<br />

kostiumebi: irina graJdankina<br />

xma: dimitri smirnovi<br />

prodiuseri: ruben diSdiSiani<br />

The Mermaid Russia 2007<br />

The fanciful tale of an introverted little girl who grows up believing<br />

she has the power to make wishes come true. She must reconcile<br />

this belief with reality when, as a young woman, she journeys<br />

to Moscow and grapples with love, modernity and materialism.<br />

Director: Anna Melikyan<br />

Screenplay: Anna Melikyan<br />

DOP: Oleg Kirichenko<br />

Cast: Mariya Shalayeva, Yevgeni<br />

Tsyganov, Mariya Sokova<br />

Music: Igor Vdovin<br />

Production design: Ulyana Ryabova<br />

Costumes: Irina Grashdankina<br />

Sound: Dimitriy Smirnov<br />

Producer: Ruben Dishdishyan<br />

Production Company:<br />

Central Partnership<br />

13, 12/1 Butikovsky lane<br />

119034 Moscow Russia<br />

Tel: +7(495)981-82-14<br />

Fax: +7(495)980-06-24<br />

http://www.centpart.com<br />

filmografia/Filmography<br />

2007 Rusalka / The Mermaid<br />

2004 Mars<br />

2002 Double Bass (short)<br />

2000 Poste restante (short)<br />

ana meliqiani<br />

daibada baqoSi, gaizarda erevanSi da cxovrobs moskovSi.<br />

2002 wels daasrula ruseTis kinematografiis saxelmwifo<br />

institutis sareJisoro faluktetze swavla. 1995-<br />

1997 wlebSi muSaobda telereJisorad, iyo reJisoris<br />

asistenti evgeni ginsbergis saaxalwlo gadacemasa da<br />

sxvadasxva musikalur satelevizio dadgmebze. 1998 wels<br />

moskovis saerTaSoriso kinofestivalis gaxsna-<strong>daxurvis</strong><br />

ceremonia dadga. 2001 wlidan aris ruseTis kinematografistTa<br />

kavSiris wevri. 2001 wels gamocdileba<br />

SeiZina germaniis sxvadasxva post-produqciis kompaniaSi<br />

(frankfurti, visbadeni).<br />

Anna Melikyan<br />

Born in Baku, grew up in Yerevan, lives in Moscow. In 2002<br />

she graduated from the directing faculty of the Russian<br />

State Cinematography Institute. In 1995–1997 she worked<br />

as a TV director, an assistant director to Yegeniy Ginsberg<br />

on New Year’s Lights and various musical shows for television.<br />

In 1998 she directed the opening and closing ceremonies<br />

for the Moscow International Film Festival. Since<br />

2001 she has been a member of the Russian Cinematographers’<br />

Union. In 2001 she gained experience in various<br />

post-production companies in Germany (Frankfurt, Wiesbaden).<br />

7 19


saerTaSoriso saerTaSoriso konkursi / International Competition<br />

100 wT, 35 mm, feradi<br />

100min, 35 mm, colour<br />

SHULTES / ШУЛЬТЕС<br />

Sultesi ruseTi 2008<br />

25 wlis lioSa Sultesi, yofili sportsmeni, avtokatastrofaSi<br />

moxvedris Semdeg jibis qurdi xdeba. es misTvis gare samyarosTan<br />

urTierTobis erTaderTi saSualebaa. lioSa ganmartoebiT cxovrobs<br />

avadmyof dedasTan erTad, qurdobs da drodadro umcros Zmas<br />

akiTxavs jarSi. misTvis ucxoa siyvaruli, megobroba da adamianuri<br />

siaxlove. is erTaderTxel gadaeyreba adamianur grZnobebs, rodesac<br />

xelSi axalgazrda qalis videogzavnili Cauvardeba, romelic<br />

wina dRes gaZarcva... sxva adamianis cxovrebasTan da gancdebTan<br />

Sexebas Sultesi daufiqrebel saqcielamde mihyavs.<br />

reJisori: bakur bakuraZe<br />

scenari: bakur bakuraZe<br />

operatori: nikolai vavilovi, marina gornostaeva<br />

monawileoben: gela WiTava, ruslan grebionkini,<br />

liubov firsova<br />

mxatvari: kiril Suvalovi<br />

montaJi: serik beisenovi<br />

xma: arseni troicki<br />

prodiuseri: sergei selianovi<br />

Shultes Russia 2008<br />

25-year-old Lesha Shultes, a former athlete that had received a serious<br />

injury in a car accident, becomes a pickpocket. This is his only way<br />

of communicating with the outside world. He lives a lonely life with his<br />

sickly mother, steals, and occasionally visits his younger brother in the<br />

army. Love, friendship, and affection have no place in Shultes’ life.<br />

His only encounter with human feelings occurs when he gets a video<br />

from a young woman he robbed earlier. This contact with a stranger’s<br />

life and feelings leads Shultes to rash decisions.<br />

Director: Bakur Bakuradze<br />

Screenplay: Bakur Bakuradze<br />

DOP: Nikolay Vavilov, Marina Gornostaeva<br />

Cast: Gela Chitava, Ruslan Grebenkin, Lubov Firsova<br />

Production design: Kirill Shuvalov<br />

Editing: Serik Beysenov<br />

Sound: Arseniy Troitskiy<br />

Producer: Sergey Selyanov<br />

7 20<br />

Production:<br />

CTB<br />

Kamenoostrovsky prospekt, 10<br />

197101 St. Petersburg, Russia<br />

kino@ctb.ru<br />

www.ctb.ru<br />

filmografia/Filmography<br />

2008 Shultes<br />

2008 The Age of Minfi n. 205 Years of Service<br />

to the Fatherland (doc.)<br />

2008 Road of Dreams (doc.)<br />

2007 Moscow (short)<br />

2005 The Diamond Way (doc.)<br />

2003 The Circular Motions of Vladimir<br />

Olegovich and Olga Egorova (short)<br />

2002 Vyacheslav Pilipenko (doc.)<br />

2002 The Age of Minfi n (doc.)<br />

2001 At the Cost of One’s Life (doc.)<br />

1998 Penniless (short)<br />

bakur bakuraZe<br />

daibada 1969 wels TbilisSi. 1986 wels, skolis damTavrebis<br />

Semdeg, swavla ganagrZo moskovis sagzao-saavtomobilo<br />

teqnikur universitetSi, romelic 1993 wels<br />

daamTavra. 1987-89 wlebSi msaxurobda sabWoTa armiis<br />

rigebSi. 1993-1998 wlebSi kinoreJisuras swavlobda<br />

moskovis kinematografiis institutSi marlen xucievis<br />

xelmZRvanelobiT. “Sultesi” misi pirveli srulmetra-<br />

Jiani mxatvruli <strong>filmi</strong>a.<br />

Bakur Bakuradze<br />

Born 16.03.1969 in Tbilisi. In 1986 he graduated from the<br />

school and entered the MADI (The Moscow State Automobile<br />

& Road Technical University), which he graduated<br />

from in 1993. From 1987 to 1989 he served in Soviet Army. In<br />

1993 he entered VGIK, director’s faculty, under the leadership<br />

of master Marlen Hutsiev. He successfully graduated<br />

from VGIK in 1998. Shultes is his fi rst feature fi lm.<br />

World Sales:<br />

Intercinema<br />

Druzinnikovskaya, 15<br />

123242 Moscow, Russia<br />

Fax : +7 495 255 90 53<br />

post@intercin.ru<br />

www.intercinema.ru


106 wT, 35 mm, feradi<br />

106 min, 35 mm, colour<br />

SONBAHAR<br />

Semodgoma TurqeTi / germania 2008<br />

1990-ian wlebSi 22 wlis iusufs, romelic sxva studentebTan<br />

erTad TurqeTSi demokratiisTvis ibrZvis, apatimreben da 12<br />

wliT cixeSi svamen. 10 wlis Semdeg mas mZime avadmyofobis gamo<br />

vadamde aTavisufleben da iusufi mSobliur sofelSi brundeba.<br />

Sin mas mxolod moxucebuli da avadmyofi deda xvdeba _ sanam<br />

iusufi cixeSi ijda, misi mama gardaicvala, ufrosi da ki gaTxovda<br />

da qalaqSi gadavida sacxovreblad. sofelSi iusufis xnis<br />

aRaravin darCa, misi bavSvobis megobris, mixailis garda. erT<br />

dRes megobrebi mezobel qalaqSi midian da iusufi ekas xvdeba,<br />

msubuqi yofaqcevis axlagazrda qarTvel qals.<br />

reJisori: ozjan alperi<br />

scenari: ozjan alperi<br />

operatori: feza Caldirani<br />

monawileoben: onur sailaki, megi kobalaZe, raife ienguli,<br />

serkan keskini, nino leJava<br />

musika: iuri riadCenko, aisenur kolivari<br />

mxatvari: janan Caiiri<br />

kostiumebi: iasemin taskini<br />

montaJi: Tomas balkenholi<br />

xma: mohamed moxtari<br />

prodiuseri: feizula serkan ajari<br />

Autumn Turkey / Germany 2008<br />

Yusuf, when he was a student in Instanbul in the 1990s, was sent to<br />

prison for political activism in the fi ght for democracy. Ten years<br />

later he is released on the grounds of ill health. He returns to his village<br />

in the eastern Black Sea region, where he’s welcomed only<br />

by his sick and elderly mother. It turns out that his father died while<br />

he was in jail and his older sister got married and moved away to<br />

the city. Apart from his childhood friend Mikhail, Yusuf is the only<br />

young man in the village. One evening the two friends go to the<br />

nearest town and meet in a bar a Georgian prostitute, Eka, with<br />

whom Yusuf falls in love.<br />

Director: Özcan Alper<br />

Screenplay: Özcan Alper<br />

DOP: Feza Çaldiran<br />

Cast: Onur Saylak, Megi Kobaladze,<br />

Raife Yenigul, Serkan Keskin,<br />

Nino Lejava<br />

Music: Yuri Ryadchenko,<br />

Aysenur Kolivar<br />

Production design: Canan Çayir<br />

Costumes: Yasemin Taskin<br />

Editing: Thomas Balkenhol<br />

Sound: Mohammed Mokhtary<br />

Producer: Feyzullah Serkan Acar<br />

Özcan Alper<br />

Production:<br />

Kuzey Film Production<br />

Gazeteci Erol Dernek Sokak no:6 Kat 3<br />

Beyoglu<br />

34433 Istanbul, Turkey<br />

tel: +90 212 252 36 05<br />

fax: +90 212 252 36 06<br />

email: fsacar@kuzeyfi lm.com<br />

www: http://www.sonbaharfi lm.com<br />

filmografia/Filmography<br />

2008 Autumn<br />

2005 Rhapsody and Melancholy in<br />

Tokai City (doc.)<br />

2002 Voyage in Time with a Scientist (doc.)<br />

2001 Grandmother (short)<br />

ozjan alperi<br />

daibada 1975 wels arTvinSi, TurqeTi. stambolis universitetSi<br />

swavlobda fizikas da istorias, 1999 wlidan<br />

muSaobda mxatvrul da satelevizio filmebze meore<br />

reJisorad da warmoebis menejerad, paralelurad werda<br />

kinoJurnalisTvis Yeni Films. 2001 wels gadaiRo pirveli<br />

moklemetraJiani <strong>filmi</strong> “bebia”, romelic mravali priziT<br />

aRiniSna. am warmatebam saSualeba misca reJisors,<br />

dafinanseba moepovebina Tavisi pirveli srulmetraJiani<br />

<strong>filmi</strong>sTvis “Semodgoma”.<br />

Born in 1975 in Artvin, Turkey, Özcan Alper studied physics<br />

and history at Istanbul University before starting work<br />

in 1999 as an assistant director and production manager<br />

on several feature and TV fi lms. During this time he also<br />

wrote for the fi lm magazine Yeni Films. In 2001 he made<br />

his fi rst short, Grandmother. This fi rst work won him several<br />

awards, which enabled him to fi nd funding for his fi rst feature<br />

fi lm, Sonbahar (Autumn).<br />

Co-production:<br />

Filmfabrik Spiel-und Dokumentarfi lmproduktion<br />

Severinskirchplatz 4<br />

50678 Kln, Germany<br />

tel: +49 221 93 476 70<br />

fax: +49 221 93 476 71<br />

email: info@fi lmfabrik.net<br />

7<br />

www: http://www.fi lmfabrik.net 21


saerTaSoriso saerTaSoriso konkursi / International Competition<br />

71 wT, 35 mm, feradi<br />

71 min, 35 mm, colour<br />

SRODA, CZWARTEK RANO<br />

oTxSabaTi, xuTSabaTis dila poloneTi 2008<br />

varSava, 1 agvisto – nacistebis winaaRmdeg varSavis ajanyebis wlisTavi.<br />

ori martosuli axalgazrda bednierebas eZebs, iqneb siyvarulsac...<br />

reJisori: gJegoJ paceki<br />

scenari: gJegoJ paceki<br />

operatori: bogumiv godfreiovi<br />

monawileoben: ioana kuligi, pavel tomaSevski,<br />

iadviga iankovska-ceslaki<br />

Wednesday, Thursday Morning Poland 2008<br />

Warsaw, the 1st of August - the anniversary of the Warsaw Uprising<br />

against the Nazis. Two lonely young people trying to fi nd happiness,<br />

maybe even love...<br />

Director: Grzegorz Pacek<br />

Screenplay: Grzegorz Pacek<br />

DOP: Bogumił Godfrejów<br />

Cast: Joanna Kulig, Pawel Tomaszewski,<br />

Jadwiga Jankowska-Cieslak<br />

7 22<br />

World Sales:<br />

Bartek Fukiet<br />

Fundacja Promocji Kina FILM POLSKI<br />

Krakowskie Przedmiescie 21/23<br />

00-071 Warszawa<br />

tel./fax: +48 22 828 11 32<br />

fi lmpolski@fi lmpolski.com.pl<br />

filmografia/Filmography<br />

2008 Sroda, czwartek rano / Wednesday,<br />

Thursday Morning<br />

documentaries<br />

2005 Idź do Luizy / Go to Luiza<br />

2003 Planeta śmieci / The planet of Trash<br />

2002 Ulica Wapienna / Wapienna Street<br />

2000 Jestem zły / Such is My Karma<br />

2000 Mongolski ślad / Mongolian Trace<br />

1997 List z argentyny / A Letter from Argentina<br />

1996 Podatek od marzeń / Dream Tax<br />

1994 Serbowie to dobrzy ludzie / The Serbs are<br />

Good People<br />

gJegoJ paceki<br />

daibada 1965 wels pulaviSi, poloneTi. swavlobda garemos<br />

modelirebas varSavis teqnologiis institutSi.<br />

1996 wels daamTavra loZis erovnuli kinoskola reJisoris<br />

specialobiT. mis dokumentur filmebs polonuri<br />

da saerTaSoriso kinofestivalebis araerTi prizi aqvs<br />

mopovebuli. misi pirveli mxatvruli srulmetraJiani<br />

<strong>filmi</strong> “oTxSabaTi, xuTSabaTis dila” gran-priT aRiniSna<br />

2008 wels koSalinis sadebiuto filmebis festivalze<br />

“axalgazrdoba da kino”.<br />

Grzegorz Pacek<br />

Born in 1965 in Pulawy, Poland. Studied Environmental<br />

Engineering at the Warsaw Institute of Technology. In<br />

1996, he graduated from the Directing Department of<br />

the National Film School in Lodz. Director of documentaries<br />

awarded at Polish and international fi lm festivals.<br />

“Wednesday, Thursday Morning” is his feature fi lm debut,<br />

awarded Grand Prix - “Great Amber” at Debut Film Festival<br />

“Youth and Film” in Koszalin (2008)..


113 wT, 35 mm, feradi<br />

113 min, 35 mm, colour<br />

VERSAILLES<br />

versali safrangeTi 2008<br />

parizi dRes. axalgazrda deda bavSvTan erTad quCaSi cxovrobs.<br />

nina umuSevaria da aravin hyavs. enco 5 wlisaa. erT dRes deda-<br />

Svils xetiali versalSi miiyvans. sasaxlis axlos, tyeSi, patara<br />

qoxSi ganmartoebiT cxovrobs damiani. nina Rames masTan atarebs.<br />

diliT adre nina bavSvs tovebs da qreba. gaRviZebisas damians<br />

mxolod bavSvi xvdeba. gadis dReebi da Tveebi, kaci da bavSvi<br />

nelnela uaxlovdebian erTmaneTs. rac ufro uWirT, miT ufro<br />

myardeba maTi kavSiri. magram erT dRes maT qoxi unda datovon ...<br />

reJisori: pier Soeleri<br />

scenari: pier Soeleri<br />

operatori: Julien hirSi<br />

monawileoben: giom depardie, maqs beset de malglaivi,<br />

iudiT Semla, or atika, patrik deskani, mateo jovaneti<br />

musika: filip Soeleri<br />

mxatvari: brijit brasari<br />

kostiumebi: mari sezari<br />

montaJi: maTild muiari<br />

xma: iv-mari omne, fransua mero, stefan tibo<br />

prodiuseri: Jeraldin miSelo<br />

Versailles France 2008<br />

Paris, today. A child and his young mother sleep on the streets.<br />

Nina is unemployed with no ties. Enzo is 5. Their drifting leads them<br />

to Versailles. In the woods near the palace, a man lives in a hut,<br />

cut off from everything. Damien. Nina spends a night with him.<br />

Early the next morning, Nina leaves the child and vanishes. When<br />

he wakes, Damien fi nds Enzo alone. As the days and seasons<br />

pass, the man and the child get acquainted, start to get along<br />

and grow fond of each other. Their bond will be as strong as their<br />

destitution. However, they will have to leave the hut one day…<br />

Director: Pierre Schoeller<br />

Screenplay: Pierre Schoeller<br />

Director of Photography: JulienHirsch<br />

Cast: Guillaume Depardieu,<br />

Max Baissette de Malglaive, Judith<br />

Chemla, Aure Atika, Patrick Descamps,<br />

Matteo Giovannetti<br />

Music: Philippe Schoeller<br />

Production design: Brigitte Brassart<br />

Costumes: Marie Cesari<br />

Editing: Mathilde Muyard<br />

Sound: Yves-Marie Omnès,<br />

François Mereu, Stéphane Thiébaut<br />

Producer: Géraldine Michelot<br />

Production:<br />

Les fi lms Pelléas<br />

filmografia /Filmography<br />

2008 Versailles<br />

2002 Zéro défaut / Zero Defect (TV drama)<br />

1996 Deux amis (short)<br />

pier Soeleri<br />

daibada 1961 wels. swavlobda lui liumieris kinoskolaSi<br />

parizSi. muSaobda scenaristad televiziasa da<br />

kinoSi, aris mravali mxatvruli <strong>filmi</strong>s, maT Soris erik<br />

zonkas, Jan-pier limozenis, bris kovenis, alen gomis da<br />

erik girados filmebis scenaris avtori da Tanaavtori.<br />

Semdeg TviTon daiwyo filmebis gadaReba. “versali”, misi<br />

pirveli srulmetraJiani mxatvruli <strong>filmi</strong>, wels kanis<br />

festivalze aCvenes seqciaSi “gansakuTrebuli xedva”.<br />

Pierre Schoeller<br />

Born in 1961. He studied at the L’école Louis Lumière<br />

in Paris. Having penned the screenplays for Erick Zonca’s<br />

The Dreamlife of Angels, Jean-Pierre Limosin’s<br />

Carmen, Brice Cauvin’s Hotel Harabati, Alain Gomis’<br />

L’Afrance and Eric Guirado’s Quand tu descendras<br />

du ciel, in 2002 Pierre Schoeller directed the TV drama<br />

Zéro Défaut. Versailles is his directorial feature debut.<br />

World Sales:<br />

Les Films du Losange<br />

22, avenue Pierre 1er de Serbie, 75116<br />

Paris, France<br />

Tel: +33 1 44 43 87 10, Fax: +33 1 49 52<br />

06 40<br />

d.elstner@fi lmsdulosange.fr 7<br />

www.fi lmsdulosange.fr<br />

23


is proud to support<br />

MADE IN GERMANY<br />

at the 9th Tbilisi<br />

International Film Festival<br />

www.german-films.de


damzadebulia germaniaSi<br />

Made In Germany


damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />

87 wT, 35 mm, feradi<br />

87 min, 35 mm, colour<br />

ABSURDISTAN<br />

absurdistani germania 2008<br />

sadRac aziasa da evropas Soris Cakargulia sofeli absurdistani.<br />

sofels didi xania ara aqvs sasmeli wyali, magram soflis<br />

kacebi TiTsac ar anZreven dazianebuli milis SesakeTeblad. da<br />

colebi gaficvas awyoben _ „ar iqneba wyali, ar iqneba seqsi!“.<br />

qalebsa da kacebs Soris gaCaRebuli omi dabrkolebas uqmnis<br />

axalgazrda wyvilis, aias da temelkos siyvaruls...<br />

reJisori: fait helmeri<br />

scenari: fait helmeri, gordan mihiki, zaza buaZe, ahmet golboli<br />

operatori: giorgi beriZe<br />

monawileoben: kristina malerova, maqs maufi, nino CxeiZe,<br />

vlasta velisavlieviCi, hendrik arnsti, olga nefiodova<br />

musika: Sigeru umebaiaSi<br />

mxatvrebi: ervin pribi, vaJa jalaRania<br />

kostiumebis mxatvrebi: mehriban efendieva, serap bahadiri<br />

montaJi: vinsent asmani<br />

xma: martin friumorgeni, imo triumpelmani<br />

prodiuserebi: linda kornemani, fait helmeri<br />

Absurdistan Germany 2008<br />

An allegorical comedy centered on two childhood sweethearts<br />

who seem destined for one another until the women of their isolated<br />

village, angered by male indifference toward the water<br />

shortage, go on a sex strike that threatens the young couple’s<br />

fi rst night of love.<br />

Director: Veit Helmer<br />

Screenplay: Veit Helmer, Gordan Mihic,<br />

Zaza Buadze, Ahmet Golbol<br />

DOP: Giorgi Beridze<br />

Cast: Kristýna Maléřová, Max Mauff,<br />

Nino Chkeidze, Vlasta Velisavljevic,<br />

Hendrik Arnst, Olga Nefjodova<br />

Music: Shigeru Umebayashi<br />

Production design: Erwin Prib,<br />

Vaja Djalaghania<br />

Costumes: Mehriban Efendiyeva,<br />

Serap Bahadir<br />

Editing: Vincent Assmann<br />

Sound: Martin Frühmorgen, Immo<br />

Trümpelmann<br />

Producers: Linda Kornemann, Veit Helmer<br />

7 26<br />

Veit Helmer<br />

Production:<br />

Veit Helmer Filmproduktion (Berlin)<br />

in co-production with:<br />

Südwestrundfunk (SWR) (Stuttgart /<br />

Baden-Baden)<br />

Bayerischer Rundfunk (BR) (München)<br />

Arte Deutschland TV GmbH (Baden-<br />

Baden)<br />

filmografia/Filmography<br />

2008 Absurdistan<br />

2005 Behind the Couch - Casting in<br />

Hollywood<br />

Caspian Bride (short)<br />

2004 Hundeleben (short)<br />

2003 Tor zum Himmel<br />

2002 Uzbek Express! (short)<br />

2001 Hati-Hati, Malam-Malam! (short)<br />

1999 Tuvalu<br />

1996 Surprise! (short)<br />

1993 Tour Eiffel (short)<br />

fait helmeri<br />

daibada 1968 wels hanoverSi. filmebis gadaReba 14 wlis<br />

asakSi daiwyo, Semdeg swavlobda miunxenis kinosa da<br />

televiziis umaRles skolaSi, sadac cnobili gaxda Tavisi<br />

moklemetraJiani filmebiT. mis pirvel srulmetra-<br />

Jian films „tuvalu“ didi warmateba xvda wilad, miwveuli<br />

iyo 62 kinofestivalze da 32 prizi miiRo. evropuli<br />

kinoakademiis wevri fait helmeri bevr qveyanaSi kiTxulobs<br />

kinoreJisuris kurss, maT Soris beiruTis, Tbilisis,<br />

jakartis, taSkentisa da bogotis kinoskolebSi.<br />

Born in 1968 in Hannover. It was at the age of 14 that he<br />

shot his fi rst fi lm, later beginning formal studies at the Munich<br />

Film School, where he became known for his short<br />

fi lms. His very fi rst feature-fi lm “Tuvalu” became a runaway<br />

success, being invited to 62 different fi lm festivals and was<br />

honored with an impressive array of 32 various awards.<br />

A member of the European Film Academy, Veit Helmer<br />

gives lectures on fi lmmaking throughout the world, including<br />

fi lm schools in Beirut, Tbilisi, Djakarta, Tashkent and Bogota.


85 wT, 35 mm, feradi<br />

85 min, 35 mm, colour<br />

alternatiuli samxedro samsaxuri axalgazrduli Sexvedrebis<br />

centrSi poloneTSi? svenis ganacxadSi es varianti namdvilad<br />

ar iyo siis pirvel nomrebs Soris miTiTebuli, magram es misTvis<br />

darCenili erTaderTi Tavisufali adgili aRmoCnda. osvencimSi,<br />

romelic msofliom germanuli saxeliT, auSviciT gaicno,<br />

svenis movaleobas sakoncentracio banakis yofili tyvis, jiuti<br />

martoxela kacis, batoni kJeminskis movla Seadgens. rodesac<br />

sveni axalgazrda polonel qals, anias uaxlovdeba, romelic<br />

osvencimis muzeumSi Tarjimnad muSaobs, misi warmodgena patara<br />

qalaqis cxovrebaze icvleba.<br />

Alternative service at a youth meeting centre in Poland? This wasn’t<br />

exactly at the top of Sven’s list – but it was the only place he could<br />

get. In Oswiecim, a town that achieved grievous notoriety under its<br />

German name Auschwitz, Sven is supposed to look after the singular<br />

old concentration camp survivor Krzeminski. When Sven meets<br />

the Polish interpreter Ania from the museum and falls in love with<br />

her, he gets to experience a life beyond the youth meeting centre.<br />

filmografia/Filmography<br />

AM ENDE KOMMEN TOURISTEN<br />

bolos ki mxolod turistebi modian germania 2007<br />

reJisori: robert Talhaimi<br />

scenari: robert Talhaimi<br />

operatori: iolisva gertigi<br />

monawileoben: aleqsander felingi, riSard ronCevski, barbara<br />

visocka, piotr rogucki, rainer zelini, lena Stolce<br />

musika: anton k. faisti, uve bosenci<br />

mxatvrebi: mixal galinski, rita-maria halekampi<br />

kostiumebi: eva krauce<br />

montaJi: Stefan kobe<br />

xma: anton k. faisti, uve bosenci<br />

prodiuserebi: brita knoeleri, hans-kristian Smidi<br />

And along Come Tourists Germany 2007<br />

Director: Robert Thalheim<br />

Screenplay: Robert Thalheim<br />

DOP: Yoliswa Gärtig<br />

Cast: Alexander Fehling,<br />

Ryszard Ronczewski, Barbara Wysocka,<br />

Piotr Rogucki, Rainer Sellien, Lena Stolze<br />

Music: Anton K. Feist, Uwe Bossenz<br />

Production design: Michał Galinski,<br />

Rita-Maria Hallekamp<br />

Costumes: Ewa Krauze<br />

Editing: Stefan Kobe<br />

Sound: Anton K. Feist, Uwe Bossenz<br />

Producers: Britta Knöller,<br />

Hans-Christian Schmid<br />

Production:<br />

23/5 Filmproduktion GmbH<br />

Methfesselstr. 23<br />

D-10965 Berlin<br />

Tel.: +49 30 7676820<br />

Fax: +49 30 76768229<br />

www.235fi lm.de<br />

info@235fi lm.de<br />

2007 Am Ende kommen Touristen<br />

2004 Netto<br />

2002 Ich (short)<br />

Granica (short)<br />

2001 Three percent (short)<br />

Zeit ist Leben (short)<br />

1996 Um vier Uhr plötzlich ging die Welt<br />

unter … (TV-doc.)<br />

robert Talhaimi<br />

daibada 1974 wels berlinSi. 1996 wels auSvicSi gaiara alternatiuli<br />

samxedro samsaxuri, rac safuZvlad daedo mis<br />

ukanasknel films. 1998-99 wlebSi berlinis Tavisufali universitetis<br />

studenti iyo, 2000-2006 wlebSi reJisuras swavlobda<br />

potsdam-babelsbergis teliviziisa da kinos umaRles<br />

skola “konrad volfSi”. 1999 wlidan kulturis sakiTxebze<br />

gamoscems Jurnal Plotki-s, avtoria anjei vaidas Sesaxeb wignis<br />

(2000) da piesis Wild Boys, romelic TviTonve dadga. misi<br />

pirveli srulmetraJiani mxatvruli <strong>filmi</strong> “neto” berlinis<br />

kinofestivalis Jiuris priziT aRiniSna, xolo <strong>filmi</strong>s “bolos<br />

ki mxolod turistebi modian” premiera kanis festivalze<br />

Sedga seqciaSi “gansakuTrebuli xedva”.<br />

Robert Thalheim<br />

Born in Berlin on 2.7.1974. 1996 alternative service in<br />

Auschwitz, which formed the basis for his current fi lm. Stud<br />

ied at the FU in Berlin 1998-1999 and at the HFF “Konrad<br />

Wolf” 2000-2006. Publisher (since 1999) of the cultural periodical<br />

“Plotki” and author of a book on Andrzej Wajda<br />

(2000). Wrote and directed the stage play “Wild Boys”.<br />

Jury prize in Berlin for NETTO, his feature fi lm debut. AND<br />

ALONG COME TOURISTS premiered in the Cannes section<br />

“Un Certain Regard”.<br />

World Sales:<br />

Bavaria Film International<br />

Bavariafi lmplatz 8<br />

D-82031 Geiselgasteig<br />

Tel.: +49 89 64993506<br />

Fax: +49 89 64993720<br />

www.bavaria-fi lm.de<br />

claudia.rudolph@bavaria-fi lm.de<br />

7 27


damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />

120 wT, 35 mm, feradi<br />

120 min, 35 mm, colour<br />

AUF DER ANDEREN SEITE<br />

meore mxares germania 2007<br />

daqvrivebuli ali sTxovs ieters, romelic prostituciiT irCens<br />

Tavs, masTan gadavides sacxovreblad. alis vaJi nejaTi ukmayofiloa<br />

mamis gadawyvetilebiT, Tumca misi ganwyoba icvleba,<br />

rodesac is igebs, rom ieteri prostituciiT naSovn fuls Tavis<br />

qaliSvils aitens ugzavnis TurqeTSi swavlis qiris gadasaxdelad.<br />

ieteris uecari gardacvalebis Semdeg nejaTi aitenis mosaZebnad<br />

TurqeTSi midis. amasobaSi aiteni, romelsac politikuri aqtivobisTvis<br />

Turquli policia devnis, TavSesafars germaniaSi eZebs da<br />

axalgazrda lotes umegobrdeba. rodesac germaniaSi aralegalurad<br />

myof aitens apatimreben da samSobloSi abruneben, megobris<br />

mosaZebnad lotec TurqeTSi midis.<br />

reJisori: fatih akini<br />

scenari: fatih akini<br />

operatori: rainer klausmani<br />

mxatvrebi: tamo kunci, zirma bredli<br />

kostiumebi: katrin aSendorfi<br />

musika: Santeli<br />

montaJi: endriu birdi<br />

xma: kai liude<br />

monawileoben: baki davraki, nursel koeze, hana Sigula,<br />

TunCel kurtizi, nurgiul ieSilCai, patricia ciolkovska,<br />

ielda reino<br />

prodiuserebi: andreas Tili, klaus meki, fatih akini<br />

The Edge of Heaven Germany / Turkey / Italy 2007<br />

Nejat seems disapproving about his widower father Ali’s choice of prostitute<br />

Yeter for a live-in girlfriend. But he grows fond of her when he discovers<br />

she sends money home to Turkey for her daughter’s university studies.<br />

Yeter’s sudden death distances father and son. Nejat travels to Istanbul<br />

to search for Yeter’s daughter Ayten. Political activist Ayten has fl ed the<br />

Turkish police and is already in Germany. She is befriended by a young<br />

woman, Lotte, who invites rebellious Ayten to stay in her home, a gesture<br />

not particularly pleasing to her conservative mother Susanne. When Ayten<br />

is arrested and her asylum plea is denied, she is deported and imprisoned<br />

in Turkey. Lotte travels to Turkey, where she gets caught up in the seemingly<br />

hopeless situation of freeing Ayten.<br />

Director: Fatih Akin<br />

Screenplay: Fatih Akin<br />

DOP: Rainer Klausmann<br />

Production design: Tamo Kunz, Sirma Bradley<br />

Costumes: Katrin Aschendorf<br />

Music: Shantel<br />

Editing: Andrew Bird<br />

Sound: Kai Lüde<br />

Cast: Baki Davrak, Nursel Köse, Hanna Schygulla,<br />

Tunçel Kurtiz, Nurgül Yeşilçay, Patrycia Ziołkowska,<br />

Yelda Reynaud<br />

Producers: Andreas Thiel, Klaus Maeck, Fatih Akin<br />

7 28<br />

fatih akini<br />

daibada hamburgSi Turqul ojaxSi 1973 wels. 1994 wlidan<br />

swavlobda vizualur komunikaciebs hamburgis xelovnebis<br />

umaRles skolaSi, 2000 wels daicva diplomi.<br />

misi namuSevrebi, dawyebuli pirvelive moklemetraJiani<br />

filmebidan, uamravi priziT aris aRniSnuli. maT Soris<br />

aris 2003 wlis berlinales “oqros daTvi” da germanuli<br />

da evropuli kinoakademiebis jildoebi <strong>filmi</strong>sTvis<br />

“Tavi urtyi kedels”. misi bolo <strong>filmi</strong>s “meore mxares”<br />

premiera kanis 2007 wlis festivalis konkursSi Sedga,<br />

sadac mas mieniWa prizi saukeTeso scenarisTvis da ekumenuri<br />

Jiuris prizi.<br />

Fatih Akin<br />

Born in Hamburg on 25.8.1973 to Turkish parents. He studied<br />

visual communications at the Hamburg Academy of<br />

Fine Arts (HfbK), graduating in 2000. From his earliest short<br />

fi lms his works have received numerous awards, including<br />

Best Film at the 2003 Berlinale as well as the German<br />

and European Film Prize for GEGEN DIE WAND. AUF DER<br />

ANDEREN SEITE premiered in the 2007 competition section<br />

in Cannes and was awarded Best Screen - play and the<br />

Prize of the Ecumenical Jury.<br />

Production:<br />

Corazón International GmbH & Co. KG<br />

Ditmar-Koel-Str. 26<br />

D-20459 Hamburg<br />

Tel.: +49 40 31182380<br />

Fax: +49 40 311823821<br />

www.corazon-int.de<br />

amt@corazon-int.de<br />

filmografia/Filmography<br />

2007 Auf der anderen Seite / The Edge of<br />

Heaven<br />

2005 Crossing the Bridge - The Sound of Istanbul<br />

(doc.)<br />

2004 Gegen Die Wand / Head-On<br />

2002 Solino / Solino<br />

2001 Wir haben vergessen (TV-doc.)<br />

2000 Im Juli / In July<br />

1998 Kurz und Schmerzlos / Short Sharp Shock<br />

1997 Getürkt / Weed (short)<br />

1995 Sensin - Du Bist Es / Sensin - You’re The<br />

One! (short)<br />

World Sales:<br />

The Match Factory<br />

Sudermanplatz 2<br />

D-50670 Köln<br />

Tel.: +49 221 292102-0<br />

Fax: +49 221 292102-10<br />

www.the-match-factory.com<br />

michael.weber@matchfactory.de


98 wT, 35 mm, feradi<br />

98 min, 35 mm, colour<br />

DIE FÄLSCHER<br />

gamyalbeblebi germania / avstria 2007<br />

berlini, 1936 weli: soroviCi gamyalbeblebis mefea. qurdebis,<br />

Jigoloebis da Tavqariani gogoebis samyaroSi, sadac is trialebs,<br />

cxovreba mxolod TamaSia. am TamaSisTvis saWiro fuls ki<br />

soroviCi TviTonve beWdavs. mere ki, erT dRes mas viRac gascems<br />

_ komisari hercogi apatimrebs soroviCs da mauthauzenis sakoncentracio<br />

banakSi gzavnis. aq ki saqme mxolod gadarCenazea.<br />

da roca 1944 wels zaqsenhauzenis banakSi gadayavT, soroviCi<br />

uaresis molodinSia, magram cxovreba mas bolo Sanss sTavazobs...<br />

reJisori: Stefan ruzovicki<br />

scenari: Stefan ruzovicki<br />

operatori: benediqt noienfelzi<br />

musika: marius rulandi<br />

monawileoben: karl markoviCi, august dili, devid Strizovi,<br />

martin brambaxi, fait Stiubneri, zebastian urzendovski, august<br />

cirneri, andreas Smidti<br />

mxatvari: izidor vimeri<br />

kostiumebi: nikol fiSnaleri<br />

montaJi: brita naleri<br />

xma: torsten hainemani<br />

prodiuserebi: nina bolmani, babete Sroederi,<br />

iozef aixholceri<br />

The Counterfeiters Germany / Austria 2007<br />

Berlin in 1936. Sorowitsch is the king of counterfeiters. Life’s no<br />

more thana game to him in his world of crooks, gigolos and loose<br />

women. And the cash he needs for his gambling – he simply prints<br />

himself. But then, oneday, someone blows the whistle on him; he<br />

is arrested by superintendent Herzog and sent to Mauthausen<br />

concentration camp. When he is moved to Sachsenhausen in<br />

1944, Sorowitsch fears the worst. But life has one last chance in<br />

store for him...<br />

.<br />

Director: Stefan Ruzowitzky<br />

Screenplay: Stefan Ruzowitzky<br />

DOP: Benedict Neuenfels<br />

Music: Marius Ruhland<br />

Cast: Karl Markovics, August Diehl, Devid<br />

Striesow, Martin Brambach, Veit Stübner,<br />

Sebastian Urzendowsky, August Zirner,<br />

Andreas Schmidt<br />

Production Design: Isidor Wimmer<br />

Costumes: Nicole Fischnaller<br />

Editing: Britta Nahler<br />

Sound: Torsten Heinemann<br />

Producers: Nina Bohlmann, Babette<br />

Schröder, Josef Aichholzer<br />

Production:<br />

23/5 Filmproduktion GmbH<br />

Methfesselstr. 23<br />

D-10965 Berlin<br />

Tel.: +49 30 7676820<br />

Fax: +49 30 76768229<br />

www.235fi lm.de<br />

info@235fi lm.de<br />

filmografia/Filmography<br />

2007 Die Fälscher<br />

2003 Anatomie 2<br />

2001 All the Queen’s Men<br />

2000 Anatomie<br />

1998 Der Siebtelbauer<br />

1996 Tempo<br />

Stefan ruzovicki<br />

daibada venaSi 1961 wels. swavlobda dramis xelovnebas da<br />

istorias. reJisorad muSaobda TeatrSi, radiosa da televiziaSi.<br />

gadaRebuli aqvs musikaluri videofilmebi, maT Soris<br />

jgufisTvis Scorpions. misi sareJisoro debiuti mxatvrul<br />

kinoSi 1996 wels Sedga <strong>filmi</strong>T Tempo. 2008 wels filmma<br />

“gamyalbeblebi” “oskari” moipova nominaciaSi „saukeTeso<br />

ucxoenovani <strong>filmi</strong>”.<br />

Stefan Ruzowitzky<br />

Born in Vienna on 25.12.1961. He studied drama and history<br />

and worked as a director for radio, theatre and television.<br />

He has also directed music videos for bands such as<br />

the Scorpions. He directed his fi st Foreign Language Film<br />

Oscar at the 80th Academy Awards in 2008.<br />

World Sales:<br />

Beta Cinema<br />

Gruenwalder Weg 28d<br />

82041 Oberhaching / Munich<br />

Germany<br />

Phone: +49 89 673469 - 80<br />

Fax: +49 89 673469 - 888<br />

beta@betacinema.com<br />

7 29


damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />

119 wT, 35 mm, feradi<br />

119 min, 35 mm, colour<br />

raineri warmatebuli teleprodiuseria, mas yvelaferi aqvs _<br />

didi Semosavali, savse cxovreba, magari manqana da kidev ufro<br />

magari megobari qali. 30 wels gadacilebuli raineri televarskvlavia,<br />

radgan umdablesi donis Souebis dadgmiT mudam umaRles<br />

reitingebs aRwevs. erT dRes mas sruli svliT mimavali<br />

manqaniT gangeb ejaxeba idumali axalgazrda qali pega. rodesac<br />

raineri sikvdils ebrZvis, is faseulobebis gadafasebas<br />

iwyebs ...<br />

reJisori: hans vaingartneri<br />

scenari: kaTarina heldi, hans vaingartneri<br />

operatori: kristine a. maieri<br />

monawileoben: moric blaibtroi, alza sofi gambardi, milan<br />

peSeli, zimone hanzelmani, gregor bloebi, franciska knupe<br />

musika: andreas vordaSke, adem ilhani<br />

mxatvari: udo krameri<br />

kostiumebi: Tomas olahi<br />

montaJi: andreas vordaSke<br />

xma: Stefan zoltau<br />

prodiuserebi: hans vaingartneri, antonin svoboda<br />

Successful TV producer Rainer has it all: big salary, high life, hot car,<br />

even hotter girlfriend. The 30-something go-getter has reached<br />

the top by creating TV shows appealing to the lowest level and<br />

getting the highest ratings. One day, the mysterious young woman<br />

Pegah deliberately drives full speed into Rainer’s car. On the<br />

verge of death, Rainer has a major change of heart ...<br />

Production:<br />

Kahuuna Films GmbH<br />

Kastanienallee 56<br />

D-10119 Berlin<br />

Tel.: +49 30 44033299-0<br />

Fax: +49 30 44033299-9<br />

www.kahuuna.de<br />

karsten@kahuuna.de<br />

filmografia/Filmography<br />

2007 Free Rainer – Dein Fernseher lügt<br />

2004 Die fetten Jahre sind vorbei<br />

2001 Das weisse Rauschen<br />

1999 Frank (short)<br />

1997 Split Brain (short)<br />

1995 Widerstand gegen die Staatsgewalt<br />

(doc.)<br />

1994 Der junge Mann auf dem blauen Sofa<br />

(short)<br />

1994 Der Dreifachstecker (short)<br />

1993 J-CAM (short)<br />

FREE RAINER – DEIN FERNSEHER LÜGT<br />

Tavisufali raineri – Seni televizori tyuis germania / avstria 2007<br />

Reclaim Your Brain Germany / Austria 2007<br />

Director: Hans Weingartner<br />

Screenplay: Katharina Held,<br />

Hans Weingartner<br />

DOP: Christine A. Maier<br />

Cast: Moritz Bleibtreu, Elsa Sophie Gambard,<br />

Milan Peschel, Simone Hanselmann,<br />

Gregor Bloéb, Franziska Knuppe<br />

Music: Andreas Wodraschke, Adem Ilhan<br />

Production design: Udo Kramer<br />

Costumes: Thomas Oláh<br />

Editing: Andreas Wodraschke<br />

Sound: Stefan Soltau<br />

Producers: Hans Weingartner,<br />

Antonin Svoboda<br />

7 30<br />

hans vaingartneri<br />

daibada 1970 wels feldkirxSi, avstria. 1990-97 wlebSi<br />

swavlobda fizikas, nevrologias da neiroqirurgias venasa<br />

da berlinSi. 1993-94 venaSi Seiswavla operatoris<br />

asistentis specialoba. 1997-2001 wlebSi swavlobda kiolnis<br />

mediaxelovnebis umaRles skolaSi. misma sadebiuto<br />

filmma „TeTri xmauri“ araerTi jildo moipova,<br />

maT Soris maqs ofiulsis prizi, germanel kinokritikosTa<br />

prizi saukeTeso debiutisTvis da axalgazrda kinematografistebisTvis<br />

dawesebuli prizi First Steps (2001).<br />

mravali priziT aRiniSna misi Semdegi <strong>filmi</strong>c „maZRari<br />

wlebi gavida“, romelic kanis kinofestivalis konkursSi<br />

monawileobda.<br />

Hans Weingartner<br />

Born on 2.11.1970 in Feldkirch/Austria. Studied Physics,<br />

Neurosciences and Neuro-surgery 1990-1997 in Vienna<br />

and Berlin. 1993/94 diploma as camera assistant in Vienna.<br />

1997-2001 postgraduate studies at the Academy of Media<br />

Arts (KHM) in Cologne. His debut fi lm THE WHITE SOUND<br />

won i.a. the Max Ophüls Prize, the Prize of the German<br />

Film Critics as Best Film and the First Steps Award 2001. THE<br />

EDUKATORS, which was shown in competition in Cannes,<br />

also received numerous awards.<br />

World Sales:<br />

The Match Factory<br />

Sudermanplatz 2<br />

D-50670 Köln<br />

Tel.: +49 221 292102-0<br />

Fax: +49 221 292102-10<br />

www.the-match-factory.com<br />

info@matchfactory.de


92 wT, VC Pro 50, feradi<br />

92 min, VC Pro 50, colour<br />

realistur-satiruli dokumenturi <strong>filmi</strong> viTarebis Sesaxeb,<br />

romelic <strong>filmi</strong>s Semqmnelebis azriT “tipiurad germanulia”: es<br />

aris „didi depresia“, romelic tyviasaviT mZimed awevs qveyanas.<br />

specifikurad germanuli ki amaSi is aris, rom germanelebi melanqoliurebi<br />

arian, ikvleven sakuTar mdgomareobas da kidev<br />

ufro umZafrdebaT melanqolia. kinoreJisori konstantin<br />

faigle, romelic TviTon qronikuli hipoqondrikia, cdilobs<br />

ironiiT Sexedos sakuTar Tanamoqalaqeebs, sakuTar qveyanas da<br />

sakuTar Tavs.<br />

Realistic-satirical documentary on as the authors of the fi lm believe<br />

a typical German situation. This is a great depression, which<br />

lies on the country like lead. What is specifi cally German in this<br />

situation is that Germans largely are melancholic. They ponder<br />

over their own situation and life and become more melancholic.<br />

A fi lmmaker Konstantin Faigle a hypochondriac himself tries to<br />

look at things and his country and fellow citizens with irony and<br />

mockery.<br />

filmografia/Filmography<br />

2005 Die große Depression - Made in<br />

Germany<br />

2001 Out of Edeka<br />

DIE GROSSE DEPRESSION - MADE IN GERMANY documentary<br />

didi depresia germania 2005 dokumenturi<br />

reJisori: konstantin faigle<br />

scenari: konstantin faigle<br />

operatori: haio Somerusi<br />

musika: andreas Silingi<br />

mxatvari: irina qurTiSvili<br />

kostiumebi: marpa Snaideri<br />

montaJi: dora vaida<br />

xma: nik volebeni<br />

prodiuserebi: titus kraienbergi, lukas Smidti<br />

Die große Depression - Germany 2005<br />

Made in Germany<br />

Director: Konstantin Faigle<br />

Screenplay: Konstantin Faigle<br />

DOP: Hajo Schomerus<br />

Music: Andreas Schilling<br />

Production design: Irina Kurtishvili<br />

Costumes: Marpa Schneider<br />

Editing: Dora Vajda<br />

Sound: Nic Wohlleben<br />

Producers: Titus Kreyenberg; Lucas<br />

Schmidt<br />

Production:<br />

Unafi lm (Köln)<br />

Probsteigasse 44-46<br />

D-50670 Köln<br />

Germany<br />

T +49 (0)221 3 480 280<br />

F +49 (0)221 3 480 281<br />

konstantin faigle<br />

daibada 1971 wels zulcSi, Svarcvaldi. 1998 wels StutgartSi<br />

mediainJinris diplomis miRebis Semdeg germanul<br />

telearxebze (WDR, ARTE, ZDF) muSaobda StatgareSe memontaJed,<br />

avtorad da reJisorad. 1999-2002 wlebSi kiolnis<br />

mediaxelovnebis umaRles skolaSi swavlobda<br />

sascenaro xelovnebas da reJisuras. 2001 wels misi<br />

pirveli srulmetraJiani dokumenturi <strong>filmi</strong> bavariis<br />

dokumenturi kinos priziT aRiniSna. faigle radiopiesebsac<br />

dgams, iRebs Tojinur animaciebs da musikalur<br />

videofilmebs.<br />

Konstantin Faigle<br />

Born in 1971 in Sulz / Schwarzwald. After receiving in 1998 a<br />

degree in media engineering in Stuttgart, he worked freelance<br />

as an editor, author and director for several German<br />

TV stations, including WDR, ARTE and ZDF. From 1999-2002,<br />

he studied as a post-graduate at the Media Academy in<br />

Cologne, majoring in screenwriting and directing. In 2001,<br />

his fi rst feature-length documentary “Out of Edeka” was<br />

awarded the Bavarian Documentary Award. In addition<br />

to this, Faigle also directed radio plays, short animated<br />

fi lms and music videos.<br />

in co-production with:<br />

Zweites Deutsches Fernsehen (ZDF)<br />

(Mainz)<br />

7 31


damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />

105 wT, 35 mm, feradi-S/T<br />

105 min, 35 mm, colour-b/w<br />

germaniis gaerTianebis Semdeg avstrieli diriJori otmar suitneri<br />

Tavis xangrZliv karieras asrulebs berlinis „StaatsoperSi“.<br />

parkinsonis sindromis gamo mas xelebi ukankalebs. diri-<br />

Jori, romelmac erT dros saqveynod gaiTqva saxeli bairoiTSi,<br />

sadiriJoro joxs veRar imorCilebs. musika qreba misi yoveldRiuri<br />

cxovrebidan. magram berlinis kedlis dangrevas raRac<br />

axali moaqvs: icvleba misi saojaxo cxovreba. aTwleulebis<br />

manZilze suitneris piradi cxovreba berlinis msgavsad orad<br />

iyo gayofili: qalaqis aRmosavleT nawilSi coli hyavda, xolo<br />

dasavleTSi – sayvareli qali da vaJi igori.<br />

Shortly after the Wall came down, the Austrian conductor Otmar<br />

Suitner ended his long-standing career at the State Opera in East<br />

Berlin. Parkinson syndrome was causing his hands to tremble. A<br />

conductor who had achieved world fame at Bayreuth could not<br />

control the baton. Music disappeared from his daily life. But the<br />

fall of the Wall brought something new: changes to his family life.<br />

For decades Suitner had two private lives, one with his wife in East<br />

Berlin, the other one with his mistress and their son, Igor, in the<br />

west of the divided city<br />

filmografia/Filmography<br />

2007 Nach der Musik.<br />

2001 Ausreißer (short)<br />

2000 Familie (short)<br />

1998 La Petite Mort (short)<br />

1997 Anthropophobia (short)<br />

1996 Insanity Increasing (experimental)<br />

NACH DER MUSIK documentary<br />

musikis Semdeg germania 2007 dokumenturi<br />

reJisori: igor haitcmani<br />

scenari: igor haitcmani<br />

operatorebi: rali ralCevi, hoite van hoitema<br />

montaJi: inge Snaideri<br />

xma: ula koesterke, ivone gerberi<br />

prodiuserebi: iens koerneri, oliver nimaieri, Tomas rideli<br />

A Father’s Music Germany 2007<br />

Director: Igor Heitzmann<br />

Screenplay: Igor Heitzmann<br />

DOP: Rali Raltchev, Hoyte van Hoytema<br />

Editing: Inge Schneider<br />

Sound: Ulla Kösterke, Ivonne Gärber<br />

Producers: Jens Körner, Oliver Niemeier,<br />

Thomas Riedel<br />

7 32<br />

igor haitcmani<br />

daibada 1971 wels rendsburgSi, germania. safortepiano<br />

klasis damTavrebis (1981) Semdeg erTi weli parizSi swavlobda<br />

kinos. 1992-93 wlebSi kinosa da Teatris istorias<br />

swavlobda berlinis Tavisufal universitetSi. 1993-95<br />

wlebSi muSaobda warmoebis da reJisoris asistentad,<br />

scenarebis mTargmnelad da Tanaavtorad Medias Res<br />

Berlin-is kinowarmoebaSi. 1995-2006 wlebSi berlinis kinosa<br />

da televiziis akademiaSi swavlobda kinoreJisuras.<br />

„musikis Semdeg“ misi sadiplomo namuSevaria – <strong>filmi</strong><br />

misi mamis, diriJor otmar suitneris Sesaxeb.<br />

Igor Heitzmann<br />

Production:<br />

Filmkombinat Nordost Gmbh & Co KG<br />

Franz-Mehring-Platz 1<br />

D-10243 Berlin<br />

Fon: +49 302 16 06 870<br />

Fax: +40.30.69 20 59 369<br />

info@fi lmkombinat.de<br />

www.fi lmkombinat.de<br />

Born in 1971 in Rendsbourg, Germany. After graduating<br />

from piano classes in 1981 he studied cinema in Paris. In<br />

1992-1993 he studied theatre and cinema history at the<br />

Free University in Berlin. In 1993-1995 he worked for the<br />

Medias Res Berlin production company as an assistant<br />

director and translated and coauthored screenplays. In<br />

1995-2006 he studied fi lmmaking at the German Film and<br />

Television Academy in Berlin. „A Father’s Music“ is his diploma<br />

work about his father, a conductor Otmar Suitner.<br />

in co-production with<br />

ZDF


92 wT, DH, feradi<br />

92 min, DH, colour<br />

<strong>filmi</strong>s gmirebi _ klara, mina da tanuCa _ berlinis kroicbergis<br />

raionSi cxovroben. 15 wlis gogonebi erTmaneTs sabavSvo<br />

baRidan icnoben da maT bevri aqvT saerTo. saukeTeso megobrebi<br />

zafxuls princenbadSi (sityvasityviT „princebis auzi“)<br />

atareben, TavianTi kvartlis Ria sacurao kompleqsSi. es maTi<br />

„princesebis auzia“. gogonebi Tavs „zrdasrulebad“ Tvlian da<br />

fiqroben, rom bavSvoba karga xnis win moitoves ukan.<br />

A fi lm about three teenagers – Klara, Mina and Tanutscha – from<br />

the Berlindistrict of Kreuzberg. The trio have known each other<br />

since Kindergartenand have plenty in common. The three 15year-olds<br />

are the best of friends; they are spending the summer<br />

at Prinzenbad, a large open-air swimming pool at the heart of the<br />

district where they live. They’re feeling pretty grown up, and are<br />

convinced they’ve now left their childhood behind.<br />

filmografia/Filmography<br />

2007 Prinzessinnenbad (doc.)<br />

2005 La vida dulce (doc.)<br />

2004 Die Kette (short)<br />

PRINZESSINNENBAD documentary<br />

princesebis auzi germania 2007 dokumenturi<br />

reJisori: betina bliumneri<br />

scenari: betina bliumneri<br />

operatori: maTias Soeningi<br />

montaJi: inge Snaideri<br />

xma: kristian lutci<br />

prodiuserebi: peter Svartckopfi, katia zigeli<br />

Pool of Princesses Germany 2007<br />

Director: Bettina Blümner<br />

Screenplay: Bettina Blümner<br />

DOP: Mathias Schöningh<br />

Editing: Inge Schneider<br />

Sound: Christian Lutz<br />

Producers: Peter Schwartzkopff, Katja<br />

Siegel<br />

Production:<br />

Reverse Angle Factory GmbH<br />

Monbijouplatz 2<br />

D-10178 Berlin<br />

Tel.: 030-880 48 60<br />

Fax: 030-88 04 86 11<br />

bmaack@reserve-angle.com<br />

betina bliumneri<br />

daibada 1975 wels diuseldorfSi. 1998-99 wlebSi swavlobda<br />

mediakulturas da dizains vaimaris bauhauzis<br />

universitetSi, 1999-2004 wlebSi swavla ganagrZo badenviurtembergis<br />

kinoakademiaSi, romelic daasrula sadiplomo<br />

<strong>filmi</strong>T Die Kette („jaWvi“). 2004 wels swavlobda<br />

kubis televiziisa da kinos akademiaSi. misi m/m dokumenturi<br />

<strong>filmi</strong> La vida dulce („tkbili cxovreba“) germanuli<br />

kinos Semfasebelma komisiam aRniSna rogorc „gansakuTrebiT<br />

Rirebuli“. „princesebis auzi“ misi pirveli<br />

srulmetraJiani <strong>filmi</strong>a.<br />

Bettina Blümner<br />

Born in Düsseldorf in 1975, she studied media and design<br />

at Bauhaus University in Weimar from 1998-99. From 1999-<br />

2004 she studied at the Baden-Württemberg Film Academy,<br />

where DIE KETTE was her graduation fi lm. After attending<br />

the fi lm school Escuela International de Cine y TV<br />

in Cuba in 2004, her 2005 short fi lm, LA VIDA DULCE was<br />

“highly recommended” by the German fi lm review board<br />

Filmbewer tungs stelle. PRINZESSINNENBAD is her fi rst feature-length<br />

fi lm.<br />

World Sales:<br />

Reverse Angle Factory GmbH<br />

Monbijouplatz 2<br />

D-10178 Berlin<br />

Tel.: 030-880 48 60<br />

Fax: 030-88 04 86 11<br />

bmaack@reserve-angle.com 7 33


Tanacxovreba<br />

Living Together<br />

franguli Temebi


French Topics


Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />

85 wT, 35 mm, feradi<br />

85 min, 35 mm, colour<br />

OUBLIER CHEYENNE<br />

Seienis daviwyeba safrangeTi 2006<br />

Seieni axalgazrda Jurnalisti qalia, romelic gadawyvets datovos<br />

parizi da sofelSi ganmartovdes. Seieni miatovebs qals,<br />

romelic uyvars. sonia fizikas da qimias aswavlis parizul skolaSi,<br />

is yvela Rones xmarobs, rom Seieni daiviwyos. Tumca es<br />

arc ise martivia. rogor SevaTavsoT is, rac gvinda da is, rac<br />

SegviZlia? rasac vfiqrobT da rasac vakeTebT? is, vinc gviyvars<br />

da is, vizec uars vambobT?<br />

«Seienis daviwyeba» Tanamedrove igavia daucvelobaze, cvlilebebis<br />

survilze, siyvarulis Zalaze.<br />

reJisori: valeri mineto<br />

scenari: valeri mineto, sesil fargaftigi<br />

operatori: stefan masisi<br />

monawileoben: mila dekeri, orelia peti, malik zidi,<br />

liuk leklerk diu sabloni, kristin dori<br />

musika: kristof Sevalie<br />

montaJi: Tina bazi<br />

prodiuseri: dominik krevekeri<br />

Looking for Cheyenne France 2006<br />

Cheyenne ia a young journalist. She decided to leave Paris for<br />

a secluded life in a village. She left a woman she loves. Sonia is<br />

a teacher of physics and maths at the Paris school. She is trying<br />

with all her might to forget Cheyenne. But it turns out not to be<br />

that easy. How do we bring together what we want with what we<br />

can and what we think with what we do; a person we love with<br />

a person we reject ?<br />

« Looking for Cheyenne » is a fable on vulnerability, desire for<br />

changes and force of love.<br />

Director: Valérie Minetto<br />

Screenplay: Valérie Minetto, Cécile Vargaftig<br />

DOP: Stephan Massis<br />

Cast: Mila Dekker, Aurélia Petit, Malik Zidi,<br />

Luc Leclerc du Sablon, Christine Dory<br />

Music: Christophe Chevalier<br />

Editing: Tina Baz<br />

Producer: Dominique Crèvecoeur<br />

7 36<br />

Production / World Sales:<br />

Bandonéon<br />

3, rue Lacuée<br />

75012 Paris, France<br />

phone : +33 1.43.67.82.26<br />

fax : +33 1.40.19.99.46<br />

bandoneon@wanadoo.fr<br />

filmografia/Filmography<br />

2005 Oublier Cheyenne<br />

2000 Adolescents<br />

valeri mineto<br />

valeri mineto aris nicis dekoratiuli xelovnebis<br />

skolis (Villa Arson) da La Fémis-is diplomanti. gadaRebuli<br />

aqvs ori dokumenturi <strong>filmi</strong> axalgazrda Tanamedrove<br />

mocekvaveebze moskovSi (Beau Geste à Moscou da<br />

Moscou entre Ciel et Terre), erTi moklemetraJiani (Tête<br />

d’Ange) da erTi saSualometraJiani mxatvruli <strong>filmi</strong><br />

Adolescents (1998). “Seienis daviwyeba” misi pirveli<br />

srulmetraJiani mxatvruli <strong>filmi</strong>a.<br />

Valérie Minetto<br />

Valerie Minetto is a student of Nice Decorative Art School<br />

(Villa Arson) and Femis. He has shot two documentaries<br />

on young modern dancers in Moscow (« Beau Geste à<br />

Moscou » and « Moscou entre Ciel et Terre »), one short<br />

fi lm («Tête d’Ange ») and a middle-lenght « Adolescents »<br />

(1998). Looking for Cheyenne is his fi rst full-lenght fi lm.


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www.wella.com<br />

7 37


Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />

105 wT, 35 mm, feradi<br />

105 min, 35 mm, colour<br />

QUAND TU DESCENDRAS DU CIEL<br />

rodesac cidan daeSvebi safrangeTi 2003<br />

sofeli noembris miwuruls. Jeroms uWirs ojaxis Senaxva, amitom<br />

tovebs dedas da sofels da qalaqSi miemgzavreba samuSaos<br />

mosaZebnad. is meriis teqnikur samsaxurSi moewyoba: ormociode<br />

wlis meriis TanamSromels lusiens exmareba saaxalwlo<br />

ganaTebis dakidebaSi. magram male meria maTxovrobis sawinaaRmdego<br />

kampanias iwyebs da Jeromi aRmoaCens, rom usaxlkaro<br />

Sinioli, romelsac is dauaxlovda, am programaSi moxvda.<br />

reJisori: erik girado<br />

scenari: erik girado, pier Soeleri, miSel fesleri<br />

operatori: tieri godfrua<br />

monawileoben: benua Jiro, serJ riabukini, Jan-fransua galoti,<br />

liudmila ruso<br />

musika: silven fraiermuTi, filip puarie<br />

kostiumebi: an-gaiol davali<br />

montaJi: kristian kuieroni, ludo troSi<br />

xma: filip muise<br />

prodiuserebi: Jan-fabris barno, kristof di sabatino,<br />

viktorian vanei<br />

When You Come Down to Earth France 2003<br />

A scene of a village in the end of November. Jerome fi nds it<br />

diffi cult to support his family and decides to leave for a city<br />

to earn for living. He fi nds a job at the city municapility. He assists<br />

his 40 year old co-worker Lucien in hanging the New Year<br />

colour lights. But soon after the municipality starts anti-begging<br />

campaign and Jerome discovers that a homeless Shinioll with<br />

whom he had made friends happens to be in the programe.<br />

Director: Eric Guirado<br />

Screenplay: Eric Guirado, Pierre Schöller, Michel Fessler<br />

DOP: Thierry Godefroy<br />

Cast: Benoît Giros, Serge Riaboukine, Jean-François Gallotte,<br />

Ludmila Ruoso<br />

Music: Sylvain Freyermuth, Philippe Poirier<br />

Costumes: Anne-Gaëlle Daval<br />

Editing: Christian Cuilleron, Ludo Troch<br />

Sound: Philippe Mouisset<br />

Producers: Jean-Fabrice Barnault,<br />

Christophe di Sabatino, Victorien Vaney<br />

7 38<br />

Production / World Sales:<br />

Harpo Films<br />

8, rue Étienne Marcel<br />

Paris 75002, France<br />

phone : +33 1.40.13.00.22<br />

victorien2@noos.fr<br />

erik girado<br />

Eric Guirado<br />

filmografia/Filmography<br />

2003 Quand tu descendras du ciel<br />

2000 Je suis un super héro (short)<br />

1999 Un petit air de fête (short)<br />

1997 Les beaux jours (short)<br />

1994 Lonelytude ou une légère éclaircie<br />

(short)<br />

daibada 1968 wels. Tavdapirvelad Jurnalistad muSaobda,<br />

akeTebda portretebs da dokumentur filmebs France<br />

3-is regionul televiziebSi. rogorc reJisorma yuradReba<br />

miiqcia moklemetraJiani <strong>filmi</strong>T Un petit air de fête ,<br />

romelic 1999 wels kanSi “reJisorTa orkvireulze“kodakis<br />

premiiT aRiniSna, xolo 2001 wels mieniWa safrange-<br />

Tis nacionaluri kinopremia “sezari”. “rodesac cidan<br />

daeSvebi” misi pirveli srulmetraJiani <strong>filmi</strong>a.<br />

Born in 1968. He started his career as a journalist and<br />

made portraits and documentaries on TV regional<br />

channels of France 3. He attracted attention with<br />

his short « Un petit air de fête » which picked Kodak<br />

award at the Cannes Directors Fotnight in 1999 and<br />

Cezar, national fi lm award of France in 2001. When<br />

You Come Down to Earth is his fi rst full-lenght fi lm.


Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />

75 wT, 35 mm, feradi<br />

75 min, 35 mm, colour<br />

SAMIA<br />

samia safrangeTi 2000<br />

15 wlis samia marselis gareubanSi cxovrobs. is meeqvse bavSvia<br />

alJiruli warmoSobis rvaSvilian tradiciul ojaxSi. mas axr-<br />

Cobs religiuri morali da akrZalvebi, romelsac pativs scems,<br />

magram aRar iziarebs... iasini, umuSavari ufrosi Zma, ojaxuri<br />

da religiuri tradiciebis sadarajoze dgas, ufrosi da ameli<br />

ki ojaxs gaerideba da sxva kulturis warmomadgenel axalgazrda<br />

kacTan aqvs urTierToba. samia, romelic skolaSi warmatebas<br />

ver aRwevs, teqnikur klasSi gadayavT. is iZulebulia farulad<br />

gamoscados pirveli siyvaruli da midis WeSmarit aucileblobamde<br />

– aravis misces sakuTari cxovrebis warmarTvis ufleba.<br />

reJisori: filip fokoni<br />

scenari: filip fokoni, soraia nini<br />

operatori: Jak luazelo<br />

monawileoben: linda benahuda, mohamed Saban-SauSi,<br />

keira ualhasi, nadia el kutei, iamina amri<br />

mxatvari: fransuaz klaveli<br />

montaJi: filip fokoni<br />

xma: loran lafrani<br />

prodiuseri: umber balsani<br />

Samia France 2000<br />

A fi fteen year old female immigrant Samia lives in a suburb of the<br />

French city of Marseilles. She is the eighth child in the traditional<br />

Algerian multi-children family. She feels stifl ed with religious morale<br />

and prohibitions which although she respects but does not<br />

observe them any more. Yacine, her unemployed older brother<br />

struggles to uphold the rigid codes of the family and their culture<br />

; Amelie, her older sister runs away from home after falling in love<br />

with a young man of different culture. Samia is moved to a technical<br />

institution after failures in studying at school. She is forced to<br />

experience her fi rst love in secret and comes to a conclusion that<br />

you should not give any right to anyone to direct your life.<br />

Director: Philippe Faucon<br />

Screenplay: Philippe Faucon, Soraya Nini<br />

DOP: Jacques Loiseleux<br />

Cast: Lynda Benahouda, Mohamed<br />

Chabane-Chaouche, Kheira Oualhaci,<br />

Nadia El Koutei, Yamina Amri<br />

Production design: Françoise Clavel<br />

Editing: Philippe Faucon<br />

Sound: Laurent Lafran<br />

Producer: Humbert Balsan<br />

7<br />

40<br />

Production / World Sales:<br />

Pyramide International<br />

5, rue du Chevalier de Saint George<br />

75008 Paris<br />

phone: +33.1.42.96.02.20<br />

fax: +33.1.40.20.05.51<br />

pricher@pyramidefi lms.com<br />

filmografia/Filmography<br />

2008 D’amour et de révoltes (4 episodes)<br />

2007 Dans la vie<br />

2005 Trahison, La<br />

2002 Grégoire peut mieux faire (TV)<br />

2000 Samia<br />

1999 Étrangers, Les<br />

1996 Mes 17 ans (TV)<br />

1995 Muriel fait le désespoir de ses parents<br />

1993 Sabine<br />

1990 L’ Amour<br />

filip fokoni<br />

daibada 1958 wels marokoSi. kinoSi Tavdapirvelad<br />

teqnikur uzrunvelyofas axorcielebda. misi pirvelive<br />

srulmetraJiani mxatvruli <strong>filmi</strong> « siyvaruli » (1990),<br />

romelic gareubnis axalgazrda binadrebis cxovrebas<br />

exeba, kanSi dajildovda premiiT « franguli kinos perspeqtivebi<br />

». mis filmebs, rogorc « samias », xSirad avtobiografiuli<br />

ambebi udevs safuZvlad.<br />

Philippe Faucon<br />

Born in 1958 in Morocco. Initially he provided logistic support<br />

in Cinema. His fi rst feature fi lm describing lives of suburban<br />

young people, “L’ Amour ”, 1999 picked Perspectives<br />

du Cinéma Award at Cannes fi lm festival. His fi lms are<br />

often based on his autobiography, as it is in Samia’s case,<br />

which depicts a story of a young Algerian born immigrant<br />

striving for freedom in the suburbs of Marseilles.


90 wT, 35 mm, feradi<br />

90 min,35 mm, colour<br />

VOISINS, VOISINES<br />

mezoblebi safrangeTi 2005<br />

saxlSi saxelad ‘mocarti’ sxvadasxva warmoSobis ramdenime<br />

“axali macxovrebeli” binadrobs. axali konsierJi, cixidan axlaxans<br />

gamosuli espaneli pako am saxlSi modis da adgils da<br />

macxovreblebs ecnoba. mis garSemo, holSi da safosto yuTebis<br />

irgvliv “mocartis” binadarTa “baleti” iqmneba.<br />

“mezoblebi” jadosnuri zRaparia da amave dros safrangeTis<br />

dRevandelobis anarekli.<br />

reJisori: malik Sibani<br />

scenari: malik Sibani<br />

operatori: JorJ leSaptua<br />

monawileoben: frederik difenTali, anemoni, jeki bervoiri<br />

musika: Jan-pol botmani<br />

mxatvari: sedrik simono<br />

kostiumebi: miuriel legrani<br />

montaJi: kaTi Samorei, pier gupiioni<br />

xma: alen fea<br />

prodiuseri: nadia hasnaui<br />

The Neighbours France 2005<br />

A few new residents of different origins live in a house called Mozart.<br />

A new concierge who has just come out of prison comes to<br />

the house to look around and meet with the residents. The ballet<br />

of the Mozart residents is being created around him, in the hall<br />

and around the post boxes.<br />

Voisins, voisines - is a magic fairy tale and at the same time a<br />

refl ection of present day France.<br />

Director: Malik Chibane<br />

Screenplay: Malik Chibane<br />

DOP: Georges Lechaptois<br />

Cast: Frédéric Diefenthal, Anémone,<br />

Jackie Berroyer<br />

Music: Jean-Paul Bottemanne<br />

Production design: Cédric Simoneau<br />

Costumes: Muriel Legrand<br />

Editing: Cathy Chamorey,<br />

Pierre Goupillon<br />

Sound: Alain Féat<br />

Producer: Nadia Hasnaoui<br />

Production:<br />

Box Air Prod,<br />

33, rue Proudhon<br />

93210 La Plaine Saint-Denis, France<br />

phone: +33 1.49.17.62.53<br />

fax: +33 1.49.17.62.14<br />

boxairprod@club-internet.fr<br />

malik Sibani<br />

filmografia/Filmography<br />

2005 Voisins, voisines<br />

1997 Un Nes quelque part<br />

1995 Douce France<br />

1994 Hexagone<br />

daibada 1964 wels. kabiluri warmoSobis malik Sibani jer<br />

elektrikosad da gamnaTeblad muSaobs kinowarmoebaSi,<br />

Semdeg TviTon iwyebs filmebis gadawebas. Tavis pirvel<br />

srulmetraJian filmSi Hexagone, romelic socialur<br />

qronikas warmoadgens, Sibani xuT axalgazrda arabs<br />

warmogvidgens im gareubnidan, sadac TviTon gaizadra.<br />

1995 wels iRebs Douce France, amjerad profesiul pirobebSi,<br />

da ganagrZobs komediis JanrSi. ramdenadme SeumCneveli<br />

<strong>filmi</strong>s Un Nes quelque part - is (1997) Semdeg<br />

xangrZliv pauzas iRebs da 2005 wels brundeba <strong>filmi</strong>T<br />

“mezoblebi”.<br />

Malik Chibane<br />

Born in 1964. He is of Kabyle origin. Initially he started working<br />

as an electrician and lighting designer in the fi lm industry.<br />

Then he shot his fi rst feature fi lm, a soical chronicle<br />

« Hexagone » describing fi ve Arab young men from the<br />

banlieues (suburb) of Paris where he too was brought up.<br />

In 1995 he shot “Douce France” this time in professional<br />

circumstances and continues in the register of social<br />

comedy. After somewhat unnoticed fi lm «Un Nes quelque<br />

part» (1997) he makes a long break and in 2005 he makes<br />

his return with the feature “Voisins, voisines ».<br />

World Sales:<br />

Family Films<br />

78 avenue des Champs-Élysées<br />

75008 Paris, France<br />

family.fi lms@freesurf.fr<br />

7 41


Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />

83 wT, 35 mm, feradi<br />

83 min, 35 mm, colour<br />

WESH, WESH, QU’EST-CE QUI SE PASSE?<br />

veS, veS, ra xdeba? safrangeTi 2002<br />

kameli, axalgazrda kaci parizis gareubnis franguli getodan,<br />

sasjelis moxdis Semdeg safrangeTSi brundeba. is narkotikebiT<br />

vaWrobisTvis daapatimres da xuTi wliT cixeSi Casves, Semdeg<br />

ki ori wliT safrangeTidan gaaZeves. kameli ojaxis daxmarebiT<br />

samuSaos povnas da normaluri cxovrebis awyobas cdilobs, magram<br />

getoSi normaluri araferia...<br />

reJisori: rabah amer-zemeSi<br />

scenari: rabah amer-zemeSi, majid benaruji<br />

operatori: olivie smitarelo<br />

monawileoben: rabah amer-zemeSi, ahmed hamudi,<br />

brahim amer-zemeSi, farida mufoki, mambi keita<br />

musika: asasini<br />

mxatvrebi: jamila amer-zemeSi, iasmina amer-zemeSi<br />

montaJi: nikolas bansiloni, marin fronti<br />

xma: bruno oze<br />

prodiuseri: rabah amer-zemeSi<br />

Wesh, wesh France 2002<br />

Kamel, a young man from the french ghetto, near Paris, is coming<br />

back to France. He was arrested for dealing drugs, he spent fi ve<br />

years in jail and was banned from France for two years. He tries,<br />

with his family’s support, to fi nd a job and live a normal life. But<br />

nothing’s normal in the ghetto.<br />

Director: Rabah Ameur-Zaimeche<br />

Screenplay: Rabah Ameur-Zaimeche,<br />

Madjid Benaroudj<br />

DOP: Olivier Smittarello<br />

Cast: Rabah Ameur-Zaimeche, Ahmed<br />

Hammoudi, Brahim Ameur-Zaïmeche,<br />

Farida Mouffok, Mambi Keita<br />

Music: Assassin<br />

Production design: Djamila Ameur-<br />

Zaïmeche, Yasmina Ameur-Zaïmeche<br />

Editing: Nicolas Bancilhon, Marine Fronty<br />

Sound: Bruno Auzet<br />

Producer: Rabah Ameur-Zaimeche<br />

7 42<br />

Production / World Sales:<br />

Sarrazink Productions<br />

22, avenue Pierre 1er de Serbie<br />

75116 Paris, France<br />

filmografia/Filmography<br />

2008 Dernier maquis<br />

2006 Bled Number One<br />

2002 Wesh, wesh, qu’est-ce qui se passe?<br />

rabah amer-zemeSi<br />

daibada 1966 wels alJirSi. 2 wlis iyo, rodesac misma mSoblebma<br />

alJiri datoves da parizis maxloblad dasaxldnen. humanitarul<br />

fakultetze swavlis dasrulebis Semdeg rabah amerzemeSma<br />

mamis kompaniis sakuTari aqciebi gayida da daaarsa<br />

saprodiusero kompania Sarrazink Productions, sadac Tavisi<br />

pirveli <strong>filmi</strong> Wesh, wesh, qu’est-ce qui se passe? gadaiRo.<br />

filmma belforSi prizi daimsaxura da kritikis mxardaWera<br />

moipova. amis Semdeg rabah amer-zemeSi samSobloSi, alJiris Crdilo-aRmosavleTSi<br />

midis Tavisi meore srulmetraJiani <strong>filmi</strong>s<br />

Bled Number One-is gadasaRebad. rolebs filmSi umetesad<br />

misi ojaxis wevrebi asruleben. 2 wlis Semdeg is brundeba kruazetze,<br />

amjerad kanis festivalis”reJisorTa orkvireulze”<br />

<strong>filmi</strong>T Dernier maquis .<br />

Rabah Ameur-Zaimeche<br />

Born in 1966, Rabah Ameur-Zaïmeche came to France in<br />

1968. He grew up in the Bosquet projects in Montfermeil,<br />

outside Paris. After studying social sciences, he founded<br />

Sarrazink Productions in 1999 and directed “Wesh wesh,<br />

qu’est-ce qui se passe?” in 2002, which received the Louis<br />

Delluc prize and the Grand Prize of the Berlin New Cinema<br />

Forum. In 2006, he made “Bled Number One” and<br />

received the Cannes Film Festival Youth Prize. “Dernier<br />

Maquis” is his thirst feature.


90 wT, 35 mm, feradi<br />

90 min,35 mm, colour<br />

ZIM AND CO.<br />

zimi da kompania safrangeTi 2005<br />

avariis Semdeg ocdaerTi wlis zimma imisaTvis, rom cixeSi moxvedras<br />

gadaurCes, samsaxuri unda ipovos. zimi ar aris zarmaci<br />

da samsaxurs sagazeTo gancxadebebSi eZebs. erTaderTi samuSao,<br />

romelsac gadaawydeba, aT dReSi iwyeba da Tan manqanis marTvis<br />

mowmobas moiTxovs. ase rom mas mxolod aTi dRe aqvs skolis<br />

diplomis, marTvis mowmobisa da manqanis mosapoveblad - sxva<br />

SemTxvevaSi cixe ar ascdeba.<br />

reJisori: pier Jolive<br />

scenari: pier Jolive, simon miqaeli<br />

operatori: Jerom almerasi<br />

monawileoben: adrien Jolive, mhamed arezki, ianik naso, naidra<br />

aiadi, natali riSari<br />

musika: adrien Jolive, saSa siefi<br />

mxatvari: emil gigo<br />

montaJi: stratos gabrielidisi<br />

xma: pier eskofie<br />

prodiuserebi: frederik burbuloni, pier kubeli, Jan labadi,<br />

mari-kastii mention-Saari<br />

Zim and Co. France 2005<br />

After a motorbike accident, twenty-year-old boy Zim must fi nd a<br />

proper job if he wants to avoid prison. Zim isn’t a lazy guy and he<br />

scans newspaper ads looking for a job. But the only one he fi nds,<br />

starting in ten days requires a car - and a driver’s license. Now he<br />

has only ten days to produce a high-school diploma, a driver’s<br />

license, and a car, or he’ll probably end up in the slammer.<br />

Director: Pierre Jolivet<br />

Screenplay: Pierre Jolivet, Simon Michaël<br />

DOP: Jérôme Alméras<br />

Cast: Adrien Jolivet, Mhamed Arezki,<br />

Yannick Nasso, Naidra Ayadi, Nathalie<br />

Richard<br />

Music: Adrien Jolivet, Sacha Sieff<br />

Production design: Emile Ghigo<br />

Editing: Stratos Gabrielidis<br />

Sound: Pierre Excoffi er<br />

Producers: Frédéric Bourboulon, Pierre<br />

Kubel, Jean Labadie, Marie-Castille<br />

Mention-Schaar<br />

Production:<br />

Vendredi Film<br />

110, rue des Dames<br />

75017 Paris, France<br />

phone : +33 1.42.88.88.44<br />

fax: +33 1.42.88.88.54<br />

m-c.schaar@lomanasha.fr<br />

pier Jolive<br />

pier Jolivem Tavis ZmasTan, markTan erTad kabareSi muSaobiT<br />

daiwyo. aTi wlis ganmavlobaSi isini erTad muSaobdnen vodevilis,<br />

kinos, radiosa da televiziis sferoSi. 1983 wels pieri<br />

gancalkevda, raTa eTamaSa luk besonis `ukanasknel SerkinebaSi~,<br />

is am <strong>filmi</strong>s Tana-scenaristi da Tana-prodiuseric<br />

iyo. 1984 wels man dawera scenari <strong>filmi</strong>saTvis `mkacrad piradi~,<br />

romlis reJisorad da prodiuseradac TviTon moevlina<br />

mayurebels (<strong>filmi</strong> nominirebuli iyo “sezarze” saukeTeso<br />

pirveli <strong>filmi</strong>s kategoriaSi) da isev Seekra luk besons `metros~<br />

scenaris dasawerad. `Cemi patara saqme~ - Jolives merve<br />

mxatvruli <strong>filmi</strong> - hitad iqca, fransua berleanma am filmSi<br />

Sesrulebuli meorexarisxovani rolisTvis “sezari” moipova.<br />

Pierre Jolivet<br />

filmografia/Filmography<br />

2008 Très très grande entreprise, La<br />

2007 Je crois que je l’aime / Could This Be Love?<br />

2005 Zim and Co.<br />

2003 Filles uniques / Only Girls<br />

2002 Frère du guerrier, Le / The Warrior’s Brother<br />

1999 Ma petite entreprise / My Little Business<br />

1998 En plein coeur / In All Innocence<br />

1997 Fred<br />

1993 À l’heure où les grands fauves vont boire /<br />

Trapped by a Dream<br />

1991 Simple mortel / A Mere Mortal<br />

1989 Force majeure / Uncontrollable Circumstances<br />

1986 Complexe du kangourou, Le / Make It Mine<br />

1985 trictement personnel / Strictly Personal<br />

Pierre Jolivet started out in cabaret with his brother Marc.<br />

For ten years, they worked the vaudeville, movie, radio<br />

and TV circuits together as a team. Pierre split off in 1983<br />

to co-produce, co-write and perform in Luc Besson’s “The<br />

Final Combat”. In 1984, he wrote, directed and produced<br />

“Strictly Personal” (nominated for the Cesar for Best First<br />

Film) and teamed up again with Luc Besson to co-write<br />

“Subway.” “My Little Business,” Jolivet’s eighth feature, has<br />

been a popular hit and François Berléand won a Cesar for<br />

Best Supporting Actor for his performance in it.<br />

World Sales:<br />

Bac Films International<br />

7 43


68 wlis maisi<br />

May 68<br />

franguli Temebi


French Topics


saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />

178 wT, 35 mm,S/T<br />

178 min, 35 mm,b/w<br />

LES AMANTS REGULIERS<br />

regularuli sayvarlebi safrangeTi 2005<br />

parizi, 1968 weli: studenturi mRelvarebis dReebi. fransua<br />

poetia, 20 wlis, is Tavs aridebs samxedro samsaxurs. fransua<br />

barikadebze midis, magram policiels molotovis koqteils<br />

ar esvris. is opiums eweva da revoluciaze elaparakeba Tavis<br />

SeZlebul megobars, antuans, romelsac aqvs bina, sadac fransuas<br />

SeuZlia icxovros. fransua gaicnobs lilis, moqandakes,<br />

romelic Tavis sarCenad samsxmelo saamqroSi muSaobs. maT erTmaneTi<br />

SeuyvardebaT. gadis weliwadi. fransua isev wers, eweva<br />

da lilisTan erTad aris. magram maT siyvaruls gamocda<br />

elis...<br />

reJisori: filip gareli<br />

scenari: filip gareli<br />

operatori: uiliam lubCanski<br />

monawileoben: lui gareli, klotild esmi<br />

musika: Jan-klod vanie<br />

mxatvari: nikos meletopulosi, maTie menu<br />

montaJi: fransuaz kolini, filip gareli<br />

prodiuseri: Jil sandozi<br />

Regular Lovers France 2005 filip gareli<br />

1968 in Paris: the student and trade union revolt. François is 20,<br />

a poet, dodging military service. He takes to the barricades, but<br />

won’t throw a Molotov cocktail at the police. He smokes opium<br />

and talks about revolution with his friend, Antoine, who has an<br />

inheritance and a fl at where François can stay. François meets<br />

Lilie, a sculptor who works at a foundry to support herself. They<br />

fall in love. A year passes; François continues to write, talk, smoke,<br />

and be with Lilie. Opportunities come to Lilie: what will she and<br />

François do?<br />

Director: Philippe Garrel<br />

Screenplay: Philippe Garrel<br />

DOP: William Lubtchansky<br />

Cast: Louis Garrel, Clotilde Hesme<br />

Music: Jean-Claude Vannier<br />

Production design: Nikos Meletopoulos,<br />

Mathieu Menut<br />

Editing: Françoise Collin, Philippe Garrel<br />

Producer: Gilles Sandoz<br />

7 46<br />

filmografia/Filmography<br />

2008 Frontière de l’aube, La<br />

2005 Amants réguliers, Les<br />

2001 Sauvage innocence<br />

1999 Vent de la nuit, Le<br />

1996 Coeur fantôme, Le<br />

1993 Naissance de l’amour, La<br />

1991 J’entends plus la guitare<br />

1989 Baisers de secours, Les<br />

1985 Elle a passé tant d’heures sous les<br />

sunlights...<br />

1983 Liberté, la nuit<br />

1979 Bleu des origines, Le<br />

1979 Enfant secret, L’<br />

1978 Voyage au jardin des morts<br />

1976 Berceau de cristal<br />

1975 Un ange passe<br />

1974 Hautes solitudes, Les<br />

1972 Athanor<br />

1972 Cicatrice intérieure, La<br />

1969 Lit de la vierge, Le<br />

1968 Anémone<br />

1968 Actua I<br />

1968 Concentration, La<br />

1968 Révélateur, Le<br />

1967 Marie pour mémoire<br />

1965 Droit de visite (short)<br />

1964 Enfants désaccordés, Les (short)<br />

daibada 1948 wels parizSi, safrangeTi. misi kinokariera<br />

adre daiwyo, pirveli moklemetraJiani <strong>filmi</strong> Les Enfants<br />

Désaccordes jer kidev 1964 wels gadaiRo sakuTari<br />

scenaris mixedviT. garelis filmebis sami mTavari Temaa<br />

siyvaruli, narkotikebi da TviT kino. reJisori, scenaristi<br />

da prodiuseri filip gareli parizis kinosa da audiovizualuri<br />

xelovnebis umaRlesi skolis (La Fémis)<br />

profesoria.<br />

Philippe Garrel<br />

Born in 1948 in Paris, France. He started his fi lm career early<br />

directing and writing his fi rst fi lm Les Enfants Désaccordés<br />

in 1964. Three most important objects of his fi lms are love,<br />

drugs and the fi lm making itself. He is Professor at the La<br />

Fémis<br />

Production:<br />

Maïa Films<br />

9, rue René Boulanger<br />

75010 Paris, France<br />

phone: +33 1.53.72.84.00<br />

maiafi lms@maiafi lms.com


65 wT, 35 mm, S/T, feradi<br />

65 min,35 mm, b/w, colour<br />

CITIZEN LANGLOIS<br />

moqalaqe langlua safrangeTi 1994<br />

filmSi moqalaqe langlua edgardo kozarinski qmnis franguli<br />

sinemaTekis generaluri mdivnis da Tanadamaarseblis anri<br />

langluas portrets. misTvis bednierebaa mravalricxovan arqivebTan<br />

muSaoba, raTa warmoadginos im adamianis cxovreba,<br />

romelic uaRresad erTgulad emsaxureboda kinematografiuli<br />

memkvidreobis dacvis da gavrcelebis saqmes. mokrZalebuli<br />

komentaris TanxlebiT <strong>filmi</strong> warmogvidgens araCveulebriv<br />

pirovnebas, romelsac koktom «Cveni saganZuris damcveli drakoni»<br />

uwoda.<br />

reJisori: edgardo kozarinski<br />

scenari: edgardo kozarinski<br />

operatori: Jak bukuini<br />

monawileoben: anri langlua, lote aisneri<br />

mTxrobeli: nil arestrupi<br />

montaJi: martin bukuini<br />

xma: Jan-pier fenie<br />

prodiuserebi: serJ lalu, dominik paini<br />

Citizen Langlois France 1994 edgardo kozarinski<br />

Edgardo Kozarinsky creates a portrait of Henry Langlois, a secretary<br />

general and co-founder of French cinematheque. The<br />

fi lmmaker willingly works with numerous archival documents to<br />

describe the life of the man who faithfully served cinema and<br />

contributed to protection of cinematographic legacy. Accompanied<br />

with the author’s modest comments the fi lm introduces<br />

us with an extraordinary person who was labeled by Cocteau “a<br />

dragon protector of our treasury”.<br />

Director: Edgardo Kozarinsky<br />

Screenplay: Edgardo Kozarinsky<br />

DOP: Jacques Bouquin<br />

Cast: Henri Langlois, Lotte Eisner<br />

Narrator: Niels Arestrup<br />

Editing: Martine Bouquin<br />

Sound: Jean-Pierre Fénié<br />

Producers: Serge Lalou, Dominique Païni<br />

Production:<br />

Cinémathèque Française, Canal+, Les<br />

Films d’Ici, Sept Cinéma<br />

filmografia/Filmography<br />

2005 Ronda nocturna / Night Watch<br />

2003 Dans le rouge du couchant / Red Sunset<br />

2002 Chaplin Today: Limelight<br />

2002 Tango deseo<br />

2001 Cinéma des cahiers, Le<br />

1998 Fantômes de Tanger<br />

1996 Le violon de Rotschild /Rothschild’s Violin<br />

1994 Guerriers et captives / Warriors and<br />

Prisoners<br />

1994 Citizen Langlois<br />

1994 Barraca. Lorca sobre los caminos de<br />

España, La<br />

1992 Boulevards du crépuscule<br />

1988 Sarah<br />

1985 Jean Cocteau: Autoportrait d’un inconnu<br />

/ Jean Cocteau: Self Portrait of a Man<br />

Unknown<br />

1984 Haute Mer<br />

1982 La guerre d’un seul homme<br />

buenos airesSi dabadebuli reJisori da mwerali, edgardo<br />

kozarinski 1974 wlidan parizSi cxovrobs. mis<br />

Tavisebur kinematografiul SemoqmedebaSi yovelTvis<br />

waSlilia zRvari mxatvrulsa da dokumentur kinos Soris.<br />

Edgardo Kozarinsky<br />

dokumenturi / documentary<br />

A fi lmmaker and writer Edgardo Kozarinski who was born<br />

in Buenos Aires has lived in Paris since 1974. The boundaries<br />

between feature and documentary fi lms has always<br />

been deleted in Kozarinski’s individual cinematographic<br />

works.<br />

7 47


saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />

240/177 wT, 35 mm,S/T, feradi<br />

240/177 min, 35 mm,b/w, colour<br />

LE FOND DE L’AIRE EST ROUGE<br />

cis siRrme wiTelia safrangeTi 1977<br />

<strong>filmi</strong>s franguli saTauri sityvebis TamaSs warmoadgens da<br />

gvTavazobs ideas, rom revolucia moxda haerSi da ara miwaze.<br />

reJisorma films meore saTauric SeurCia : `1967-1977, mesame<br />

msoflio omis scenebi~.<br />

es aris dokumenturi <strong>filmi</strong> 1968 wlis maisis movlenebze,<br />

romelic ori nawilisgan Sedgeba : «faqizi xelebi» da «moWrili<br />

xelebi». <strong>filmi</strong> asaxavs msoflio memarcxene moZraobis 10 weliwads,<br />

1967 wels Ce-s sikvdilidan 1977 wlis komunis programis<br />

dasasrulamde. es damarcxebis dRiuria, ideis damarcxebis poeturi<br />

qronika da meamboxe gmirebis Tanmimdevruli gauCinareba.<br />

reJisori: kris markeri<br />

scenari: kris markeri<br />

mTxrobelebi: lorans guviie, fransua maspero,<br />

iv montani, simona siniore<br />

operatorebi: pier-uiliam gleni, uili kurani<br />

musika: luCano berio<br />

montaJi: kris markeri<br />

The Base of the Air Is Red France 1977<br />

The untranslatable French title is a play on words suggesting that<br />

revolution was in the air but not on the ground. Director Chris<br />

Marker has given it the subtitle “Scenes from the Third World War<br />

1967-1977”. This is a documentary fi lm depicting about May,<br />

1968. It consists of two parts: “Neat Hands” and “Cut Hands”. The<br />

project aims to describe the world’s leftist movement from Che’s<br />

death in 1967 up to 1977 when commune ended. This is a diary<br />

of unusual defeat, poetic chronicles of the idea’s defeat and dissapearance<br />

of rebellious heroes.<br />

Director: Chris Marker<br />

Screenplay: Chris Marker<br />

Récitante: Laurence Guvillier, François<br />

Maspero, Yves Montand, Simone Signoret<br />

DOP: Pierre-William Glenn, Willy Kurant<br />

Music: Luciano Berio<br />

Editing: Chris Marker<br />

7 48<br />

dokumenturi / documentary<br />

filmografia/Filmography<br />

2004 Chats perchés / The Case of<br />

the Grinning Cat<br />

2001 Souvenir d’un avenir, Le / Remembrance<br />

of Things to Come<br />

2000 “Cinéma, de notre temps” -<br />

Une journée d’Andrei Arsenevitch<br />

2000 Un maire au Kosovo<br />

1997 Level Five<br />

1995 Casque bleu<br />

1993 20 heures dans les camps, Le<br />

1992 Tombeau d’Alexandre, Le /<br />

The Last Bolshevik<br />

1986 Mémoires pour Simone<br />

1985 A.K. / Kurosawa Akira<br />

1985 From Chris to Christo<br />

1984 2084<br />

1983 Sans soleil / Sunless<br />

1981 Junkopia<br />

1977 Fond de l’air est rouge, Le / Grin<br />

Without a Cat<br />

1974 Solitude du chanteur de fond, La / The<br />

Loneliness of the Long Distance Singer<br />

1973 Ambassade, L’ / Embassy<br />

1972 Vive la baleine<br />

1971 Bataille des dix millions, La / The Battle of<br />

the Ten Million<br />

1971 On vous parle de Prague: le deuxième<br />

procès d’Artur London<br />

1971 Train en marche, Le / The Train Rolls On<br />

1970 Mots ont un sens, Les<br />

1970 Carlos Marighela<br />

1969 Classe de lutte<br />

1969 On vous parle du Brésil<br />

1969 Jour de tournage<br />

1968 À bientôt, j’espère / Be Seeing You<br />

1968 Sixième face du pentagone, La / The Sixth<br />

Face of the Pentagon<br />

1968 Cinétracts<br />

1967 Loin du Vietnam / Far from Vietnam<br />

1967 Rhodiacéta<br />

1966 Si j’avais quatre dromadaires / If I Had Four<br />

Dromedaries<br />

1965 Mystère Koumiko, Le / The Koumiko Mystery<br />

1963 Joli mai, Le<br />

1962 Jetée, La / The Pier<br />

1961 ¡Cuba Sí!<br />

1960 Description d’un combat /<br />

Description of a Struggle<br />

1959 Astronautes, Les / The Astronauts<br />

1957 Lettre de Sibérie / Letter from Siberia<br />

1956 Dimanche à Pekin / Sunday in Peking<br />

1953 Statues meurent aussi, Les /<br />

Statues Also Die<br />

1952 Olympia 52


kris markeri<br />

daibada 1921 wels ulan batorSi, monRoleTSi. meore<br />

msoflio omis dros SeuerTda Maquis-is msrolelTa da<br />

partizanTa jgufs (FTP). omis Semdeg wera da filmebis<br />

gadaReba daiwyo. imogzaura mraval socialistur qveyanaSi<br />

da nanaxi wignebsa da filmebSi asaxa. 1953 wels alen<br />

renesTan erTad gadaRebuli `qandakebebic kvdebian~<br />

erT-erTi pirveli antikolonialuri <strong>filmi</strong>a.<br />

saerTaSoriso aRiareba moutana filmma `talRamWreli~<br />

(1962).<br />

1982 wels markerma daamTavra muSaoba filmze `mzis<br />

gareSe~, sadac is dokumenturi kinos sazRvrebs afar-<br />

Toebs. es aris esse, montaJi, dokumenturi da mxatvruli<br />

epizodebis nazavi, romelic zmanebisa da samecniero<br />

fantastikis atmosferos qmnis.<br />

am <strong>filmi</strong>s Semdeg reJisori digitaluri teqnologiiT<br />

interesdeba, rasac moyva <strong>filmi</strong> `mexuTe done~ (1996) da<br />

interaqtiuli multimedia namuSevari saxelwodebiT `IM-<br />

MEMORY~ (1998), romelic markerma pompidus centris<br />

SekveTiT gaakeTa. niu iorkis Tanamedrove xelovnebis<br />

muzeumisTvis man T.s. eliotis leqsis gavleniT 19 wu-<br />

Tiani multimediuri nawarmoebi Seqmna saxelwodebiT<br />

`buebi SuadRisas: gamoSignuli kacebi~. markeri aseve<br />

cnobilia dokumenturi <strong>filmi</strong>T `ak~ (1985) iaponeli re-<br />

Jisoris akira kurosavas Sesaxeb.<br />

Chris Marker<br />

Chris Marker was born in Ulan Bator, Mongolia in 1921.<br />

In World War II he joined the Maquis (FTP). After the war<br />

he began to write and make fi lms. He traveled to many<br />

socialist countries and documented what he saw in fi lms<br />

and books. Les statues meurent aussi (1953) which he codirected<br />

with Alain Resnais was one of the fi rst anti colonial<br />

fi lms.<br />

He became internationally known for the short fi lm La Jetée<br />

(1962).<br />

In 1982 Marker fi nished Sans Soleil, stretching the limits<br />

of what could be called a documentary. It is an essay,<br />

a montage, mixing pieces of documentary with fi ction<br />

and philosophical comments, creating an atmosphere of<br />

dream and science fi ction.<br />

Beginning with Sans Soleil he developed a deep interest in<br />

digital technology, which led to his fi lm Level 5 (1996) and<br />

IMMEMORY (1998), an interactive multimedia CD-ROM,<br />

produced for the Centre Pompidou. Marker created a 19<br />

minute multimedia piece in 2005 for The Museum of Modern<br />

Art in New York titled “Owls at Noon Prelude: The Hollow<br />

Men” which was infl uenced by T. S. Eliot’s poem. He is<br />

also known for directing AK (1985), a documentary about<br />

Japanese fi lmmaker Akira Kurosawa.<br />

Production:<br />

Dovidis<br />

42 bis rue de Lourmel<br />

75015 Paris, France<br />

Tel.: +33 1 45 79 41 89<br />

Fax: +33 1 45 79 46 61<br />

World Sales:<br />

Icarus Films<br />

7 49


saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />

95 wT, 35 mm, S/T, feradi<br />

95 min, 35 mm, b/w, colour<br />

MOURIR À 30 ANS<br />

mokvde 30 wlis safrangeTi 1982<br />

1965 weli: romeni da miSeli erT liceumSi ar swavloben, magram<br />

ganuyreli megobrebi arian. 15 wlis axalgazrdebSi<br />

politikur Segnebas vietnamis movlenebi gamoaRviZebs. isini<br />

qmnian liceumis samoqmedo komitetebs. sami wlis Semdeg es<br />

komitetebi 68 wlis maisis movlenebis ZiriTad iaraRad iqceva.<br />

amasobaSi romeni da miSeli axalgazrda revolucioneri komunistebis<br />

rigebSi Sedian, maT alen krivini xelmZRvanelobs.<br />

1965-1968 wlebis TviTmxilvelebis Sefasebebi da romen gupilis<br />

mier Super-8-iT gadaRebuli kadrebi mogviTxroben mebrZolebis<br />

aRtacebaze da Semdgom imedgacruebaze, rasac<br />

1978 wels miSeli TviTmkvlelobamde miyavs. 1983 wels <strong>filmi</strong><br />

“sezariT” dajildovda saukeTeso pirveli <strong>filmi</strong>saTvis.<br />

reJisori: romen gupili<br />

scenari: romen gupili<br />

operatori: romen gupili, Jan Siabo, rene poli<br />

monawileoben: alen biuro, pier gupili, romen gupili,<br />

sofi gupili<br />

montaJi: fransuaz prenani<br />

xma: Jak kebadiani, dominik dalmaso<br />

prodiuseri: marin karmici<br />

Death at 30 France 1982<br />

1965 : Romain and Mischelle do not attend the same liceum but<br />

they are inseparable friends. Vietnam war waked up political<br />

consciousness in the teenagers. They founded action commitees<br />

in the liceum. After 3 years these committees will turn into<br />

the main tools for the events of May, 1968. Meanwhile Romain<br />

and Mischelle join the ranks of revolutionary communists led by<br />

Allain Crivin. Reviews and judgments made by the participants<br />

of those events developed in 1965-1968 and scenes shot by Romain<br />

Guipil with Super-8 tell us about fi ghters’ enthusiasm and<br />

subsequent frustration that led to Miscelle’s suicide.<br />

The fi lm received Cesar in 1983 for the best fi rst fi lm.<br />

Director: Romain Goupil<br />

Screenplay: Romain Goupil<br />

DOP: Romain Goupil,<br />

Jean Chiabaut, Renan Polles<br />

Cast: Alain Bureau, Pierre Goupil,<br />

Romain Goupil, Sophie Goupil<br />

Editing: Françoise Prenant<br />

Sound: Jacques Kébadian,<br />

Dominique Dalmasso<br />

Producer: Marin Karmitz<br />

7 50<br />

dokumenturi / documentary<br />

Production:<br />

Marin Karmitz Productions<br />

filmografia/Filmography<br />

2004 Quotidien Bagdad<br />

2002 Une pure coïncidence / Purely<br />

Coincidental<br />

1999 À mort la mort!<br />

1996 Sa vie à elle<br />

1994 Lettre pour L...<br />

1990 Maman<br />

1990 Je ne me souviens pas<br />

1983 Java des ombres, La<br />

1982 Mourir à 30 ans / Half a Life<br />

romen gupili<br />

uCveulo da meamboxe reJisori romen gupili cnobilia politikuri<br />

SexedulebebiT, romelic xSirad ewinaaRmdegeboda miRebul<br />

azrs. 1967 wels igi Tavis pirvel moklemetraJian filmebs<br />

iRebs. dgeba 68 wlis maisi da gupili kondorses liceumSi aqtiurobs.<br />

1970 wels igi saleqcio auditoriidan gadasaReb<br />

moedanze inacvlebs jer rogorc staJiori, Semdeg ki rogorc<br />

operatoris asistenti rober menegozis filmebze. mogvianebiT<br />

Santal akermanis, roman polanskis da Jan-liuk godaris asistentia.<br />

1980 wlidan TviTon iwyebs filmebis gadaRebas. srulmetra-<br />

Jiani <strong>filmi</strong>saTvis `mokvde 30 wlis~ gupili kanis saerToaSoriso<br />

kinofestivalze “oqros kameras” iRebs. 1989 wels gadaiRo <strong>filmi</strong><br />

Sidsis Temaze A mort ! A mort ! eraySi intervenciis sawinaaRmdego<br />

misi gamosvlebi araerTgvarovani Sefasebis sagani gaxda.<br />

Romain Goupil<br />

Untypical and rebellious fi lmmaker Romain Goupil is famous<br />

for his political views which often run against largely accepted<br />

viewpoints. In 1967 he shot his fi rst short fi lms. In May, 1968 he<br />

became very active in Condorses Liceum. In 1970 he moves<br />

from the lecture hall to shooting ground fi rst as an intern and<br />

later as an assistant to a cameraman in Robert Menegozi’s<br />

fi lms. Then he became an assistant to Shantal Akerman, Roman<br />

Planski and Jeane-Luc Godard. Since 1980 he has independently<br />

shot the fi lms .Goupil received Golden Camera at<br />

the Cannes International Film Festival. For the fi lm « Death at<br />

30 ». In 1989 he shot « A Mort ! A Mort ! » on AIDS. His speeches<br />

and comments against intervention in Iraq became focus of<br />

controversial reviews.<br />

World Sales:<br />

MK2<br />

55, rue Traversière<br />

75012 Paris, France<br />

phone: +33 1.44.67.30.00<br />

fax: +33 1.43.44.20.18<br />

intlsales@mk2.com


anies vardas mokle filmebi<br />

Varda Her Shorts<br />

franguli Temebi<br />

French Topics


anies vardas mokle filmebi / Varda Her Shorts<br />

Tavisufali da wminda<br />

anies varda Tavad franguli kinos patriarqma, andre bazenma daloca. “Tavisufali da wminda” – ase uwoda msoflios<br />

nomerma pirvelma kinoTeoretikosma 26 wlis reJisoris pirvel films, “puent kurts”.<br />

“puent kurtis” premiera 1954 wels moewyo. andre bazeni 1958 wels gardaicvala da ver moeswro “Tavisufali da wminda”<br />

<strong>filmi</strong>s avtoris pirvel srulmetraJian suraTs “kleo 5-dan 7 saaTamde”... arada rom enaxa, aucileblad ityoda, mTeli<br />

Cemi Teoria, Cemi filosofiur-esTetikuri kredo, kinoxelovnebis mimarT Cemi damokidebuleba ara imdenad Cemma uSualo<br />

mowafeebma, fransua triufom, Jan-luk godarma, erik romerma, aramed am tanmorCilma, garegnulad Zalian sustma,<br />

TiTqos sruliad daucvelma qalma gamoxatao; “kleo” TiTqos ekranizaciaa andre bazenis wignisa “ra aris kino?”; ambavi<br />

msaxiobi qalisa, romelsac or saaTSi ecodineba samedicino analizis pasuxebi, or saaTSi ecodineba aqvs Tu ara kibo,<br />

“realur droSi” mimdinareobs – e. i. <strong>filmi</strong>s moqmedebis dro emTxveva realurs. SeiZleba iTqvas Senaxulia cxovreba<br />

qalisa, romelic sasikvdilo ganaCens elis.<br />

mumificirebuli dro da Senaxuli sicocxle. es iyo andre bazenis ideali, romelsac misi mowafeebi met-naklebad<br />

eyrdnobodnen. magram aravis warmouCenia es Teoria ase radikalurad, ase zustad. erTi ubralo mizeziT – anies<br />

vardas “axali talRis” yvela sxva reJisorze metad uyvars sicocxle. uyvars yvelaferi, rac droSi viTardeba da<br />

moZraobs.<br />

Tumca es siyvaruli datkbilul optimizms rodi niSnavs. sworedac rom piriqiT; anies vardas filmebSi sicocxlis<br />

nakadi imdenadaa gaZlierebuli, rom mayurebelSi nel-nela ibadeba xifaTis gancda, imis SegrZneba, rom am nakads ra-<br />

Rac “mouva”, rom silamaze ar SeiZleba mudmivi iyos, bedniereba ar SeiZleba ar Sewydes, ar daingres. am TvalsazrisiT<br />

raRa Tqma unda saprogramoa misi <strong>filmi</strong> “bedniereba” - ojaxuri gaseirneba qalaqgareT, mocartis harmoniiTa da impresionistuli<br />

peizaJiT, mosiyvarule col-qmriTa da maTi lamazi bavSvebiT, katarstrofiT mTavrdeba – qali, mas<br />

Semdeg rac qmris aRsarebas moismens, tovebs Tavis CaZinebul qmar-Svils da Tavs ixrCobs. bedniereba arsebobs, magram<br />

bedniereba ar SeiZleba maradiuli iyos, radganac yvelaferi drosa da sivrceSi viTardeba. esaa sicocxle da swored<br />

aseTi sicocxle uyvars anies vardas.<br />

aseTi sicocxle uyvars gmirs misi <strong>filmi</strong>sa “saxuravis da kanonis gareSe”, usaxlkaro qals, saxelad monas. mTel<br />

samxreT safrangeTs Semoivlis igi Tavisi zurgCanTiT. muSaoba ar unda, radgan ara aqvs muSaobis dro – sicocxlis<br />

yoveli wami unda SeisunTqos, mere ki mokvdes,…radgan Tavisufleba ar SeiZleba maradiuli iyos.<br />

da arc siwminde SeiZleba iyos maradiuli.<br />

“puant kurtidan” dRemde anies vardam Semoqmedebis didi gza ganvlo. meuRlis, Jak demis gardacvalebis Semdeg varda<br />

daviwyebuli filmebis, kinoqronikis aRdgenam gaitaca. kinoreJisori gadaiqca kinorestavratorad, romelmac “mkvdris<br />

gacocxleba” daiwyo. ase aRadgena vardam Jak demis Sedevrebi “Serburgis qolgebi” da “roSforeli qaliSvilebi”. aRadgina<br />

da TiTqos axali suli STabera – “gaaswora” xma, gaaZliera feris intensivoba – mtveri mowminda Zvels. cxadi<br />

gaxda, rom igi ara imdenad drois Senaxvas mimarTavs, ramdenadac “eTamaSeba” dros, raTa masze damokidebulebisgan<br />

ganTavisufldes. Tumca amisaTvis mas didi Zalisxmeva arc Wirdeba. es patara qali xom isedac Tavisufalia.<br />

Tavisufali da wminda.<br />

7 52<br />

giorgi gvaxaria


FREE AND HOLY<br />

Agnes Varda has been blessed by the patriarch of the French cinema Andre Basin himself. The World number one fi lm<br />

critic called “free and holy” La Pointe Courte - the fi rst fi lm by the director.<br />

Première of La Pointe Courte was held in 1954. Andre Basin died in 1958 and did not live to see the fi rst full length fi lm of<br />

the author of La Pointe Courte – Cleo from 5 to 7 ... if he did, he would surely say, all my theory, my philosophical and<br />

aesthetic credo, my attitude towards cinematography was expressed by this outwardly delicate, medium height, as if<br />

absolutely unprotected lady rather than my direct disciples Francois Truffaut, Jean-Luc Godard and Eric Rohmer; It seems<br />

that Cleo is a screen version of the book by Andre Basin What is Cinema? ; Story of an actress who is going to know medical<br />

opinion in two hours, who will learn in two hours whether or not she has cancer, is going on in real time i.e. the fi lm<br />

running time coincides with the real time. One can say that the fi lm preserves a life of a woman waiting for the delivery<br />

of death sentence.<br />

Mummifi ed time and preserved life. It was an ideal of Andre Basin on which his disciples were based more or less. But no<br />

one had put into force this theory so radically, so accurately. And there is one simple reason – Agnes Varda loves life more<br />

than all the rest of the directors of the French New Wave, loves everything that develops and moves in time.<br />

But this love is not the same as sugary optimism, quite the contrary: fl ow of life is so intensifi ed in the fi lms by Agnes Varda<br />

that a spectator gradually becomes anxious feeling that danger is approaching the fl ow, the beauty can not be eternal<br />

and the happiness can not last forever. In this context a fi lm by her - Happiness is a manifest. A family trip to the country,<br />

with Mozart harmony and impressionistic landscape, loving couple and their charming children ends in catastrophe. The<br />

woman after hearing her husband’s confession leaves her fallen asleep husband and children and drowns herself. Happiness<br />

does exist but it can not be everlasting since everything develops in time and space. It is a life, right the life that<br />

Anies Varda loves.<br />

The same life is loved by homeless woman Mona, the character of the fi lm by her Without Roof or Rule/Vagabond. She<br />

travels through the whole south France with her rucksack. She does not want to work because she has no time to work as<br />

she wishes to draw each breath of life and than to die since the freedom can not be eternal.<br />

And neither the holiness can be eternal.<br />

Agnes Varda has passed long creative way since La Pointe Courte to the present. After the death of her husband<br />

Jacques Demy Varda has become keen on restoring forgotten fi lms and news-reels. The fi lm director transformed into a<br />

fi lm restorer. She restored Jacques Demy’s masterpieces The Umbrellas of Cherbourg and Les Demoiselles de Rochefort.<br />

She restored them and as if revived – adjusted the voice, intensifi ed colour, removed dust from the antiquity. It becomes<br />

clear that she is playing with time rather than trying to preserve it in attempt of liberating herself from dependence on the<br />

time. However she needs no great efforts – this fragile lady is free whatever the case.<br />

Free and holly.<br />

Giorgi Gvakharia<br />

7 53


anies saerTaSoriso vardas mokle konkursi filmebi / International / Varda Her Competition<br />

Shorts<br />

anies varda<br />

anies varda - arlet varda - daibada briuselSi, belgiaSi, ber-<br />

Zeni mamisa da frangi dedis ojaxSi. sorbonSi swavlobda literaturasa<br />

da fsiqologias, ekol diu luvrSi ki - xelovnebis<br />

istorias. kinematografSi akademiuri an teqnikuri ganswavlulobis<br />

gareSe (Tumca manamde Jan vilaris saxalxo nacionaluri<br />

Teatris fotografi iyo) 1954 wels gadaiRo pirveli <strong>filmi</strong><br />

saxelwodebiT La Pointe Courte, romelmac franguli axali<br />

talRa iwinaswarmetyvela.<br />

vardam saerTaSoriso reputacia 1961 wels gadaRebuli filiT<br />

`kleo 5-dan 7-mde~ moipova. momdevno da pirveli feradi <strong>filmi</strong><br />

`bedniereba~ (1965) erT-erTi pirveli feministuri manifesti<br />

iyo.<br />

Tavisi filmebis garda, varda dialogebs sxvebisTvisac werda,<br />

maTgan yvelaze cnobilia bernardo bertoluCis `ukanaskneli<br />

tango parizSi~.<br />

`usaxlkaro~, dokumenturi stilistikiT Seqmnili mxatvruli<br />

<strong>filmi</strong> axalgazrda frang moxetiale qalze ganixileba rogorc<br />

misi saukeTeso <strong>filmi</strong> dRemde. `usaxlkarosTvis~ reJisorma miiRo<br />

oqros lomi veneciis saerTaSoriso kinofestivalze. 1990<br />

wlidan gadaiRo sami <strong>filmi</strong> mis meuRleze - Jak demize. vardas<br />

filmebis umetesoba warmoebulia saprodiusero kompaniis mier<br />

- Ciné Tamaris, romelic TviTonve daaarsa 1954 wels.<br />

Agnes Varda<br />

Agnes Varda was born Arlette Varda in Brussels, Belgium, to a<br />

Greek father and French mother. She studied literature and psychology<br />

at the Sorbonne, and art history at the École du Louvre.<br />

With almost no academic or technical knowledge of fi lm (though<br />

she had been a still photographer for Jean Vilar’s Theatre National<br />

Populaire) in 1954 she made her fi rst fi lm La Pointe Courte<br />

which anticipated the French “New Wave”.<br />

Varda’s international reputation was secured with her 1961 feature<br />

Cleo de 5 a 7. Her next fi lm, and her fi rst in color, was Le Bonheur<br />

(1965), a pioneering feminist manifesto.<br />

In addition to her own fi lms, Varda has written dialogue for the<br />

works of others, most notably for Bernardo Bertolucci’s Last Tango<br />

in Paris.<br />

“Vagabond,” a documentary-style feature about a young<br />

French female wanderer, was arguably her best work to date. For<br />

Vagabond (1985) Varda received the Golden Lion of the Venice<br />

Film Festival. From 1990, she made three fi lms about her husband<br />

Jacques Demy. Majority of Varda fi lms were produced by the<br />

production company she founded in 1954, Ciné Tamaris.<br />

7 54<br />

filmografia/Filmography<br />

2008 Plages d’Agnès, Les / The Beaches of Agnès<br />

2006 Quelques veuves de Noirmoutier<br />

2005 Cléo de 5 à 7: souvenirs et anecdotes<br />

2005 Dites cariatides bis, Les / The So-called Caryatids<br />

2004 Viennale ‘04-Trailer, Der<br />

2004 Cinévardaphoto<br />

2004 Ydessa, les ours et etc. / Ydessa, the bears and etc...<br />

2003 Lion volatil, Le / The Volatile Lion<br />

2002 Glaneurs et la glaneuse... deux ans après, Les / The<br />

Gleaners and I: Two Years Later<br />

2000 Glaneurs et la glaneuse, Les / The Gleaners & I<br />

1995 Univers de Jacques Demy, L’ / The Universe of<br />

Jacques Demy<br />

1995 Cent et une nuits de Simon Cinéma, Les / A Hundred<br />

and One Nights of Simon Cinema<br />

1993 Demoiselles ont eu 25 ans, Les / The Young Girls Turn 25<br />

1991 Jacquot de Nantes / Jacquot<br />

1988 Jane B. par Agnès V. / Jane B. by Agnes V.<br />

1988 Kung-fu master!<br />

1986 T’as de beaux escaliers tu sais / You’ve got beautiful<br />

stairs, you know…<br />

1985 Vagabond / Sans toit ni loi<br />

1984 7p., cuis., s. de b., ... à saisir / 7R., kit., bath . . .<br />

[GRAB IT])<br />

1984 Dites cariatides, Les / The So-called Caryatids<br />

1983 “Une minute pour une image” / One minute for one<br />

image<br />

1982 Ulysse / Ulysses<br />

1981 Documenteur / Documenteur: An Emotion Picture<br />

1981 Murs, murs / Mural Murals<br />

1977 Une chante, l’autre pas, L’ / One Sings, the Other<br />

Doesn’t<br />

1976 Daguerréotypes<br />

1976 Plaisir d’amour en Iran / Pleasure of love in Iran<br />

1975 Réponse de femmes: Notre corps, notre sexe /<br />

Women Respond<br />

1970 Nausicaa<br />

1969 Lions Love<br />

1968 Black Panthers<br />

1967 Loin du Vietnam / Far from Vietnam<br />

1967 Demoiselles de Rochefort, Les / The Young Girls of<br />

Rochefort<br />

1967 Oncle Yanco / Uncle Janco<br />

1966 Créatures, Les / The Creatures<br />

1965 Bonheur, Le / Happiness<br />

1965 Elsa la rose / Elsa the Rose<br />

1963 Salut les cubains / Hi there, Cubanos<br />

1962 Cléo de 5 à 7 / Cleo from 5 to 7<br />

1961 Fiancés du pont Mac Donald, Les / The Mac Donald<br />

bridge fi ancés<br />

1958 O saisons, ô châteaux / O seasons, o chateaux...<br />

1958 Cocotte d’azur, La<br />

1958 Du côté de la côte / Coasting along the coast<br />

1958 Opéra mouffe, L’ / Opera-Mouffe<br />

1954 Pointe-courte, La


anies vardas mokle filmebi / Varda Her Shorts<br />

22 wT, 35 mm, feradi<br />

22 min,35 mm,, colour<br />

O SAISONS, O CHATEAUX…<br />

luaris cixe-koSkebi safrangeTi 1957<br />

xetiali luaris velis Satoebs Soris maTi aSenebis<br />

qronologiis dacviT, 16-e saukunis poeziis da baRebidan<br />

danaxuli xedebis TanxlebiT.<br />

6 wT, 35 mm, feradi<br />

6 min,35 mm, colour<br />

PLAISIR D’AMOUR EN IRAN<br />

siyvarulis sitkbo iranSi safrangeTi 1976<br />

rogor SeiZleba isaubro siyvarulze, roca meCeTs uyureb?<br />

an isaubro arqiteqturaze sawolSi? es mokle <strong>filmi</strong> aris<br />

variacia pomisa da ali dariusis sasiyvarulo foriaqze<br />

(filmSi `erTi mReris, meore - ara~), magram aseve SeiZleboda<br />

yofiliyo nebismieri wyvilis ocneba iseT idealur<br />

garemoSi, rogoricaa imamis meCeTi ispahanSi, sadac sekularuli<br />

da religiuri xelovneba erTmaneTs xvdeba.<br />

O seasons, o chateaux... France 1957<br />

A stroll through the Loire Valley chateaux in the order in<br />

which they were built, with narration, 16th century poetry<br />

and views from the gardens.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Quinto Albicocco<br />

Narrated by: Danièle Delorme<br />

Poems read by: Antoine Bourseiller<br />

Music: André Hodier, Jazz Group of Paris<br />

Costumes: Jacques Heim and Svend, Chambord<br />

Editing: Janine Verneau<br />

Producer: Pierre Braunberger<br />

Production: Films de la Pléiade<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: kuinto albikoko<br />

mTxrobeli: daniel delormi<br />

poemebs kiTxulobs: antuan burseie<br />

musika: andre odie, Jazz Group of Paris<br />

kostiumebi: Jak eimi da svendi, Sambori<br />

montaJi: Janin verno<br />

prodiuseri: pier braunbergeri<br />

“turistebi” / The „Tourist“ Shorts<br />

Pleasure of love in Iran France 1976<br />

How can you talk about love when you’re looking at a<br />

mosque or talk about architecture in bed? This short fi lm<br />

is a variation on he amorous outpourings of Pomme and<br />

Ali Darius (in ONE SINGS, THE OTHER DOESN’T), but it could<br />

also be any couple’s dream in such an ideal setting as the<br />

Imam Mosque in Esfahan, where secular art meets religious<br />

art.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Nurith Aviv, Charlie Van Damme<br />

Cast: Valérie Mairesse, Ali Raffi , Thérèse Liotard<br />

Narrated by: Thérèse Liotard<br />

Music: Iranian songs<br />

Editing: Sabine Mamou<br />

Sound: Henri Morelle<br />

Production:Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: nurit avivi, Sarli van dami<br />

monawileoben: valeri meresi, ali rafi, terez liotari<br />

mTxrobeli: terez liotari<br />

musika: iranuli simRerebi<br />

montaJi: sabin mamu<br />

xma: anri moreli<br />

“turistebi” / The „Tourist“ Shorts<br />

7 55


anies vardas mokle filmebi / Varda Her Shorts<br />

24 wT, 35 mm, feradi<br />

24 min,35 mm,, colour<br />

DU COTE DE LA COTE<br />

laJvardovani sanapirosken safrangeTi 1958<br />

iumoriT savse <strong>filmi</strong> franguli rivieris Sesaxeb.<br />

22 wT, 35 mm, feradi<br />

22 min,35 mm, colour<br />

Uncle Janco<br />

biZia ianko aSS 1967<br />

1967 wlis oqtomberSi bolo <strong>filmi</strong>s reklamirebisTvis san<br />

franciskoSi Casuli varda megobris, tom ludis wyalobiT<br />

naTesavs gaicnobs, romlis Sesaxebac manamde araferi gaego.<br />

aqamde ucnobi biZa Jan varda, metsaxelad ianko, gemze<br />

cxovrobs sosalitoSi. is mxatvaria, hipuri cxovrebis wesiT<br />

cxovrobs da uyvars sicocxle.<br />

7 56<br />

Coasting along the coast France 1958<br />

A humorous travelogue of the French Riviera.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Quinto Albicocco, Raymond Castel<br />

Commentary read by: René Coggio, Anne Olivier<br />

Music: Georges Delerue<br />

Editing: Henri Colpi, Jasmine Chasney<br />

Sound: Marignan<br />

Producers: Anatole Dauman, Philippe Lifschitz<br />

Production: Aragos Films, Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: kuinto albikoko, reimon kasteli<br />

komentarebs kiTxuloben: rene kojio, an olivie<br />

musika: JorJ deleru<br />

montaJi: anri kolpi, Jasmin Cesni<br />

xma: mariniani<br />

prodiuserebi: anatol domani, filip lifSici<br />

“turistebi” / The „Tourist“ Shorts<br />

Uncle Janco USA 1967<br />

While being in San Francisco for the promotion of her last<br />

fi lm in October 1967, Agnès Varda, tipped by her friend<br />

Tom Luddy, gets to know a relative she had never heard<br />

of before, Jean Varda, nicknamed “Yanco”. This hitherto<br />

unknown uncle lives on a boat in Sausalito, is a painter, has<br />

adopted a hippie lifestyle and loves life.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: David Myers, Didier Tarot<br />

Cast: Jean (Yanco)Varda, Tom Luddy, Agnès Varda, Rosalie<br />

Varda<br />

Music: Richard Lawrence, Yannis Spanos, Albinoni<br />

Editing: Jean Hamon, Roger Ikhlef<br />

Sound: Paul Oppenheim<br />

Producer: Agnès Varda<br />

Production Company: Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: devid maiersi, didie taro<br />

monawileoben: Jan (ianko) varda, tom ludi, anies varda,<br />

rozali varda<br />

musika: riCard lourensi, ianis spanosi, albinoni<br />

montaJi: Jan hamoni, roJe iklefi<br />

xma: pol openhaimi<br />

prodiuserebi: anies varda<br />

“anti-istebliSmenti” / The “Anti-Establishment” Shorts


30 wT,16 mm, feradi<br />

30 min16 mm,, colour<br />

BLACK PANTHERS<br />

Savi panterebi aSS 1968<br />

<strong>filmi</strong> gadaRebulia ouqlendSi (kalifornia) Savkaniani aqtivistebis<br />

lideris, hiui niutonis demonstraciebis periodSi,<br />

im dros, roca Sav panterebs hqondaT gamosvlebi<br />

da proeqtebi, awyobdnen Sekrebebs, akeTebdnen gancxadebebs,<br />

im dros, roca Savma panterebma aaforiaqes amerikis<br />

SeerTebuli Statebi. .<br />

8 wT, 35 mm, feradi<br />

8 min,35 mm, colour<br />

REPONSES DE FEMMES<br />

qalebis pasuxi safrangeTi 1975<br />

sinamdvileSi ras niSnavs iyo qali? rogor cxovroben<br />

qalebi statusiT, romelsac maT sazogadoeba aniWebs?<br />

qalebi, lamazebi Tu ulamazoni, axalgazrdebi Tu xnierni,<br />

dedobrivi instinqtiT dajildoebulebi Tu am instinqts<br />

moklebulni, kiTxvebs anies vardas kameris win pasuxoben.<br />

BLACK PANTHERS USA 1968<br />

Documentary shot in Oakland (California) during the demonstrations<br />

of Huey Newton, leader of the black activists<br />

At a time when the Black Panthers had a programme and<br />

projects, trained troops, held rallies, made declarations At a<br />

time when the Black Panthers made the USA nervous.<br />

Director: Agnès Varda<br />

DOP: Paul Aratow, Agnès Varda, David Myers, John Schofi ll<br />

Music: Black Panthers<br />

Editing: Paddy Monk<br />

Sound: Paul Oppenheim, James Steward<br />

Producer: Agnès Varda<br />

Production: Ciné Tamaris<br />

reJisori: anies varda<br />

operatori: pol aratovi, anies varda, devid maiersi, jon<br />

Sofili<br />

musika: bleq pantersi<br />

montaJi: pedi monki<br />

xma: pol openhaimi, jeimz stiuardi<br />

prodiuseri: anies varda<br />

“anti-istebliSmenti” / The “Anti-Establishment” Shorts<br />

Women Respond France 1975<br />

What does being a woman really mean? How do women<br />

live the status society reserves for them? A group of women,<br />

beautiful or not, young or not, gifted with motherly instinct<br />

or not, answer before Agnès Varda’s camera.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Jacques Reiss, Michel Thiriet<br />

Editing: Marie Castro, Andrée Choty, Hélène Wolf<br />

Sound: Bernard Bleicher<br />

Producers: Sylvie Genevoix, Michel Honorin, Agnès Varda<br />

Production Company: Antenne 2, Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: Jak raisi, miSel tirie<br />

montaJi: mari kastro, andre Soti, elen volfi<br />

xma: bernar blaiSeri<br />

prodiuserebi: silvi Jenevua, miSel onoreni, anies varda<br />

“anti-istebliSmenti” / The “Anti-Establishment” Shorts<br />

7 57


anies vardas mokle filmebi / Varda Her Shorts<br />

43 wT, 35 mm, feradi<br />

43 min,35 mm,, colour<br />

YDESSA, LES OURS ET ETC…<br />

idesa, daTvebi da a.S... safrangeTi 2004<br />

or uzarmazar oTaxSi ganTavsebuli asobiT foto saTamaSo<br />

daTvs asaxavs. rogor da ratom ganalaga vinme idesam es<br />

fotoebi erTad? artistis miunxenSi daculi koleqciis<br />

kameriT gadaRebuli stumroba siurprizebiT aris savse.<br />

reJisoris dv-kameris win idesa saubrobs misi SemoqmedebiTi<br />

midgomis Taviseburebebze. igi aseve gamoxatavs azrs<br />

holokostis Sesaxeb, romelsac misi orive mSobeli cocxali<br />

gadaurCa.<br />

22 wT, 35 mm, S/T, eqsperimentuli<br />

22 min,35 mm, b/w, Experimental<br />

ULYSSE<br />

ulise safrangeTi 1982<br />

“ulise” xelaxla ikvlevs drois, sagnisa da erTi fotos<br />

mniSvnelobas, romelic reJisorma 1954 wels gadaiRo.<br />

7 58<br />

Ydessa, the Bears etc... France 2004<br />

Hundreds of photographs displayed in two huge rooms<br />

contain a Teddy Bear... How and why a certain YDESSA put<br />

these photos together. The fi lmed visit of this artist’s collection<br />

in Munich is full of surprises. In front of Agnes Varda’s<br />

DV camera, Ydessa tells about the singularity of her artistic<br />

approach. She also expresses herself about the Holocaust,<br />

which both her parents survived.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Markus Seitz, John Holosko,<br />

Claire Duguet, Rick Kearney<br />

Cast: Ydessa Hendeles<br />

Music: Didier Lockwood, Isabelle Olivier (Ocean)<br />

Editing: Agnès Varda, Jean-Baptiste Morin, Thomas Benigni<br />

Sound: Jens-Christian Borner, Rob Fletcher<br />

Producer: Agnès Varda<br />

Production: Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: markus zaici, jon holoSko, kler diugue,<br />

rik kirni<br />

monawileoben: idesa hendelesi<br />

musika: didie lokvudi, izabel olivie (Ocean)<br />

montaJi: anies varda, Jan-batist moreni, tomas benini<br />

xma: iens-kristian borneri, rob fletCeri<br />

prodiuseri: anies varda<br />

sinevardafoto / Cinevardaphoto<br />

Ulysses France 1982<br />

ULYSSE uses one particular photo the director took back in<br />

1954 to re-examine the time, subject(s), and meaning of<br />

that photo.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Jean-Yves Escoffi er, Pascal Rabaud<br />

Cast: Ulysse Llorca, Bienvenida Llorca, Fouli Elia<br />

Music: Pierre Barbaud<br />

Editing: Marie-Jo Audiard, Hélène de Luze<br />

Sound: Jean-Paul Mugel<br />

Photos:Agnès Varda<br />

Producer: Agnès Varda<br />

Production: Garance<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: Jan-iv eskofie, paskal rabo<br />

monawileoben: ulise lorka, bienvenida lorka, fuli elia<br />

musika: pier barbo<br />

montaJi: mari-Jo odiari, elen de luzi<br />

xma: Jan-pol miugeli<br />

foto: anies varda<br />

prodiuseri: anies varda<br />

sinevardafoto / Cinevardaphoto


30 wT, 35 mm, S/T dokumenturi<br />

30 min, 35 mm, B/W, documentary<br />

SALUT LES CUBAINS<br />

salami, kubelebs safrangeTi /kuba 1962<br />

1962 wlis dasasruli, kuba. naxevarsaaTiani fotomontaJi,<br />

romelic vardam kubaze dasvenebis dros gadaiRo. <strong>filmi</strong><br />

asaxavs fidel kastros revolucias, mis zegavlenas xalxze<br />

da kunZulis kulturis istorias.<br />

26 wT, 35 mm, S/T, dokumenturi<br />

26 min, 35 mm, B/W Documentary<br />

UNE MINUTE POUR UNE IMAGE<br />

erTi wuTi erTi fotosTvis safrangeTi 1983<br />

170 patara <strong>filmi</strong>s mini seria: TiTo anonimuri komentari<br />

TiTo fotoze. cnobili da ucnobi fotografebis da<br />

mTxrobelebis saxelebi mxolod <strong>filmi</strong>s bolos gamoCndeba.<br />

Hi there, Cubanos France/cuba 1962<br />

End of 1962, Cuba. A half-hour photo montage Varda took<br />

while vacationing in Cuba. It deals with the revolution of Fidel<br />

Castro, its effects on the people and the island’s cultural<br />

history.<br />

Director: Agnès Varda<br />

DOP:J. Marques, C.S. Olaf<br />

Photos: Agnès Varda<br />

Narrated by: Michel Piccoli, Agnès Varda<br />

Cast: Nelson Rodríguez (dancer)<br />

Music: Cuban music<br />

Editing: Janine Verneau<br />

Production: Société Nouvelle, Pathé-Cinéma, Ciné-Tamaris<br />

reJisori: anies varda<br />

operatorebi: x. markesi, q. s. olafi<br />

foto: anies varda<br />

kiTxuloben: miSel pikoli, anies varda<br />

monawileoben: nelson rodrigesi (mocekvave)<br />

musika: kuburi musika<br />

montaJi: Janin verno<br />

sinevardafoto / Cinevardaphoto<br />

One Minute for One Image France 1982<br />

A mini serie of 170 mini-fi lms: one minute of anonymous<br />

commentary for each photograph. The names of the photographers,<br />

famous and unknown, and the narrators only<br />

appear at the end.<br />

Director: Agnès Varda<br />

Cast: Marguerite Duras, Hervé Guibert, Yves Montand,<br />

Maurice Pialat<br />

Editing: Marie-Jo Audiard, Sabine Franel, Cévanne Haicault<br />

Production: Garance, CNP<br />

With the participation of the Ministry of Culture<br />

reJisori: anies varda<br />

monawileoben: margerit diura, erve giberi, iv montani,<br />

moris piala<br />

montaJi: mari-Jo odiari, sabina franeli, sevan ekoli<br />

170 mini-<strong>filmi</strong>s mini-seria / A Mini Serie of 170 mini-fi lms<br />

7 59


anies vardas mokle filmebi / Varda Her Shorts<br />

13 wT, 16 mm, feradi, dokumenturi<br />

13 min, 16 mm, Colour, Documentary<br />

LES DITES CARIATIDES<br />

e.w. kariatidebi safrangeTi 1984<br />

dokumenturi <strong>filmi</strong> parizis neo-klasikur qandakebebze, romlebic<br />

ZiriTadad Senobebis kedlebzea gamosaxuli da fanjrebi<br />

da saxuravebi upyriaT xelT. <strong>filmi</strong> mkacrad feministuria,<br />

ramdenadac varda xazs usvams qalebis imijebis simbolur<br />

da socialur mniSvnelobas, romlebsac mZime tvirTi awevs.<br />

<strong>filmi</strong> amavdroulad saxalisoa. is sevdiani maSin xdeba, rodesac<br />

reJisori bodlerze saubrobs, mis poeziasa da warmatebaze,<br />

TandaTan mis fizikur dauZlurebaze, xmis dakargvasa<br />

da sikvdilze. qandakebebs ki imdenad mieCvia Tvali, rom isini<br />

TiTqmis SeumCnevelni gaxdnen.<br />

17 wT, 16 mm, S/T, dokumenturi<br />

17 min, 16 mm, B/W, Documentary<br />

L’OPERA-MOUFFE<br />

opera “mufi” safrangeTi 1958<br />

fexmZime reJisori dokumenturi kadrebisa da warmosaxuli<br />

scenebis sanaxavad mayurebels parizis laTinur kvartal-<br />

Si, muftaris quSisken miuZRveba.<br />

7 60<br />

The So-called Caryatids France 1984<br />

This is a short documentary on the neo-classical statues found<br />

throughout Paris, predominantly on the walls of buildings, holding<br />

up windows, roofs etc. The fi lm is strongly feminist, as she<br />

draws out wider symbolic and social implications from these<br />

images of women holding up huge weights, but it is playfully so.<br />

The fi lm becomes much sadder when she talks about Baudelaire,<br />

his poetry, success; his subsequent physical decline, loss<br />

of voice and death. These statues are now so familiar that they<br />

are barely noticed..<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Cyril Lathus<br />

Narration by: Agnès Varda<br />

Music: Jean-Filippe Rameau, Jacques Offenbach<br />

Editing: Hélène Wolf<br />

Sound: Michel Commo<br />

Producers: Bertrand Gauthier, Agnès Varda, Teri Wehn-Damisch<br />

Production: TF1, Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: siril latusi<br />

mTxrobeli: anies varda<br />

musika: Jan-filip ramo, Jak ofenbaxi<br />

montaJi: elen volfi<br />

xma: miSel komo<br />

prodiuserebi: bertran gotie, anies varda, teri ven-damiSi<br />

“parizelebi”/ The „Parisian“ Shorts<br />

Opera-Mouffe France 1958<br />

A pregnant fi lmmaker takes us to rue Mouffetard, in the<br />

Latin Quarter of Paris for a mix of documentary footage<br />

and imagined scenes.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Agnès Varda, Sacha Vierny<br />

Cast: Dorothée Blanck, José Varela, Jean Tasso<br />

Music: Georges Delerue<br />

Editing: Janine Verneau<br />

Producer: Agnès Varda<br />

Production Company: Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: anies varda, saSa vierni<br />

monawileoben: dorote blanki, Joze varela, Jan taso<br />

musika: JorJ deleru<br />

montaJi: Janin verno<br />

prodiuseri: anies varda<br />

“parizelebi”/ The „Parisian“ Shorts


30 wT, 35 mm, S/T dokumenturi<br />

20 wT, 16 mm, S/T, dokumenturi<br />

ELSA LA ROSE<br />

mSvenieri elza safrangeTi 1965<br />

lui aragonis mier moTxrobili elza trioles axalgazrdoba.<br />

SeTqmuli wyvilis suraTebi, poezia da saubrebi.<br />

12 wT, 35 mm, feradi, mxatvruli<br />

12 min, 35 mm, Colour, Fiction<br />

LE LION VOLATIL<br />

uCinari lomi safrangeTi 2003<br />

parizis SuagulSi lomis qandakebaa aRmarTuli, romlis<br />

garSemoc patara Tavgadasavali viTardeba mkiTxavi qalis<br />

mowafe klarissa da katakombebis dawesebulebis moxele<br />

lazars Soris.<br />

Elsa the Rose France 1965<br />

Elsa Triolet’s youth as told by Luis Aragon. Images, poetry<br />

and conversations from the close couple.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Willy Kurant, William Lubtchansky<br />

Poems read by: Michel Piccoli<br />

Music: Jean Ferrat, George Gershwin, John Handy, Modest<br />

Moussorgsky, Konstantin Simonovitch<br />

Sound: Bernard Ortion, Jacques Bonpunt<br />

Producer: Agnès Varda<br />

Production: Pathé Cinéma<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: uili kurani, uiliam lubCanski<br />

poemebs kiTxulobs: miSel pikoli<br />

musika: Jan fera, jorj gerSvini, jon hendi, modest<br />

musorgski, konstantin simionoviCi<br />

xma: bernar ortioni, Jak bonpuni<br />

prodiuseri: anies varda<br />

“parizelebi”/ The „Parisian“ Shorts<br />

The Volatile Lion France 2003<br />

In the heart of a Parisian neighborhood sits the sculpture<br />

of a lion. A short adventure between Clarisse, card-reader<br />

apprentice, and Lazare, a worker at the catacombs, takes<br />

place around the statue of a lion.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Mathieu Vadepied, Xavier Tauveron<br />

Cast: Julie Depardieu, David Deciron, Fréderick<br />

e.Grasser-Herme, Valérie Donzelli<br />

Music: Joanna Bruzdowicz<br />

Production design: Christophe Perruchi, Christophe Vallaux<br />

Costumes: Rosalie Varda<br />

Editing: Agnès Varda, Sophie Mandonnet<br />

Sound: Jean-Luc Audy<br />

Producers: Emmanuel Benbihy, Agnès Varda<br />

Production: Ciné-Tamaris<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: matie vadepie, qsavie toveroni<br />

monawileoben: Juli depardie, david desironi, frederik<br />

e. grase-ermi, valeri donzeli<br />

musika: ioana bruJdoviCi<br />

mxatvari: kristof peruCi, kristof valo<br />

kostiumebi: rozali varda<br />

montaJi: anies varda, sofi mandone<br />

xma: Jan-luk odi<br />

prodiuserebi: emanuel benbihi, anies varda<br />

“parizelebi”/ The „Parisian“ Shorts<br />

7 61


anies vardas mokle filmebi / Varda Her Shorts<br />

3 wT, 35 mm, feradi, S/T, dokumenturi<br />

3 min, 35 mm, colour, B/W Documentary<br />

T’AS DE BEAUX ESCALIERS, TU SAIS<br />

lamazi kibe gaqvs, ici?... safrangeTi 1986<br />

am <strong>filmi</strong>T varda pativs miagebs kinokulturas.<br />

3 wuTi, 35 mm, S/T, mxatvruli<br />

3 min, 35 mm, B/W, Fiction<br />

LES FIANCES DU PONT MAC DONALD<br />

mak donaldsis xidis Seyvarebulebi safrangeTi 1961<br />

warwera gvafrTxilebs: `erideT dabindul saTvaleebs~.<br />

ana da misi Seyvarebuli senaze gadasaxed xidze erTmaneTs<br />

kocnian. kaci saTvales ikeTebs da xels uqnevs gogonas,<br />

roca is mdinaris napirisken kibeze Carbis. Semdeg dafeTebuli<br />

uyurebs, rogor ecema ana da rogor moaTavseben<br />

mas katafalkze. biWi uSedegod cdilobs daewios katafalks.<br />

danaRvlianebuli simpaTiuri gamyidvelisgan did<br />

samgloviaro gvirgvins da cxvirsaxocs yidulobs. Semdeg<br />

saTvales ixsnis, raTa cremlebi moiwmindos da xvdeba, rom<br />

ubedurebis saTave swored saTvalea. igi xelaxla emSvidobeba<br />

Seyvarebuls, amjerad saTvalis gareSe.<br />

7 62<br />

You’ve got beautiful stairs, you know… France 1986<br />

The fi lm is a loving homage to fi lm culture.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Patrick Blossier<br />

Cast: Isabelle Adjani<br />

Music: Michel Legrand<br />

Editing: Marie-Jo Audiard<br />

Production: Ciné-Tamaris & Miroirs<br />

for the French Cinémathèque<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: patrik blosie<br />

monawileoben: izabel ajani<br />

musika: miSel legrani<br />

montaJi: mari-Jo odiari<br />

“parizelebi”/ The „Parisian“ Shorts<br />

The Mac Donald bridge fi ancés France 1982<br />

A subtitle warns, “Beware of dark sunglasses.” Anna and her<br />

lover kiss on a bridge overlooking the Seine. He dons sunglasses<br />

and waves as she runs down a stairway to the river’s edge,<br />

then watches in horror as she’s knocked fl at and loaded into<br />

the back of a hearse. In vain, he gives chase. Disconsolate, he<br />

buys a large funeral wreath and a handkerchief from sympathetic<br />

vendor. He removes the glasses to wipe his eyes and realizes<br />

they are the cause of all his woe. He replays the farewell<br />

without the glasses.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Jean Rabier<br />

Cast: Anna Karina, Jean-Luc Godard, Jean-Claude Brialy, Eddie<br />

Constantine, Danielle Delorme, Sami Frey, Yves Robert, Alan<br />

Scott<br />

Music: Michel Legrand<br />

Production design: Bernard Evein<br />

Costumes: Bernard Evein<br />

Editing: Janine Verneau<br />

Producers: Georges De Beauregard, Carlo Ponti<br />

Production: Rome-Paris-Films<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: Jan rabie<br />

monawileoben: ana karina, Jan-luk godari, Jan-klod<br />

briali, edi konstantini, daniel delormi, sami frei,<br />

iv roberi, alan skoti<br />

musika: miSel legrani<br />

mxatvari: bernar eveni<br />

kostiumebi: bernar eveni<br />

montaJi: Janin verno<br />

prodiuserebi: JorJ de boregari, karlo ponti<br />

“parizelebi”/ The „Parisian“ Shorts


27 wT, 35 mm, feradi, mxatvruli<br />

27 min, 35 mm, Colour, Fiction<br />

7P., CUIS., S. DE B… (à saisir)<br />

7 oTaxi, samzareulo, abazana... (stace xeli)<br />

safrangeTi 1984<br />

Tavis yvelaze siurealistur filmSi anies varda acocxlebs<br />

personaJebs, romlebic odesRac TavSesafris binadrebi<br />

iyvnen (an iqneb arc iyvnen?) da bunuelis esTetikis<br />

gamoyenebiT saxlis kedlebis mexsierebaSi aRadgens maT<br />

portretebs. vardam <strong>filmi</strong> 1984 wels avinionis wm. luis<br />

TavSesafarSi lui bekis mier warmodgenilo gamofenis -<br />

`cocxali da xelovnuri~ - mimdinareobis dros gadaiRo.<br />

7R., kit., bath . . . [GRAB IT] France 1984<br />

In her most surreal fi lm Agnes Varda restores to life the<br />

characters who were asylum inhabitants (or maybe they<br />

were not?) and using Buñuel’s aesthetics reconstructs their<br />

portraits in memory of the walls of house. Varda shot the<br />

fi lm during Louis Bec’s exhibition “Alive and Artifi cial” in St.<br />

Louis asylum in Avignon.<br />

Director: Agnès Varda<br />

Screenplay: Agnès Varda<br />

DOP: Nurith Aviv<br />

Cast: Yolande Moreau,Marthe Jarnias, Louis Bec, Saskia<br />

Cohen-Tanugi, Catherine De Barbeyrac<br />

Music: Pierre Barbaud<br />

Set Decoration: Louis Bec<br />

Editing: Sabine Mamou<br />

Sound: Daniel Ollivier<br />

Production: Ciné-Tamaris<br />

In co-production with: CNAP, FIACRE<br />

reJisori: anies varda<br />

scenari: anies varda<br />

operatori: nurit avivi<br />

monawileoben: ioland moro, marta Jarnia, lui beki, saskia<br />

koen-tanuJi, katrin de barbeiraki<br />

musika: pier barbo<br />

dekoratori: lui beki<br />

montaJi: sabina mamu<br />

xma: daniel olivie<br />

esse / The Essay<br />

7 63


qarTuli uxmo filmebi


Georgian Silent Movies


qarTuli saerTaSoriso uxmo filmebi konkursi / / Georgian International Silent Competition<br />

Movies<br />

70 wT, 35 mm, S/T<br />

70 min, 35 mm, b/w<br />

ARSENA KACHAGHI<br />

arsena yaCaRi saqarTvelo 1923<br />

batonis brZanebiT arsenas Tanasoflel glexs qorwilidan patarZals<br />

staceben, patarZlis mamas ki urCobisTvis rozgaven. arsena<br />

qalis batonis xelidan daxsnas cdilobs, magram araferi gamosdis<br />

da iZulebuli xdeba amboxebuli glexebis razmTan erTad mTaSi<br />

gaixiznos. arsenas axalSerTul cols, nenos, cils swameben, TiTqos<br />

is batonisgan iyos fexmZimed. Sercxvenili neno Tavs iklavs. arsena<br />

batonis saxl-kars gadawvavs. mas Seipyroben, magram arsena gaqcevas<br />

axerxebs da glexebis razms ubrundeba mTaSi. razmelebi mosaxleobis<br />

mZarcvelebad qceulan. gulgatexili arsena martodmarto<br />

ganagrZobs brZolas mCagvrelTa winaaRmdeg.<br />

reJisori: vladimer barski<br />

scenari: vladimer barski<br />

operatori: aleqsandre diRmelovi<br />

mxatvrebi: valerian sidamon-erisTavi, k. tiri<br />

monawileoben: grigol CeCelaSvili, nato vaCnaZe, petre esikovski,<br />

kote andronikaSvili, zaqro beriSvili, vaso arabiZe,<br />

asia barxudarova<br />

kinostudia saxkinmrewvis nawarmoebi<br />

originaluri versia<br />

Arsena, the Brigand Georgia 1923<br />

A master orders to abduct a bride from the wedding of a peasant<br />

who is Arsena’s fellow villager and birch her father for disobedience.<br />

Arsena attempts to save the bride out of the master’s hands but fails<br />

to do anything and together with the rebel peasants’ crew escapes<br />

to the hills. Arsena’s newlywed wife Neno is slandered as if she were<br />

pregnant by the master and defamed woman commits suicide. Arsena<br />

burns down the master’s property. He is arrested but manages<br />

to escape and returns to the rebel peasants in the hills. The members<br />

of the crew have become plunderers. Disappointed Arsena continues<br />

to fi ght against the oppressors all alone.<br />

Director: Vladimer Barsky<br />

Screenplay: Vladimer Barsky<br />

Cinematograhy: Alexandre Digmelov<br />

Production design: Valerian Sidamon-Eristavi, K. Tiri<br />

Cast: Grigol Chechelashvili, Nato Vachnadze, Petre<br />

Yesikovsky, Kote Andronikashvili, Zakaria Berishvili,<br />

Vaso Arabidze, Asya Barkhudarova<br />

7 66<br />

Production:<br />

Sakhkinmretsvi Film Studio<br />

Original version<br />

filmografia/Filmography<br />

1928 kazakebi / Cossacks<br />

1927 bela / Bela<br />

1927 maqsim maqsimiCi / Maksim Maksimich<br />

1926 mecxre talRa / The Ninth Wave<br />

1926 Tavadis asuli meri / Vicountess Meri<br />

1925 warsulis saSinelebani / Horrors of the Past<br />

1925 Suquras saidumloeba / Mystery of Beacon<br />

1925 warsulis saSinelebani 2 (aTasis fasad) /<br />

Horrors of the Past 2<br />

1923 arsena yaCaRi / Arsena, the Brigand<br />

1922 moZRvari / Preceptor<br />

1920 nu gZinavs / Don’t Sleep<br />

1920 uTavo cxedari / The Corpse without head<br />

1919 Tqvi risTvis / Tell Me Why<br />

1919 cecxlTanyvanismcemlebi / Fire-worshippers<br />

vladimer barski 1866 - 1936<br />

daamTavra moskovis saimperatoro saswavlebeli.1892<br />

wlidan muSaobda msaxiobad da reJisorad sxvadasxva TeatrebSi,<br />

1899-1917 wlebSi iyo ivanovo-voznesenskis dramatuli<br />

Teatris msaxiobi da reJisori. 1917-1928 wlebSi<br />

moRvaweobda saqarTveloSi, saxkinmrewvSi.<br />

monawileobda TurqmeneTis da uzbekeTis kinomatografiis<br />

CamoyalibebaSi.<br />

Vladimir Barski 1866 – 1936<br />

Vladimir Barski was graduated from Moscow Imperial Technical<br />

College. Since 1892 he had worked as actor and director<br />

in different theatres. In 1899-1917 he had been an actor and<br />

director of Ivanovo-Voznesenski drama theatre. In 1917-1928<br />

Barski had exercised creative activity in Georgia working in<br />

Sakhkinmretstvi fi lm studio. Vladimir Barski participated in the<br />

formation of cinematography of Turkmenistan and Uzbekistan.


52 wT, 35 mm, S/T<br />

52 min, 35 mm, b/w<br />

LURSMANI CHEQMASHI<br />

lursmani CeqmaSi sabWoTa saqarTvelo 1931<br />

uvargisi Ceqmebis gamo manevrebis dros muSa ver aswrebs mniSvnelovani<br />

Setyobinebis gadacemas da Tavdasxmis imitaciisas<br />

javSanmatareblis jgufi `iRupeba~. gmiri msjavrdebulTa<br />

skamze aRmoCndeba, magram, rogorc irkveva, tribunali Tavad<br />

aris damnaSave: mis rigebSi `daRupuli~ javSanmatareblis jgufia,<br />

romelSic wuniani Ceqmebis damamzadebeli mewaReebi Sedian.<br />

.<br />

reJisori: mixeil kalatoziSvili<br />

scenari: leonid perelmani<br />

operatori: Salva afaqiZe<br />

mxatvari: serafion vawaZe<br />

monawileoben: aleqsandre jaliaSvili, siko falavandiSvili,<br />

akaki xorava, arkadi xinTibiZe<br />

kinostudia saxkinmrewvis nawarmoebi<br />

originaluri versia<br />

Nail in the Boot Soviet Georgia 1931<br />

Due to unfi t boots a worker fails to deliver an important message<br />

during the war games and in the course of simulated attack a<br />

group of armoured train “perishes”. The protagonist fi nds out himself<br />

on a felon’s dock but it appears that the tribunal is to blame<br />

as well: among its members are some members of the group of<br />

the “perished” armoured train including the makers of the defective<br />

boots.<br />

.<br />

Director: Mikhail Kalatozishvili<br />

Screenplay: Leonid Perelman<br />

Cinematograhy: Shalva Apakidze<br />

Production design: Serapion Vatsadze<br />

Cast: Alexandre Jaliashvili,<br />

Siko Palavandishvili, Akaki Khorava,<br />

Arkadi Khintibidze<br />

Production:<br />

Sakhkinmretsvi Film Studio<br />

Original version<br />

filmografia/Filmography<br />

1969 Красная палатка / The Red Tent<br />

1964 Я Куба / I Am Cuba<br />

1959 Неотправленное письмо / The Unsent<br />

Letter<br />

1957 Летят журавли / The Cranes Are Flying<br />

1955 Первый эшелон / The First Echelon<br />

1954 Верные друзья / True Friends<br />

1953 Вихри враждебные / Hostile Whirlwinds<br />

1950 Заговор обречённых / Conspiracy of the<br />

Doomed<br />

1942 Непобедимые / Invincible<br />

1941 Валерий Чкалов / Wings of Victory<br />

1939 Мужество / Courage<br />

1931 lursmani CeqmaSi / Nail in the Boot<br />

1930 jim-SvanTe / Salt for Svanetia<br />

1930 usinaTlo / Little Blind Girl<br />

1928 maTi samefo (18-28) / Their Empire<br />

mixeil kalatoziSvili / mixail kalatozovi<br />

kinoSi moRvaweoba kinomeqanikosobiT daiwyo, Semdeg samsaxiobo<br />

ostatobis dauflebis mizniT ivane perestianis kinosamsaxiobo<br />

studiaSi Sevida. 1923 wlidan muSaobda kinostudia<br />

“saxkinmrewvSi” memontaJed, operatorad, reJisorad.<br />

1934–1935 wlebSi “saxkinmrewvis” direqtoria. 1931-1934<br />

wlebSi iyo leningradis xelovnebaTmcodneobis akademiis<br />

msmeneli. 1937 wels daamTavra leningradis xelovnebaTmcodneobis<br />

akademiis aspirantura. 1937 wlidan iyo kinostudia<br />

“len<strong>filmi</strong>s”, xolo 1943 wlidan kinostudia “mos<strong>filmi</strong>s”<br />

reJisori. 1944-1946 wlebSi iyo sabWoTa kinowarmoebis mTavari<br />

komitetis ufrosi, 1946-1948 wlebSi - sabWoTa kavSiris<br />

kinematografiis ministris moadgile. miniWebuli aqvs sab-<br />

WoTa kavSiris saxalxo artistis wodeba (1969), dajildoebulia<br />

stalinuri premiiT (1951). sabWoTa kinos istoriaSi<br />

veravin moxsna misi rekordi - “mifrinaven weroebi” erTaderTi<br />

sabWoTa <strong>filmi</strong>a, romelmac kanis kinofestivalis mTavari<br />

prizi “gran - pri” miiRo (1958). kinematografistTa 2005<br />

wlis gamokiTxviT <strong>filmi</strong> “mifrinaven weroebi” yvela drois<br />

saukeTeso sabWoTa filmad dasaxelda.<br />

Mikheil Kalatozishvili (Mikhail Kalatozov)<br />

Mikheil Kalatozishvili started to exercise his activity in the<br />

cinema as a cinema operator, then joined studio of fi lm<br />

actors of Ivane Perestiani to master acting. Kalatozishvili<br />

had worked in Sakhkinmretstvi fi lm studio as editor, cameraman<br />

and director since 1923. In 1934–1935 he was a<br />

director of Sakhkinmretstvi fi lm studio. In 1931-1934 he was<br />

a student of Leningrad Academy of Art History. He had<br />

been a director at Lenfi lm studio since 1937 and at Mosfi lm<br />

studio - since 1943. In 1946-1948 he was a head of Soviet<br />

Film Production Chief Committee, in 1946-1948 – deputy<br />

minister of cinematography of Soviet Union. Mikheil Kalatozishvili<br />

was awarded a rank of People’s artist of Soviet<br />

Union (1969), Stalin Prize (1951). No one managed to<br />

break his record in the history of Soviet cinema – a fi lm<br />

by him Cranes are Flying is the only Soviet fi lm awarded<br />

grand prix of the Cannes Film Festival (1958). By the fi lmmakers<br />

opinion poll of 2005 Cranes are Flying is the best<br />

Soviet fi lm of all times.<br />

7 67


qarTuli saerTaSoriso uxmo filmebi konkursi / / Georgian International Silent Competition<br />

Movies<br />

27 wT, 35 mm, S/T<br />

27 min, 35 mm, b/w<br />

NORCHI MPHRINAVI<br />

norCi mfrinavi sabWoTa saqarTvelo 1928<br />

megobrebi - gogi, liova da alika - ocneboben gaxdnen mfrinavebi.<br />

gogis iniciativiT isini safren aparats ageben, magram pirveli<br />

gafrena marcxiT mTavrdeba. TviTmfrinavi daimsxvra, piloti ki<br />

mZimed daSavda. bavSvebi gadawyveten aviakonstruqtorTa wreSi<br />

Caeweron. aq isini safrenosno saqmes euflebian da aviamodelebis<br />

agebasac swavloben.<br />

reJisori: nikoloz kaxiZe<br />

scenari: i. saburovi<br />

operatori: vladimir poznani<br />

mxatvari: valerian sidamon-erisTavi<br />

montaJi: g. namoraZe, n. iudini<br />

monawileoben: gogi ratiani, m. maWavariani, a. CiCua, l. areSiZe,<br />

aleqsandre dadeSqeliani<br />

kinostudia saxkinmrewvis nawarmoebi<br />

A Young Pilot Soviet Georgia 1928<br />

Friends, Gogi, Leva and Alik, dream of becoming pilots. Gogi is the<br />

initiator of constructing the fl ying apparatus. But the fl ight is not successful.<br />

The plane crash lands and the pilot is badly injured. After this<br />

children enroll in the circle of the plane constructors. They learn how<br />

to construct plane models and study aviation.<br />

Director: Nikoloz Kakhidze<br />

Screenplay: I. Saburov<br />

Cinematograhy: Vladimir Poznan<br />

Production design: Valerian Sidamon-Eristavi<br />

Editing: G. Namoradze, N. Yudin<br />

Cast: Gogi Ratiani, M. Machavariani, A. Chichua, L.<br />

Areshidze, Alexandre Dadeshkeliani<br />

7 68<br />

Production:<br />

Sakhkinmretsvi Film Studio<br />

filmografia/Filmography<br />

1928 norCi mfrinavi / The Young Pilot<br />

1927 ori celqi / Two Naughty Boys<br />

nikoloz kaxiZe<br />

daibada TbilisSi 1894 wlis 7 oqtombers. mamamisi<br />

iuristi iyo, deda ki sabWoTa kavSiris damsaxurebuli<br />

artisti, romelic qeTo andronikaSvilis<br />

fsevdonimiT gamodioda scenaze. daamTavra<br />

baqos vaJTa gimnazia. 1911-1915 wlebSi swavlobda<br />

moskovis universitetis iuridiul fakultetze.<br />

damamTavrebeli gamocdis Cabarebamde gaiwvies<br />

samefo armiaSi. ibrZoda Turqebis winaaRmdeg.<br />

1919 wels demobilizaciis Semdeg 1920 wlamde<br />

muSaobda konferansied Tblisis estradaze. 1920<br />

wlis dasasruls menSevikebis mTavrobam mexuTe<br />

polkSi gaiwvia. me-11 wiTeli armiis Semosvlis<br />

Semdeg quTaisis saswavlo batalionSi gaagzavnes.<br />

1924-25 wlebSi kvlav Tbilisis estradazea, amavdroulad<br />

muSaobs musikaluri satiris TeatrSi<br />

direqtorad da samxatvro xelmZRvanelad. 1925-<br />

1930 wlebSi msaxiobi da reJisoria saqarTvelos<br />

saxkinmrewvSi. iTamaSa filmebSi `ibrahimi da<br />

goderZi~ (1927) da `vin aris damnaSave?~ (1925).<br />

mis mier gadaRebuli <strong>filmi</strong> `ori celqi~ ar Semonaxula.<br />

1931 wlidan muSaobs CrdiloeT kavkasiis<br />

olqis damamzadebeli kantoris direqtorad.<br />

momdevno wels daapatimres da 5 weli miusajes<br />

sasjeli sakoncentracio banakSi moxdiT. 1934<br />

wels vadamde gaaTavisufles da belomor-baltiis<br />

kombinatSi datoves samuSaod Teatralur-mxatvruli<br />

ganyofilebis direqtorad, sadac 1936<br />

wlamde imuSava. 1936 wels dabrunda TbilisSi.<br />

Nikoloz Kakhidze<br />

Was born on 7 october, 1894 in Tbilisi. HHis father was<br />

a lawyer, mother was honored artist of Soviet Union<br />

who appeared on the stage under the pseudonym<br />

of Keto Andronikashvili. Graduated from the Baku<br />

classical school for boys. In 1911-1915 years he was<br />

studying at the law department of Moscow University,<br />

but before graduation he was called up for military<br />

service in the Royal Army. He was fi ghting against the<br />

Turks. Upon demobilization in 1919 he had worked as<br />

master of ceremonies at Tbilisi variety before 1920. By<br />

the end of 1920 he was called for military service to<br />

the 5th regiment by Mensheviks. After the 11th Army<br />

invasion he was sent to Kutaisi educational battalion.<br />

In 1924-25 years he was back in Tbilisi variety. At the<br />

same time he was working as a manager and creative<br />

director of musical satire theatre. In 1925-1930<br />

he was an actor and director at Georgian studio of<br />

Sakhkinmretsvi. He was starring in the fi lms “Ibrahim<br />

and Goderdzi” (1927) and “Who is the Guilty” (1925).<br />

A fi lm by him “Two Little Imps” has not been preserved.<br />

He had worked as a director of the North Caucasian<br />

Region Stocking Offi ce since 1931. Next year he was<br />

arrested and sentenced to 5 years of concentration<br />

camp. In 1934 he was released on parole and left at<br />

Belomor-Baltic works as a director of theatrical and<br />

creative department, where he worked by 1936. He<br />

returned in Tbilisi in 1936.


105 wT, 35 mm, S/T<br />

105 min, 35 mm, b/w<br />

VIN ARIS DAMNASHAVE?<br />

vin aris damnaSave? sabWoTa saqarTvelo 1925<br />

axalgazrda glexi siko gamdidrebis imediT amerikuli cirkis<br />

mflobelTan awers kontraqts xels da mojiriTeTa jgufTan<br />

erTad amerikaSi miemgzavreba. Sin cols, Cvil bavSvs, dedasa da<br />

moxuc babuas tovebs. misi gamgzavrebis Semdeg bavSvi kvdeba,<br />

coli sasowarkveTilia. ukeTesi cxovrebis Zieba tragediad<br />

iqceva.<br />

reJisori: aleqsandre wuwunava<br />

scenari: aleqsandre wuwunava<br />

operatori: sergei zabozlaevi<br />

mxatvari: dimitri SevardnaZe<br />

montaJi:<br />

monawileoben: kote miqaberiZe, cecilia wuwunava, nato vaCnaZe,<br />

dimitri yifiani, i. trapaiZe, arkadi xinTibiZe, nikoloz kaxiZe,<br />

sofia Jozefi, kote andronikaSvili, vaso arabiZe, elisabed<br />

CerqeziSvili, mixeil gelovani<br />

kinostudia saxkinmrewvis nawarmoebi<br />

originaluri versia<br />

Who Is the Guilty? Soviet Georgia 1925<br />

Sico, a young small farmer searching for a better life signs a contract<br />

with an American circus owner. At home stays his wife, baby-child,<br />

mother and old grandfather. After he leaves, his child<br />

dies. His wife Pati is in despair. Looking for a better life turns in a<br />

tragedy.<br />

Director: Alexandre Tsutsunava<br />

Screenplay: Alexandre Tsutsunava<br />

Cinematograhy: Sergei Zabozlayev<br />

Production design: Dimitri Shevardnadze<br />

Editing:<br />

Cast: Kote Mikaberidze, Tsetsilia Tsutsunava,<br />

Nato Vachnadze, Dimitri Kipiani, I. Trapaidze,<br />

Arkadi Khintibidze, Nikoloz Kakhidze, Sofi a Jozeff,<br />

Kote Andronikashvili, Vaso Arabidze,<br />

Elisabed Cherkezishvili, Mikheil Gelovani<br />

Production:<br />

Sakhkinmretsvi Film Studio<br />

Original version<br />

filmografia/Filmography<br />

1928 janyi guriaSi / Mutiny in Guria<br />

1927 ori monadire / Two Hunters<br />

1926 xanuma / Khanum<br />

1925 vin aris damnaSave / Who Is the Guilty?<br />

1918 qristine / Kristine<br />

aleqsandre wuwunava 1881 - 1955<br />

swavlobda Tbilisis samaswavleblo institutSi, romelic<br />

ar daumTavrebia. 1900 wlidan muSaobda quTaisis TeatrSi<br />

lado aleqsi-mesxiSvilis xelmZRvanelobiT, 1901-1905 wleb-<br />

Si - Tbilisis qarTul TeatrSi. 1905-1910 wlebSi swavlobda<br />

moskovis samxatvro Teatris studiis sareJisoro kursebze.<br />

1910 wlidan daiwyo sareJisoro moRvaweoba jer Wia-<br />

Turis TeatrSi, xolo Semdgom 1914-1916 wlebSi - Tbilisis<br />

saxalxo saxlSi da rusul TeatrSi muSaobda. swavlobda<br />

Tbilisis pedagogiur universitetSi. 1918 wlidan muSaobda<br />

Tbilisis operisa da baletis TeatrSi, jer Teatris komisrad,<br />

Semdeg reJisorad, xolo 1947 wlidan - mTavar reJisorad.<br />

aleqsandre wuwunava maSin Caudga saTaveSi operis<br />

Teatrs, rodesac saopero reJisuris dargi yalibdeboda.<br />

igi iyo qarTuli kinos erT-erTi fuZemdebeli. 1918 wels<br />

man gadaiRo pirveli qarTuli srulmetraJiani mxatvruli<br />

<strong>filmi</strong> “qristine”. miniWebuli aqvs saqarTvelos saxalxo artistis<br />

wodeba (1934).<br />

Alexsandre Tsutsunava 1881 – 1955<br />

Alexsandre Tsutsunava was studying at Tbilisi pedagogical<br />

institute but dropped out. He had been working at Kutaisi<br />

theatre under the guidance of Lado Alexi Meskhishvili<br />

since 1900. In 1901-1905 he had worked at Tbilisi Georgian<br />

Theatre. In 1905–1910 he had been studying art of directing<br />

at the studio of Moscow Arts Theatre. Since 1910 he<br />

started to work as director fi rst at Chiatura Theatre, and afterwards<br />

in 1914-1916 in Tbilisi People’s House and Russian<br />

Theatre. He was studying at Tbilisi Pedagogical University.<br />

Since 1918 he had worked at Tbilisi Theatre of Opera and<br />

Ballet fi rst as a commissar of the theatre, then as director<br />

and since 1947 – as chief director. Alexandre Tsutsunava<br />

headed the opera theatre in the period of time when the<br />

profession of opera direction was in making. He was one<br />

of the founders of Georgian cinema. In 1918 he made the<br />

fi rst Georgian full-length fi lm Christine. He was awarded<br />

the title of People’s Artist of Georgia (1934).<br />

7 69


specialuri Cvenebebi


Special Screenings


specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />

116 wT, 35 mm, feradi<br />

116 min, 35 mm, colour<br />

BUMAZNYJ SOLDAT / БУМАЖНЫЙ СОЛДАТ<br />

qaRaldis jariskaci ruseTi 2008<br />

yazaxeTi, 1961 weli. daniel pokrovski, sabWoTa armiis samedicino<br />

samsaxuris oficeri, baikonurSi sabWoTa kosmonavtebis<br />

pirvel jgufs amzadebs. mas coli hyavs, magram urTierToba aqvs<br />

axalgazrda qalTan, verasTan. rodesac pokrovski moskovSi da<br />

colis, ninas mklavebSi brundeba, mas tanjavs imis Segneba, rom<br />

idealist kosmonavtebs, romlebic ukve misi megobrebi gaxdnen,<br />

SesaZloa samSoblosTvis sakuTari sicocxlis gawirva mouxdeT.<br />

magram rodesac nina mas samsaxuris mitovebas mosTxovs, radgan<br />

amoralurad miaCnia adamianebis sicocxlis sasworze Segdeba,<br />

pokrovski ninas tovebs da ubrundeba veras, kosmosur programas<br />

da gardauval sikvdils.<br />

reJisori: aleqsei germani umcrosi<br />

scenari: aleqsei germani umcrosi, vladimir arkuSa, iulia<br />

glezarova<br />

operatorebi: maqsim drozdovi, aliSer xamidxojaevi<br />

monawileoben: merab niniZe, Culpan xamtova, anastasia Seveleva<br />

musika: fiodor sofronovi<br />

prodiuserebi: artiom vasilievi, sergei Sumakovi<br />

Paper Soldier Russia 2008<br />

Kazakhstan, early 1961. Daniel Pokrovsky, a medical offi cer in the<br />

Soviet Army, is serving in Kazakhstan, working with the fi rst ever<br />

group of cosmonauts. He’s a married man, but still he can’t help<br />

himself from getting involved with the young Vera. Back in Moscow<br />

and the arms of his wife, Nina, Pokrovsky is torn between his<br />

friendship with the idealistic space cadets, and the knowledge<br />

that these men are expected to sacrifi ce their own lives for the<br />

nation. Yet, when Nina demands that he leaves his job, because<br />

it is immoral to risk the lives of humans, he decides to leave her<br />

instead. Pokrovsky goes back to Vera, the space program and<br />

his own impending doom.<br />

Director: Alexey German jr.<br />

Screenplay: Alexey German jr.,<br />

Vladimir Arkusha, Julia Glezarova<br />

DOP: Maxim Drozdov,<br />

Alisher Khamidhodjaev<br />

Cast: Merab Ninidze,<br />

Chulpan Khamatova,<br />

Anastasya Sheveleva<br />

Music: Fjodor Sofronov<br />

Producers: Artem Vasiliev,<br />

Sergey Shumakov<br />

7 72<br />

Production:<br />

Phenomen Films<br />

Phone: +7495 143 94 97<br />

Info@phenomenfi lms.ru<br />

TV Channel “Russia”<br />

filmografia/Filmography<br />

2007 Atonement<br />

2005 Pride and Prejudice<br />

2003 Charles II: The Power & the Passion (TV<br />

mini-series)<br />

2002 Bodily Harm (TV mini-series)<br />

2001 Bob & Rose (TV series)<br />

2000 Nature Boy (TV mini-series)<br />

1998 The End<br />

1997 Crocodile Snap<br />

aleqsei germani<br />

daibada 1976 wels moskovSi. 1996-2002 wlebSi swavlobda<br />

moskovis kinematografiis institutSi (sergei salaviovis<br />

saxelosno). swavlis periodSi sami warmatebuli<br />

moklemetraJiani <strong>filmi</strong>s gadaRebis Semdeg 2003 wels gadaiRo<br />

pirveli srulmetraJiani mxatvruli <strong>filmi</strong> “ukanaskneli<br />

matarebeli”, romelic 2004 wels roterdamis<br />

festivalze Amnesty Internatioinal-is priziT aRiniSna.<br />

“qaRaldis jariskaci” misi mesame srulmetraJiani <strong>filmi</strong>a,<br />

romelmac reJisors veneciis wlevandeli festivalis<br />

“vercxlis lomi” moutana saukeTeso reJisurisTvis.<br />

Alexey German<br />

Born in 1976 in Moscow, Russia. In 1996-2002 he studied at<br />

the VGIK (Sergey Solovjev’s studio) where he shot three<br />

successful shorts. “The Last Traine” was his fi rst feature fi lm<br />

wich won the Amnesty Internatioinal award at the 2004<br />

International Film festival in Rotterdam. Alexey German<br />

won “Silver Lion” at the last Venice Film Festival for his third<br />

feature “Paper Soldier”.


58 wT, digibeta, feradi<br />

58 min, digibeta, coluor<br />

NOSTALGIA<br />

nostalgia niderlandebi 1999<br />

tato kotetiSvili holandiaSi 1990-iani wlebis dasawyisSi wavida.<br />

sul male saqarTveloSi samoqalaqo omi daiwyo da man droebiT<br />

holandiaSi darCena gadawyvita. saqarTveloSi mxolod 1997<br />

wels dabrunda “nostalgiis” gadasaRebad. gadaRebebis Semdeg<br />

holandiaSi dabrunebuli tato moulodnelad gardaicvala.<br />

<strong>filmi</strong> misma megobarma qalma da kolegam, ineke smitsma daasrula<br />

tatos megobrebTan erTad.<br />

es piraduli <strong>filmi</strong>a, romelSic reJisoris naTesavebi, megobrebi<br />

da nacnobebi saqarTveloSi bolo aTi wlis manZilze momxdar<br />

ambebze laparakoben. samoqalaqo omma ise Secvala sazogadoeba,<br />

rom tato sakuTar qveyanaSi ucxod grZobs Tavs. is, risi povnis<br />

imedic mas samSobloSi hqonda, aRar arsebobs. misi saqarTvelo<br />

“nostalgiad” iqca.<br />

reJisorebi: tato kotetiSvili, ineke smitsi<br />

operatori: edvin verstegeni<br />

mTxrobeli: kote yubaneiSvili<br />

musika: gio cincaZe<br />

montaJi: jemi trevili<br />

xma: meno oive, kristine van rooni<br />

prodiuseri: sezar mesemakeri<br />

Nostalgia The Netherlands 1999<br />

Tato Kotetishvili came to Holland in the early nineties. Shortly after<br />

his arrival civil war broke out in Georgia. Tato decided to stay in<br />

Holland for a while. In 1997 he returned to Georgia for the fi rst<br />

time to make NOSTALGIA. Tato had only just returned to Holland<br />

after completing shooting, when he died suddenly. His girlfriend<br />

and colleague Ineke Smits completed the documentary together<br />

with some of his friends.<br />

NOSTALGIA is a personal documentary that tells the story in an associative<br />

way of the effect that the civil war in Georgia has had<br />

on the director’s relatives and friends. It shows how the society<br />

in which they live and their mutual relationships have changed<br />

drastically in ten years. They have changed so much that Tato<br />

feels like a foreigner in his own country. What he hoped to fi nd is<br />

no more. His Georgia has become NOSTALGIA.<br />

Directors: Tato Kotetishvili, Ineke Smits<br />

DOP: Edwin Verstegen<br />

Storyteller: Kote Kubaneishvili<br />

Music: Gio Tsintsadze<br />

Editing: Jamie Trevill<br />

Sound: Menno Euwe, Christine van Roon<br />

Producer: Cesar Messemaker<br />

(1959, Tbilisi – 1997, roterdami)<br />

1982 wels daamTavra Tbilisis Teatrisa da kinos institutis<br />

kinosareJisoro fakulteti, eldar Sengelaias saxelosno.<br />

ineke smitsi<br />

Production:<br />

L U M E N F I L M<br />

in co-production with HUMANISTISCHE<br />

OMROEP<br />

filmografia/Filmography<br />

tato kotetiSvili<br />

ineke smitsi / Ineke Smits<br />

Tato Kotetishvili<br />

2008 Transit Dubai<br />

1996 The effect of Pascal’s 2005 Black Gold under<br />

Quote on World Histiry Notecka Forest<br />

1992 To Be or Not to Be 2003 Putin’s Mama<br />

1992 Rose, Violet and Lily 2001 Magonia<br />

1990 Thou Shall Not Speak Evil 1997 The Cloud Factory<br />

1989 The End<br />

1996 A Whores Sermon<br />

1987 Anemia / anemia 1994 Sirko<br />

1984 The Train / matarebeli 1992 Rose, Violet and Lily<br />

1979 The Hero / gmiri 1989 Monas Plen<br />

1988 Emotional Constructions<br />

1985 Time Rituals<br />

1985 All Sounds of the World<br />

tato kotetiSvili<br />

Tato Kotetishvili<br />

(Tbilisi 1959 - Rotterdam 1997)<br />

Studied fi lm directing at the Georgian State Theatre and<br />

Film Institute, Eldar Schengalaia’ studio<br />

.<br />

daibada 1960 wels roterdamSi. swavlobda grafikas da audiovizualur<br />

mxatvrobas roterdamis samxatvro skolaSi,<br />

kinoreJisuras – kinosa da televiziis nacionalur skolaSi<br />

bekonsfildSi, inglisi.<br />

Ineke Smits<br />

Born in 1960 in Rotterdam, Netherlands. Studied Graphic<br />

and Audio-Visual Design at the Rotterdam Art School and<br />

fi lm directing at the National Film and Television School in<br />

Beaconsfi eld, England.<br />

.<br />

World Sales:<br />

L U M E N F I L M,<br />

Korte Prinsengracht 17-d,<br />

NL-1013 GN Amsterdam, The Netherlands,<br />

Tel +31 20 623 26 00, Fax +31 20 625<br />

48 30<br />

7 73


specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />

129 wT, 35 mm, feradi<br />

129 min, 35 mm, colour<br />

eyrdnoba jein ostinis romans xuTi dis – jein, elizabet, meri,<br />

kiti da lidia benetebis Sesaxeb, romlebic georgianuli periodis<br />

inglisSi cxovrobdnen. benetebis cxovreba Tavdayira<br />

daayena maT mezoblad mdidari axalgazrda mamakacis, mister<br />

binglis, da misi saukeTeso megobris, mister darsis, Camosvlam.<br />

reJisori: jo raiti<br />

scenari: debora mogaCi<br />

operatori: roman osini<br />

monawileoben: kira naiTli, Talula rilei, rozamund pike,<br />

jena melouni, keri maligani, donald sazerlendi,<br />

brenda bleTini, simon budsi, meTiu makfadieni<br />

musika: dario marianeli<br />

mxatvari: sara grinvudi<br />

kostiumebi: Jaklin diureni<br />

montaJi: pol toTili<br />

xma: deivid taileri<br />

prodiuserebi: tim bivani, erik felneri, pol vebsteri<br />

aRmasrulebeli prodiuseri: debra heivordi<br />

The story is based on Jane Austen’s novel about fi ve sisters - Jane,<br />

Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England.<br />

Their lives are turned upside down when a wealthy young man,<br />

Mr. Bingley, and his best friend, Mr. Darcy, arrive in their neighborhood.<br />

Production:<br />

Working Title Films<br />

Oxford House,<br />

76 Oxford Street,<br />

London, W1D 1BS<br />

phone: 020 7307 3000<br />

fax: 020 7307 3001/2/3<br />

www.workingtitlefi lms.com<br />

Joe Wright<br />

filmografia/Filmography<br />

2008 Dernier maquis<br />

2006 Bled Number One<br />

2001 Wesh, wesh, qu’est-ce qui se passe?<br />

PRIDE AND PREJUDICE<br />

siamaye da mikerZoebuli azri gaerTianebuli samefo / safrangeTi 2005<br />

Pride and Prejudic UK / France 2005<br />

Director: Joe Wright<br />

Sacreenplay: Deborah Moggach<br />

DOP: Roman Osin<br />

Cast: Keira Knightley, Talulah Riley,<br />

Rosamund Pike, Jena Malone,<br />

Carey Mulligan, Donald Sutherland,<br />

Brenda Blethyn, Simon Woods, Matthew<br />

Macfadyen<br />

Music: Dario Marianelli<br />

Production design: Sarah Greenwood<br />

Costumes: Jacqueline Durran<br />

Editing: Paul Tothill<br />

Sound: David Tyler<br />

Producers: Tim Bevan, Eric Fellner,<br />

Paul Webster<br />

Executive producer: Debra Hayward<br />

7 74<br />

jo raiti<br />

daibada 1972 wels londonSi. daavadebulia disleqsiiT<br />

da skolaSi ver miiRo saSualo moswrebis atestati. swavlobda<br />

kembervelis xelovnebis kolejSi, Semdeg londonis<br />

wminda martinis xelovnebis skolaSi swavlobda<br />

kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil<br />

reJisors Soris Jurnal Variety-is reitingSi<br />

“10 Directors to Watch”. 2007 wels raiti gaxda<br />

istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />

veneciis saerTaSoriso kinofestivali gaxsna (misi<br />

<strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />

Born in 1972 in London. Is Dyslexic and left school with<br />

no O-levels. Attended the Camberwell College of Arts.<br />

Trained as a fi lmmaker at London’s St. Martins art school.<br />

Named one of Variety’s “10 Directors to Watch” (2006). In<br />

2007, he became the youngest director in history to have<br />

a fi lm open the Venice Film Festival (his fi lm ATONEMENT<br />

was chosen to open 64th Venice International Film Festival).<br />

World Sales:<br />

Focus Features<br />

65 Bleecker St., 3rd Fl.<br />

New York, NY 10012<br />

phone: 212-539-4000<br />

fax: 212-539-4099


72 wT, HD,feradi<br />

72 min, HD, colour<br />

Transit Dubai<br />

tranziti dubai niderlandebi 2008<br />

axlo aRmosavleTis SuagulSi axali, Tanamedrove da swrafad<br />

mzardi qalaqi dubai mdebareobs. mayurebeli oTxi studentifotografis<br />

TvaliT danaxul qalaqis mocimcime fasadebs Soris<br />

mogzaurobs. caTambjenebi, saofise korpusebi da sastumroebi<br />

horizontze Cndebian. dubai warmodgenilia rogorc<br />

simSvidisa da keTildReobis oazisi, sadac yvela bednieria an<br />

mdidari mainc aris.<br />

reJisori: ineke smitsi<br />

scenari: ineke smitsi<br />

operatori: mel van eseni, edvin verstegeni<br />

musika: gio cincaZe<br />

montaJi: meno boerema, katarina tiurleri<br />

xma: harold ialvingi<br />

prodiuseri: denis vaslini<br />

Transit Dubai The Netherlands 2008<br />

In the heart of the Middle-East a brand-new, modern city is rapidly<br />

arising; the city of Dubai. Through the eyes of four photography<br />

students, we step through the glittering façade of a city.<br />

Skyscrapers, offi ce blocks and hotels rapidly spring up on the horizon<br />

and Dubai is portrayed as an oasis of peace and prosperity<br />

where everyone seems happy. Or at least rich.<br />

Director: Ineke Smits<br />

Screenplay: Ineke Smits<br />

Cinematography: Melle van Essen, Edwin<br />

Verstegen<br />

Music: Gio Tsintsadze<br />

Editing: Menno Boerema, Katarina Türler<br />

Sound: Harold Jalving<br />

Producer: Denis Vaslin<br />

Production:<br />

Volya Films b.v.<br />

Mauritsweg 56<br />

3012 JX Rotterdam<br />

Tel. +31 10 415 5621<br />

Fax +31 10 437 5934<br />

info@volyafi lms.com<br />

ineke smitsi<br />

daibada 1960 wels roterdamSi, niderlandebSi. roterdamis<br />

xelovnebis akademiaSi saxviT xelovnebas swavlobda. inglisis<br />

kinosa da televiziis erovnul skolaSi specializacia gaiara<br />

reJisuraSi. holandiis kulturuli televiziis ganviTarebis<br />

fondisa da britaneTis sakonsulos stipendiis mopovebis Semdeg<br />

1993 wels reJisoris kvalifikacia miiRo. filmebis gadaRebis<br />

garda leqciebs kiTxulobs arnhemis saxviTi xelovnebis<br />

skolasa da aindhovenis dizainis skolaSi.<br />

Ineke Smits<br />

filmografia/Filmography<br />

2009 Vliegenierster van Kazbek, De (fi lming)<br />

2003 Putins mama<br />

2001 Magonia<br />

1996 Hoerenpreek<br />

1996 Wolkenfabriek, De<br />

1992 Rose, Violet & Lily<br />

Ineke Smits was born in 1960, in Rotterdam, the Netherlands.<br />

She studied Fine Arts at the Rotterdam Art Academy,<br />

then specialised in directing at the National Film and<br />

Television School in England. Granted a scolarship by the<br />

Dutch Cultural Broadcasting Promotion Fund and the British<br />

Council, she completed her directing degree in 1993.<br />

Besides making fi lms, she has been teaching at Arnhem<br />

School of Fine Arts and at the Eindhoven School of Design.<br />

7 75


specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />

89 wT, 35 mm, feradi<br />

89 min, 35 mm, color<br />

DOPO MEZZANOTTE<br />

SuaRamis Semdeg italia 2004<br />

martino turinis kinos muzeumis, molis, Ramis darajia. magram<br />

misTvis es ar aris mxolod samuSao. gaTenebamde is Zvel uxmo<br />

filmebs uyurebs, Semdeg ki mitovebul samuSao adgils ubrundeba.<br />

anjeli qalaqis SemogarenSi mcxovrebi qurdia. mas manqanebi<br />

da gogoebi uyvars, rac mis megobar gogos, amandas, ar<br />

moswons. erTxelac amandas problemebi eqmneba da policiisgan<br />

Tavis dasaRwevad mols Seafarebs Tavs. TandaTan amandasa da<br />

martinos Soris raRac urTierToba Cndeba. amasobaSi anjeli<br />

Tavis megobari gogos Zebnas iwyebs. maTi cxovreba uxmo dramasaviT<br />

ixlarTeba, romlebic martinos ase uyvars.<br />

reJisori: davide ferario<br />

scenari: davide ferario<br />

operatori: dante keCini<br />

monawileoben: jiorjio pazoti, franCeska inaudi,<br />

fabio troiano, franCeska pikoza, silvio orlando<br />

musika: banda tonika, daniele sepe, fabio barovero<br />

mxatvari: franCeska boka<br />

kostiumebi: paola ronko<br />

montaJi: klaudio kormio<br />

xma: jiani sardo<br />

prodiuseri: davide ferario<br />

After Midnight Italy 2004<br />

Martino is the night guardian of the Mole, the Turin Museum of Cinema.<br />

But for him it’s not just a job. He spends his life watching the old<br />

silent movies until day comes, and then retiring to an abandoned offi<br />

ce. The Angel is a thief from the outskirts of the city. He likes cars and<br />

girls. This does not make Amanda, his girlfriend, very happy. One day<br />

Amanda gets into trouble and, running from the police, fi nds shelter<br />

in the Mole. Slowly, something happens between Martino and Amanda.<br />

But then it’s time for the Angel to go fi nd his girlfriend. Their lives<br />

tangle up like one of the silent dramas Martino is so fond of.<br />

Director: Davide Ferrario<br />

Screenplay: Davide Ferrario<br />

Cinematography: Dante Cecchin<br />

Cast: Giorgio Pasotti, Francesca Inaudi,<br />

Fabio Troiano, Francesca Picozza, Silvio<br />

Orlando<br />

Music: Banda Ionica, Daniele Sepe,<br />

Fabio Barovero<br />

Production design: Francesca Bocca<br />

Costumes: Paola Ronco<br />

Editing: Claudio Cormio<br />

Sound: Gianni Sardo<br />

Producer: Davide Ferrario<br />

7 76<br />

Production:<br />

Rossofuoco<br />

Davide Ferrario<br />

filmografia/Filmography<br />

2006 Strada di Levi, La / Primo Levi’s Journey<br />

2004 Se devo essere sincera<br />

2004 Dopo mezzanotte / After Midnight<br />

2002 Strade di Genova, Le<br />

2000 Rabbia, La<br />

1999 Guardami<br />

1998 Figli di Annibale / Children of Hannibal<br />

1997 Tutti giù per terra / We All Fall Down<br />

1997 Partigiani / Partisans<br />

1997 Sul 45° parallelo<br />

1995 Figlio di Zelig, Il<br />

1995 A Rimini<br />

1995 Materiale resistente<br />

1994 Anime fi ammeggianti / Love Burns<br />

1991 Lontano da Roma<br />

1989 Fine della notte, La<br />

1987 Non date da mangiare agli animali<br />

davide ferario<br />

davide ferario daibada kasalmajioreSi (kremona)<br />

1956 wels. milanis universitetSi swavlobda inglisur<br />

da amerikul literaturas. 1976 wels SeuerTda<br />

Lab 80 Film co-operative-s. werda statiebs JurnalisTvis<br />

Cineforum magazine. adreul 80-ianebSi festivalebis<br />

organizatoria. 1984 wels dawera pirveli<br />

italiurenovani monografia fasbinderze. imuSava antonio<br />

konCaris <strong>filmi</strong>s `45-e paraleli~ scenarze (1987).<br />

1994 wels dawera romani saxelwodebiT `Savi magia~.<br />

Davide Ferrario was born in Casalmaggiore (Cremona) in<br />

1956. He studied English and American literature at Milan<br />

University. In 1976 he joined the Lab 80 Film co-operative<br />

and wrote for Cineforum magazine. In the early 1980s he<br />

organized festivals, and in 1984 he published the fi rst Italian<br />

monograph on Fassbinder. He wrote the screenplay<br />

to the fi lm 45th Parallel by Attilio Concari (1987). In 1994 he<br />

wrote a novel, ‘Black Magic’.


contact:<br />

24/8 Kuchishvili Str., Tbilisi, Georgia<br />

tel: (+995 32) 25 33 40<br />

e-mail: hotelvp@verepalace.com.ge<br />

web-site: www.verepalace.com.ge


Index of Films Original Titles<br />

7P., CUIS., S. DE B… (À SAISIR) .....................................................................................................63<br />

ABSURDISTAN ................................................................................................................................ 26<br />

AMANTS REGULIERS, LES .............................................................................................................. 46<br />

AM ENDE KOMMEN TOURISTEN ................................................................................................... 27<br />

ARIA SALATA, L’ ............................................................................................................................ 14<br />

ARSENA KACHAGHI .................................................................................................................... 66<br />

ATONEMENT .................................................................................................................................. 9<br />

AUF DER ANDEREN SEITE ............................................................................................................. 28<br />

BLACK PANTHERS .......................................................................................................................... 57<br />

BUMAJNYJ SOLDAT ...................................................................................................................... 72<br />

CITIZEN LANGLOIS ........................................................................................................................ 47<br />

DIKOE POLE .................................................................................................................................. 11<br />

DIORTHOSI .....................................................................................................................................15<br />

DITES CARIATIDES, LES .................................................................................................................. 60<br />

DOPO MEZZANOTTE .................................................................................................................... 76<br />

DU COTE DE LA COTE ................................................................................................................. 56<br />

ELSA LA ROSE ............................................................................................................................... 61<br />

FÄLSCHER, DIE ............................................................................................................................... 29<br />

FIANCES DU PONT MAC DONALD, LES ....................................................................................... 62<br />

FOND DE L’AIRE EST ROUGE, LE ..................................................................................................48<br />

FREE RAINER – DEIN FERNSEHER LÜGT ........................................................................................ 30<br />

GROSSE DEPRESSION – MADE IN GERMANY, DIE ...................................................................... 31<br />

JAGDHUNDE ................................................................................................................................. 16<br />

LION VOLATIL, LE ........................................................................................................................... 61<br />

LOVE AND OTHER CRIMES .......................................................................................................... 17<br />

LURSMANI CHEKMASHI ............................................................................................................... 67<br />

MOURIR À 30 ANS ........................................................................................................................ 50<br />

NACH DER MUSIK ......................................................................................................................... 32<br />

NORCHI MPHRINAVI ..................................................................................................................... 68<br />

NOSTALGIA ................................................................................................................................... 73<br />

NYOMOZÓ, A ................................................................................................................................18<br />

OPERA-MOUFFE, L’ ....................................................................................................................... 60<br />

O SEASONS, O CHATEAUX... ........................................................................................................ 55<br />

OUBLIER CHEYENNE ..................................................................................................................... 36<br />

PLAISIR D’AMOUR EN IRAN ......................................................................................................... 55<br />

PRIDE AND PREJUDICE ................................................................................................................. 74<br />

PRINZESSINNENBAD ..................................................................................................................... 33<br />

QUAND TU DESCENDRA DU CIEL ................................................................................................ 38<br />

REPONSES DE FEMMES ................................................................................................................ 57<br />

RUSALKA ........................................................................................................................................ 19<br />

SALUT LES CUBAINS ...................................................................................................................... 59<br />

SAMIA ........................................................................................................................................... 40<br />

SHULTES .......................................................................................................................................... 20<br />

SONBAHAR .................................................................................................................................... 21<br />

SRODA, CZWARTEK RANO .......................................................................................................... 22<br />

T’AS DE BEAUX ESCALIERS, TU SAIS .............................................................................................62<br />

TRANSIT DUBAI ............................................................................................................................... 75<br />

ULYSSE ........................................................................................................................................... 58<br />

UNCLE JANCO .............................................................................................................................. 56<br />

UNE MINUTE POUR UNE IMAGE ................................................................................................. 59<br />

VERSAILLES ..................................................................................................................................... 23<br />

VIN ARIS DAMNASHAVE? ........................................................................................................... 69<br />

VOISINS, VOISINES ....................................................................................................................... 41<br />

WESH, WESH, QU’EST-CE QUI SE PASSE? .................................................................................... 42<br />

YDESSA, LES OURS ET ETC .............................................................................................................. 58<br />

ZIM AND CO. ................................................................................................................................. 43


filmebis saZiebeli<br />

7 oTaxi, samzareulo, abazana... [stace xeli] .......................................................63<br />

absurdistani ...........................................................................................................26<br />

arsena yaCaRi ............................................................................................................66<br />

biZia ianko ................................................................................................................56<br />

bolos ki mxolod turistebi modian ...................................................................27<br />

gamomZiebeli ............................................................................................................18<br />

gamyalbeblebi ..........................................................................................................29<br />

didi depresia – germanulad ................................................................................31<br />

erTi wuTi erTi fotosTvis ..................................................................................59<br />

e. w. kariatidebi ......................................................................................................60<br />

veluri veli ............................................................................................................11<br />

versali .....................................................................................................................23<br />

veS, veS, ra xdeba? ...................................................................................................42<br />

vin aris damnaSave? ..................................................................................................69<br />

zimi da kompania .......................................................................................................43<br />

Tavisufali raineri – Seni televizori tyuis ..................................................30<br />

idesa, daTvebi da a. S. ... ........................................................................................58<br />

lamazi kibe gaqvs, ici? ............................................................................................62<br />

laJvardovani sanapirosken ....................................................................................56<br />

luaris cixe-koSkebi ...............................................................................................55<br />

lursmani CeqmaSi .....................................................................................................67<br />

makdonaldsis xidis Seyvarebulebi ......................................................................62<br />

mezoblebi ................................................................................................................41<br />

meore mxares ............................................................................................................28<br />

mlaSe haeri ..............................................................................................................14<br />

mokvde 30 wlis ........................................................................................................50<br />

monadire ZaRlebi ....................................................................................................16<br />

moqalaqe langlua ...................................................................................................47<br />

musikis Semdeg .........................................................................................................32<br />

mSveniari elza .........................................................................................................61<br />

norCi mfrinavi ........................................................................................................68<br />

nostalgia ................................................................................................................73<br />

oTxSabaTi, xuTSabaTis dila .................................................................................22<br />

opera “mufi” ........................................................................................................... 60<br />

princesebis auzi .................................................................................................... 33<br />

regularuli sayvarlebi ........................................................................................46<br />

rodesac cidan daeSvebi ........................................................................................ 38<br />

salami kubelebs ......................................................................................................59<br />

samia .........................................................................................................................40<br />

siamaye da crurwmena ............................................................................................. 74<br />

sinanuli ...................................................................................................................9<br />

siyvaruli da sxva danaSaulebi ............................................................................ 17<br />

siyvarulis sitkbo iranSi ......................................................................................55<br />

tranziti dubai .......................................................................................................75<br />

ulise ........................................................................................................................58<br />

uCinari lomi ...........................................................................................................61<br />

qalebis pasuxi .........................................................................................................57<br />

qalTevza ..................................................................................................................19<br />

qaRaldis jariskaci ................................................................................................72<br />

Savi panterebi ..........................................................................................................57<br />

Semodgoma ................................................................................................................ 21<br />

Sesworeba ................................................................................................................ 15<br />

SuaRamis Semdeg ...................................................................................................... 76<br />

Sultesi ....................................................................................................................20<br />

cis siRrme wiTelia ................................................................................................48


Index of Films English Titles<br />

7R., kit., bath . . . [GRAB IT] .......................................................................................................... 63<br />

Absurdistan ................................................................................................................................... 26<br />

After Midnight ............................................................................................................................... 76<br />

And along Come Tourists ............................................................................................................ 27<br />

Arsena, the Brigand ..................................................................................................................... 66<br />

Atonement .................................................................................................................................... 9<br />

Autumn .......................................................................................................................................... 21<br />

Base of the Air Is Red, The ........................................................................................................... 48<br />

Black Panthers .............................................................................................................................. 57<br />

Citizen Langlois ............................................................................................................................. 47<br />

Coasting along the coast ........................................................................................................... 56<br />

Correction ..................................................................................................................................... 15<br />

Counterfeiters, The ....................................................................................................................... 29<br />

Death at 30 .................................................................................................................................. 50<br />

Edge of Heaven, The ................................................................................................................... 28<br />

Elsa the Rose ................................................................................................................................. 61<br />

Father’s Music, A .......................................................................................................................... 32<br />

grosse Depression – Made in Germany, Die ............................................................................. 31<br />

Hi There, Cubanos ........................................................................................................................ 59<br />

Hounds .......................................................................................................................................... 16<br />

Investigator, The ........................................................................................................................... 8<br />

Looking for Cheyenne ................................................................................................................. 36<br />

Love and Other Crimes ............................................................................................................... 17<br />

Mac Donald bridge fi ancés, The ............................................................................................... 62<br />

Mermaid, The ................................................................................................................................ 19<br />

Nail in the Boot ............................................................................................................................. 67<br />

Neighbours, The ............................................................................................................................ 41<br />

Nostalgia ....................................................................................................................................... 73<br />

One Minute for One Image ........................................................................................................ 59<br />

Opera-Mouffe .............................................................................................................................. 60<br />

O seasons, o chateaux... ............................................................................................................ 55<br />

Paper Soldier ................................................................................................................................. 72<br />

Pleasure of Love in Iran ............................................................................................................... 55<br />

Pool of Princesses ......................................................................................................................... 33<br />

Pride and Prejudice ..................................................................................................................... 74<br />

Reclaim Your Brain ....................................................................................................................... 30<br />

Regular Lovers .............................................................................................................................. 46<br />

Salty Air .......................................................................................................................................... 14<br />

Samia ............................................................................................................................................. 40<br />

Shultes ............................................................................................................................................ 20<br />

So-called Caryatids, The ............................................................................................................. 60<br />

Transit Dubai ................................................................................................................................. 75<br />

Ulysses ............................................................................................................................................ 58<br />

Uncle Janco ................................................................................................................................. 56<br />

Versailles ........................................................................................................................................ 23<br />

Volatile Lion, The .......................................................................................................................... 61<br />

Wednesday, Thursday Morning .................................................................................................. 22<br />

Wesh, wesh ................................................................................................................................... 42<br />

When You Come Down to Earth 3 .............................................................................................. 8<br />

Who Is the Guilty ........................................................................................................................... 69<br />

Wild Field ....................................................................................................................................... 11<br />

Women Respond ......................................................................................................................... 57<br />

Ydessa, the Bears etc... ............................................................................................................... 58<br />

Young Pilot, A ............................................................................................................................... 68<br />

You’ve Got Beautiful Stairs, You Know… ................................................................................... 62<br />

Zim and Co. .................................................................................................................................. 43


eJisorebis saZiebeli<br />

akini, fatih ..............................................................................................................28<br />

alperi, ozjan ..........................................................................................................21<br />

amer-zemeSi, rabah ...................................................................................................42<br />

anastopulos, Tanos ...............................................................................................15<br />

angelini, alesandro ...............................................................................................14<br />

arsenieviCi, stefan .................................................................................................17<br />

bakuraZe, bakur ........................................................................................................20<br />

barski, vladimer .....................................................................................................66<br />

bliumneri, betina ...................................................................................................33<br />

gareli, filip .........................................................................................................46<br />

germani, aleqsei ......................................................................................................72<br />

gigori, atila ..........................................................................................................18<br />

girado, erik ............................................................................................................38<br />

gupili, romen ..........................................................................................................50<br />

vaingartneri, hans ...................................................................................................30<br />

varda, anies ..............................................................................................................51-63<br />

Talhaimi, robert ...................................................................................................27<br />

kalatoziSvili (kalatozovi), mixeil ...................................................................67<br />

kalatoziSvili, mixeil ...........................................................................................11<br />

kaxiZe, nikoloz .......................................................................................................68<br />

kozarinski, edgardo ..............................................................................................47<br />

kotetiSvili, tato .................................................................................................73<br />

markeri, kris ...........................................................................................................48<br />

meliqiani, ana ...........................................................................................................19<br />

mineto, valeri .......................................................................................................36<br />

paceki, gJegoJ 2 ........................................................................................................2<br />

Jolive, pier ............................................................................................................43<br />

raielsi, an-kristin ................................................................................................16<br />

raiti, jo .................................................................................................................49, 74<br />

ruzovicki, stefan ..................................................................................................29<br />

smitsi, ineke .............................................................................................................73, 75<br />

faigle, konstantin .................................................................................................31<br />

ferario, davide ......................................................................................................75<br />

fokoni, filip .........................................................................................................40<br />

Sibani, malik ............................................................................................................41<br />

Soeleri, pier ..........................................................................................................23<br />

wuwunava, aleqsandre ..............................................................................................69<br />

haitcmani, igor .......................................................................................................32<br />

helmeri, fait ..........................................................................................................26


Index of Directors<br />

Akin, Fatih ...................................................................................................................................... 28<br />

Alper, Özcan ................................................................................................................................. 21<br />

Ameur-Zaimeche, Rabah ........................................................................................................... 42<br />

Anastopoulos, Thanos .................................................................................................................. 15<br />

Angelini, Alessandro .................................................................................................................... 14<br />

Arsenijević, Stefan ........................................................................................................................ 17<br />

Bakuradze, Bakur ......................................................................................................................... 20<br />

Barsky, Vladimer ........................................................................................................................... 66<br />

Blümner, Bettina ........................................................................................................................... 33<br />

Chibane, Malik ............................................................................................................................. 41<br />

Faigle, Konstantin ......................................................................................................................... 31<br />

Faucon, Philippe .......................................................................................................................... 40<br />

Ferrario, Davide ............................................................................................................................ 76<br />

Garrel, Philippe ............................................................................................................................. 46<br />

German jr., Alexey ....................................................................................................................... 72<br />

Gigor, Attila ................................................................................................................................... 18<br />

Goupil, Romain ............................................................................................................................. 50<br />

Guirado, Eric ................................................................................................................................. 38<br />

Heitzmann, Igor ............................................................................................................................ 32<br />

Helmer, Veit .................................................................................................................................. 26<br />

Jolivet, Pierre ................................................................................................................................. 43<br />

Kakhidze, Nikoloz .......................................................................................................................... 68<br />

Kalatozishvili (Kalatozov), Mikheil ............................................................................................... 67<br />

Kalatozishvili, Mikheil .................................................................................................................... 11<br />

Kotetishvili, Tato ............................................................................................................................ 73<br />

Kozarinsky, Edgardo ..................................................................................................................... 47<br />

Marker, Chris ................................................................................................................................. 48<br />

Melikyan, Anna ............................................................................................................................ 19<br />

Minetto, Valérie ........................................................................................................................... 36<br />

Pacek, Grzegorz ........................................................................................................................... 22<br />

Reyels, Ann-Kristin ......................................................................................................................... 16<br />

Ruzowitzky, Stefan ........................................................................................................................ 29<br />

Schoeller, Pierre ............................................................................................................................ 23<br />

Smits, Ineke ................................................................................................................................... 73, 75<br />

Thalheim, Robert .......................................................................................................................... 27<br />

Tsutsunava, Alexandre ................................................................................................................ 69<br />

Varda, Agnes ............................................................................................................................... 51-63<br />

Weingartner, Hans ....................................................................................................................... 30<br />

Wright, Joe .................................................................................................................................... 4, 9, 74


2007 wlis gamarjvebulebi<br />

WINNERS 2007<br />

oqros promeTe<br />

farajanovis saxelobis prizi<br />

xrikebi<br />

reJisori: anjei iakimovski, poloneTi<br />

Golden Prometheus<br />

Parajanov Jury Prize<br />

Tricks<br />

by: Andrzej Jakimowski, Poland)<br />

fipresis prizi<br />

mamaCemi - Cemi RmerTi<br />

reJisori: devid volaxi, israeli<br />

FIPRESCI Jury Prize<br />

My Father My Lord<br />

by: David Volach, Israel<br />

vercxlis promeTe<br />

matrivi sagnebi<br />

reJisori: aleqsei popogrebski, ruseTi<br />

Silver Prometheus<br />

Simple Things<br />

by: Aleksei Popogrebsky, Russia


nukri asaTians<br />

qeTi babunaSvils<br />

gia bazRaZes<br />

Joel basteners<br />

daviT beJitaSvili<br />

Tamar bziavas<br />

Tornike bziavas<br />

giorgi gvaxarias<br />

nana giorgaZes<br />

erika gregors<br />

ulrix gregors<br />

olga gurovas<br />

igor guskovs<br />

qeTi danelias<br />

katalin vaidas<br />

verner viols<br />

lize zipkis<br />

lado imnaiSvils<br />

guliko kakabaZes<br />

beqa kikaleiSvils<br />

rozaria korados<br />

Tornike lorTqifaniZes<br />

miroslav mogoroviCs<br />

nodar nozaZes<br />

guka rCeuliSvils<br />

bartek fukies<br />

Sorena SaverdaSvils<br />

veriko SarabiZes<br />

daniela Solteni<br />

konstantine ClaiZes<br />

Salva CubiniZes<br />

giorgi wiqariSvils<br />

gia Wanturias<br />

mako WoRoSvils<br />

lado xarebavas<br />

didi britaneTis saelCos saqarTveloSi<br />

kinoxelovnebis centr promeTes Tavmjdomare /<br />

Chairman Cinema Art Center Prometheus:<br />

gaga CxeiZe<br />

Gaga Chkheidze<br />

festivalis direqtori / Festival Director:<br />

nino anjafariZe<br />

Nino Anjaparidze<br />

direqtoris asistenti / Assistant Director:<br />

sofo TorTlaZe<br />

Sophie Tortladze<br />

germanuli programis koordinatorebi /<br />

MADE IN GERMANY program Coordinators:<br />

irina qurTiSvili<br />

Irina Kurtishvili<br />

naTia miqelaZe<br />

Natia Mikeladze<br />

TamTa goCitaSvili<br />

Tamta Gochitashvili<br />

franguli programis koordinatori /<br />

FRENCH TOPICS program Coordinators:<br />

mariam kveselava<br />

Mariam Kveselava<br />

qarTuli uxmo filmebis programis koordinatorebi /<br />

GEORGIAN SILENT MOVIES program coordinators:<br />

laSa baqraZe<br />

Lasha Bakradze<br />

nino ZanZava<br />

Nino Dzandzava<br />

katalogis redaqtorebi / Catalogue Editors:<br />

qeTevan kiknaZe<br />

Ketevan Kiknadze<br />

nino ZanZava<br />

Nino Dzandzava<br />

ofisis menejeri / Offi ce Manager :<br />

revaz vawaZe<br />

Revaz Vatsadze<br />

7 84<br />

gansakuTrebuli madloba<br />

THANKS AND APPRECIATION TO<br />

NUKRI ASATIANI<br />

KETI BABUNASHVILI<br />

JOEL BASTENAIRE<br />

GIA BAZGHADZE<br />

DAVIT BEZHITASHVILI<br />

TAMAR BZIAVA<br />

TORNIKE BZIAVA<br />

GIA CHANTURIA<br />

KONSTANTINE CHLAIDZE<br />

MAKO CHOGHOSHVILI<br />

SHALVA CHUBINIDZE<br />

ROSARIA CORRADO<br />

KETI DANELIA<br />

BARTEK FUKIET<br />

NANA GIORGADZE<br />

ERIKA GREGOR<br />

ULRICH GREGOR<br />

OLGA GUROVA<br />

IGOR GUSKOV<br />

GIORGI GVAKHARIA<br />

LADO IMNAISHVILI<br />

GULIKO KAKABADZE<br />

LADO KHAREBAVA<br />

BEKA KIKALEISHVILI<br />

TORNIKE LORTKIPANIDZE<br />

MIROSLAV MOGOROVIC<br />

NODAR NOZADZE<br />

GUKA RCHEULISHVILI<br />

DANIELA SCHOLTEN<br />

VERIKO SHARABIDZE<br />

SHORENA SHAVERDASHVILI<br />

GIORGI TSIKARISHVILI<br />

KATALIN VAJDA<br />

WERNER WOELL<br />

LISE ZIPCI<br />

EMBASSY OF GREAT BRITAIN IN GEORGIA<br />

festivalis saorganizacio jgufi<br />

THE FESTIVAL STAFF<br />

programisa da firebis koordinatori /<br />

Program and print Coordinator:<br />

biserka radiCi<br />

Biserka Radić<br />

presasTan urTierToba / Press offi cers:<br />

qeTi danelia baCo ovaSvili<br />

Ketie Danelia Bacho Ovashvili<br />

stumrebTan urTierToba / Guest Coordinator:<br />

Tamar esakia<br />

Tamar Esakia<br />

Jiuris koordinatori / Jury Coordinator:<br />

sofo vekua<br />

Sopho Vekua<br />

subtitrireba / Subtitle supervisor:<br />

gogi yajriSvili<br />

Gogi Kajrishvili<br />

buRalteri / Accountant:<br />

elene JorJikaSvili<br />

Elene Jorkikashvili<br />

teqnikuri mxardaJera / Technical Support:<br />

revaz vawaZe<br />

Revaz Vatsadze<br />

revaz axalaia<br />

Revaz Akhalaia<br />

sergo Saxnazarovi<br />

Sergo Shakhnazarov<br />

filmebis SerCeva / Films Selected By:<br />

gaga CxeiZe<br />

Gaga Chkheidze<br />

nino anjafariZe<br />

Nino Anjaparidze<br />

mZRolebi / Drivers:<br />

kaxaber kakaCia<br />

Kakhaber Kakachia<br />

arCil cxadaZe<br />

Archil Tskhadadze

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