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Tbilisis saerTaSoriso kinofestivali ukve mecxred mouyris Tavs kinoTeatr „amiranSi“ kinos moyvarulebsa da kinoindustriaSi<br />
dasaqmebul profesionalebs.<br />
agvistoSi ruseTis mier saqarTvelos ori regionis okupacias ukvalod arc CvenTvis Cauvlia. wels Cven festivals ver<br />
CavatarebT sasurveli masStabiT, ise, rogorc es kinotradiciebiT mdidar Tbiliss ekadreba. iZulebulebi gavxdiT Segvez-<br />
Ruda rogorc filmebis, aseve mowveul stumarTa raodenoba.<br />
ruseTTan uaRresad daZabuli urTierTobis miuxedavad Cven ar gagviwyvetia kavSiri rus kinematografistebTan. amis dasturia<br />
ramdenime rusuli <strong>filmi</strong>s monawileoba Cvens programaSi. piriqiT, Cveni survilia, kidev ufro gaRrmavdes qarTveli<br />
da rusi kinematografistebis SemoqmedebiTi urTierToba. meores mxriv, Cveni kavSiri uars ambobs ruseTSi gamarTul im<br />
RonisZiebebSi monawileobaze, romelic ruseTis mTavrobis organizebiTa da dafinansebiT tardeba.<br />
acnobierebs ra saqarTvelos dedaqalaqSi saerTaSoriso kulturuli RonisZiebis Catarebis mniSvnelobas, saqarTvelos<br />
saxelmwifo uamravi sirTulis miuxedavad tradiciulad mxarSi gvidgas da welsac afinansebs kinofestivals. saxelmwifos<br />
Tanadgomis gareSe kinofestivali ar Sedgeboda. amitom madlobas vuxdiT saqarTvelos kulturis, ZeglTa dacvisa da sportis<br />
saministros da piradad ministrs, baton grigol vaSaZes, aseve Tbilisis mers, baton gigi ugulavas, kinofestivalis<br />
erTgul partniorsa da Tanaorganizators, saqarTvelos kinematografiis erovnul centrs da piradad centris direqtors,<br />
baton konstantine ClaiZes.<br />
kinofestivalis megobarTa wre wlidan wlamde izrdeboda. maTi gulSematkivrobisa da uangaro daxmarebis gareSe Cveni programis<br />
ganxorcielebas ver SevZlebdiT. madlobas vuxdiT yvela kerZo sponsors, romlebic adrec dagvxmarebian da dResac<br />
Cvens gverdiT dganan.<br />
xazi gvinda gavusvaT kinofestivalis TanamSromlobas ucxoeTis qveynebis saelCoebsa da kulturis centrebTan. rogorc<br />
wina wlebSi, welsac Cveni saimedo partniorebi arian goeTes instituti (direqtori – verner violi) da aleqsandr diumas<br />
saxelobis franguli kulturis centri (direqtori – Joel basteneri), aseve italiis saelCo.<br />
sul bolos gvsurs aRvniSnoT yvelaze mniSvnelovani aspeqti: kinofestivalis Catarebis aranairi stimuli ar gveqneboda,<br />
rom ar vgrZnobdeT mayureblis udides interessa da mxardaWeras. madlobas vuxdiT Cvens erTgul, gemovnebian da ganaTlebul<br />
auditorias.<br />
gaga CxeiZe<br />
kinoxelovnebis centr “promeTes” Tavmjdomare<br />
nino anjafariZe<br />
Tbilisis saerTaSoriso kinofestivalis direqtori<br />
Tbilisi international fi lm festival gathers fi lm amateurs and professionals employed in the fi lm industry at Amirani movie theatre for the<br />
ninth time now.<br />
Occupation of two Georgian regions by Russia in August did not pass without leaving a trace on us. We are unable to hold the festival<br />
at a desirable scale this year, in a worthy manner that is suitable to Tbilisi, the city of rich cinematographic tradition. We’ve been forced<br />
to limit number of both the fi lms and the guests.<br />
Regardless the extremely tense relationship with Russia we have not broken off with Russian cinematographers. It is evidenced by the<br />
participation of several Russian fi lms in our program. Moreover it is our desire to make deeper creative relationship between Georgian<br />
and Russian fi lmmakers. On the other hand our Union refuses to take part in such events in Russia, that are organized and fi nanced by<br />
the government of Russia.<br />
Acknowledging the importance of holding an international cultural event in the capital of Georgia the state of Georgia has traditionally<br />
supported us despite multitude of problems and sponsored this fi lm festival as well. Without their good offi ces the fi lm festival would<br />
hardly take place. Therefore we would like to express our gratitude to the Ministry of culture, monuments protection and sports of Georgia<br />
and the Minister - Mr. Grigol Vashadze, also to the mayor of Tbilisi Mr. Gigi Ugulava, and to the devoted partner and co-organizer of<br />
the festival - Georgian National Film Center and personally to the director of the center - Mr. Konstantin Chlaidze.<br />
Circle of the friends of the fi lm festival keeps extending from year to year. Without their encouragement and unselfi sh support we would<br />
be unable to implement our program. We would like to thank all private sponsors who have helped us before and are close by today.<br />
We would like to emphasize cooperation of the fi lm festival with embassies of the foreign countries and centres of culture. Goethe<br />
Institute (director – Werner Wöll), Alexander Dumas French Culture Centre (director – Joel Bastenaire) and embassy of Italy as well are<br />
our reliable partners this year, as in previous years.<br />
Finally we would like to point out the most important aspect: we would have no incentive of holding the fi lm festival if not the huge<br />
interest and support of the fi lmgoers. We give our thanks to our devoted, tasteful and educated audience.<br />
Gaga Chkheidze<br />
Director of Prometheus Film Art Centre<br />
Nino Anjaparidze<br />
Director of Tbilisi International Film Festival<br />
7 1
7<br />
saerTaSoriso Jiuri International Jury<br />
lana RoRoberiZe<br />
1955 wels, Tbilisis saxelmwifo universitetis filologiuri fakultetis da aspiranturis (inglisuri enisa da literaturis<br />
ganxriT) damTavrebis Semdeg, daicva disertacia Temaze “uolt uitmenis leqsis socialuri buneba”. imave<br />
wels daibeWda misi monografia “uolt uitmeni”, aseve uitmenis “balaxis foTlebis” da rabindranaT Tagoris “mebaRis”<br />
Targmanebi.<br />
1958 wels daamTavra moskovis kinematografiis sakavSiro instituti (vgiki) kinoreJisoris specialobiT; sakurso <strong>filmi</strong><br />
_ “gelaTi”, sadiplomo <strong>filmi</strong> _ “Tbilisi _ 1500 weli”.<br />
1958 _ 1992 wlebSi gadaRebuli aqvs mxatvruli filmebi: “erTi cis qveS”; “me vxedav mzes”; “feriscvaleba” ; “roca<br />
ayvavda nuSi”; “aurzauri salxineTSi”; “ramdenime interviu pirad sakiTxebze”; “dRes Rame uTenebia”; “oromtriali”;<br />
“valsi peCoraze”; dokumenturi <strong>filmi</strong> “werili Svilebs” _ lado aleqsi-mesxiSvilis Sesaxeb.<br />
mis filmebs mopovebuli aqvs araerTi saerTaSoriso kinofestivalis prizi.<br />
lana RoRoberiZe sabWoTa kavSiris saxelmwifo premiis (1979) da saqarTvelos respublikis saxelmwifo premiis (1984)<br />
laureatia, miRebuli aqvs saqarTvelos saxalxo artistis wodeba, dajildovebulia saqarTvelos Rirsebis ordeniT.<br />
1988 wels arCeul iqna qal kinematografistTa saerTaSoriso asociaciis prezidentad, Stabbina _ londoni. iyo mravali<br />
saerTaSoriso kinofestivalis Jiuris wevri da Tavmjdomare.<br />
1997 wels miiRo safrangeTis respublikis Rirsebis erovnuli ordeni, rogorc “reJisorma, poetma, mTargmnelma,<br />
saqarTvelo-safrangeTis megobrobis saparlamento jgufis Tavmjdomarem”.<br />
gamocemuli aqvs poeturi Targmanebis krebuli “ucxouri poezia qarTulad” (1996) da wigni “rac magondeba da rogorc<br />
magondeba" (2003).<br />
Lana Gogoberidze<br />
After graduating from the Tbilisi State University (Department of the English Language and Literature) in 1955, Lana<br />
Gogoberidze made her dissertation on Social Nature of Walt Whitman’s Poetry. In the same year, she published a monograph<br />
on Walt Whitman and two collections of her translations of Leaves of Grass by Walt Whitman and Gardener by<br />
R.Tagore.<br />
In 1958, Lana Gogoberidze graduated from the Department of Filmmaking of the Moscow State Institute of Cinematography<br />
(VGIK). Her diploma works include Gelathi and Tbilisi -1500.<br />
In 1958-1992 she shot the following feature fi lms: Under One Sky, See the Sun, Frontiers, When Almonds Blossomed, The<br />
Waltz on the Pechora, Some Interviews on Personal Questions, the Little Incident, Whirlwind, Day is Longer than Night; a<br />
documentary: Letters to My Children (the fi lm depicts life of Lado Aleksi-Meskhishvili).<br />
Lana Gogoberidze’s fi ction and documentaries have won many international awards. She is the State Award of the USSR<br />
(1979) and State Award of Georgian SSR (1984) winner and a honorary title holder of People’s Artist of Republic of Georgia<br />
and Order of Honor.<br />
In 1988, Lana Gogoberidze was elected a President of International Association of Women Directors with headquarters in<br />
London. She has been a jury panel member and chair at many international fi lm festivals.<br />
In recognition of her efforts in fi lmmaking, poetry, translation and in promoting Georgia-France friendship (as a chair of<br />
parliamentary group), Lana Gogoberidze received French National Order of the Legion of Honor in 1997.<br />
She has published a collection of translations «Foreign Poetry in Georgian » in 1996 and her memoirs « What I Remember<br />
and How I Recall » in 2003.<br />
7 2
saerTaSoriso Jiuri International Jury<br />
miqele panela<br />
miqele panela florenciis saerTaSoriso festivalis Intercity-sa da Teatro della Limonaia-is erT-erTi direqtoria.<br />
1999-2001 wlebSi is xelmZRvanelobda Teatris seqcias florenciis frinj festivalze.<br />
festivali Intercity yovelwliurad tardeba. is florenciasa da sesto fiorentinos msoflios sxvadasxva qalaqebTan<br />
akavSirebs, rac italiel mayurebels saSualebas aZlevs gaecnos Soreuli qalaqebis Tanamedrove mwerlobas da kulturas.<br />
miqele panela sxvadasxva dros miwveuli iyo san-pauluSi, dublinSi, torontoSi, londonsa da bevr sxva qalaqSi Tanamderove<br />
italiuri mwerlobis warsadgenad da kulturuli siaxleebis dasaTvaliereblad.<br />
panela xSirad Targmnis Tanamedrove italiur mwerlobas da atarebs seminarebs msoflios sxvadasxva qveynebSi. igi<br />
aseve muSaobs mark ravenhilis, miqele mark buqardis, jilian slovos da sxvaTa teqstebze rogorc Tanamedrove sityvis<br />
ukve aRiarebuli eqsperti.<br />
Michele Panella<br />
Michele Panella is the Associate Director of the International Festival Intercity based in Florence, Italy and Teatro della<br />
Limonaia. He also directed the theatre section of the Florence Fringe Festival (1999 -2001).<br />
Intercity Festival is an annual event which connects Florence and Sesto Fiorentino with another city in the world, offering<br />
to the Italian public an opportunity to become acquainted with new writing and culture of distant places.<br />
Michele has been invited to San Paolo, Dublin, Toronto, London and many other cities to present the Italian contemporary<br />
dramaturgy and also to observe the contemporary cultural scenes.<br />
Panella usually workshops and translates the Italian new writing, and also works on the modern texts of Sarah Kane, Mark<br />
Ravenhill, Michel Marc Bouchard, Gillian Slovo and others in various countries around the world being already established<br />
as an international messenger of a new word in arts.<br />
7 3
7<br />
saerTaSoriso Jiuri International Jury<br />
jo raiti<br />
daibada 1972 wels londonSi. swavlobda kembervelis xelovnebis kolejSi, Semdeg londonis san martinis xelovnebis<br />
skolaSi swavlobda kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil reJisors Soris Jurnal Varietyis<br />
reitingSi “10 Directors to Watch”. 2007 wels raiti gaxda istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />
veneciis saerTaSoriso kinofestivali gaxsna (misi <strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />
Joe Wright<br />
Born in 1972 in London. Attended the Camberwell College of Arts. Trained as a fi lmmaker at London’s St. Martins art school.<br />
Named one of Variety’s “10 Directors to Watch” (2006). In 2007, he became the youngest director in history to have a fi lm<br />
open the Venice Film Festival (his fi lm ATONEMENT was chosen to open 64th Venice International Film Festival).<br />
7 4
saerTaSoriso Jiuri International Jury<br />
robert smaigerti<br />
robert smaigerti 1964 wels daibada esenSi (germania) imdroindeli iugoslaviidan politikuri devnilebis ojaxSi.<br />
swavlobda filosofias, fsiqologias, sociologiasa da Jurnalistikas. jer msaxiobad muSaobda, Semdeg TviTon daiwyo<br />
piesebis wera da speqtaklebis dadgma, CaerTo kinobiznesSic. 1999 wlidan muSaobs agreTve art-menejerad, qmnis<br />
interdisciplinarul da inovaciur koncefciebs sxvadasxva saxis art-proeqtebisTvis. amJamad muSaobs konceftualuri<br />
mimarTulebis xelmZRvanelad da kinoreJisorad kinosaprodiusero kompania INTERARTES-Si (ruris metropolia),<br />
romelic awarmoebs mxatvrul, dokumentur da musikalur filmebs, axorcielebs eqsperimentul kinoproeqtebs. es<br />
kompania, romelsac araerTi warmatebuli kino- da tele<strong>filmi</strong> aqvs ganxorcielebuli, xelovnebis sxvadasxva disciplinebis<br />
kombinirebis gziT kinowarmoebis xarisxis amaRlebasac cdilobs.<br />
amJamad robert smaigerti iRebs mxatvrul-dokumentur films „ganimedis Svilebi“, romlis moqmedeba nawilobriv<br />
saqarTveloSi viTardeba.<br />
Robert Smajgert<br />
Robert Smajgert was born 1964 in the City of Essen / Germany as the son of political refugees of former Yugoslavia. He<br />
studied Philosophy, Psychology, Sociology und Journalism and worked as an actor before he started to write and direct<br />
stage plays and became familiar with the fi lm business. Since 1999 he works as an Arts Manager, creating interdisciplinary<br />
and innovative concepts for art projects, too. Actually Smajgert is busy as a conceptional-head and fi lm-director for<br />
INTERARTES fi lm production / Metropole Ruhr, which initiates and creates feature, documentary and musical fi lms and experimental<br />
cinematographic projects. In combination of different artistic disciplines INTERARTES, which made many highly<br />
successful cinema and TV fi lms, searches for enhanced quality in fi lm production as well. As a fi lm-director Smajgert works<br />
actually on the movie “Children of Ganymed” which also plays in Georgia.<br />
7 5
saerTaSoriso Jiuri International Jury<br />
serJ sobJinski<br />
serJ sobJinski Tavdapirvelad erovnul kulturul dawesebulebebSi muSaobda mmarTvelis Tanamdebobaze: strasburgis<br />
erovnul TeatrSi, « komedi fransezSi », lilis erovnul orkestrSi, lionis erovnul orkestrSi. Semdeg teritoriuli<br />
TviTmmarTvelobebis, qalaq ruanis da provans-alp-kot d’aJuris regionis saqalaqo samsaxurebSi kulturis<br />
departamentis direqtoris funqciebs asrulebda. garda amisa mas safrangeTis sagareo saqmeTa saministroSi Tanam-<br />
Sromlobisa da kulturuli sakiTxebis sferoSi mrCevlis Tanamdebobac ekava. 2004 wels Jil Jakobma, kanis festivalis<br />
direqtorma, mas axali programis, « msoflios kinos » ganxorcieleba Caabara. man es programa 3 wlis ganmavlobaSi<br />
marTa 2007 wlamde. dRes is kulturis sferoSi konsultantis funqciebs asrulebs.<br />
Serge Sobczynski<br />
Initially Serge Sobczynski worked as an executive director in national institutions of culture: National Theatre of Strasbourg,<br />
Comedie-Francaise, Lille National Orchestra and Lyon National Orchesrta. Then he worked as a director of the department<br />
of culture at the municipalities in Rouen and Alpes-Côte d’Azur regions. In addition he served as a counsellor in<br />
the fi eld of cooperation and culture at the Ministry of Foreign Affairs of France. In 2004 Gilles Jakob, a director of Cannes<br />
Festival charged him to implement a new program, Tous Les Cinemas du Mounde. Serge Sobczynski ran the program for<br />
three years up to 2007. At present he serves as a counsellor in the fi eld of culture.<br />
7 6
gaxsnis <strong>filmi</strong><br />
Opening Film
gaxsnis <strong>filmi</strong> / Opening Film<br />
123 wT, 35 mm, feradi<br />
123 min, 35 mm, colour<br />
ATONEMENT<br />
sinanuli gaerTianebuli samefo / safrangeTi 2007<br />
britanuli romani, romlis moqmedeba ramdenime aTeul weliwads<br />
moicavs. damwyebma mweralma braioni Telisma, 13 wlis rom<br />
iyo, radikalurad Secvala ramdenime adamianis cxovreba imiT,<br />
rom Tavisi ufrosi dis sayvareli daadanaSaula danaSaulis<br />
CadenaSi, romelic mas ar Caudenia.<br />
reJisori: jo raiti<br />
scenari: kristofer hemptoni<br />
(ian makiuenis romanis mixedviT)<br />
operatori: siamus makgarvi<br />
monawileoben: kira naiTli, jeimz makavoi, romola garai<br />
musika: dario marianeli<br />
mxatvari: sara grinvudi<br />
kostiumebi: Jaklin diureni<br />
montaJi: pol toTili<br />
prodiuserebi: tim bivani, erik felneri, pol vebsteri<br />
aRmasrulebeli prodiuserebi: riCard eiri, robert foqsi,<br />
debra heivordi, liza Cesini<br />
Atonement UK / France 2007<br />
A British romance that spans several decades. Fledgling writer<br />
Briony Tallis, as a 13-year-old, irrevocably changes the course of<br />
several lives when she accuses her older sister’s lover of a crime<br />
he did not commit.<br />
Director: Joe Wright<br />
Screenplay: Christopher Hampton<br />
(based on the novel by<br />
Ian McEwan)<br />
DOP: Seamus McGarvey<br />
Cast: Keira Knightley, James McAvoy, Romola Garai<br />
Music: Dario Marianelli<br />
Production design: Sarah Greenwood<br />
Costumes: Jacqueline Durran<br />
Editing: Paul Tothill<br />
Producers: Tim Bevan, Eric Fellner, Paul Webster<br />
Executive Producers: Richard Eyre,<br />
Robert Fox, Debra Hayward, Liza Chasin<br />
Production:<br />
Working Title Films<br />
Oxford House,<br />
76 Oxford Street,<br />
London, W1D 1BS<br />
phone: 020 7307 3000<br />
fax: 020 7307 3001/2/3<br />
www.workingtitlefi lms.com<br />
jo raiti<br />
Joe Wright<br />
filmografia/Filmography<br />
2007 Atonement<br />
2005 Pride and Prejudice<br />
2003 Charles II: The Power & the Passion (TV<br />
mini-series)<br />
2002 Bodily Harm (TV mini-series)<br />
2001 Bob & Rose (TV series)<br />
2000 Nature Boy (TV mini-series)<br />
1998 The End<br />
1997 Crocodile Snap<br />
daibada 1972 wels londonSi. daavadebulia disleqsiiT<br />
da skolaSi ver miiRo saSualo moswrebis atestati. swavlobda<br />
kembervelis xelovnebis kolejSi, Semdeg londonis<br />
wminda martinis xelovnebis skolaSi swavlobda<br />
kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil<br />
reJisors Soris Jurnal Variety-is reitingSi<br />
“10 Directors to Watch”. 2007 wels raiti gaxda<br />
istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />
veneciis saerTaSoriso kinofestivali gaxsna (misi<br />
<strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />
Born in 1972 in London. Is Dyslexic and left school with no Olevels.<br />
Attended the Camberwell College of Arts. Trained<br />
as a fi lmmaker at London’s St. Martins art school. Named<br />
one of Variety’s “10 Directors to Watch” (2006). In 2007,<br />
he became the youngest director in history to have a fi lm<br />
open the Venice Film Festival (his fi lm ATONEMENT was<br />
chosen to open 64th Venice International Film Festival).<br />
World Sales:<br />
Focus Features<br />
65 Bleecker St., 3rd Fl.<br />
New York, NY 10012<br />
phone: 212-539-4000<br />
fax: 212-539-4099<br />
7 9
<strong>daxurvis</strong> <strong>filmi</strong><br />
Closing Film
<strong>daxurvis</strong> <strong>filmi</strong> / Closing Film<br />
104 wT, 35 mm, feradi<br />
104 min, 35 mm, colour<br />
DIKOE POLE / ДИКОЕ ПОЛЕ<br />
veluri veli ruseTi 2008<br />
axalgazrda eqimi mitia samuSaod Soreul stepebSi midis, rom<br />
RvTisgan miviwyebul adamianebs daexmaros. mas yoveldRe akiTxaven<br />
pacientebi: pirveli smisgan sikvdilis piramde misuli<br />
kacia, meores momakvdavi Zroxa moyavs eqimTan... tramalebSi<br />
cxovreba saSiSia, mitias CxubSi daWrili adamianebis movlac<br />
xSirad uwevs. erT dRes qalaqidan mitias sacole Camodis _ imis<br />
saTqmelad, rom sxva kacs miyveba colad. mitia marto rCeba,<br />
Tumca is mudmivad grZnobs viRacis Tu raRacis arsebobas mis<br />
Soriaxlos. droTa ganmavlobaSi es ucnauri safrTxe realobad<br />
iqceva.<br />
reJisori: mixeil kalatoziSvili<br />
scenari: piotr luciki, aleqsei samoriadovi<br />
operatori: piotr duxovskoi<br />
monawileoben: oleg dolini, aleqsandr ilini, aleqsandr<br />
ilini umcrosi, roman medianovi, irina butanaeva, aleqsandr<br />
korSunovi, daniela stoianoviCi<br />
musika: aleqsei aigi<br />
mxatvari: sergei avstrievskixi<br />
xma: igor terexovi<br />
prodiuserebi: mixeil kalatoziSvili, sergei sneJkini,<br />
andrei bondarenko<br />
Wild Field Russia 2008<br />
This is the story of Mitja, a young doctor, who chooses to work in<br />
the middle of nowhere, to help the people who are forgotten by<br />
God. He lives and works in the steppe, which seems empty and<br />
deserted. But every day he has patients coming in his homehospital:<br />
one man’s heart stops after heavy drinking, another comes<br />
with a dying cow. Life is dangerous in the steppe. Sometimes<br />
Mitja has to treat wounded people. One day his bride comes<br />
to visit him from a far away city: she comes to tell him that she<br />
decided to leave him and marry another man. He is left alone.<br />
But he feels that there is somebody or something always present<br />
nearby. In the long run this strange menace becomes a reality.<br />
Director: Mikheil Kalatozishvili<br />
Screenplay: Pjotr Luzik, Alexey Samorjadov<br />
DOP: Pjotr Dukhovskoy<br />
Cast: Oleg Dolin, Alexandr Iljin, Alexandr Iljin junior,<br />
Roman Medjanov, Irina Butanaeva,<br />
Alexandr Korshunov, Daniella Stojanovich<br />
Music: Alexey Aygi<br />
Production design: Sergey Avstrievskikh<br />
Sound: Igor Terekhov<br />
Producer: Mikheil Kalatozishvili,<br />
Sergey Snezhkin, Andrey Bondarenko<br />
Production:<br />
Mikhail Kalatozov Fund<br />
Barmaley Studio<br />
Zoologitsheskaya str. b.1<br />
123242 Moscow - Russian Federation<br />
Tel. +7 495 254 32 77<br />
Fax +7 495 254 85 61<br />
olga@kalatozov.ru<br />
filmografia/Filmography<br />
2008 dikoe pole / Wild Field<br />
2002 mne tifl is gorbatiy snitsja / I’m Dreaming<br />
of Hogged Tifl is (doc.)<br />
2001 dva atoma / Two Atoms (doc.)<br />
2000 misterii / Misteries<br />
1992 rcheuli / The Beloved<br />
1981 mokhutsi memankane / Mechanic<br />
(short)<br />
mixeil kalatoziSvili<br />
reJisori, prodiuseri. daibada 1959 wels TbilisSi. 1987<br />
wels daamTavra moskovis kinematografiis saxelmwifo<br />
institutis kinosareJisoro fakulteti (efim Ziganis<br />
saxelosno). muSaobda kinostudiebSi “qarTuli <strong>filmi</strong>”<br />
(1985-91) da “len<strong>filmi</strong>” (1994-2000). aris “mixail kalatozovis<br />
fondis” (moskovi) prezidenti.<br />
Mikheil Kalatozishvili<br />
Director, producer. Born in 1959 in Tbilisi, Georgia. In 1987<br />
he graduated from Moscow State Film Institute (VGIK),<br />
speciality - fi lm director (Efi m Dzigan’s studio), worked at<br />
the “Kartuli Filmi” and the “Lenfi lm” Studios. He is the president<br />
of “Mikhail Kalatozov Fund” (Moscow).<br />
World Sales:<br />
Intercinema<br />
Druzhinnikovskaya, 15<br />
123242 Moscow, Russian Federation<br />
Tel. +7 499 255 9052<br />
Fax +7 499 255 9053<br />
post@intercin.ru<br />
7<br />
11
saerTaSoriso konkursi
International Competition
saerTaSoriso saerTaSoriso konkursi / International Competition<br />
87 wT, 35 mm, feradi<br />
87 min, 35 mm, colour<br />
L’ARIA SALATA<br />
mlaSe haeri italia 2008<br />
fabio sapatimros energiiT aRsavse moxelea, is didi mondomebiT<br />
muSaobs da yofil patimrebs sazogadoebaSi xelaxla integraciaSi<br />
exmareba. erT-erTi aseTi SemTxvevis dros axalgazrda<br />
kaci aRmoaCens, rom patimari, romelsac exmareba, misi dakarguli<br />
mamaa. moulodneli Sexvedra ojaxis warsulis aCrdilebs<br />
aRviZebs, romlebic fabiom mexsierebidan amoSala. is das ,<br />
qristinas, upirispirdeba, romelsac ar unda Zveli Wrilobebis<br />
gaxseneba. yovelive es maTi cxovrebis simSvides arRvevs.<br />
reJisori: alesandro anjelini<br />
scenari: alesandro anjelini, anjelo karbone<br />
operatori: arnaldo katinari<br />
monawileoben: jorjo pazoti, miqela seskoni, jorjo kolangeli,<br />
kati-luiz saundersi<br />
musika: luka toci<br />
mxatvari: alesandro maraco<br />
kostiumebi: aniela CanCo<br />
montaJi: masimo fioki<br />
xma: remo ugolineli<br />
prodiuseri: donatela boti<br />
Salty Air Italy 2006<br />
Fabio is prison offi cer full of energy who works with passion and<br />
dedication helping former prison inmates with their reintegration<br />
into society. In the course of one such assessment, the young<br />
man is shocked to discover that the inmate he is interviewing is<br />
apparently his long lost father. This unexpected encounter forces<br />
Fabio to face the ghosts of a family past which he had blotted<br />
out in his mind, and clash with his sister Cristina, who does not<br />
want to reopen old wounds that jeopardize the tranquility of their<br />
current lives.<br />
Director: Alessandro Angelini<br />
Screenplay: Alessandro Angelini, Angelo Carbone<br />
DOP: Arnaldo Catinari<br />
Cast: Giorgio Pasotti, Michela Cescon, Giorgio Colangeli, Katy<br />
Louise Saunders<br />
Music: Luca Tozzi<br />
Production design: Alessandro Marrazzo<br />
Costumes: Daniela Ciancio<br />
Editing: Massimo Fiocchi<br />
Suond: Remo Ugolinelli<br />
Producer: Donatella Botti<br />
7 14<br />
Production:<br />
Bianca Film<br />
Via Lampertico 7<br />
00191 Roma Italy<br />
tel:+39 6 3296791<br />
fax:+39 6 3296790<br />
filmografia/Filmography<br />
2006 L’Aria salata<br />
2005 El Barrilete<br />
2001 Un Cuento de boxeo<br />
2000 Ragazzi del Ghana<br />
1998 Fame for Your Name<br />
alesandro anjelini<br />
daibada romSi 1971 wels. sanam reJisoris asistentad<br />
muSaobiT kinokarieras daiwyebda, presis saagentoebisTvis<br />
fotografad muSaobda. aTi wlis ganmavlobaSi TanamSromlobda<br />
bevr italiel reJisorTan, romelTa Soris<br />
iyvnen nani moreti, mimo kalopresti, franCeska komenCini<br />
da serjo rubini.<br />
Alessandro Angelini<br />
Born in Rome in 1971, Alessandro Angelini worked as a<br />
photographer for various press agencies before beginning<br />
his fi lmmaking career as an assistant and fi rst assistant<br />
director. Over the past ten years he has worked with many<br />
important Italian directors, including Nanni Moretti, Mimmo<br />
Calopresti, Francesca Comencini and Sergio Rubin.<br />
Rai Cinema<br />
Piazza Adriana 12<br />
00193 Roma<br />
tel: +39 6 684701<br />
fax: +39 6 6871638<br />
Sales:<br />
01 Distribuzione<br />
Piazza Adriana, 12 - 00193 Roma<br />
Tel. 06-684701 Fax. 06-6872141<br />
info@01distribution.it
83 wT, 35 mm, feradi<br />
83 min, 35 mm, colour<br />
DIORTHOSI / ΔΙΌΡΘΩΣΗ<br />
Sesworeba saberZneTi 2007<br />
kacs cixidan aTavisufleben. mas wasasvleli arsad aqvs da,<br />
rogorc Tanamedrove odisevsi, is aTenis quCebSi daexeteba,<br />
romelic emigrantebiT, usaxlkaroebiT da sxva marginalebiT aris<br />
dasaxlebuli. am xetialSi is qals da patara gogonas xvdeba. vin<br />
aris es sami adamiani? iqneb isini erTi dangreuli ojaxis wevrebi<br />
arian an iqneb im sastiki da konfliqtebiT savse sazogadoebis<br />
msxverplni, romelic maT erTad cxovrebas SeuZlebels xdis.<br />
reJisori: Tanos anastopulosi<br />
scenari: Tanos anastopulosi, vasilis raisisi<br />
operatori: ilias adamisi<br />
monawileoben: iorgos simeonidisi, ornela kapetani, savina<br />
alimani, buiar alimani, nikos georgakisi<br />
mxatvari: maiu trikerioti<br />
montaJi: napoleon stratogianakisi<br />
xma: stefanos eftimiu, kenan akavi, kostas varibopiotisi<br />
prodiuseri: Tanos anastopulosi<br />
Correction Greece 2007<br />
A man is released from prison. With nowhere to go, he wanders<br />
like a modern Ulysses through a contemporary Athens peopled<br />
by migrants, the homeless, and other marginalized members of<br />
society. Along the way, he meets a woman and a little girl. Are<br />
the three of them members of a disrupted family or just persecutors<br />
and victims of a violent and confl ict-driven society that prevents<br />
them from living together?<br />
Director: Thanos Anastopoulos<br />
Screenplay: Thanos Anastopoulos, Vasilis Raisis<br />
DOP: Ilias Adamis<br />
Cast: Yorgos Symeonidis, Ornela Kapetani, Savina Alimani, Bujar<br />
Alimani, Nikos Georgakis<br />
Production design: Mayou Trikerioti<br />
Editing: Napoleon Stratogiannakis<br />
Suond: Stefanos Efthimiou, Kenan Akkawi,<br />
Costas Varibopiotis<br />
Producer: Thanos Anastopoulos<br />
Production:<br />
Fantasia Audiovisual Ltd<br />
24, Kallisperi Str, 11742 Athens, Greece<br />
Tel: +30 210 9210882<br />
Mail: fanfi lm@hol.gr<br />
Contact person: Thanos Anastopoulos<br />
filmografia/Filmography<br />
2007 Diorthosi / Correction<br />
2004 Olo to varos tou kosmou / Atlas – All the<br />
Weight of the World<br />
1998 Pos se lene? / What’s Your Name? (doc.)<br />
1993 I Poli kato apo tin poli / The City under<br />
the City (doc.)<br />
1989 Theatis / Onlooker (short)<br />
1984 Nyktodia / Nocturne (short)<br />
Tanos anastopulosi<br />
daibada 1965 wels aTenSi, saberZneTi. swavlobda filosofias<br />
ioaninas universitetSi, Semdeg swavla ganagrZo<br />
parizSi, I universitetsa (Pantheon Sorbonne) da socialur<br />
mecnierebaTa Tanamedrove kvlevis umaRles skolaSi<br />
(E.H.E.S.S). kinos garda TeatrSic muSaobs, dadgmuli aqvs<br />
ori speqtakli. 2004 wels gadaiRo pirveli srulmetra-<br />
Jiani mxatvruli <strong>filmi</strong>. “Sesworeba” misi meore srulmetraJiani<br />
mxatvruli <strong>filmi</strong>a.<br />
Thanos Anastopoulos<br />
Born in Athens in 1965. Studied Philosophy at the University<br />
of Ioannina - Greece. Post graduate studies at the University<br />
of Paris I (Pantheon Sorbonne) and at the Ecole des Hautes<br />
Etudes en Sciences Sociales (E.H.E.S.S). He directed short<br />
fi lms, documentaries and two theatre plays. In 2004 he made<br />
his fi rst feature fi lm. CORRECTION is his second feature fi lm.<br />
anastato@gmail.com - Mob: +30 6974 905220<br />
7 15
saerTaSoriso saerTaSoriso konkursi / International Competition<br />
86 wT, 35 mm, feradi<br />
86 min, 35 mm, colour<br />
JAGDHUNDE<br />
monadire ZaRlebi germania 2007<br />
Sobis wina dReebi. henriki da misi 16 wlis vaJi larsi ukermarkSi,<br />
germaniis Crdilo-aRmosavleT nawilSi, erT Zvel fermaSi cxovroben.<br />
fermis kuTvnili sabZeli saqorwino sastumrod unda gadakeTdes.<br />
am mxareSi axaldasaxlebul mama-Svils adgilobrivi macxovreblebi<br />
ar scnoben. henriki da larsi TiTqmis ar elaparakebian<br />
erTmaneTs. rodesac larsi gaigebs, rom mamamiss dedamisis dasTan,<br />
ianasTan aqvs urTierToba, is Tavs kidev ufro gariyulad igrZnobs.<br />
larsi marias gaicnobs. isini erTad daseirnoben soflis daTovlil<br />
SemogarenSi, romelic mojadoebuls hgavs. ojaxuri qaosi piks<br />
aRwevs siyvarulis dResaswaulze, rodesac moulodnelad larsis<br />
deda Camodis Tavis sayvarelTan erTad. axaldaqorwinebulTaTvis<br />
gankuTvnili momavali saxli grZnobaTa Widilis adgilad iqceva.<br />
reJisori: an-kristin raielsi<br />
scenari: marek helsneri, an-kristin raielsi<br />
operatori: florian foesti<br />
monawileoben: konstantin fon iaSerofi, oizef haderi, luize<br />
berndti, sven lemani, iudiT engeli, ulrike krumbigeli,<br />
marek harlofi<br />
musika: henri raielsi<br />
mxatvari: grit vendike<br />
kostiumebi: doerte Snaideri<br />
montaJi: halina daugirdi<br />
xma: florian kiunle<br />
aRmasrulebeli prodiuseri: fabian poelmani<br />
prodiuserebi: zuzan Simki, iorg trentmani<br />
Hounds Germany 2007<br />
It is shortly before Christmas. Henrik and his 16-year-old son Lars live together<br />
at an old farmstead in the Uckermark, in the northeastern corner<br />
of Germany. The barn is to be renovated as a wedding hotel. Since<br />
father and son are not from this area, they live in isolation from the<br />
local inhabitants. The relationship between Lars and Henrik is marked<br />
by a complete lack of communication. When Lars learns about an<br />
affair his father is having with his Aunt Jana, he feels more alone than<br />
ever. Lars meets Marie. Together they roam through the enchanted<br />
wintry countryside. The family chaos at the festival of love reaches a<br />
peak when Lars’ mother unexpectedly shows up with her lover. The<br />
future venue for wedding couples turns into a battlefi eld of emotions.<br />
Director: Ann-Kristin Reyels<br />
Screenplay: Marek Helsner, Ann-Kristin Reyels<br />
DOP: Florian Foest<br />
Cast: Constantin von Jascheroff, Josef Hader, Luise Berndt, Sven<br />
Lehmann, Judith Engel, Ulrike Krumbiegel, Marek Harloff<br />
Music: Henry Reyels<br />
Production design: Grit Wendicke<br />
Costumes: Dörte Schneider<br />
Editing: Halina Daugird<br />
Suond: Florian Kühnle<br />
Executive Producer: Fabian Pöhlmann<br />
Producers: Susann Schimk, Jörg Trentmann<br />
7 16<br />
filmografia/Filmography<br />
2007 Jagdhunde / Hounds<br />
2005 Das Karussell (movie- and TV-spot)<br />
2004 DIM (short)<br />
2002 Tatjana (doc.)<br />
2000 Raumpfl ege (short)<br />
an-kristin raielsi<br />
daibada 1976 wels laifcigSi. 1997-2001 wlebSi muSaobda<br />
praqtikantad da asistentad kino- da telewarmoebaSi.<br />
2004 wels oTx sxva student-reJisorTan erTad dadga<br />
speqtakli berlinis maqsim gorkis Teatris scenaze. 2001-<br />
2007 wlebSi reJisuras swavlobda potsdam-babelsbergis<br />
kinosa da televiziis umaRles skola „konrad volfSi“.<br />
„monadire ZaRlebi“ misi pirveli srulmetraJiani mxatvruli<br />
<strong>filmi</strong>a.<br />
Ann-Kristin Reyels<br />
Born in Leipzig in 1976. 1997-2001 worked as an intern and<br />
assistant at various fi lm and television productions. Directed<br />
a stage play together with four other student directors<br />
at the Maxim Gorki Theater Berlin in 2004. 2001-2007 studied<br />
directing at the HFF fi lm and television academy “Konrad<br />
Wolf” in Potsdam-Babelsberg. After a number of short<br />
fi lms HOUNDS is Ann-Kristin Reyels’ fi rst featurelength fi lm.<br />
Production:<br />
Credofi lm GmbH<br />
Schiffbauerdamm 13<br />
D-10117 Berlin<br />
Tel.: 030-25 76 24 0<br />
Fax: 030-25 76 24 22<br />
www.credofi lm.de<br />
offi ce@credofi lm.de
106 wT, 35 mm, feradi<br />
106 min, 35 mm, colour<br />
dRes Rame anicasTvis yvelaferi Seicvleba. is Sekravs bargs,<br />
daemSvidobeba megobrebs da sayvarlis seifs daacarielebs, sanam<br />
axali cxovrebis dasawyebad TviTmfrinavSi Cajdeba. magram<br />
man ar icis, rom es dRe mis garSemo myofi adamianebisTvisac<br />
mniSvnelovani dRea. amitom anicas bolo dRe belgradSi Sei-<br />
Zleba ise mSvidad ar warimarTos, rogorc man dagegma.<br />
Tonight, everything changes for Anica. She’ll pack her belongings,<br />
say her goodbyes and empty her boyfriend’s safe before<br />
boarding a fl ight to a new life. However, what she doesn’t know<br />
is that today is also a big day for those around her – and her last<br />
day in Belgrade might not run as smoothly as planned.<br />
filmografia/Filmography<br />
2008 Love and Other Crimes<br />
2005 Lost and Found<br />
2003 (A)torsion (short)<br />
2002 Little Morning Story (short)<br />
2001 Belgrade Sound (doc.)<br />
2001 Night Porter (short)<br />
2000 The Plum Tree (short)<br />
2000 Landscapes (doc.)<br />
LOVE AND OTHER CRIMES<br />
siyvaruli da sxva danaSaulebi germania / serbeTi / avstria / slovenia 2008<br />
reJisori: stefan arsenieviCi<br />
scenari: stefan arsenieviCi, boian vuletiCi,<br />
srjan kolieviCi<br />
operatori: simon tanSeki<br />
mxatvari: folker Seferi<br />
kostiumebi: veronika alberti<br />
montaJi: endriu birdi<br />
xma: tomica marton-iankovi<br />
prodiuserebi: herbert Sveringi, miroslav mogoroviCi<br />
Love and Other Crimes Germany / Serbia / Austria / Slovenia 2008<br />
Director: Stefan Arsenijević<br />
Screenplay: Stefan Arsenijević,<br />
Bojan Vuletić, Srđan Koljević<br />
DOP: Simon Tanšek<br />
Production design: Volker Schaeffer<br />
Costumes: Veronika Albert<br />
Editing: Andrew Bird<br />
Sound: Tomica Marton-Jankov<br />
Producers: Herbert Schwering, Miroslav<br />
Mogorović<br />
daibada 1977 wels belgradSi. kino- da telereJisuraSi<br />
xelovnebis magistris xarisxiT daamTavra belgradis<br />
dramatuli xelovnebis fakulteti, sadac dRes asocirebuli<br />
profesoris rangSi muSaobs. Tanadamaarsebelia<br />
kinosaprodiusero kompaniisa Art & Popcorn. mis<br />
moklemetraJian filmebs miRebuli aqvs 30-ze meti nacionaluri<br />
da saerTaSoriso jildo, maT Soris berlinales<br />
“oqros daTvi”, evropuli kinoakademiis prizi<br />
da nominacia “oskarze”. “siyvaruli da sxva danaSaulebi”<br />
misi pirveli srulmetraJiani mxatvruli <strong>filmi</strong>a.<br />
Stefan Arsenijevic<br />
Production:<br />
Art & Popcorn (Serbia)<br />
Coin Film (Germany)<br />
KGP Kranzelbinder Gabriele Production<br />
(Austria)<br />
Studio Arkadena (Slovenia)<br />
stefan arsenieviCi<br />
Born in Belgrade in 1977. MA in fi lm and TV directing on<br />
the Faculty of Drama Arts in Belgrade, where he works as<br />
an assistant professor. Co-founder of the fi lm production<br />
house “Art & Popcorn”. For his short fi lms won over 30 national<br />
and international awards, including Golden Bear in<br />
Berlin, European Film Academy Award and nomination for<br />
the Oscar. “Love and other crimes” is his fi rst feature fi lm<br />
World Sales:<br />
The Match Factory<br />
Eduard-Schmid-Str. 13<br />
D-81541 München<br />
Tel.: +49 89 20001200<br />
Fax: +49 89 200012010<br />
info@matchfactory.de<br />
7 17
saerTaSoriso saerTaSoriso konkursi / International Competition<br />
110 wT, 35 mm, feradi<br />
110 min, 35 mm, colour<br />
A NYOMOZÓ<br />
gamomZiebeli ungreTi 2008<br />
37 wlis eqimi-paTologi tibori martoxela kacis cxovrebas eweva,<br />
mas adamianebTan urTierToba uWirs. klinikaSi, sadac is muSaobs,<br />
ramdenime sarTuliT qveviT dedamisi wevs, romelic kibosgan kvdeba.<br />
tibori arkvevs, rom dedisTvis SvedeTSi arsebobs mkurnalobis<br />
SesaZlebloba, magram mkurnalobas iseTi Tanxa sWirdeba, romelsac<br />
tibori ver gawvdeba. am dros mis cxovrebaSi Cndeba ucnauri<br />
calTvala kaci saxelad ciklopi, romelic tibors saWiro Tanxas<br />
sTavazobs, Tu is erT adamians moklavs. tibori Tanxmdeba, ise rom<br />
ar icis, vin iqneba misi msxverpli. mkvlelobis Semdeg miRebuli<br />
werilidan tibori moulodnel ambebs Seityobs.<br />
reJisori: atila gigori<br />
scenari: atila gigori<br />
operatori: mate herbai<br />
monawileoben: solt angeri, iudit rezesi, Sandor terhesi,<br />
ildiko toTi, eva kerekeSi, solt zagoni<br />
musika: laslo melisi<br />
mxatvari: Sandra Stevanoviti<br />
kostiumebi: beata hofmani<br />
montaJi: zoltan kovaCi<br />
xma: zoltan toTi, atila toJeri, Caba maiori, kristian holmi<br />
prodiuseri: ferenc pustai<br />
The Investigator Hungary 2008<br />
37-year-old Tibor, who works as a pathologist, leads a lonely life as<br />
someone who has problems communicating with people. In the hospital<br />
where he works, a few fl oors up, lies his mother who is dying of<br />
cancer. Tibor fi nds out about a possible cure for his mother’s illness<br />
available in Sweden, but this would require the kind of money he just<br />
doesn’t have. At this point a mysterious one-eyed man called Cyclops<br />
enters his life and offers him the funding he needs if he agrees<br />
to carry out an assassination. Tibor accepts the job, without knowing<br />
the identity of his intended target. A letter he receives after the killing,<br />
however, reveals to him circumstances of which he was totally<br />
unaware..<br />
Director: Attila Gigor<br />
Screenplay: Attila Gigor<br />
DOP: Máté Herbai<br />
Cast: Zsolt Anger, Judit Rezes, Sándor Terhes, Ildikó Tóth, Éva<br />
Kerekes, Zsolt Zágoni<br />
Music: László Melis<br />
Production design: Sandra Stevanovity<br />
Costumes: Beáta Hoffmann<br />
Editing: Zoltán Kovács<br />
Sound: Zoltán Tóth, Attila Tőzsér,<br />
Csaba Major, Christian Holm<br />
Producer: Ferenc Pusztai<br />
7 18<br />
Attila Gigor<br />
Production:<br />
KMH Film<br />
Kesmark utca 24, H-1158 Budapest,<br />
Hungary<br />
tel.: +36 1 414 0885<br />
fax: +36 1 414 0887<br />
filmografia/Filmography<br />
2008 The Investigator<br />
2008 Vengeance (short)<br />
2006 We Missed our Stop (short)<br />
2004 Hungarian Tiger (TV-short)<br />
2004 Man in the Mirror (short)<br />
2003 Diary (diary-fi lm)<br />
2002 Unfi nished Stories (experimental)<br />
2001 Interdictor (doc.)<br />
atila gigori (atila galambosi)<br />
daibada 1978 wels budapeStSi, ungreTi. swavlobda samsaxiobo<br />
xelovnebas ungreTis sxvadasxva Teatralur saswavlebelSi.<br />
2000 wels swavla ganagrZo ungreTis kinosa<br />
da Teatris akademiaSi, romelic 2005 wels daamTavra<br />
tele- da kinoreJisoris specialobiT. misi pirveli<br />
srulmetraJiani <strong>filmi</strong> “gamomZiebeli” 2008 wels dajildovda<br />
ungruli kinos 39-e kvireulis 4 priziT – sauke-<br />
Teso Janruli <strong>filmi</strong>sTvis, saukeTeso msaxiobisTvis,<br />
saukeTeso scenarisTvis da saukeTeso montaJisTvis.<br />
Born in 1978 in Budapest, Hungary. Attila Gigor, sometimes<br />
credited as Attila Galambos, studied acting at various<br />
Hungarian drama schools. In 2000 he enrolled at the Hungarian<br />
Academy of Film and Drama, where he was a student<br />
of director Sándor Simó and, after the latter’s death,<br />
of Ferenc Grunwalsky. His fi rst feature, The Investigator / A<br />
nyomozó, was awarded Best Genre Film, Best Actor, Best<br />
Screenplay and Best Editor prizes of the 39th Hungarian<br />
Film Week in 2008.<br />
World Sales:<br />
TrustNordisk<br />
Filmbyen12 2650 Hvidovre, Denmark<br />
tel.: +45 36 868 788<br />
fax: +45 36 774 448<br />
info@trustnordisk.com
114 wT, 35 mm, feradi<br />
114 min, 35 mm, colour<br />
RUSALKA / РУСАЛКА<br />
qalTevza ruseTi 2007<br />
warmosaxviTi ambavi sakuTar TavSi Caketil gogoze, romelic<br />
izrdeba rwmeniT, rom flobs survilebis asrulebis unars. ukve<br />
axalgazrda qali iZulebulia realobas dauqvemdebaros es rwmena,<br />
rodesac is moskovSi Cadis da siyvaruls, Tanamedroveobasa<br />
da materializms ejaxeba.<br />
reJisori: ana meliqiani<br />
scenari: ana meliqiani<br />
operatori: oleg kiriCenko<br />
monawileoben: maria Salaieva, evgeni ciganovi, maria sokova<br />
musika: igor vdovini<br />
mxatvari: uliana riabova<br />
kostiumebi: irina graJdankina<br />
xma: dimitri smirnovi<br />
prodiuseri: ruben diSdiSiani<br />
The Mermaid Russia 2007<br />
The fanciful tale of an introverted little girl who grows up believing<br />
she has the power to make wishes come true. She must reconcile<br />
this belief with reality when, as a young woman, she journeys<br />
to Moscow and grapples with love, modernity and materialism.<br />
Director: Anna Melikyan<br />
Screenplay: Anna Melikyan<br />
DOP: Oleg Kirichenko<br />
Cast: Mariya Shalayeva, Yevgeni<br />
Tsyganov, Mariya Sokova<br />
Music: Igor Vdovin<br />
Production design: Ulyana Ryabova<br />
Costumes: Irina Grashdankina<br />
Sound: Dimitriy Smirnov<br />
Producer: Ruben Dishdishyan<br />
Production Company:<br />
Central Partnership<br />
13, 12/1 Butikovsky lane<br />
119034 Moscow Russia<br />
Tel: +7(495)981-82-14<br />
Fax: +7(495)980-06-24<br />
http://www.centpart.com<br />
filmografia/Filmography<br />
2007 Rusalka / The Mermaid<br />
2004 Mars<br />
2002 Double Bass (short)<br />
2000 Poste restante (short)<br />
ana meliqiani<br />
daibada baqoSi, gaizarda erevanSi da cxovrobs moskovSi.<br />
2002 wels daasrula ruseTis kinematografiis saxelmwifo<br />
institutis sareJisoro faluktetze swavla. 1995-<br />
1997 wlebSi muSaobda telereJisorad, iyo reJisoris<br />
asistenti evgeni ginsbergis saaxalwlo gadacemasa da<br />
sxvadasxva musikalur satelevizio dadgmebze. 1998 wels<br />
moskovis saerTaSoriso kinofestivalis gaxsna-<strong>daxurvis</strong><br />
ceremonia dadga. 2001 wlidan aris ruseTis kinematografistTa<br />
kavSiris wevri. 2001 wels gamocdileba<br />
SeiZina germaniis sxvadasxva post-produqciis kompaniaSi<br />
(frankfurti, visbadeni).<br />
Anna Melikyan<br />
Born in Baku, grew up in Yerevan, lives in Moscow. In 2002<br />
she graduated from the directing faculty of the Russian<br />
State Cinematography Institute. In 1995–1997 she worked<br />
as a TV director, an assistant director to Yegeniy Ginsberg<br />
on New Year’s Lights and various musical shows for television.<br />
In 1998 she directed the opening and closing ceremonies<br />
for the Moscow International Film Festival. Since<br />
2001 she has been a member of the Russian Cinematographers’<br />
Union. In 2001 she gained experience in various<br />
post-production companies in Germany (Frankfurt, Wiesbaden).<br />
7 19
saerTaSoriso saerTaSoriso konkursi / International Competition<br />
100 wT, 35 mm, feradi<br />
100min, 35 mm, colour<br />
SHULTES / ШУЛЬТЕС<br />
Sultesi ruseTi 2008<br />
25 wlis lioSa Sultesi, yofili sportsmeni, avtokatastrofaSi<br />
moxvedris Semdeg jibis qurdi xdeba. es misTvis gare samyarosTan<br />
urTierTobis erTaderTi saSualebaa. lioSa ganmartoebiT cxovrobs<br />
avadmyof dedasTan erTad, qurdobs da drodadro umcros Zmas<br />
akiTxavs jarSi. misTvis ucxoa siyvaruli, megobroba da adamianuri<br />
siaxlove. is erTaderTxel gadaeyreba adamianur grZnobebs, rodesac<br />
xelSi axalgazrda qalis videogzavnili Cauvardeba, romelic<br />
wina dRes gaZarcva... sxva adamianis cxovrebasTan da gancdebTan<br />
Sexebas Sultesi daufiqrebel saqcielamde mihyavs.<br />
reJisori: bakur bakuraZe<br />
scenari: bakur bakuraZe<br />
operatori: nikolai vavilovi, marina gornostaeva<br />
monawileoben: gela WiTava, ruslan grebionkini,<br />
liubov firsova<br />
mxatvari: kiril Suvalovi<br />
montaJi: serik beisenovi<br />
xma: arseni troicki<br />
prodiuseri: sergei selianovi<br />
Shultes Russia 2008<br />
25-year-old Lesha Shultes, a former athlete that had received a serious<br />
injury in a car accident, becomes a pickpocket. This is his only way<br />
of communicating with the outside world. He lives a lonely life with his<br />
sickly mother, steals, and occasionally visits his younger brother in the<br />
army. Love, friendship, and affection have no place in Shultes’ life.<br />
His only encounter with human feelings occurs when he gets a video<br />
from a young woman he robbed earlier. This contact with a stranger’s<br />
life and feelings leads Shultes to rash decisions.<br />
Director: Bakur Bakuradze<br />
Screenplay: Bakur Bakuradze<br />
DOP: Nikolay Vavilov, Marina Gornostaeva<br />
Cast: Gela Chitava, Ruslan Grebenkin, Lubov Firsova<br />
Production design: Kirill Shuvalov<br />
Editing: Serik Beysenov<br />
Sound: Arseniy Troitskiy<br />
Producer: Sergey Selyanov<br />
7 20<br />
Production:<br />
CTB<br />
Kamenoostrovsky prospekt, 10<br />
197101 St. Petersburg, Russia<br />
kino@ctb.ru<br />
www.ctb.ru<br />
filmografia/Filmography<br />
2008 Shultes<br />
2008 The Age of Minfi n. 205 Years of Service<br />
to the Fatherland (doc.)<br />
2008 Road of Dreams (doc.)<br />
2007 Moscow (short)<br />
2005 The Diamond Way (doc.)<br />
2003 The Circular Motions of Vladimir<br />
Olegovich and Olga Egorova (short)<br />
2002 Vyacheslav Pilipenko (doc.)<br />
2002 The Age of Minfi n (doc.)<br />
2001 At the Cost of One’s Life (doc.)<br />
1998 Penniless (short)<br />
bakur bakuraZe<br />
daibada 1969 wels TbilisSi. 1986 wels, skolis damTavrebis<br />
Semdeg, swavla ganagrZo moskovis sagzao-saavtomobilo<br />
teqnikur universitetSi, romelic 1993 wels<br />
daamTavra. 1987-89 wlebSi msaxurobda sabWoTa armiis<br />
rigebSi. 1993-1998 wlebSi kinoreJisuras swavlobda<br />
moskovis kinematografiis institutSi marlen xucievis<br />
xelmZRvanelobiT. “Sultesi” misi pirveli srulmetra-<br />
Jiani mxatvruli <strong>filmi</strong>a.<br />
Bakur Bakuradze<br />
Born 16.03.1969 in Tbilisi. In 1986 he graduated from the<br />
school and entered the MADI (The Moscow State Automobile<br />
& Road Technical University), which he graduated<br />
from in 1993. From 1987 to 1989 he served in Soviet Army. In<br />
1993 he entered VGIK, director’s faculty, under the leadership<br />
of master Marlen Hutsiev. He successfully graduated<br />
from VGIK in 1998. Shultes is his fi rst feature fi lm.<br />
World Sales:<br />
Intercinema<br />
Druzinnikovskaya, 15<br />
123242 Moscow, Russia<br />
Fax : +7 495 255 90 53<br />
post@intercin.ru<br />
www.intercinema.ru
106 wT, 35 mm, feradi<br />
106 min, 35 mm, colour<br />
SONBAHAR<br />
Semodgoma TurqeTi / germania 2008<br />
1990-ian wlebSi 22 wlis iusufs, romelic sxva studentebTan<br />
erTad TurqeTSi demokratiisTvis ibrZvis, apatimreben da 12<br />
wliT cixeSi svamen. 10 wlis Semdeg mas mZime avadmyofobis gamo<br />
vadamde aTavisufleben da iusufi mSobliur sofelSi brundeba.<br />
Sin mas mxolod moxucebuli da avadmyofi deda xvdeba _ sanam<br />
iusufi cixeSi ijda, misi mama gardaicvala, ufrosi da ki gaTxovda<br />
da qalaqSi gadavida sacxovreblad. sofelSi iusufis xnis<br />
aRaravin darCa, misi bavSvobis megobris, mixailis garda. erT<br />
dRes megobrebi mezobel qalaqSi midian da iusufi ekas xvdeba,<br />
msubuqi yofaqcevis axlagazrda qarTvel qals.<br />
reJisori: ozjan alperi<br />
scenari: ozjan alperi<br />
operatori: feza Caldirani<br />
monawileoben: onur sailaki, megi kobalaZe, raife ienguli,<br />
serkan keskini, nino leJava<br />
musika: iuri riadCenko, aisenur kolivari<br />
mxatvari: janan Caiiri<br />
kostiumebi: iasemin taskini<br />
montaJi: Tomas balkenholi<br />
xma: mohamed moxtari<br />
prodiuseri: feizula serkan ajari<br />
Autumn Turkey / Germany 2008<br />
Yusuf, when he was a student in Instanbul in the 1990s, was sent to<br />
prison for political activism in the fi ght for democracy. Ten years<br />
later he is released on the grounds of ill health. He returns to his village<br />
in the eastern Black Sea region, where he’s welcomed only<br />
by his sick and elderly mother. It turns out that his father died while<br />
he was in jail and his older sister got married and moved away to<br />
the city. Apart from his childhood friend Mikhail, Yusuf is the only<br />
young man in the village. One evening the two friends go to the<br />
nearest town and meet in a bar a Georgian prostitute, Eka, with<br />
whom Yusuf falls in love.<br />
Director: Özcan Alper<br />
Screenplay: Özcan Alper<br />
DOP: Feza Çaldiran<br />
Cast: Onur Saylak, Megi Kobaladze,<br />
Raife Yenigul, Serkan Keskin,<br />
Nino Lejava<br />
Music: Yuri Ryadchenko,<br />
Aysenur Kolivar<br />
Production design: Canan Çayir<br />
Costumes: Yasemin Taskin<br />
Editing: Thomas Balkenhol<br />
Sound: Mohammed Mokhtary<br />
Producer: Feyzullah Serkan Acar<br />
Özcan Alper<br />
Production:<br />
Kuzey Film Production<br />
Gazeteci Erol Dernek Sokak no:6 Kat 3<br />
Beyoglu<br />
34433 Istanbul, Turkey<br />
tel: +90 212 252 36 05<br />
fax: +90 212 252 36 06<br />
email: fsacar@kuzeyfi lm.com<br />
www: http://www.sonbaharfi lm.com<br />
filmografia/Filmography<br />
2008 Autumn<br />
2005 Rhapsody and Melancholy in<br />
Tokai City (doc.)<br />
2002 Voyage in Time with a Scientist (doc.)<br />
2001 Grandmother (short)<br />
ozjan alperi<br />
daibada 1975 wels arTvinSi, TurqeTi. stambolis universitetSi<br />
swavlobda fizikas da istorias, 1999 wlidan<br />
muSaobda mxatvrul da satelevizio filmebze meore<br />
reJisorad da warmoebis menejerad, paralelurad werda<br />
kinoJurnalisTvis Yeni Films. 2001 wels gadaiRo pirveli<br />
moklemetraJiani <strong>filmi</strong> “bebia”, romelic mravali priziT<br />
aRiniSna. am warmatebam saSualeba misca reJisors,<br />
dafinanseba moepovebina Tavisi pirveli srulmetraJiani<br />
<strong>filmi</strong>sTvis “Semodgoma”.<br />
Born in 1975 in Artvin, Turkey, Özcan Alper studied physics<br />
and history at Istanbul University before starting work<br />
in 1999 as an assistant director and production manager<br />
on several feature and TV fi lms. During this time he also<br />
wrote for the fi lm magazine Yeni Films. In 2001 he made<br />
his fi rst short, Grandmother. This fi rst work won him several<br />
awards, which enabled him to fi nd funding for his fi rst feature<br />
fi lm, Sonbahar (Autumn).<br />
Co-production:<br />
Filmfabrik Spiel-und Dokumentarfi lmproduktion<br />
Severinskirchplatz 4<br />
50678 Kln, Germany<br />
tel: +49 221 93 476 70<br />
fax: +49 221 93 476 71<br />
email: info@fi lmfabrik.net<br />
7<br />
www: http://www.fi lmfabrik.net 21
saerTaSoriso saerTaSoriso konkursi / International Competition<br />
71 wT, 35 mm, feradi<br />
71 min, 35 mm, colour<br />
SRODA, CZWARTEK RANO<br />
oTxSabaTi, xuTSabaTis dila poloneTi 2008<br />
varSava, 1 agvisto – nacistebis winaaRmdeg varSavis ajanyebis wlisTavi.<br />
ori martosuli axalgazrda bednierebas eZebs, iqneb siyvarulsac...<br />
reJisori: gJegoJ paceki<br />
scenari: gJegoJ paceki<br />
operatori: bogumiv godfreiovi<br />
monawileoben: ioana kuligi, pavel tomaSevski,<br />
iadviga iankovska-ceslaki<br />
Wednesday, Thursday Morning Poland 2008<br />
Warsaw, the 1st of August - the anniversary of the Warsaw Uprising<br />
against the Nazis. Two lonely young people trying to fi nd happiness,<br />
maybe even love...<br />
Director: Grzegorz Pacek<br />
Screenplay: Grzegorz Pacek<br />
DOP: Bogumił Godfrejów<br />
Cast: Joanna Kulig, Pawel Tomaszewski,<br />
Jadwiga Jankowska-Cieslak<br />
7 22<br />
World Sales:<br />
Bartek Fukiet<br />
Fundacja Promocji Kina FILM POLSKI<br />
Krakowskie Przedmiescie 21/23<br />
00-071 Warszawa<br />
tel./fax: +48 22 828 11 32<br />
fi lmpolski@fi lmpolski.com.pl<br />
filmografia/Filmography<br />
2008 Sroda, czwartek rano / Wednesday,<br />
Thursday Morning<br />
documentaries<br />
2005 Idź do Luizy / Go to Luiza<br />
2003 Planeta śmieci / The planet of Trash<br />
2002 Ulica Wapienna / Wapienna Street<br />
2000 Jestem zły / Such is My Karma<br />
2000 Mongolski ślad / Mongolian Trace<br />
1997 List z argentyny / A Letter from Argentina<br />
1996 Podatek od marzeń / Dream Tax<br />
1994 Serbowie to dobrzy ludzie / The Serbs are<br />
Good People<br />
gJegoJ paceki<br />
daibada 1965 wels pulaviSi, poloneTi. swavlobda garemos<br />
modelirebas varSavis teqnologiis institutSi.<br />
1996 wels daamTavra loZis erovnuli kinoskola reJisoris<br />
specialobiT. mis dokumentur filmebs polonuri<br />
da saerTaSoriso kinofestivalebis araerTi prizi aqvs<br />
mopovebuli. misi pirveli mxatvruli srulmetraJiani<br />
<strong>filmi</strong> “oTxSabaTi, xuTSabaTis dila” gran-priT aRiniSna<br />
2008 wels koSalinis sadebiuto filmebis festivalze<br />
“axalgazrdoba da kino”.<br />
Grzegorz Pacek<br />
Born in 1965 in Pulawy, Poland. Studied Environmental<br />
Engineering at the Warsaw Institute of Technology. In<br />
1996, he graduated from the Directing Department of<br />
the National Film School in Lodz. Director of documentaries<br />
awarded at Polish and international fi lm festivals.<br />
“Wednesday, Thursday Morning” is his feature fi lm debut,<br />
awarded Grand Prix - “Great Amber” at Debut Film Festival<br />
“Youth and Film” in Koszalin (2008)..
113 wT, 35 mm, feradi<br />
113 min, 35 mm, colour<br />
VERSAILLES<br />
versali safrangeTi 2008<br />
parizi dRes. axalgazrda deda bavSvTan erTad quCaSi cxovrobs.<br />
nina umuSevaria da aravin hyavs. enco 5 wlisaa. erT dRes deda-<br />
Svils xetiali versalSi miiyvans. sasaxlis axlos, tyeSi, patara<br />
qoxSi ganmartoebiT cxovrobs damiani. nina Rames masTan atarebs.<br />
diliT adre nina bavSvs tovebs da qreba. gaRviZebisas damians<br />
mxolod bavSvi xvdeba. gadis dReebi da Tveebi, kaci da bavSvi<br />
nelnela uaxlovdebian erTmaneTs. rac ufro uWirT, miT ufro<br />
myardeba maTi kavSiri. magram erT dRes maT qoxi unda datovon ...<br />
reJisori: pier Soeleri<br />
scenari: pier Soeleri<br />
operatori: Julien hirSi<br />
monawileoben: giom depardie, maqs beset de malglaivi,<br />
iudiT Semla, or atika, patrik deskani, mateo jovaneti<br />
musika: filip Soeleri<br />
mxatvari: brijit brasari<br />
kostiumebi: mari sezari<br />
montaJi: maTild muiari<br />
xma: iv-mari omne, fransua mero, stefan tibo<br />
prodiuseri: Jeraldin miSelo<br />
Versailles France 2008<br />
Paris, today. A child and his young mother sleep on the streets.<br />
Nina is unemployed with no ties. Enzo is 5. Their drifting leads them<br />
to Versailles. In the woods near the palace, a man lives in a hut,<br />
cut off from everything. Damien. Nina spends a night with him.<br />
Early the next morning, Nina leaves the child and vanishes. When<br />
he wakes, Damien fi nds Enzo alone. As the days and seasons<br />
pass, the man and the child get acquainted, start to get along<br />
and grow fond of each other. Their bond will be as strong as their<br />
destitution. However, they will have to leave the hut one day…<br />
Director: Pierre Schoeller<br />
Screenplay: Pierre Schoeller<br />
Director of Photography: JulienHirsch<br />
Cast: Guillaume Depardieu,<br />
Max Baissette de Malglaive, Judith<br />
Chemla, Aure Atika, Patrick Descamps,<br />
Matteo Giovannetti<br />
Music: Philippe Schoeller<br />
Production design: Brigitte Brassart<br />
Costumes: Marie Cesari<br />
Editing: Mathilde Muyard<br />
Sound: Yves-Marie Omnès,<br />
François Mereu, Stéphane Thiébaut<br />
Producer: Géraldine Michelot<br />
Production:<br />
Les fi lms Pelléas<br />
filmografia /Filmography<br />
2008 Versailles<br />
2002 Zéro défaut / Zero Defect (TV drama)<br />
1996 Deux amis (short)<br />
pier Soeleri<br />
daibada 1961 wels. swavlobda lui liumieris kinoskolaSi<br />
parizSi. muSaobda scenaristad televiziasa da<br />
kinoSi, aris mravali mxatvruli <strong>filmi</strong>s, maT Soris erik<br />
zonkas, Jan-pier limozenis, bris kovenis, alen gomis da<br />
erik girados filmebis scenaris avtori da Tanaavtori.<br />
Semdeg TviTon daiwyo filmebis gadaReba. “versali”, misi<br />
pirveli srulmetraJiani mxatvruli <strong>filmi</strong>, wels kanis<br />
festivalze aCvenes seqciaSi “gansakuTrebuli xedva”.<br />
Pierre Schoeller<br />
Born in 1961. He studied at the L’école Louis Lumière<br />
in Paris. Having penned the screenplays for Erick Zonca’s<br />
The Dreamlife of Angels, Jean-Pierre Limosin’s<br />
Carmen, Brice Cauvin’s Hotel Harabati, Alain Gomis’<br />
L’Afrance and Eric Guirado’s Quand tu descendras<br />
du ciel, in 2002 Pierre Schoeller directed the TV drama<br />
Zéro Défaut. Versailles is his directorial feature debut.<br />
World Sales:<br />
Les Films du Losange<br />
22, avenue Pierre 1er de Serbie, 75116<br />
Paris, France<br />
Tel: +33 1 44 43 87 10, Fax: +33 1 49 52<br />
06 40<br />
d.elstner@fi lmsdulosange.fr 7<br />
www.fi lmsdulosange.fr<br />
23
is proud to support<br />
MADE IN GERMANY<br />
at the 9th Tbilisi<br />
International Film Festival<br />
www.german-films.de
damzadebulia germaniaSi<br />
Made In Germany
damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />
87 wT, 35 mm, feradi<br />
87 min, 35 mm, colour<br />
ABSURDISTAN<br />
absurdistani germania 2008<br />
sadRac aziasa da evropas Soris Cakargulia sofeli absurdistani.<br />
sofels didi xania ara aqvs sasmeli wyali, magram soflis<br />
kacebi TiTsac ar anZreven dazianebuli milis SesakeTeblad. da<br />
colebi gaficvas awyoben _ „ar iqneba wyali, ar iqneba seqsi!“.<br />
qalebsa da kacebs Soris gaCaRebuli omi dabrkolebas uqmnis<br />
axalgazrda wyvilis, aias da temelkos siyvaruls...<br />
reJisori: fait helmeri<br />
scenari: fait helmeri, gordan mihiki, zaza buaZe, ahmet golboli<br />
operatori: giorgi beriZe<br />
monawileoben: kristina malerova, maqs maufi, nino CxeiZe,<br />
vlasta velisavlieviCi, hendrik arnsti, olga nefiodova<br />
musika: Sigeru umebaiaSi<br />
mxatvrebi: ervin pribi, vaJa jalaRania<br />
kostiumebis mxatvrebi: mehriban efendieva, serap bahadiri<br />
montaJi: vinsent asmani<br />
xma: martin friumorgeni, imo triumpelmani<br />
prodiuserebi: linda kornemani, fait helmeri<br />
Absurdistan Germany 2008<br />
An allegorical comedy centered on two childhood sweethearts<br />
who seem destined for one another until the women of their isolated<br />
village, angered by male indifference toward the water<br />
shortage, go on a sex strike that threatens the young couple’s<br />
fi rst night of love.<br />
Director: Veit Helmer<br />
Screenplay: Veit Helmer, Gordan Mihic,<br />
Zaza Buadze, Ahmet Golbol<br />
DOP: Giorgi Beridze<br />
Cast: Kristýna Maléřová, Max Mauff,<br />
Nino Chkeidze, Vlasta Velisavljevic,<br />
Hendrik Arnst, Olga Nefjodova<br />
Music: Shigeru Umebayashi<br />
Production design: Erwin Prib,<br />
Vaja Djalaghania<br />
Costumes: Mehriban Efendiyeva,<br />
Serap Bahadir<br />
Editing: Vincent Assmann<br />
Sound: Martin Frühmorgen, Immo<br />
Trümpelmann<br />
Producers: Linda Kornemann, Veit Helmer<br />
7 26<br />
Veit Helmer<br />
Production:<br />
Veit Helmer Filmproduktion (Berlin)<br />
in co-production with:<br />
Südwestrundfunk (SWR) (Stuttgart /<br />
Baden-Baden)<br />
Bayerischer Rundfunk (BR) (München)<br />
Arte Deutschland TV GmbH (Baden-<br />
Baden)<br />
filmografia/Filmography<br />
2008 Absurdistan<br />
2005 Behind the Couch - Casting in<br />
Hollywood<br />
Caspian Bride (short)<br />
2004 Hundeleben (short)<br />
2003 Tor zum Himmel<br />
2002 Uzbek Express! (short)<br />
2001 Hati-Hati, Malam-Malam! (short)<br />
1999 Tuvalu<br />
1996 Surprise! (short)<br />
1993 Tour Eiffel (short)<br />
fait helmeri<br />
daibada 1968 wels hanoverSi. filmebis gadaReba 14 wlis<br />
asakSi daiwyo, Semdeg swavlobda miunxenis kinosa da<br />
televiziis umaRles skolaSi, sadac cnobili gaxda Tavisi<br />
moklemetraJiani filmebiT. mis pirvel srulmetra-<br />
Jian films „tuvalu“ didi warmateba xvda wilad, miwveuli<br />
iyo 62 kinofestivalze da 32 prizi miiRo. evropuli<br />
kinoakademiis wevri fait helmeri bevr qveyanaSi kiTxulobs<br />
kinoreJisuris kurss, maT Soris beiruTis, Tbilisis,<br />
jakartis, taSkentisa da bogotis kinoskolebSi.<br />
Born in 1968 in Hannover. It was at the age of 14 that he<br />
shot his fi rst fi lm, later beginning formal studies at the Munich<br />
Film School, where he became known for his short<br />
fi lms. His very fi rst feature-fi lm “Tuvalu” became a runaway<br />
success, being invited to 62 different fi lm festivals and was<br />
honored with an impressive array of 32 various awards.<br />
A member of the European Film Academy, Veit Helmer<br />
gives lectures on fi lmmaking throughout the world, including<br />
fi lm schools in Beirut, Tbilisi, Djakarta, Tashkent and Bogota.
85 wT, 35 mm, feradi<br />
85 min, 35 mm, colour<br />
alternatiuli samxedro samsaxuri axalgazrduli Sexvedrebis<br />
centrSi poloneTSi? svenis ganacxadSi es varianti namdvilad<br />
ar iyo siis pirvel nomrebs Soris miTiTebuli, magram es misTvis<br />
darCenili erTaderTi Tavisufali adgili aRmoCnda. osvencimSi,<br />
romelic msofliom germanuli saxeliT, auSviciT gaicno,<br />
svenis movaleobas sakoncentracio banakis yofili tyvis, jiuti<br />
martoxela kacis, batoni kJeminskis movla Seadgens. rodesac<br />
sveni axalgazrda polonel qals, anias uaxlovdeba, romelic<br />
osvencimis muzeumSi Tarjimnad muSaobs, misi warmodgena patara<br />
qalaqis cxovrebaze icvleba.<br />
Alternative service at a youth meeting centre in Poland? This wasn’t<br />
exactly at the top of Sven’s list – but it was the only place he could<br />
get. In Oswiecim, a town that achieved grievous notoriety under its<br />
German name Auschwitz, Sven is supposed to look after the singular<br />
old concentration camp survivor Krzeminski. When Sven meets<br />
the Polish interpreter Ania from the museum and falls in love with<br />
her, he gets to experience a life beyond the youth meeting centre.<br />
filmografia/Filmography<br />
AM ENDE KOMMEN TOURISTEN<br />
bolos ki mxolod turistebi modian germania 2007<br />
reJisori: robert Talhaimi<br />
scenari: robert Talhaimi<br />
operatori: iolisva gertigi<br />
monawileoben: aleqsander felingi, riSard ronCevski, barbara<br />
visocka, piotr rogucki, rainer zelini, lena Stolce<br />
musika: anton k. faisti, uve bosenci<br />
mxatvrebi: mixal galinski, rita-maria halekampi<br />
kostiumebi: eva krauce<br />
montaJi: Stefan kobe<br />
xma: anton k. faisti, uve bosenci<br />
prodiuserebi: brita knoeleri, hans-kristian Smidi<br />
And along Come Tourists Germany 2007<br />
Director: Robert Thalheim<br />
Screenplay: Robert Thalheim<br />
DOP: Yoliswa Gärtig<br />
Cast: Alexander Fehling,<br />
Ryszard Ronczewski, Barbara Wysocka,<br />
Piotr Rogucki, Rainer Sellien, Lena Stolze<br />
Music: Anton K. Feist, Uwe Bossenz<br />
Production design: Michał Galinski,<br />
Rita-Maria Hallekamp<br />
Costumes: Ewa Krauze<br />
Editing: Stefan Kobe<br />
Sound: Anton K. Feist, Uwe Bossenz<br />
Producers: Britta Knöller,<br />
Hans-Christian Schmid<br />
Production:<br />
23/5 Filmproduktion GmbH<br />
Methfesselstr. 23<br />
D-10965 Berlin<br />
Tel.: +49 30 7676820<br />
Fax: +49 30 76768229<br />
www.235fi lm.de<br />
info@235fi lm.de<br />
2007 Am Ende kommen Touristen<br />
2004 Netto<br />
2002 Ich (short)<br />
Granica (short)<br />
2001 Three percent (short)<br />
Zeit ist Leben (short)<br />
1996 Um vier Uhr plötzlich ging die Welt<br />
unter … (TV-doc.)<br />
robert Talhaimi<br />
daibada 1974 wels berlinSi. 1996 wels auSvicSi gaiara alternatiuli<br />
samxedro samsaxuri, rac safuZvlad daedo mis<br />
ukanasknel films. 1998-99 wlebSi berlinis Tavisufali universitetis<br />
studenti iyo, 2000-2006 wlebSi reJisuras swavlobda<br />
potsdam-babelsbergis teliviziisa da kinos umaRles<br />
skola “konrad volfSi”. 1999 wlidan kulturis sakiTxebze<br />
gamoscems Jurnal Plotki-s, avtoria anjei vaidas Sesaxeb wignis<br />
(2000) da piesis Wild Boys, romelic TviTonve dadga. misi<br />
pirveli srulmetraJiani mxatvruli <strong>filmi</strong> “neto” berlinis<br />
kinofestivalis Jiuris priziT aRiniSna, xolo <strong>filmi</strong>s “bolos<br />
ki mxolod turistebi modian” premiera kanis festivalze<br />
Sedga seqciaSi “gansakuTrebuli xedva”.<br />
Robert Thalheim<br />
Born in Berlin on 2.7.1974. 1996 alternative service in<br />
Auschwitz, which formed the basis for his current fi lm. Stud<br />
ied at the FU in Berlin 1998-1999 and at the HFF “Konrad<br />
Wolf” 2000-2006. Publisher (since 1999) of the cultural periodical<br />
“Plotki” and author of a book on Andrzej Wajda<br />
(2000). Wrote and directed the stage play “Wild Boys”.<br />
Jury prize in Berlin for NETTO, his feature fi lm debut. AND<br />
ALONG COME TOURISTS premiered in the Cannes section<br />
“Un Certain Regard”.<br />
World Sales:<br />
Bavaria Film International<br />
Bavariafi lmplatz 8<br />
D-82031 Geiselgasteig<br />
Tel.: +49 89 64993506<br />
Fax: +49 89 64993720<br />
www.bavaria-fi lm.de<br />
claudia.rudolph@bavaria-fi lm.de<br />
7 27
damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />
120 wT, 35 mm, feradi<br />
120 min, 35 mm, colour<br />
AUF DER ANDEREN SEITE<br />
meore mxares germania 2007<br />
daqvrivebuli ali sTxovs ieters, romelic prostituciiT irCens<br />
Tavs, masTan gadavides sacxovreblad. alis vaJi nejaTi ukmayofiloa<br />
mamis gadawyvetilebiT, Tumca misi ganwyoba icvleba,<br />
rodesac is igebs, rom ieteri prostituciiT naSovn fuls Tavis<br />
qaliSvils aitens ugzavnis TurqeTSi swavlis qiris gadasaxdelad.<br />
ieteris uecari gardacvalebis Semdeg nejaTi aitenis mosaZebnad<br />
TurqeTSi midis. amasobaSi aiteni, romelsac politikuri aqtivobisTvis<br />
Turquli policia devnis, TavSesafars germaniaSi eZebs da<br />
axalgazrda lotes umegobrdeba. rodesac germaniaSi aralegalurad<br />
myof aitens apatimreben da samSobloSi abruneben, megobris<br />
mosaZebnad lotec TurqeTSi midis.<br />
reJisori: fatih akini<br />
scenari: fatih akini<br />
operatori: rainer klausmani<br />
mxatvrebi: tamo kunci, zirma bredli<br />
kostiumebi: katrin aSendorfi<br />
musika: Santeli<br />
montaJi: endriu birdi<br />
xma: kai liude<br />
monawileoben: baki davraki, nursel koeze, hana Sigula,<br />
TunCel kurtizi, nurgiul ieSilCai, patricia ciolkovska,<br />
ielda reino<br />
prodiuserebi: andreas Tili, klaus meki, fatih akini<br />
The Edge of Heaven Germany / Turkey / Italy 2007<br />
Nejat seems disapproving about his widower father Ali’s choice of prostitute<br />
Yeter for a live-in girlfriend. But he grows fond of her when he discovers<br />
she sends money home to Turkey for her daughter’s university studies.<br />
Yeter’s sudden death distances father and son. Nejat travels to Istanbul<br />
to search for Yeter’s daughter Ayten. Political activist Ayten has fl ed the<br />
Turkish police and is already in Germany. She is befriended by a young<br />
woman, Lotte, who invites rebellious Ayten to stay in her home, a gesture<br />
not particularly pleasing to her conservative mother Susanne. When Ayten<br />
is arrested and her asylum plea is denied, she is deported and imprisoned<br />
in Turkey. Lotte travels to Turkey, where she gets caught up in the seemingly<br />
hopeless situation of freeing Ayten.<br />
Director: Fatih Akin<br />
Screenplay: Fatih Akin<br />
DOP: Rainer Klausmann<br />
Production design: Tamo Kunz, Sirma Bradley<br />
Costumes: Katrin Aschendorf<br />
Music: Shantel<br />
Editing: Andrew Bird<br />
Sound: Kai Lüde<br />
Cast: Baki Davrak, Nursel Köse, Hanna Schygulla,<br />
Tunçel Kurtiz, Nurgül Yeşilçay, Patrycia Ziołkowska,<br />
Yelda Reynaud<br />
Producers: Andreas Thiel, Klaus Maeck, Fatih Akin<br />
7 28<br />
fatih akini<br />
daibada hamburgSi Turqul ojaxSi 1973 wels. 1994 wlidan<br />
swavlobda vizualur komunikaciebs hamburgis xelovnebis<br />
umaRles skolaSi, 2000 wels daicva diplomi.<br />
misi namuSevrebi, dawyebuli pirvelive moklemetraJiani<br />
filmebidan, uamravi priziT aris aRniSnuli. maT Soris<br />
aris 2003 wlis berlinales “oqros daTvi” da germanuli<br />
da evropuli kinoakademiebis jildoebi <strong>filmi</strong>sTvis<br />
“Tavi urtyi kedels”. misi bolo <strong>filmi</strong>s “meore mxares”<br />
premiera kanis 2007 wlis festivalis konkursSi Sedga,<br />
sadac mas mieniWa prizi saukeTeso scenarisTvis da ekumenuri<br />
Jiuris prizi.<br />
Fatih Akin<br />
Born in Hamburg on 25.8.1973 to Turkish parents. He studied<br />
visual communications at the Hamburg Academy of<br />
Fine Arts (HfbK), graduating in 2000. From his earliest short<br />
fi lms his works have received numerous awards, including<br />
Best Film at the 2003 Berlinale as well as the German<br />
and European Film Prize for GEGEN DIE WAND. AUF DER<br />
ANDEREN SEITE premiered in the 2007 competition section<br />
in Cannes and was awarded Best Screen - play and the<br />
Prize of the Ecumenical Jury.<br />
Production:<br />
Corazón International GmbH & Co. KG<br />
Ditmar-Koel-Str. 26<br />
D-20459 Hamburg<br />
Tel.: +49 40 31182380<br />
Fax: +49 40 311823821<br />
www.corazon-int.de<br />
amt@corazon-int.de<br />
filmografia/Filmography<br />
2007 Auf der anderen Seite / The Edge of<br />
Heaven<br />
2005 Crossing the Bridge - The Sound of Istanbul<br />
(doc.)<br />
2004 Gegen Die Wand / Head-On<br />
2002 Solino / Solino<br />
2001 Wir haben vergessen (TV-doc.)<br />
2000 Im Juli / In July<br />
1998 Kurz und Schmerzlos / Short Sharp Shock<br />
1997 Getürkt / Weed (short)<br />
1995 Sensin - Du Bist Es / Sensin - You’re The<br />
One! (short)<br />
World Sales:<br />
The Match Factory<br />
Sudermanplatz 2<br />
D-50670 Köln<br />
Tel.: +49 221 292102-0<br />
Fax: +49 221 292102-10<br />
www.the-match-factory.com<br />
michael.weber@matchfactory.de
98 wT, 35 mm, feradi<br />
98 min, 35 mm, colour<br />
DIE FÄLSCHER<br />
gamyalbeblebi germania / avstria 2007<br />
berlini, 1936 weli: soroviCi gamyalbeblebis mefea. qurdebis,<br />
Jigoloebis da Tavqariani gogoebis samyaroSi, sadac is trialebs,<br />
cxovreba mxolod TamaSia. am TamaSisTvis saWiro fuls ki<br />
soroviCi TviTonve beWdavs. mere ki, erT dRes mas viRac gascems<br />
_ komisari hercogi apatimrebs soroviCs da mauthauzenis sakoncentracio<br />
banakSi gzavnis. aq ki saqme mxolod gadarCenazea.<br />
da roca 1944 wels zaqsenhauzenis banakSi gadayavT, soroviCi<br />
uaresis molodinSia, magram cxovreba mas bolo Sanss sTavazobs...<br />
reJisori: Stefan ruzovicki<br />
scenari: Stefan ruzovicki<br />
operatori: benediqt noienfelzi<br />
musika: marius rulandi<br />
monawileoben: karl markoviCi, august dili, devid Strizovi,<br />
martin brambaxi, fait Stiubneri, zebastian urzendovski, august<br />
cirneri, andreas Smidti<br />
mxatvari: izidor vimeri<br />
kostiumebi: nikol fiSnaleri<br />
montaJi: brita naleri<br />
xma: torsten hainemani<br />
prodiuserebi: nina bolmani, babete Sroederi,<br />
iozef aixholceri<br />
The Counterfeiters Germany / Austria 2007<br />
Berlin in 1936. Sorowitsch is the king of counterfeiters. Life’s no<br />
more thana game to him in his world of crooks, gigolos and loose<br />
women. And the cash he needs for his gambling – he simply prints<br />
himself. But then, oneday, someone blows the whistle on him; he<br />
is arrested by superintendent Herzog and sent to Mauthausen<br />
concentration camp. When he is moved to Sachsenhausen in<br />
1944, Sorowitsch fears the worst. But life has one last chance in<br />
store for him...<br />
.<br />
Director: Stefan Ruzowitzky<br />
Screenplay: Stefan Ruzowitzky<br />
DOP: Benedict Neuenfels<br />
Music: Marius Ruhland<br />
Cast: Karl Markovics, August Diehl, Devid<br />
Striesow, Martin Brambach, Veit Stübner,<br />
Sebastian Urzendowsky, August Zirner,<br />
Andreas Schmidt<br />
Production Design: Isidor Wimmer<br />
Costumes: Nicole Fischnaller<br />
Editing: Britta Nahler<br />
Sound: Torsten Heinemann<br />
Producers: Nina Bohlmann, Babette<br />
Schröder, Josef Aichholzer<br />
Production:<br />
23/5 Filmproduktion GmbH<br />
Methfesselstr. 23<br />
D-10965 Berlin<br />
Tel.: +49 30 7676820<br />
Fax: +49 30 76768229<br />
www.235fi lm.de<br />
info@235fi lm.de<br />
filmografia/Filmography<br />
2007 Die Fälscher<br />
2003 Anatomie 2<br />
2001 All the Queen’s Men<br />
2000 Anatomie<br />
1998 Der Siebtelbauer<br />
1996 Tempo<br />
Stefan ruzovicki<br />
daibada venaSi 1961 wels. swavlobda dramis xelovnebas da<br />
istorias. reJisorad muSaobda TeatrSi, radiosa da televiziaSi.<br />
gadaRebuli aqvs musikaluri videofilmebi, maT Soris<br />
jgufisTvis Scorpions. misi sareJisoro debiuti mxatvrul<br />
kinoSi 1996 wels Sedga <strong>filmi</strong>T Tempo. 2008 wels filmma<br />
“gamyalbeblebi” “oskari” moipova nominaciaSi „saukeTeso<br />
ucxoenovani <strong>filmi</strong>”.<br />
Stefan Ruzowitzky<br />
Born in Vienna on 25.12.1961. He studied drama and history<br />
and worked as a director for radio, theatre and television.<br />
He has also directed music videos for bands such as<br />
the Scorpions. He directed his fi st Foreign Language Film<br />
Oscar at the 80th Academy Awards in 2008.<br />
World Sales:<br />
Beta Cinema<br />
Gruenwalder Weg 28d<br />
82041 Oberhaching / Munich<br />
Germany<br />
Phone: +49 89 673469 - 80<br />
Fax: +49 89 673469 - 888<br />
beta@betacinema.com<br />
7 29
damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />
119 wT, 35 mm, feradi<br />
119 min, 35 mm, colour<br />
raineri warmatebuli teleprodiuseria, mas yvelaferi aqvs _<br />
didi Semosavali, savse cxovreba, magari manqana da kidev ufro<br />
magari megobari qali. 30 wels gadacilebuli raineri televarskvlavia,<br />
radgan umdablesi donis Souebis dadgmiT mudam umaRles<br />
reitingebs aRwevs. erT dRes mas sruli svliT mimavali<br />
manqaniT gangeb ejaxeba idumali axalgazrda qali pega. rodesac<br />
raineri sikvdils ebrZvis, is faseulobebis gadafasebas<br />
iwyebs ...<br />
reJisori: hans vaingartneri<br />
scenari: kaTarina heldi, hans vaingartneri<br />
operatori: kristine a. maieri<br />
monawileoben: moric blaibtroi, alza sofi gambardi, milan<br />
peSeli, zimone hanzelmani, gregor bloebi, franciska knupe<br />
musika: andreas vordaSke, adem ilhani<br />
mxatvari: udo krameri<br />
kostiumebi: Tomas olahi<br />
montaJi: andreas vordaSke<br />
xma: Stefan zoltau<br />
prodiuserebi: hans vaingartneri, antonin svoboda<br />
Successful TV producer Rainer has it all: big salary, high life, hot car,<br />
even hotter girlfriend. The 30-something go-getter has reached<br />
the top by creating TV shows appealing to the lowest level and<br />
getting the highest ratings. One day, the mysterious young woman<br />
Pegah deliberately drives full speed into Rainer’s car. On the<br />
verge of death, Rainer has a major change of heart ...<br />
Production:<br />
Kahuuna Films GmbH<br />
Kastanienallee 56<br />
D-10119 Berlin<br />
Tel.: +49 30 44033299-0<br />
Fax: +49 30 44033299-9<br />
www.kahuuna.de<br />
karsten@kahuuna.de<br />
filmografia/Filmography<br />
2007 Free Rainer – Dein Fernseher lügt<br />
2004 Die fetten Jahre sind vorbei<br />
2001 Das weisse Rauschen<br />
1999 Frank (short)<br />
1997 Split Brain (short)<br />
1995 Widerstand gegen die Staatsgewalt<br />
(doc.)<br />
1994 Der junge Mann auf dem blauen Sofa<br />
(short)<br />
1994 Der Dreifachstecker (short)<br />
1993 J-CAM (short)<br />
FREE RAINER – DEIN FERNSEHER LÜGT<br />
Tavisufali raineri – Seni televizori tyuis germania / avstria 2007<br />
Reclaim Your Brain Germany / Austria 2007<br />
Director: Hans Weingartner<br />
Screenplay: Katharina Held,<br />
Hans Weingartner<br />
DOP: Christine A. Maier<br />
Cast: Moritz Bleibtreu, Elsa Sophie Gambard,<br />
Milan Peschel, Simone Hanselmann,<br />
Gregor Bloéb, Franziska Knuppe<br />
Music: Andreas Wodraschke, Adem Ilhan<br />
Production design: Udo Kramer<br />
Costumes: Thomas Oláh<br />
Editing: Andreas Wodraschke<br />
Sound: Stefan Soltau<br />
Producers: Hans Weingartner,<br />
Antonin Svoboda<br />
7 30<br />
hans vaingartneri<br />
daibada 1970 wels feldkirxSi, avstria. 1990-97 wlebSi<br />
swavlobda fizikas, nevrologias da neiroqirurgias venasa<br />
da berlinSi. 1993-94 venaSi Seiswavla operatoris<br />
asistentis specialoba. 1997-2001 wlebSi swavlobda kiolnis<br />
mediaxelovnebis umaRles skolaSi. misma sadebiuto<br />
filmma „TeTri xmauri“ araerTi jildo moipova,<br />
maT Soris maqs ofiulsis prizi, germanel kinokritikosTa<br />
prizi saukeTeso debiutisTvis da axalgazrda kinematografistebisTvis<br />
dawesebuli prizi First Steps (2001).<br />
mravali priziT aRiniSna misi Semdegi <strong>filmi</strong>c „maZRari<br />
wlebi gavida“, romelic kanis kinofestivalis konkursSi<br />
monawileobda.<br />
Hans Weingartner<br />
Born on 2.11.1970 in Feldkirch/Austria. Studied Physics,<br />
Neurosciences and Neuro-surgery 1990-1997 in Vienna<br />
and Berlin. 1993/94 diploma as camera assistant in Vienna.<br />
1997-2001 postgraduate studies at the Academy of Media<br />
Arts (KHM) in Cologne. His debut fi lm THE WHITE SOUND<br />
won i.a. the Max Ophüls Prize, the Prize of the German<br />
Film Critics as Best Film and the First Steps Award 2001. THE<br />
EDUKATORS, which was shown in competition in Cannes,<br />
also received numerous awards.<br />
World Sales:<br />
The Match Factory<br />
Sudermanplatz 2<br />
D-50670 Köln<br />
Tel.: +49 221 292102-0<br />
Fax: +49 221 292102-10<br />
www.the-match-factory.com<br />
info@matchfactory.de
92 wT, VC Pro 50, feradi<br />
92 min, VC Pro 50, colour<br />
realistur-satiruli dokumenturi <strong>filmi</strong> viTarebis Sesaxeb,<br />
romelic <strong>filmi</strong>s Semqmnelebis azriT “tipiurad germanulia”: es<br />
aris „didi depresia“, romelic tyviasaviT mZimed awevs qveyanas.<br />
specifikurad germanuli ki amaSi is aris, rom germanelebi melanqoliurebi<br />
arian, ikvleven sakuTar mdgomareobas da kidev<br />
ufro umZafrdebaT melanqolia. kinoreJisori konstantin<br />
faigle, romelic TviTon qronikuli hipoqondrikia, cdilobs<br />
ironiiT Sexedos sakuTar Tanamoqalaqeebs, sakuTar qveyanas da<br />
sakuTar Tavs.<br />
Realistic-satirical documentary on as the authors of the fi lm believe<br />
a typical German situation. This is a great depression, which<br />
lies on the country like lead. What is specifi cally German in this<br />
situation is that Germans largely are melancholic. They ponder<br />
over their own situation and life and become more melancholic.<br />
A fi lmmaker Konstantin Faigle a hypochondriac himself tries to<br />
look at things and his country and fellow citizens with irony and<br />
mockery.<br />
filmografia/Filmography<br />
2005 Die große Depression - Made in<br />
Germany<br />
2001 Out of Edeka<br />
DIE GROSSE DEPRESSION - MADE IN GERMANY documentary<br />
didi depresia germania 2005 dokumenturi<br />
reJisori: konstantin faigle<br />
scenari: konstantin faigle<br />
operatori: haio Somerusi<br />
musika: andreas Silingi<br />
mxatvari: irina qurTiSvili<br />
kostiumebi: marpa Snaideri<br />
montaJi: dora vaida<br />
xma: nik volebeni<br />
prodiuserebi: titus kraienbergi, lukas Smidti<br />
Die große Depression - Germany 2005<br />
Made in Germany<br />
Director: Konstantin Faigle<br />
Screenplay: Konstantin Faigle<br />
DOP: Hajo Schomerus<br />
Music: Andreas Schilling<br />
Production design: Irina Kurtishvili<br />
Costumes: Marpa Schneider<br />
Editing: Dora Vajda<br />
Sound: Nic Wohlleben<br />
Producers: Titus Kreyenberg; Lucas<br />
Schmidt<br />
Production:<br />
Unafi lm (Köln)<br />
Probsteigasse 44-46<br />
D-50670 Köln<br />
Germany<br />
T +49 (0)221 3 480 280<br />
F +49 (0)221 3 480 281<br />
konstantin faigle<br />
daibada 1971 wels zulcSi, Svarcvaldi. 1998 wels StutgartSi<br />
mediainJinris diplomis miRebis Semdeg germanul<br />
telearxebze (WDR, ARTE, ZDF) muSaobda StatgareSe memontaJed,<br />
avtorad da reJisorad. 1999-2002 wlebSi kiolnis<br />
mediaxelovnebis umaRles skolaSi swavlobda<br />
sascenaro xelovnebas da reJisuras. 2001 wels misi<br />
pirveli srulmetraJiani dokumenturi <strong>filmi</strong> bavariis<br />
dokumenturi kinos priziT aRiniSna. faigle radiopiesebsac<br />
dgams, iRebs Tojinur animaciebs da musikalur<br />
videofilmebs.<br />
Konstantin Faigle<br />
Born in 1971 in Sulz / Schwarzwald. After receiving in 1998 a<br />
degree in media engineering in Stuttgart, he worked freelance<br />
as an editor, author and director for several German<br />
TV stations, including WDR, ARTE and ZDF. From 1999-2002,<br />
he studied as a post-graduate at the Media Academy in<br />
Cologne, majoring in screenwriting and directing. In 2001,<br />
his fi rst feature-length documentary “Out of Edeka” was<br />
awarded the Bavarian Documentary Award. In addition<br />
to this, Faigle also directed radio plays, short animated<br />
fi lms and music videos.<br />
in co-production with:<br />
Zweites Deutsches Fernsehen (ZDF)<br />
(Mainz)<br />
7 31
damzadebulia saerTaSoriso germaniaSi konkursi / International / Made In Germany Competition<br />
105 wT, 35 mm, feradi-S/T<br />
105 min, 35 mm, colour-b/w<br />
germaniis gaerTianebis Semdeg avstrieli diriJori otmar suitneri<br />
Tavis xangrZliv karieras asrulebs berlinis „StaatsoperSi“.<br />
parkinsonis sindromis gamo mas xelebi ukankalebs. diri-<br />
Jori, romelmac erT dros saqveynod gaiTqva saxeli bairoiTSi,<br />
sadiriJoro joxs veRar imorCilebs. musika qreba misi yoveldRiuri<br />
cxovrebidan. magram berlinis kedlis dangrevas raRac<br />
axali moaqvs: icvleba misi saojaxo cxovreba. aTwleulebis<br />
manZilze suitneris piradi cxovreba berlinis msgavsad orad<br />
iyo gayofili: qalaqis aRmosavleT nawilSi coli hyavda, xolo<br />
dasavleTSi – sayvareli qali da vaJi igori.<br />
Shortly after the Wall came down, the Austrian conductor Otmar<br />
Suitner ended his long-standing career at the State Opera in East<br />
Berlin. Parkinson syndrome was causing his hands to tremble. A<br />
conductor who had achieved world fame at Bayreuth could not<br />
control the baton. Music disappeared from his daily life. But the<br />
fall of the Wall brought something new: changes to his family life.<br />
For decades Suitner had two private lives, one with his wife in East<br />
Berlin, the other one with his mistress and their son, Igor, in the<br />
west of the divided city<br />
filmografia/Filmography<br />
2007 Nach der Musik.<br />
2001 Ausreißer (short)<br />
2000 Familie (short)<br />
1998 La Petite Mort (short)<br />
1997 Anthropophobia (short)<br />
1996 Insanity Increasing (experimental)<br />
NACH DER MUSIK documentary<br />
musikis Semdeg germania 2007 dokumenturi<br />
reJisori: igor haitcmani<br />
scenari: igor haitcmani<br />
operatorebi: rali ralCevi, hoite van hoitema<br />
montaJi: inge Snaideri<br />
xma: ula koesterke, ivone gerberi<br />
prodiuserebi: iens koerneri, oliver nimaieri, Tomas rideli<br />
A Father’s Music Germany 2007<br />
Director: Igor Heitzmann<br />
Screenplay: Igor Heitzmann<br />
DOP: Rali Raltchev, Hoyte van Hoytema<br />
Editing: Inge Schneider<br />
Sound: Ulla Kösterke, Ivonne Gärber<br />
Producers: Jens Körner, Oliver Niemeier,<br />
Thomas Riedel<br />
7 32<br />
igor haitcmani<br />
daibada 1971 wels rendsburgSi, germania. safortepiano<br />
klasis damTavrebis (1981) Semdeg erTi weli parizSi swavlobda<br />
kinos. 1992-93 wlebSi kinosa da Teatris istorias<br />
swavlobda berlinis Tavisufal universitetSi. 1993-95<br />
wlebSi muSaobda warmoebis da reJisoris asistentad,<br />
scenarebis mTargmnelad da Tanaavtorad Medias Res<br />
Berlin-is kinowarmoebaSi. 1995-2006 wlebSi berlinis kinosa<br />
da televiziis akademiaSi swavlobda kinoreJisuras.<br />
„musikis Semdeg“ misi sadiplomo namuSevaria – <strong>filmi</strong><br />
misi mamis, diriJor otmar suitneris Sesaxeb.<br />
Igor Heitzmann<br />
Production:<br />
Filmkombinat Nordost Gmbh & Co KG<br />
Franz-Mehring-Platz 1<br />
D-10243 Berlin<br />
Fon: +49 302 16 06 870<br />
Fax: +40.30.69 20 59 369<br />
info@fi lmkombinat.de<br />
www.fi lmkombinat.de<br />
Born in 1971 in Rendsbourg, Germany. After graduating<br />
from piano classes in 1981 he studied cinema in Paris. In<br />
1992-1993 he studied theatre and cinema history at the<br />
Free University in Berlin. In 1993-1995 he worked for the<br />
Medias Res Berlin production company as an assistant<br />
director and translated and coauthored screenplays. In<br />
1995-2006 he studied fi lmmaking at the German Film and<br />
Television Academy in Berlin. „A Father’s Music“ is his diploma<br />
work about his father, a conductor Otmar Suitner.<br />
in co-production with<br />
ZDF
92 wT, DH, feradi<br />
92 min, DH, colour<br />
<strong>filmi</strong>s gmirebi _ klara, mina da tanuCa _ berlinis kroicbergis<br />
raionSi cxovroben. 15 wlis gogonebi erTmaneTs sabavSvo<br />
baRidan icnoben da maT bevri aqvT saerTo. saukeTeso megobrebi<br />
zafxuls princenbadSi (sityvasityviT „princebis auzi“)<br />
atareben, TavianTi kvartlis Ria sacurao kompleqsSi. es maTi<br />
„princesebis auzia“. gogonebi Tavs „zrdasrulebad“ Tvlian da<br />
fiqroben, rom bavSvoba karga xnis win moitoves ukan.<br />
A fi lm about three teenagers – Klara, Mina and Tanutscha – from<br />
the Berlindistrict of Kreuzberg. The trio have known each other<br />
since Kindergartenand have plenty in common. The three 15year-olds<br />
are the best of friends; they are spending the summer<br />
at Prinzenbad, a large open-air swimming pool at the heart of the<br />
district where they live. They’re feeling pretty grown up, and are<br />
convinced they’ve now left their childhood behind.<br />
filmografia/Filmography<br />
2007 Prinzessinnenbad (doc.)<br />
2005 La vida dulce (doc.)<br />
2004 Die Kette (short)<br />
PRINZESSINNENBAD documentary<br />
princesebis auzi germania 2007 dokumenturi<br />
reJisori: betina bliumneri<br />
scenari: betina bliumneri<br />
operatori: maTias Soeningi<br />
montaJi: inge Snaideri<br />
xma: kristian lutci<br />
prodiuserebi: peter Svartckopfi, katia zigeli<br />
Pool of Princesses Germany 2007<br />
Director: Bettina Blümner<br />
Screenplay: Bettina Blümner<br />
DOP: Mathias Schöningh<br />
Editing: Inge Schneider<br />
Sound: Christian Lutz<br />
Producers: Peter Schwartzkopff, Katja<br />
Siegel<br />
Production:<br />
Reverse Angle Factory GmbH<br />
Monbijouplatz 2<br />
D-10178 Berlin<br />
Tel.: 030-880 48 60<br />
Fax: 030-88 04 86 11<br />
bmaack@reserve-angle.com<br />
betina bliumneri<br />
daibada 1975 wels diuseldorfSi. 1998-99 wlebSi swavlobda<br />
mediakulturas da dizains vaimaris bauhauzis<br />
universitetSi, 1999-2004 wlebSi swavla ganagrZo badenviurtembergis<br />
kinoakademiaSi, romelic daasrula sadiplomo<br />
<strong>filmi</strong>T Die Kette („jaWvi“). 2004 wels swavlobda<br />
kubis televiziisa da kinos akademiaSi. misi m/m dokumenturi<br />
<strong>filmi</strong> La vida dulce („tkbili cxovreba“) germanuli<br />
kinos Semfasebelma komisiam aRniSna rogorc „gansakuTrebiT<br />
Rirebuli“. „princesebis auzi“ misi pirveli<br />
srulmetraJiani <strong>filmi</strong>a.<br />
Bettina Blümner<br />
Born in Düsseldorf in 1975, she studied media and design<br />
at Bauhaus University in Weimar from 1998-99. From 1999-<br />
2004 she studied at the Baden-Württemberg Film Academy,<br />
where DIE KETTE was her graduation fi lm. After attending<br />
the fi lm school Escuela International de Cine y TV<br />
in Cuba in 2004, her 2005 short fi lm, LA VIDA DULCE was<br />
“highly recommended” by the German fi lm review board<br />
Filmbewer tungs stelle. PRINZESSINNENBAD is her fi rst feature-length<br />
fi lm.<br />
World Sales:<br />
Reverse Angle Factory GmbH<br />
Monbijouplatz 2<br />
D-10178 Berlin<br />
Tel.: 030-880 48 60<br />
Fax: 030-88 04 86 11<br />
bmaack@reserve-angle.com 7 33
Tanacxovreba<br />
Living Together<br />
franguli Temebi
French Topics
Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />
85 wT, 35 mm, feradi<br />
85 min, 35 mm, colour<br />
OUBLIER CHEYENNE<br />
Seienis daviwyeba safrangeTi 2006<br />
Seieni axalgazrda Jurnalisti qalia, romelic gadawyvets datovos<br />
parizi da sofelSi ganmartovdes. Seieni miatovebs qals,<br />
romelic uyvars. sonia fizikas da qimias aswavlis parizul skolaSi,<br />
is yvela Rones xmarobs, rom Seieni daiviwyos. Tumca es<br />
arc ise martivia. rogor SevaTavsoT is, rac gvinda da is, rac<br />
SegviZlia? rasac vfiqrobT da rasac vakeTebT? is, vinc gviyvars<br />
da is, vizec uars vambobT?<br />
«Seienis daviwyeba» Tanamedrove igavia daucvelobaze, cvlilebebis<br />
survilze, siyvarulis Zalaze.<br />
reJisori: valeri mineto<br />
scenari: valeri mineto, sesil fargaftigi<br />
operatori: stefan masisi<br />
monawileoben: mila dekeri, orelia peti, malik zidi,<br />
liuk leklerk diu sabloni, kristin dori<br />
musika: kristof Sevalie<br />
montaJi: Tina bazi<br />
prodiuseri: dominik krevekeri<br />
Looking for Cheyenne France 2006<br />
Cheyenne ia a young journalist. She decided to leave Paris for<br />
a secluded life in a village. She left a woman she loves. Sonia is<br />
a teacher of physics and maths at the Paris school. She is trying<br />
with all her might to forget Cheyenne. But it turns out not to be<br />
that easy. How do we bring together what we want with what we<br />
can and what we think with what we do; a person we love with<br />
a person we reject ?<br />
« Looking for Cheyenne » is a fable on vulnerability, desire for<br />
changes and force of love.<br />
Director: Valérie Minetto<br />
Screenplay: Valérie Minetto, Cécile Vargaftig<br />
DOP: Stephan Massis<br />
Cast: Mila Dekker, Aurélia Petit, Malik Zidi,<br />
Luc Leclerc du Sablon, Christine Dory<br />
Music: Christophe Chevalier<br />
Editing: Tina Baz<br />
Producer: Dominique Crèvecoeur<br />
7 36<br />
Production / World Sales:<br />
Bandonéon<br />
3, rue Lacuée<br />
75012 Paris, France<br />
phone : +33 1.43.67.82.26<br />
fax : +33 1.40.19.99.46<br />
bandoneon@wanadoo.fr<br />
filmografia/Filmography<br />
2005 Oublier Cheyenne<br />
2000 Adolescents<br />
valeri mineto<br />
valeri mineto aris nicis dekoratiuli xelovnebis<br />
skolis (Villa Arson) da La Fémis-is diplomanti. gadaRebuli<br />
aqvs ori dokumenturi <strong>filmi</strong> axalgazrda Tanamedrove<br />
mocekvaveebze moskovSi (Beau Geste à Moscou da<br />
Moscou entre Ciel et Terre), erTi moklemetraJiani (Tête<br />
d’Ange) da erTi saSualometraJiani mxatvruli <strong>filmi</strong><br />
Adolescents (1998). “Seienis daviwyeba” misi pirveli<br />
srulmetraJiani mxatvruli <strong>filmi</strong>a.<br />
Valérie Minetto<br />
Valerie Minetto is a student of Nice Decorative Art School<br />
(Villa Arson) and Femis. He has shot two documentaries<br />
on young modern dancers in Moscow (« Beau Geste à<br />
Moscou » and « Moscou entre Ciel et Terre »), one short<br />
fi lm («Tête d’Ange ») and a middle-lenght « Adolescents »<br />
(1998). Looking for Cheyenne is his fi rst full-lenght fi lm.
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www.wella.com<br />
7 37
Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />
105 wT, 35 mm, feradi<br />
105 min, 35 mm, colour<br />
QUAND TU DESCENDRAS DU CIEL<br />
rodesac cidan daeSvebi safrangeTi 2003<br />
sofeli noembris miwuruls. Jeroms uWirs ojaxis Senaxva, amitom<br />
tovebs dedas da sofels da qalaqSi miemgzavreba samuSaos<br />
mosaZebnad. is meriis teqnikur samsaxurSi moewyoba: ormociode<br />
wlis meriis TanamSromels lusiens exmareba saaxalwlo<br />
ganaTebis dakidebaSi. magram male meria maTxovrobis sawinaaRmdego<br />
kampanias iwyebs da Jeromi aRmoaCens, rom usaxlkaro<br />
Sinioli, romelsac is dauaxlovda, am programaSi moxvda.<br />
reJisori: erik girado<br />
scenari: erik girado, pier Soeleri, miSel fesleri<br />
operatori: tieri godfrua<br />
monawileoben: benua Jiro, serJ riabukini, Jan-fransua galoti,<br />
liudmila ruso<br />
musika: silven fraiermuTi, filip puarie<br />
kostiumebi: an-gaiol davali<br />
montaJi: kristian kuieroni, ludo troSi<br />
xma: filip muise<br />
prodiuserebi: Jan-fabris barno, kristof di sabatino,<br />
viktorian vanei<br />
When You Come Down to Earth France 2003<br />
A scene of a village in the end of November. Jerome fi nds it<br />
diffi cult to support his family and decides to leave for a city<br />
to earn for living. He fi nds a job at the city municapility. He assists<br />
his 40 year old co-worker Lucien in hanging the New Year<br />
colour lights. But soon after the municipality starts anti-begging<br />
campaign and Jerome discovers that a homeless Shinioll with<br />
whom he had made friends happens to be in the programe.<br />
Director: Eric Guirado<br />
Screenplay: Eric Guirado, Pierre Schöller, Michel Fessler<br />
DOP: Thierry Godefroy<br />
Cast: Benoît Giros, Serge Riaboukine, Jean-François Gallotte,<br />
Ludmila Ruoso<br />
Music: Sylvain Freyermuth, Philippe Poirier<br />
Costumes: Anne-Gaëlle Daval<br />
Editing: Christian Cuilleron, Ludo Troch<br />
Sound: Philippe Mouisset<br />
Producers: Jean-Fabrice Barnault,<br />
Christophe di Sabatino, Victorien Vaney<br />
7 38<br />
Production / World Sales:<br />
Harpo Films<br />
8, rue Étienne Marcel<br />
Paris 75002, France<br />
phone : +33 1.40.13.00.22<br />
victorien2@noos.fr<br />
erik girado<br />
Eric Guirado<br />
filmografia/Filmography<br />
2003 Quand tu descendras du ciel<br />
2000 Je suis un super héro (short)<br />
1999 Un petit air de fête (short)<br />
1997 Les beaux jours (short)<br />
1994 Lonelytude ou une légère éclaircie<br />
(short)<br />
daibada 1968 wels. Tavdapirvelad Jurnalistad muSaobda,<br />
akeTebda portretebs da dokumentur filmebs France<br />
3-is regionul televiziebSi. rogorc reJisorma yuradReba<br />
miiqcia moklemetraJiani <strong>filmi</strong>T Un petit air de fête ,<br />
romelic 1999 wels kanSi “reJisorTa orkvireulze“kodakis<br />
premiiT aRiniSna, xolo 2001 wels mieniWa safrange-<br />
Tis nacionaluri kinopremia “sezari”. “rodesac cidan<br />
daeSvebi” misi pirveli srulmetraJiani <strong>filmi</strong>a.<br />
Born in 1968. He started his career as a journalist and<br />
made portraits and documentaries on TV regional<br />
channels of France 3. He attracted attention with<br />
his short « Un petit air de fête » which picked Kodak<br />
award at the Cannes Directors Fotnight in 1999 and<br />
Cezar, national fi lm award of France in 2001. When<br />
You Come Down to Earth is his fi rst full-lenght fi lm.
Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />
75 wT, 35 mm, feradi<br />
75 min, 35 mm, colour<br />
SAMIA<br />
samia safrangeTi 2000<br />
15 wlis samia marselis gareubanSi cxovrobs. is meeqvse bavSvia<br />
alJiruli warmoSobis rvaSvilian tradiciul ojaxSi. mas axr-<br />
Cobs religiuri morali da akrZalvebi, romelsac pativs scems,<br />
magram aRar iziarebs... iasini, umuSavari ufrosi Zma, ojaxuri<br />
da religiuri tradiciebis sadarajoze dgas, ufrosi da ameli<br />
ki ojaxs gaerideba da sxva kulturis warmomadgenel axalgazrda<br />
kacTan aqvs urTierToba. samia, romelic skolaSi warmatebas<br />
ver aRwevs, teqnikur klasSi gadayavT. is iZulebulia farulad<br />
gamoscados pirveli siyvaruli da midis WeSmarit aucileblobamde<br />
– aravis misces sakuTari cxovrebis warmarTvis ufleba.<br />
reJisori: filip fokoni<br />
scenari: filip fokoni, soraia nini<br />
operatori: Jak luazelo<br />
monawileoben: linda benahuda, mohamed Saban-SauSi,<br />
keira ualhasi, nadia el kutei, iamina amri<br />
mxatvari: fransuaz klaveli<br />
montaJi: filip fokoni<br />
xma: loran lafrani<br />
prodiuseri: umber balsani<br />
Samia France 2000<br />
A fi fteen year old female immigrant Samia lives in a suburb of the<br />
French city of Marseilles. She is the eighth child in the traditional<br />
Algerian multi-children family. She feels stifl ed with religious morale<br />
and prohibitions which although she respects but does not<br />
observe them any more. Yacine, her unemployed older brother<br />
struggles to uphold the rigid codes of the family and their culture<br />
; Amelie, her older sister runs away from home after falling in love<br />
with a young man of different culture. Samia is moved to a technical<br />
institution after failures in studying at school. She is forced to<br />
experience her fi rst love in secret and comes to a conclusion that<br />
you should not give any right to anyone to direct your life.<br />
Director: Philippe Faucon<br />
Screenplay: Philippe Faucon, Soraya Nini<br />
DOP: Jacques Loiseleux<br />
Cast: Lynda Benahouda, Mohamed<br />
Chabane-Chaouche, Kheira Oualhaci,<br />
Nadia El Koutei, Yamina Amri<br />
Production design: Françoise Clavel<br />
Editing: Philippe Faucon<br />
Sound: Laurent Lafran<br />
Producer: Humbert Balsan<br />
7<br />
40<br />
Production / World Sales:<br />
Pyramide International<br />
5, rue du Chevalier de Saint George<br />
75008 Paris<br />
phone: +33.1.42.96.02.20<br />
fax: +33.1.40.20.05.51<br />
pricher@pyramidefi lms.com<br />
filmografia/Filmography<br />
2008 D’amour et de révoltes (4 episodes)<br />
2007 Dans la vie<br />
2005 Trahison, La<br />
2002 Grégoire peut mieux faire (TV)<br />
2000 Samia<br />
1999 Étrangers, Les<br />
1996 Mes 17 ans (TV)<br />
1995 Muriel fait le désespoir de ses parents<br />
1993 Sabine<br />
1990 L’ Amour<br />
filip fokoni<br />
daibada 1958 wels marokoSi. kinoSi Tavdapirvelad<br />
teqnikur uzrunvelyofas axorcielebda. misi pirvelive<br />
srulmetraJiani mxatvruli <strong>filmi</strong> « siyvaruli » (1990),<br />
romelic gareubnis axalgazrda binadrebis cxovrebas<br />
exeba, kanSi dajildovda premiiT « franguli kinos perspeqtivebi<br />
». mis filmebs, rogorc « samias », xSirad avtobiografiuli<br />
ambebi udevs safuZvlad.<br />
Philippe Faucon<br />
Born in 1958 in Morocco. Initially he provided logistic support<br />
in Cinema. His fi rst feature fi lm describing lives of suburban<br />
young people, “L’ Amour ”, 1999 picked Perspectives<br />
du Cinéma Award at Cannes fi lm festival. His fi lms are<br />
often based on his autobiography, as it is in Samia’s case,<br />
which depicts a story of a young Algerian born immigrant<br />
striving for freedom in the suburbs of Marseilles.
90 wT, 35 mm, feradi<br />
90 min,35 mm, colour<br />
VOISINS, VOISINES<br />
mezoblebi safrangeTi 2005<br />
saxlSi saxelad ‘mocarti’ sxvadasxva warmoSobis ramdenime<br />
“axali macxovrebeli” binadrobs. axali konsierJi, cixidan axlaxans<br />
gamosuli espaneli pako am saxlSi modis da adgils da<br />
macxovreblebs ecnoba. mis garSemo, holSi da safosto yuTebis<br />
irgvliv “mocartis” binadarTa “baleti” iqmneba.<br />
“mezoblebi” jadosnuri zRaparia da amave dros safrangeTis<br />
dRevandelobis anarekli.<br />
reJisori: malik Sibani<br />
scenari: malik Sibani<br />
operatori: JorJ leSaptua<br />
monawileoben: frederik difenTali, anemoni, jeki bervoiri<br />
musika: Jan-pol botmani<br />
mxatvari: sedrik simono<br />
kostiumebi: miuriel legrani<br />
montaJi: kaTi Samorei, pier gupiioni<br />
xma: alen fea<br />
prodiuseri: nadia hasnaui<br />
The Neighbours France 2005<br />
A few new residents of different origins live in a house called Mozart.<br />
A new concierge who has just come out of prison comes to<br />
the house to look around and meet with the residents. The ballet<br />
of the Mozart residents is being created around him, in the hall<br />
and around the post boxes.<br />
Voisins, voisines - is a magic fairy tale and at the same time a<br />
refl ection of present day France.<br />
Director: Malik Chibane<br />
Screenplay: Malik Chibane<br />
DOP: Georges Lechaptois<br />
Cast: Frédéric Diefenthal, Anémone,<br />
Jackie Berroyer<br />
Music: Jean-Paul Bottemanne<br />
Production design: Cédric Simoneau<br />
Costumes: Muriel Legrand<br />
Editing: Cathy Chamorey,<br />
Pierre Goupillon<br />
Sound: Alain Féat<br />
Producer: Nadia Hasnaoui<br />
Production:<br />
Box Air Prod,<br />
33, rue Proudhon<br />
93210 La Plaine Saint-Denis, France<br />
phone: +33 1.49.17.62.53<br />
fax: +33 1.49.17.62.14<br />
boxairprod@club-internet.fr<br />
malik Sibani<br />
filmografia/Filmography<br />
2005 Voisins, voisines<br />
1997 Un Nes quelque part<br />
1995 Douce France<br />
1994 Hexagone<br />
daibada 1964 wels. kabiluri warmoSobis malik Sibani jer<br />
elektrikosad da gamnaTeblad muSaobs kinowarmoebaSi,<br />
Semdeg TviTon iwyebs filmebis gadawebas. Tavis pirvel<br />
srulmetraJian filmSi Hexagone, romelic socialur<br />
qronikas warmoadgens, Sibani xuT axalgazrda arabs<br />
warmogvidgens im gareubnidan, sadac TviTon gaizadra.<br />
1995 wels iRebs Douce France, amjerad profesiul pirobebSi,<br />
da ganagrZobs komediis JanrSi. ramdenadme SeumCneveli<br />
<strong>filmi</strong>s Un Nes quelque part - is (1997) Semdeg<br />
xangrZliv pauzas iRebs da 2005 wels brundeba <strong>filmi</strong>T<br />
“mezoblebi”.<br />
Malik Chibane<br />
Born in 1964. He is of Kabyle origin. Initially he started working<br />
as an electrician and lighting designer in the fi lm industry.<br />
Then he shot his fi rst feature fi lm, a soical chronicle<br />
« Hexagone » describing fi ve Arab young men from the<br />
banlieues (suburb) of Paris where he too was brought up.<br />
In 1995 he shot “Douce France” this time in professional<br />
circumstances and continues in the register of social<br />
comedy. After somewhat unnoticed fi lm «Un Nes quelque<br />
part» (1997) he makes a long break and in 2005 he makes<br />
his return with the feature “Voisins, voisines ».<br />
World Sales:<br />
Family Films<br />
78 avenue des Champs-Élysées<br />
75008 Paris, France<br />
family.fi lms@freesurf.fr<br />
7 41
Tanacxovreba saerTaSoriso / konkursi Living Together / International Competition<br />
83 wT, 35 mm, feradi<br />
83 min, 35 mm, colour<br />
WESH, WESH, QU’EST-CE QUI SE PASSE?<br />
veS, veS, ra xdeba? safrangeTi 2002<br />
kameli, axalgazrda kaci parizis gareubnis franguli getodan,<br />
sasjelis moxdis Semdeg safrangeTSi brundeba. is narkotikebiT<br />
vaWrobisTvis daapatimres da xuTi wliT cixeSi Casves, Semdeg<br />
ki ori wliT safrangeTidan gaaZeves. kameli ojaxis daxmarebiT<br />
samuSaos povnas da normaluri cxovrebis awyobas cdilobs, magram<br />
getoSi normaluri araferia...<br />
reJisori: rabah amer-zemeSi<br />
scenari: rabah amer-zemeSi, majid benaruji<br />
operatori: olivie smitarelo<br />
monawileoben: rabah amer-zemeSi, ahmed hamudi,<br />
brahim amer-zemeSi, farida mufoki, mambi keita<br />
musika: asasini<br />
mxatvrebi: jamila amer-zemeSi, iasmina amer-zemeSi<br />
montaJi: nikolas bansiloni, marin fronti<br />
xma: bruno oze<br />
prodiuseri: rabah amer-zemeSi<br />
Wesh, wesh France 2002<br />
Kamel, a young man from the french ghetto, near Paris, is coming<br />
back to France. He was arrested for dealing drugs, he spent fi ve<br />
years in jail and was banned from France for two years. He tries,<br />
with his family’s support, to fi nd a job and live a normal life. But<br />
nothing’s normal in the ghetto.<br />
Director: Rabah Ameur-Zaimeche<br />
Screenplay: Rabah Ameur-Zaimeche,<br />
Madjid Benaroudj<br />
DOP: Olivier Smittarello<br />
Cast: Rabah Ameur-Zaimeche, Ahmed<br />
Hammoudi, Brahim Ameur-Zaïmeche,<br />
Farida Mouffok, Mambi Keita<br />
Music: Assassin<br />
Production design: Djamila Ameur-<br />
Zaïmeche, Yasmina Ameur-Zaïmeche<br />
Editing: Nicolas Bancilhon, Marine Fronty<br />
Sound: Bruno Auzet<br />
Producer: Rabah Ameur-Zaimeche<br />
7 42<br />
Production / World Sales:<br />
Sarrazink Productions<br />
22, avenue Pierre 1er de Serbie<br />
75116 Paris, France<br />
filmografia/Filmography<br />
2008 Dernier maquis<br />
2006 Bled Number One<br />
2002 Wesh, wesh, qu’est-ce qui se passe?<br />
rabah amer-zemeSi<br />
daibada 1966 wels alJirSi. 2 wlis iyo, rodesac misma mSoblebma<br />
alJiri datoves da parizis maxloblad dasaxldnen. humanitarul<br />
fakultetze swavlis dasrulebis Semdeg rabah amerzemeSma<br />
mamis kompaniis sakuTari aqciebi gayida da daaarsa<br />
saprodiusero kompania Sarrazink Productions, sadac Tavisi<br />
pirveli <strong>filmi</strong> Wesh, wesh, qu’est-ce qui se passe? gadaiRo.<br />
filmma belforSi prizi daimsaxura da kritikis mxardaWera<br />
moipova. amis Semdeg rabah amer-zemeSi samSobloSi, alJiris Crdilo-aRmosavleTSi<br />
midis Tavisi meore srulmetraJiani <strong>filmi</strong>s<br />
Bled Number One-is gadasaRebad. rolebs filmSi umetesad<br />
misi ojaxis wevrebi asruleben. 2 wlis Semdeg is brundeba kruazetze,<br />
amjerad kanis festivalis”reJisorTa orkvireulze”<br />
<strong>filmi</strong>T Dernier maquis .<br />
Rabah Ameur-Zaimeche<br />
Born in 1966, Rabah Ameur-Zaïmeche came to France in<br />
1968. He grew up in the Bosquet projects in Montfermeil,<br />
outside Paris. After studying social sciences, he founded<br />
Sarrazink Productions in 1999 and directed “Wesh wesh,<br />
qu’est-ce qui se passe?” in 2002, which received the Louis<br />
Delluc prize and the Grand Prize of the Berlin New Cinema<br />
Forum. In 2006, he made “Bled Number One” and<br />
received the Cannes Film Festival Youth Prize. “Dernier<br />
Maquis” is his thirst feature.
90 wT, 35 mm, feradi<br />
90 min,35 mm, colour<br />
ZIM AND CO.<br />
zimi da kompania safrangeTi 2005<br />
avariis Semdeg ocdaerTi wlis zimma imisaTvis, rom cixeSi moxvedras<br />
gadaurCes, samsaxuri unda ipovos. zimi ar aris zarmaci<br />
da samsaxurs sagazeTo gancxadebebSi eZebs. erTaderTi samuSao,<br />
romelsac gadaawydeba, aT dReSi iwyeba da Tan manqanis marTvis<br />
mowmobas moiTxovs. ase rom mas mxolod aTi dRe aqvs skolis<br />
diplomis, marTvis mowmobisa da manqanis mosapoveblad - sxva<br />
SemTxvevaSi cixe ar ascdeba.<br />
reJisori: pier Jolive<br />
scenari: pier Jolive, simon miqaeli<br />
operatori: Jerom almerasi<br />
monawileoben: adrien Jolive, mhamed arezki, ianik naso, naidra<br />
aiadi, natali riSari<br />
musika: adrien Jolive, saSa siefi<br />
mxatvari: emil gigo<br />
montaJi: stratos gabrielidisi<br />
xma: pier eskofie<br />
prodiuserebi: frederik burbuloni, pier kubeli, Jan labadi,<br />
mari-kastii mention-Saari<br />
Zim and Co. France 2005<br />
After a motorbike accident, twenty-year-old boy Zim must fi nd a<br />
proper job if he wants to avoid prison. Zim isn’t a lazy guy and he<br />
scans newspaper ads looking for a job. But the only one he fi nds,<br />
starting in ten days requires a car - and a driver’s license. Now he<br />
has only ten days to produce a high-school diploma, a driver’s<br />
license, and a car, or he’ll probably end up in the slammer.<br />
Director: Pierre Jolivet<br />
Screenplay: Pierre Jolivet, Simon Michaël<br />
DOP: Jérôme Alméras<br />
Cast: Adrien Jolivet, Mhamed Arezki,<br />
Yannick Nasso, Naidra Ayadi, Nathalie<br />
Richard<br />
Music: Adrien Jolivet, Sacha Sieff<br />
Production design: Emile Ghigo<br />
Editing: Stratos Gabrielidis<br />
Sound: Pierre Excoffi er<br />
Producers: Frédéric Bourboulon, Pierre<br />
Kubel, Jean Labadie, Marie-Castille<br />
Mention-Schaar<br />
Production:<br />
Vendredi Film<br />
110, rue des Dames<br />
75017 Paris, France<br />
phone : +33 1.42.88.88.44<br />
fax: +33 1.42.88.88.54<br />
m-c.schaar@lomanasha.fr<br />
pier Jolive<br />
pier Jolivem Tavis ZmasTan, markTan erTad kabareSi muSaobiT<br />
daiwyo. aTi wlis ganmavlobaSi isini erTad muSaobdnen vodevilis,<br />
kinos, radiosa da televiziis sferoSi. 1983 wels pieri<br />
gancalkevda, raTa eTamaSa luk besonis `ukanasknel SerkinebaSi~,<br />
is am <strong>filmi</strong>s Tana-scenaristi da Tana-prodiuseric<br />
iyo. 1984 wels man dawera scenari <strong>filmi</strong>saTvis `mkacrad piradi~,<br />
romlis reJisorad da prodiuseradac TviTon moevlina<br />
mayurebels (<strong>filmi</strong> nominirebuli iyo “sezarze” saukeTeso<br />
pirveli <strong>filmi</strong>s kategoriaSi) da isev Seekra luk besons `metros~<br />
scenaris dasawerad. `Cemi patara saqme~ - Jolives merve<br />
mxatvruli <strong>filmi</strong> - hitad iqca, fransua berleanma am filmSi<br />
Sesrulebuli meorexarisxovani rolisTvis “sezari” moipova.<br />
Pierre Jolivet<br />
filmografia/Filmography<br />
2008 Très très grande entreprise, La<br />
2007 Je crois que je l’aime / Could This Be Love?<br />
2005 Zim and Co.<br />
2003 Filles uniques / Only Girls<br />
2002 Frère du guerrier, Le / The Warrior’s Brother<br />
1999 Ma petite entreprise / My Little Business<br />
1998 En plein coeur / In All Innocence<br />
1997 Fred<br />
1993 À l’heure où les grands fauves vont boire /<br />
Trapped by a Dream<br />
1991 Simple mortel / A Mere Mortal<br />
1989 Force majeure / Uncontrollable Circumstances<br />
1986 Complexe du kangourou, Le / Make It Mine<br />
1985 trictement personnel / Strictly Personal<br />
Pierre Jolivet started out in cabaret with his brother Marc.<br />
For ten years, they worked the vaudeville, movie, radio<br />
and TV circuits together as a team. Pierre split off in 1983<br />
to co-produce, co-write and perform in Luc Besson’s “The<br />
Final Combat”. In 1984, he wrote, directed and produced<br />
“Strictly Personal” (nominated for the Cesar for Best First<br />
Film) and teamed up again with Luc Besson to co-write<br />
“Subway.” “My Little Business,” Jolivet’s eighth feature, has<br />
been a popular hit and François Berléand won a Cesar for<br />
Best Supporting Actor for his performance in it.<br />
World Sales:<br />
Bac Films International<br />
7 43
68 wlis maisi<br />
May 68<br />
franguli Temebi
French Topics
saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />
178 wT, 35 mm,S/T<br />
178 min, 35 mm,b/w<br />
LES AMANTS REGULIERS<br />
regularuli sayvarlebi safrangeTi 2005<br />
parizi, 1968 weli: studenturi mRelvarebis dReebi. fransua<br />
poetia, 20 wlis, is Tavs aridebs samxedro samsaxurs. fransua<br />
barikadebze midis, magram policiels molotovis koqteils<br />
ar esvris. is opiums eweva da revoluciaze elaparakeba Tavis<br />
SeZlebul megobars, antuans, romelsac aqvs bina, sadac fransuas<br />
SeuZlia icxovros. fransua gaicnobs lilis, moqandakes,<br />
romelic Tavis sarCenad samsxmelo saamqroSi muSaobs. maT erTmaneTi<br />
SeuyvardebaT. gadis weliwadi. fransua isev wers, eweva<br />
da lilisTan erTad aris. magram maT siyvaruls gamocda<br />
elis...<br />
reJisori: filip gareli<br />
scenari: filip gareli<br />
operatori: uiliam lubCanski<br />
monawileoben: lui gareli, klotild esmi<br />
musika: Jan-klod vanie<br />
mxatvari: nikos meletopulosi, maTie menu<br />
montaJi: fransuaz kolini, filip gareli<br />
prodiuseri: Jil sandozi<br />
Regular Lovers France 2005 filip gareli<br />
1968 in Paris: the student and trade union revolt. François is 20,<br />
a poet, dodging military service. He takes to the barricades, but<br />
won’t throw a Molotov cocktail at the police. He smokes opium<br />
and talks about revolution with his friend, Antoine, who has an<br />
inheritance and a fl at where François can stay. François meets<br />
Lilie, a sculptor who works at a foundry to support herself. They<br />
fall in love. A year passes; François continues to write, talk, smoke,<br />
and be with Lilie. Opportunities come to Lilie: what will she and<br />
François do?<br />
Director: Philippe Garrel<br />
Screenplay: Philippe Garrel<br />
DOP: William Lubtchansky<br />
Cast: Louis Garrel, Clotilde Hesme<br />
Music: Jean-Claude Vannier<br />
Production design: Nikos Meletopoulos,<br />
Mathieu Menut<br />
Editing: Françoise Collin, Philippe Garrel<br />
Producer: Gilles Sandoz<br />
7 46<br />
filmografia/Filmography<br />
2008 Frontière de l’aube, La<br />
2005 Amants réguliers, Les<br />
2001 Sauvage innocence<br />
1999 Vent de la nuit, Le<br />
1996 Coeur fantôme, Le<br />
1993 Naissance de l’amour, La<br />
1991 J’entends plus la guitare<br />
1989 Baisers de secours, Les<br />
1985 Elle a passé tant d’heures sous les<br />
sunlights...<br />
1983 Liberté, la nuit<br />
1979 Bleu des origines, Le<br />
1979 Enfant secret, L’<br />
1978 Voyage au jardin des morts<br />
1976 Berceau de cristal<br />
1975 Un ange passe<br />
1974 Hautes solitudes, Les<br />
1972 Athanor<br />
1972 Cicatrice intérieure, La<br />
1969 Lit de la vierge, Le<br />
1968 Anémone<br />
1968 Actua I<br />
1968 Concentration, La<br />
1968 Révélateur, Le<br />
1967 Marie pour mémoire<br />
1965 Droit de visite (short)<br />
1964 Enfants désaccordés, Les (short)<br />
daibada 1948 wels parizSi, safrangeTi. misi kinokariera<br />
adre daiwyo, pirveli moklemetraJiani <strong>filmi</strong> Les Enfants<br />
Désaccordes jer kidev 1964 wels gadaiRo sakuTari<br />
scenaris mixedviT. garelis filmebis sami mTavari Temaa<br />
siyvaruli, narkotikebi da TviT kino. reJisori, scenaristi<br />
da prodiuseri filip gareli parizis kinosa da audiovizualuri<br />
xelovnebis umaRlesi skolis (La Fémis)<br />
profesoria.<br />
Philippe Garrel<br />
Born in 1948 in Paris, France. He started his fi lm career early<br />
directing and writing his fi rst fi lm Les Enfants Désaccordés<br />
in 1964. Three most important objects of his fi lms are love,<br />
drugs and the fi lm making itself. He is Professor at the La<br />
Fémis<br />
Production:<br />
Maïa Films<br />
9, rue René Boulanger<br />
75010 Paris, France<br />
phone: +33 1.53.72.84.00<br />
maiafi lms@maiafi lms.com
65 wT, 35 mm, S/T, feradi<br />
65 min,35 mm, b/w, colour<br />
CITIZEN LANGLOIS<br />
moqalaqe langlua safrangeTi 1994<br />
filmSi moqalaqe langlua edgardo kozarinski qmnis franguli<br />
sinemaTekis generaluri mdivnis da Tanadamaarseblis anri<br />
langluas portrets. misTvis bednierebaa mravalricxovan arqivebTan<br />
muSaoba, raTa warmoadginos im adamianis cxovreba,<br />
romelic uaRresad erTgulad emsaxureboda kinematografiuli<br />
memkvidreobis dacvis da gavrcelebis saqmes. mokrZalebuli<br />
komentaris TanxlebiT <strong>filmi</strong> warmogvidgens araCveulebriv<br />
pirovnebas, romelsac koktom «Cveni saganZuris damcveli drakoni»<br />
uwoda.<br />
reJisori: edgardo kozarinski<br />
scenari: edgardo kozarinski<br />
operatori: Jak bukuini<br />
monawileoben: anri langlua, lote aisneri<br />
mTxrobeli: nil arestrupi<br />
montaJi: martin bukuini<br />
xma: Jan-pier fenie<br />
prodiuserebi: serJ lalu, dominik paini<br />
Citizen Langlois France 1994 edgardo kozarinski<br />
Edgardo Kozarinsky creates a portrait of Henry Langlois, a secretary<br />
general and co-founder of French cinematheque. The<br />
fi lmmaker willingly works with numerous archival documents to<br />
describe the life of the man who faithfully served cinema and<br />
contributed to protection of cinematographic legacy. Accompanied<br />
with the author’s modest comments the fi lm introduces<br />
us with an extraordinary person who was labeled by Cocteau “a<br />
dragon protector of our treasury”.<br />
Director: Edgardo Kozarinsky<br />
Screenplay: Edgardo Kozarinsky<br />
DOP: Jacques Bouquin<br />
Cast: Henri Langlois, Lotte Eisner<br />
Narrator: Niels Arestrup<br />
Editing: Martine Bouquin<br />
Sound: Jean-Pierre Fénié<br />
Producers: Serge Lalou, Dominique Païni<br />
Production:<br />
Cinémathèque Française, Canal+, Les<br />
Films d’Ici, Sept Cinéma<br />
filmografia/Filmography<br />
2005 Ronda nocturna / Night Watch<br />
2003 Dans le rouge du couchant / Red Sunset<br />
2002 Chaplin Today: Limelight<br />
2002 Tango deseo<br />
2001 Cinéma des cahiers, Le<br />
1998 Fantômes de Tanger<br />
1996 Le violon de Rotschild /Rothschild’s Violin<br />
1994 Guerriers et captives / Warriors and<br />
Prisoners<br />
1994 Citizen Langlois<br />
1994 Barraca. Lorca sobre los caminos de<br />
España, La<br />
1992 Boulevards du crépuscule<br />
1988 Sarah<br />
1985 Jean Cocteau: Autoportrait d’un inconnu<br />
/ Jean Cocteau: Self Portrait of a Man<br />
Unknown<br />
1984 Haute Mer<br />
1982 La guerre d’un seul homme<br />
buenos airesSi dabadebuli reJisori da mwerali, edgardo<br />
kozarinski 1974 wlidan parizSi cxovrobs. mis<br />
Tavisebur kinematografiul SemoqmedebaSi yovelTvis<br />
waSlilia zRvari mxatvrulsa da dokumentur kinos Soris.<br />
Edgardo Kozarinsky<br />
dokumenturi / documentary<br />
A fi lmmaker and writer Edgardo Kozarinski who was born<br />
in Buenos Aires has lived in Paris since 1974. The boundaries<br />
between feature and documentary fi lms has always<br />
been deleted in Kozarinski’s individual cinematographic<br />
works.<br />
7 47
saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />
240/177 wT, 35 mm,S/T, feradi<br />
240/177 min, 35 mm,b/w, colour<br />
LE FOND DE L’AIRE EST ROUGE<br />
cis siRrme wiTelia safrangeTi 1977<br />
<strong>filmi</strong>s franguli saTauri sityvebis TamaSs warmoadgens da<br />
gvTavazobs ideas, rom revolucia moxda haerSi da ara miwaze.<br />
reJisorma films meore saTauric SeurCia : `1967-1977, mesame<br />
msoflio omis scenebi~.<br />
es aris dokumenturi <strong>filmi</strong> 1968 wlis maisis movlenebze,<br />
romelic ori nawilisgan Sedgeba : «faqizi xelebi» da «moWrili<br />
xelebi». <strong>filmi</strong> asaxavs msoflio memarcxene moZraobis 10 weliwads,<br />
1967 wels Ce-s sikvdilidan 1977 wlis komunis programis<br />
dasasrulamde. es damarcxebis dRiuria, ideis damarcxebis poeturi<br />
qronika da meamboxe gmirebis Tanmimdevruli gauCinareba.<br />
reJisori: kris markeri<br />
scenari: kris markeri<br />
mTxrobelebi: lorans guviie, fransua maspero,<br />
iv montani, simona siniore<br />
operatorebi: pier-uiliam gleni, uili kurani<br />
musika: luCano berio<br />
montaJi: kris markeri<br />
The Base of the Air Is Red France 1977<br />
The untranslatable French title is a play on words suggesting that<br />
revolution was in the air but not on the ground. Director Chris<br />
Marker has given it the subtitle “Scenes from the Third World War<br />
1967-1977”. This is a documentary fi lm depicting about May,<br />
1968. It consists of two parts: “Neat Hands” and “Cut Hands”. The<br />
project aims to describe the world’s leftist movement from Che’s<br />
death in 1967 up to 1977 when commune ended. This is a diary<br />
of unusual defeat, poetic chronicles of the idea’s defeat and dissapearance<br />
of rebellious heroes.<br />
Director: Chris Marker<br />
Screenplay: Chris Marker<br />
Récitante: Laurence Guvillier, François<br />
Maspero, Yves Montand, Simone Signoret<br />
DOP: Pierre-William Glenn, Willy Kurant<br />
Music: Luciano Berio<br />
Editing: Chris Marker<br />
7 48<br />
dokumenturi / documentary<br />
filmografia/Filmography<br />
2004 Chats perchés / The Case of<br />
the Grinning Cat<br />
2001 Souvenir d’un avenir, Le / Remembrance<br />
of Things to Come<br />
2000 “Cinéma, de notre temps” -<br />
Une journée d’Andrei Arsenevitch<br />
2000 Un maire au Kosovo<br />
1997 Level Five<br />
1995 Casque bleu<br />
1993 20 heures dans les camps, Le<br />
1992 Tombeau d’Alexandre, Le /<br />
The Last Bolshevik<br />
1986 Mémoires pour Simone<br />
1985 A.K. / Kurosawa Akira<br />
1985 From Chris to Christo<br />
1984 2084<br />
1983 Sans soleil / Sunless<br />
1981 Junkopia<br />
1977 Fond de l’air est rouge, Le / Grin<br />
Without a Cat<br />
1974 Solitude du chanteur de fond, La / The<br />
Loneliness of the Long Distance Singer<br />
1973 Ambassade, L’ / Embassy<br />
1972 Vive la baleine<br />
1971 Bataille des dix millions, La / The Battle of<br />
the Ten Million<br />
1971 On vous parle de Prague: le deuxième<br />
procès d’Artur London<br />
1971 Train en marche, Le / The Train Rolls On<br />
1970 Mots ont un sens, Les<br />
1970 Carlos Marighela<br />
1969 Classe de lutte<br />
1969 On vous parle du Brésil<br />
1969 Jour de tournage<br />
1968 À bientôt, j’espère / Be Seeing You<br />
1968 Sixième face du pentagone, La / The Sixth<br />
Face of the Pentagon<br />
1968 Cinétracts<br />
1967 Loin du Vietnam / Far from Vietnam<br />
1967 Rhodiacéta<br />
1966 Si j’avais quatre dromadaires / If I Had Four<br />
Dromedaries<br />
1965 Mystère Koumiko, Le / The Koumiko Mystery<br />
1963 Joli mai, Le<br />
1962 Jetée, La / The Pier<br />
1961 ¡Cuba Sí!<br />
1960 Description d’un combat /<br />
Description of a Struggle<br />
1959 Astronautes, Les / The Astronauts<br />
1957 Lettre de Sibérie / Letter from Siberia<br />
1956 Dimanche à Pekin / Sunday in Peking<br />
1953 Statues meurent aussi, Les /<br />
Statues Also Die<br />
1952 Olympia 52
kris markeri<br />
daibada 1921 wels ulan batorSi, monRoleTSi. meore<br />
msoflio omis dros SeuerTda Maquis-is msrolelTa da<br />
partizanTa jgufs (FTP). omis Semdeg wera da filmebis<br />
gadaReba daiwyo. imogzaura mraval socialistur qveyanaSi<br />
da nanaxi wignebsa da filmebSi asaxa. 1953 wels alen<br />
renesTan erTad gadaRebuli `qandakebebic kvdebian~<br />
erT-erTi pirveli antikolonialuri <strong>filmi</strong>a.<br />
saerTaSoriso aRiareba moutana filmma `talRamWreli~<br />
(1962).<br />
1982 wels markerma daamTavra muSaoba filmze `mzis<br />
gareSe~, sadac is dokumenturi kinos sazRvrebs afar-<br />
Toebs. es aris esse, montaJi, dokumenturi da mxatvruli<br />
epizodebis nazavi, romelic zmanebisa da samecniero<br />
fantastikis atmosferos qmnis.<br />
am <strong>filmi</strong>s Semdeg reJisori digitaluri teqnologiiT<br />
interesdeba, rasac moyva <strong>filmi</strong> `mexuTe done~ (1996) da<br />
interaqtiuli multimedia namuSevari saxelwodebiT `IM-<br />
MEMORY~ (1998), romelic markerma pompidus centris<br />
SekveTiT gaakeTa. niu iorkis Tanamedrove xelovnebis<br />
muzeumisTvis man T.s. eliotis leqsis gavleniT 19 wu-<br />
Tiani multimediuri nawarmoebi Seqmna saxelwodebiT<br />
`buebi SuadRisas: gamoSignuli kacebi~. markeri aseve<br />
cnobilia dokumenturi <strong>filmi</strong>T `ak~ (1985) iaponeli re-<br />
Jisoris akira kurosavas Sesaxeb.<br />
Chris Marker<br />
Chris Marker was born in Ulan Bator, Mongolia in 1921.<br />
In World War II he joined the Maquis (FTP). After the war<br />
he began to write and make fi lms. He traveled to many<br />
socialist countries and documented what he saw in fi lms<br />
and books. Les statues meurent aussi (1953) which he codirected<br />
with Alain Resnais was one of the fi rst anti colonial<br />
fi lms.<br />
He became internationally known for the short fi lm La Jetée<br />
(1962).<br />
In 1982 Marker fi nished Sans Soleil, stretching the limits<br />
of what could be called a documentary. It is an essay,<br />
a montage, mixing pieces of documentary with fi ction<br />
and philosophical comments, creating an atmosphere of<br />
dream and science fi ction.<br />
Beginning with Sans Soleil he developed a deep interest in<br />
digital technology, which led to his fi lm Level 5 (1996) and<br />
IMMEMORY (1998), an interactive multimedia CD-ROM,<br />
produced for the Centre Pompidou. Marker created a 19<br />
minute multimedia piece in 2005 for The Museum of Modern<br />
Art in New York titled “Owls at Noon Prelude: The Hollow<br />
Men” which was infl uenced by T. S. Eliot’s poem. He is<br />
also known for directing AK (1985), a documentary about<br />
Japanese fi lmmaker Akira Kurosawa.<br />
Production:<br />
Dovidis<br />
42 bis rue de Lourmel<br />
75015 Paris, France<br />
Tel.: +33 1 45 79 41 89<br />
Fax: +33 1 45 79 46 61<br />
World Sales:<br />
Icarus Films<br />
7 49
saerTaSoriso 68 wlis maisi / konkursi May 68 / International Competition<br />
95 wT, 35 mm, S/T, feradi<br />
95 min, 35 mm, b/w, colour<br />
MOURIR À 30 ANS<br />
mokvde 30 wlis safrangeTi 1982<br />
1965 weli: romeni da miSeli erT liceumSi ar swavloben, magram<br />
ganuyreli megobrebi arian. 15 wlis axalgazrdebSi<br />
politikur Segnebas vietnamis movlenebi gamoaRviZebs. isini<br />
qmnian liceumis samoqmedo komitetebs. sami wlis Semdeg es<br />
komitetebi 68 wlis maisis movlenebis ZiriTad iaraRad iqceva.<br />
amasobaSi romeni da miSeli axalgazrda revolucioneri komunistebis<br />
rigebSi Sedian, maT alen krivini xelmZRvanelobs.<br />
1965-1968 wlebis TviTmxilvelebis Sefasebebi da romen gupilis<br />
mier Super-8-iT gadaRebuli kadrebi mogviTxroben mebrZolebis<br />
aRtacebaze da Semdgom imedgacruebaze, rasac<br />
1978 wels miSeli TviTmkvlelobamde miyavs. 1983 wels <strong>filmi</strong><br />
“sezariT” dajildovda saukeTeso pirveli <strong>filmi</strong>saTvis.<br />
reJisori: romen gupili<br />
scenari: romen gupili<br />
operatori: romen gupili, Jan Siabo, rene poli<br />
monawileoben: alen biuro, pier gupili, romen gupili,<br />
sofi gupili<br />
montaJi: fransuaz prenani<br />
xma: Jak kebadiani, dominik dalmaso<br />
prodiuseri: marin karmici<br />
Death at 30 France 1982<br />
1965 : Romain and Mischelle do not attend the same liceum but<br />
they are inseparable friends. Vietnam war waked up political<br />
consciousness in the teenagers. They founded action commitees<br />
in the liceum. After 3 years these committees will turn into<br />
the main tools for the events of May, 1968. Meanwhile Romain<br />
and Mischelle join the ranks of revolutionary communists led by<br />
Allain Crivin. Reviews and judgments made by the participants<br />
of those events developed in 1965-1968 and scenes shot by Romain<br />
Guipil with Super-8 tell us about fi ghters’ enthusiasm and<br />
subsequent frustration that led to Miscelle’s suicide.<br />
The fi lm received Cesar in 1983 for the best fi rst fi lm.<br />
Director: Romain Goupil<br />
Screenplay: Romain Goupil<br />
DOP: Romain Goupil,<br />
Jean Chiabaut, Renan Polles<br />
Cast: Alain Bureau, Pierre Goupil,<br />
Romain Goupil, Sophie Goupil<br />
Editing: Françoise Prenant<br />
Sound: Jacques Kébadian,<br />
Dominique Dalmasso<br />
Producer: Marin Karmitz<br />
7 50<br />
dokumenturi / documentary<br />
Production:<br />
Marin Karmitz Productions<br />
filmografia/Filmography<br />
2004 Quotidien Bagdad<br />
2002 Une pure coïncidence / Purely<br />
Coincidental<br />
1999 À mort la mort!<br />
1996 Sa vie à elle<br />
1994 Lettre pour L...<br />
1990 Maman<br />
1990 Je ne me souviens pas<br />
1983 Java des ombres, La<br />
1982 Mourir à 30 ans / Half a Life<br />
romen gupili<br />
uCveulo da meamboxe reJisori romen gupili cnobilia politikuri<br />
SexedulebebiT, romelic xSirad ewinaaRmdegeboda miRebul<br />
azrs. 1967 wels igi Tavis pirvel moklemetraJian filmebs<br />
iRebs. dgeba 68 wlis maisi da gupili kondorses liceumSi aqtiurobs.<br />
1970 wels igi saleqcio auditoriidan gadasaReb<br />
moedanze inacvlebs jer rogorc staJiori, Semdeg ki rogorc<br />
operatoris asistenti rober menegozis filmebze. mogvianebiT<br />
Santal akermanis, roman polanskis da Jan-liuk godaris asistentia.<br />
1980 wlidan TviTon iwyebs filmebis gadaRebas. srulmetra-<br />
Jiani <strong>filmi</strong>saTvis `mokvde 30 wlis~ gupili kanis saerToaSoriso<br />
kinofestivalze “oqros kameras” iRebs. 1989 wels gadaiRo <strong>filmi</strong><br />
Sidsis Temaze A mort ! A mort ! eraySi intervenciis sawinaaRmdego<br />
misi gamosvlebi araerTgvarovani Sefasebis sagani gaxda.<br />
Romain Goupil<br />
Untypical and rebellious fi lmmaker Romain Goupil is famous<br />
for his political views which often run against largely accepted<br />
viewpoints. In 1967 he shot his fi rst short fi lms. In May, 1968 he<br />
became very active in Condorses Liceum. In 1970 he moves<br />
from the lecture hall to shooting ground fi rst as an intern and<br />
later as an assistant to a cameraman in Robert Menegozi’s<br />
fi lms. Then he became an assistant to Shantal Akerman, Roman<br />
Planski and Jeane-Luc Godard. Since 1980 he has independently<br />
shot the fi lms .Goupil received Golden Camera at<br />
the Cannes International Film Festival. For the fi lm « Death at<br />
30 ». In 1989 he shot « A Mort ! A Mort ! » on AIDS. His speeches<br />
and comments against intervention in Iraq became focus of<br />
controversial reviews.<br />
World Sales:<br />
MK2<br />
55, rue Traversière<br />
75012 Paris, France<br />
phone: +33 1.44.67.30.00<br />
fax: +33 1.43.44.20.18<br />
intlsales@mk2.com
anies vardas mokle filmebi<br />
Varda Her Shorts<br />
franguli Temebi<br />
French Topics
anies vardas mokle filmebi / Varda Her Shorts<br />
Tavisufali da wminda<br />
anies varda Tavad franguli kinos patriarqma, andre bazenma daloca. “Tavisufali da wminda” – ase uwoda msoflios<br />
nomerma pirvelma kinoTeoretikosma 26 wlis reJisoris pirvel films, “puent kurts”.<br />
“puent kurtis” premiera 1954 wels moewyo. andre bazeni 1958 wels gardaicvala da ver moeswro “Tavisufali da wminda”<br />
<strong>filmi</strong>s avtoris pirvel srulmetraJian suraTs “kleo 5-dan 7 saaTamde”... arada rom enaxa, aucileblad ityoda, mTeli<br />
Cemi Teoria, Cemi filosofiur-esTetikuri kredo, kinoxelovnebis mimarT Cemi damokidebuleba ara imdenad Cemma uSualo<br />
mowafeebma, fransua triufom, Jan-luk godarma, erik romerma, aramed am tanmorCilma, garegnulad Zalian sustma,<br />
TiTqos sruliad daucvelma qalma gamoxatao; “kleo” TiTqos ekranizaciaa andre bazenis wignisa “ra aris kino?”; ambavi<br />
msaxiobi qalisa, romelsac or saaTSi ecodineba samedicino analizis pasuxebi, or saaTSi ecodineba aqvs Tu ara kibo,<br />
“realur droSi” mimdinareobs – e. i. <strong>filmi</strong>s moqmedebis dro emTxveva realurs. SeiZleba iTqvas Senaxulia cxovreba<br />
qalisa, romelic sasikvdilo ganaCens elis.<br />
mumificirebuli dro da Senaxuli sicocxle. es iyo andre bazenis ideali, romelsac misi mowafeebi met-naklebad<br />
eyrdnobodnen. magram aravis warmouCenia es Teoria ase radikalurad, ase zustad. erTi ubralo mizeziT – anies<br />
vardas “axali talRis” yvela sxva reJisorze metad uyvars sicocxle. uyvars yvelaferi, rac droSi viTardeba da<br />
moZraobs.<br />
Tumca es siyvaruli datkbilul optimizms rodi niSnavs. sworedac rom piriqiT; anies vardas filmebSi sicocxlis<br />
nakadi imdenadaa gaZlierebuli, rom mayurebelSi nel-nela ibadeba xifaTis gancda, imis SegrZneba, rom am nakads ra-<br />
Rac “mouva”, rom silamaze ar SeiZleba mudmivi iyos, bedniereba ar SeiZleba ar Sewydes, ar daingres. am TvalsazrisiT<br />
raRa Tqma unda saprogramoa misi <strong>filmi</strong> “bedniereba” - ojaxuri gaseirneba qalaqgareT, mocartis harmoniiTa da impresionistuli<br />
peizaJiT, mosiyvarule col-qmriTa da maTi lamazi bavSvebiT, katarstrofiT mTavrdeba – qali, mas<br />
Semdeg rac qmris aRsarebas moismens, tovebs Tavis CaZinebul qmar-Svils da Tavs ixrCobs. bedniereba arsebobs, magram<br />
bedniereba ar SeiZleba maradiuli iyos, radganac yvelaferi drosa da sivrceSi viTardeba. esaa sicocxle da swored<br />
aseTi sicocxle uyvars anies vardas.<br />
aseTi sicocxle uyvars gmirs misi <strong>filmi</strong>sa “saxuravis da kanonis gareSe”, usaxlkaro qals, saxelad monas. mTel<br />
samxreT safrangeTs Semoivlis igi Tavisi zurgCanTiT. muSaoba ar unda, radgan ara aqvs muSaobis dro – sicocxlis<br />
yoveli wami unda SeisunTqos, mere ki mokvdes,…radgan Tavisufleba ar SeiZleba maradiuli iyos.<br />
da arc siwminde SeiZleba iyos maradiuli.<br />
“puant kurtidan” dRemde anies vardam Semoqmedebis didi gza ganvlo. meuRlis, Jak demis gardacvalebis Semdeg varda<br />
daviwyebuli filmebis, kinoqronikis aRdgenam gaitaca. kinoreJisori gadaiqca kinorestavratorad, romelmac “mkvdris<br />
gacocxleba” daiwyo. ase aRadgena vardam Jak demis Sedevrebi “Serburgis qolgebi” da “roSforeli qaliSvilebi”. aRadgina<br />
da TiTqos axali suli STabera – “gaaswora” xma, gaaZliera feris intensivoba – mtveri mowminda Zvels. cxadi<br />
gaxda, rom igi ara imdenad drois Senaxvas mimarTavs, ramdenadac “eTamaSeba” dros, raTa masze damokidebulebisgan<br />
ganTavisufldes. Tumca amisaTvis mas didi Zalisxmeva arc Wirdeba. es patara qali xom isedac Tavisufalia.<br />
Tavisufali da wminda.<br />
7 52<br />
giorgi gvaxaria
FREE AND HOLY<br />
Agnes Varda has been blessed by the patriarch of the French cinema Andre Basin himself. The World number one fi lm<br />
critic called “free and holy” La Pointe Courte - the fi rst fi lm by the director.<br />
Première of La Pointe Courte was held in 1954. Andre Basin died in 1958 and did not live to see the fi rst full length fi lm of<br />
the author of La Pointe Courte – Cleo from 5 to 7 ... if he did, he would surely say, all my theory, my philosophical and<br />
aesthetic credo, my attitude towards cinematography was expressed by this outwardly delicate, medium height, as if<br />
absolutely unprotected lady rather than my direct disciples Francois Truffaut, Jean-Luc Godard and Eric Rohmer; It seems<br />
that Cleo is a screen version of the book by Andre Basin What is Cinema? ; Story of an actress who is going to know medical<br />
opinion in two hours, who will learn in two hours whether or not she has cancer, is going on in real time i.e. the fi lm<br />
running time coincides with the real time. One can say that the fi lm preserves a life of a woman waiting for the delivery<br />
of death sentence.<br />
Mummifi ed time and preserved life. It was an ideal of Andre Basin on which his disciples were based more or less. But no<br />
one had put into force this theory so radically, so accurately. And there is one simple reason – Agnes Varda loves life more<br />
than all the rest of the directors of the French New Wave, loves everything that develops and moves in time.<br />
But this love is not the same as sugary optimism, quite the contrary: fl ow of life is so intensifi ed in the fi lms by Agnes Varda<br />
that a spectator gradually becomes anxious feeling that danger is approaching the fl ow, the beauty can not be eternal<br />
and the happiness can not last forever. In this context a fi lm by her - Happiness is a manifest. A family trip to the country,<br />
with Mozart harmony and impressionistic landscape, loving couple and their charming children ends in catastrophe. The<br />
woman after hearing her husband’s confession leaves her fallen asleep husband and children and drowns herself. Happiness<br />
does exist but it can not be everlasting since everything develops in time and space. It is a life, right the life that<br />
Anies Varda loves.<br />
The same life is loved by homeless woman Mona, the character of the fi lm by her Without Roof or Rule/Vagabond. She<br />
travels through the whole south France with her rucksack. She does not want to work because she has no time to work as<br />
she wishes to draw each breath of life and than to die since the freedom can not be eternal.<br />
And neither the holiness can be eternal.<br />
Agnes Varda has passed long creative way since La Pointe Courte to the present. After the death of her husband<br />
Jacques Demy Varda has become keen on restoring forgotten fi lms and news-reels. The fi lm director transformed into a<br />
fi lm restorer. She restored Jacques Demy’s masterpieces The Umbrellas of Cherbourg and Les Demoiselles de Rochefort.<br />
She restored them and as if revived – adjusted the voice, intensifi ed colour, removed dust from the antiquity. It becomes<br />
clear that she is playing with time rather than trying to preserve it in attempt of liberating herself from dependence on the<br />
time. However she needs no great efforts – this fragile lady is free whatever the case.<br />
Free and holly.<br />
Giorgi Gvakharia<br />
7 53
anies saerTaSoriso vardas mokle konkursi filmebi / International / Varda Her Competition<br />
Shorts<br />
anies varda<br />
anies varda - arlet varda - daibada briuselSi, belgiaSi, ber-<br />
Zeni mamisa da frangi dedis ojaxSi. sorbonSi swavlobda literaturasa<br />
da fsiqologias, ekol diu luvrSi ki - xelovnebis<br />
istorias. kinematografSi akademiuri an teqnikuri ganswavlulobis<br />
gareSe (Tumca manamde Jan vilaris saxalxo nacionaluri<br />
Teatris fotografi iyo) 1954 wels gadaiRo pirveli <strong>filmi</strong><br />
saxelwodebiT La Pointe Courte, romelmac franguli axali<br />
talRa iwinaswarmetyvela.<br />
vardam saerTaSoriso reputacia 1961 wels gadaRebuli filiT<br />
`kleo 5-dan 7-mde~ moipova. momdevno da pirveli feradi <strong>filmi</strong><br />
`bedniereba~ (1965) erT-erTi pirveli feministuri manifesti<br />
iyo.<br />
Tavisi filmebis garda, varda dialogebs sxvebisTvisac werda,<br />
maTgan yvelaze cnobilia bernardo bertoluCis `ukanaskneli<br />
tango parizSi~.<br />
`usaxlkaro~, dokumenturi stilistikiT Seqmnili mxatvruli<br />
<strong>filmi</strong> axalgazrda frang moxetiale qalze ganixileba rogorc<br />
misi saukeTeso <strong>filmi</strong> dRemde. `usaxlkarosTvis~ reJisorma miiRo<br />
oqros lomi veneciis saerTaSoriso kinofestivalze. 1990<br />
wlidan gadaiRo sami <strong>filmi</strong> mis meuRleze - Jak demize. vardas<br />
filmebis umetesoba warmoebulia saprodiusero kompaniis mier<br />
- Ciné Tamaris, romelic TviTonve daaarsa 1954 wels.<br />
Agnes Varda<br />
Agnes Varda was born Arlette Varda in Brussels, Belgium, to a<br />
Greek father and French mother. She studied literature and psychology<br />
at the Sorbonne, and art history at the École du Louvre.<br />
With almost no academic or technical knowledge of fi lm (though<br />
she had been a still photographer for Jean Vilar’s Theatre National<br />
Populaire) in 1954 she made her fi rst fi lm La Pointe Courte<br />
which anticipated the French “New Wave”.<br />
Varda’s international reputation was secured with her 1961 feature<br />
Cleo de 5 a 7. Her next fi lm, and her fi rst in color, was Le Bonheur<br />
(1965), a pioneering feminist manifesto.<br />
In addition to her own fi lms, Varda has written dialogue for the<br />
works of others, most notably for Bernardo Bertolucci’s Last Tango<br />
in Paris.<br />
“Vagabond,” a documentary-style feature about a young<br />
French female wanderer, was arguably her best work to date. For<br />
Vagabond (1985) Varda received the Golden Lion of the Venice<br />
Film Festival. From 1990, she made three fi lms about her husband<br />
Jacques Demy. Majority of Varda fi lms were produced by the<br />
production company she founded in 1954, Ciné Tamaris.<br />
7 54<br />
filmografia/Filmography<br />
2008 Plages d’Agnès, Les / The Beaches of Agnès<br />
2006 Quelques veuves de Noirmoutier<br />
2005 Cléo de 5 à 7: souvenirs et anecdotes<br />
2005 Dites cariatides bis, Les / The So-called Caryatids<br />
2004 Viennale ‘04-Trailer, Der<br />
2004 Cinévardaphoto<br />
2004 Ydessa, les ours et etc. / Ydessa, the bears and etc...<br />
2003 Lion volatil, Le / The Volatile Lion<br />
2002 Glaneurs et la glaneuse... deux ans après, Les / The<br />
Gleaners and I: Two Years Later<br />
2000 Glaneurs et la glaneuse, Les / The Gleaners & I<br />
1995 Univers de Jacques Demy, L’ / The Universe of<br />
Jacques Demy<br />
1995 Cent et une nuits de Simon Cinéma, Les / A Hundred<br />
and One Nights of Simon Cinema<br />
1993 Demoiselles ont eu 25 ans, Les / The Young Girls Turn 25<br />
1991 Jacquot de Nantes / Jacquot<br />
1988 Jane B. par Agnès V. / Jane B. by Agnes V.<br />
1988 Kung-fu master!<br />
1986 T’as de beaux escaliers tu sais / You’ve got beautiful<br />
stairs, you know…<br />
1985 Vagabond / Sans toit ni loi<br />
1984 7p., cuis., s. de b., ... à saisir / 7R., kit., bath . . .<br />
[GRAB IT])<br />
1984 Dites cariatides, Les / The So-called Caryatids<br />
1983 “Une minute pour une image” / One minute for one<br />
image<br />
1982 Ulysse / Ulysses<br />
1981 Documenteur / Documenteur: An Emotion Picture<br />
1981 Murs, murs / Mural Murals<br />
1977 Une chante, l’autre pas, L’ / One Sings, the Other<br />
Doesn’t<br />
1976 Daguerréotypes<br />
1976 Plaisir d’amour en Iran / Pleasure of love in Iran<br />
1975 Réponse de femmes: Notre corps, notre sexe /<br />
Women Respond<br />
1970 Nausicaa<br />
1969 Lions Love<br />
1968 Black Panthers<br />
1967 Loin du Vietnam / Far from Vietnam<br />
1967 Demoiselles de Rochefort, Les / The Young Girls of<br />
Rochefort<br />
1967 Oncle Yanco / Uncle Janco<br />
1966 Créatures, Les / The Creatures<br />
1965 Bonheur, Le / Happiness<br />
1965 Elsa la rose / Elsa the Rose<br />
1963 Salut les cubains / Hi there, Cubanos<br />
1962 Cléo de 5 à 7 / Cleo from 5 to 7<br />
1961 Fiancés du pont Mac Donald, Les / The Mac Donald<br />
bridge fi ancés<br />
1958 O saisons, ô châteaux / O seasons, o chateaux...<br />
1958 Cocotte d’azur, La<br />
1958 Du côté de la côte / Coasting along the coast<br />
1958 Opéra mouffe, L’ / Opera-Mouffe<br />
1954 Pointe-courte, La
anies vardas mokle filmebi / Varda Her Shorts<br />
22 wT, 35 mm, feradi<br />
22 min,35 mm,, colour<br />
O SAISONS, O CHATEAUX…<br />
luaris cixe-koSkebi safrangeTi 1957<br />
xetiali luaris velis Satoebs Soris maTi aSenebis<br />
qronologiis dacviT, 16-e saukunis poeziis da baRebidan<br />
danaxuli xedebis TanxlebiT.<br />
6 wT, 35 mm, feradi<br />
6 min,35 mm, colour<br />
PLAISIR D’AMOUR EN IRAN<br />
siyvarulis sitkbo iranSi safrangeTi 1976<br />
rogor SeiZleba isaubro siyvarulze, roca meCeTs uyureb?<br />
an isaubro arqiteqturaze sawolSi? es mokle <strong>filmi</strong> aris<br />
variacia pomisa da ali dariusis sasiyvarulo foriaqze<br />
(filmSi `erTi mReris, meore - ara~), magram aseve SeiZleboda<br />
yofiliyo nebismieri wyvilis ocneba iseT idealur<br />
garemoSi, rogoricaa imamis meCeTi ispahanSi, sadac sekularuli<br />
da religiuri xelovneba erTmaneTs xvdeba.<br />
O seasons, o chateaux... France 1957<br />
A stroll through the Loire Valley chateaux in the order in<br />
which they were built, with narration, 16th century poetry<br />
and views from the gardens.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Quinto Albicocco<br />
Narrated by: Danièle Delorme<br />
Poems read by: Antoine Bourseiller<br />
Music: André Hodier, Jazz Group of Paris<br />
Costumes: Jacques Heim and Svend, Chambord<br />
Editing: Janine Verneau<br />
Producer: Pierre Braunberger<br />
Production: Films de la Pléiade<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: kuinto albikoko<br />
mTxrobeli: daniel delormi<br />
poemebs kiTxulobs: antuan burseie<br />
musika: andre odie, Jazz Group of Paris<br />
kostiumebi: Jak eimi da svendi, Sambori<br />
montaJi: Janin verno<br />
prodiuseri: pier braunbergeri<br />
“turistebi” / The „Tourist“ Shorts<br />
Pleasure of love in Iran France 1976<br />
How can you talk about love when you’re looking at a<br />
mosque or talk about architecture in bed? This short fi lm<br />
is a variation on he amorous outpourings of Pomme and<br />
Ali Darius (in ONE SINGS, THE OTHER DOESN’T), but it could<br />
also be any couple’s dream in such an ideal setting as the<br />
Imam Mosque in Esfahan, where secular art meets religious<br />
art.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Nurith Aviv, Charlie Van Damme<br />
Cast: Valérie Mairesse, Ali Raffi , Thérèse Liotard<br />
Narrated by: Thérèse Liotard<br />
Music: Iranian songs<br />
Editing: Sabine Mamou<br />
Sound: Henri Morelle<br />
Production:Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: nurit avivi, Sarli van dami<br />
monawileoben: valeri meresi, ali rafi, terez liotari<br />
mTxrobeli: terez liotari<br />
musika: iranuli simRerebi<br />
montaJi: sabin mamu<br />
xma: anri moreli<br />
“turistebi” / The „Tourist“ Shorts<br />
7 55
anies vardas mokle filmebi / Varda Her Shorts<br />
24 wT, 35 mm, feradi<br />
24 min,35 mm,, colour<br />
DU COTE DE LA COTE<br />
laJvardovani sanapirosken safrangeTi 1958<br />
iumoriT savse <strong>filmi</strong> franguli rivieris Sesaxeb.<br />
22 wT, 35 mm, feradi<br />
22 min,35 mm, colour<br />
Uncle Janco<br />
biZia ianko aSS 1967<br />
1967 wlis oqtomberSi bolo <strong>filmi</strong>s reklamirebisTvis san<br />
franciskoSi Casuli varda megobris, tom ludis wyalobiT<br />
naTesavs gaicnobs, romlis Sesaxebac manamde araferi gaego.<br />
aqamde ucnobi biZa Jan varda, metsaxelad ianko, gemze<br />
cxovrobs sosalitoSi. is mxatvaria, hipuri cxovrebis wesiT<br />
cxovrobs da uyvars sicocxle.<br />
7 56<br />
Coasting along the coast France 1958<br />
A humorous travelogue of the French Riviera.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Quinto Albicocco, Raymond Castel<br />
Commentary read by: René Coggio, Anne Olivier<br />
Music: Georges Delerue<br />
Editing: Henri Colpi, Jasmine Chasney<br />
Sound: Marignan<br />
Producers: Anatole Dauman, Philippe Lifschitz<br />
Production: Aragos Films, Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: kuinto albikoko, reimon kasteli<br />
komentarebs kiTxuloben: rene kojio, an olivie<br />
musika: JorJ deleru<br />
montaJi: anri kolpi, Jasmin Cesni<br />
xma: mariniani<br />
prodiuserebi: anatol domani, filip lifSici<br />
“turistebi” / The „Tourist“ Shorts<br />
Uncle Janco USA 1967<br />
While being in San Francisco for the promotion of her last<br />
fi lm in October 1967, Agnès Varda, tipped by her friend<br />
Tom Luddy, gets to know a relative she had never heard<br />
of before, Jean Varda, nicknamed “Yanco”. This hitherto<br />
unknown uncle lives on a boat in Sausalito, is a painter, has<br />
adopted a hippie lifestyle and loves life.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: David Myers, Didier Tarot<br />
Cast: Jean (Yanco)Varda, Tom Luddy, Agnès Varda, Rosalie<br />
Varda<br />
Music: Richard Lawrence, Yannis Spanos, Albinoni<br />
Editing: Jean Hamon, Roger Ikhlef<br />
Sound: Paul Oppenheim<br />
Producer: Agnès Varda<br />
Production Company: Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: devid maiersi, didie taro<br />
monawileoben: Jan (ianko) varda, tom ludi, anies varda,<br />
rozali varda<br />
musika: riCard lourensi, ianis spanosi, albinoni<br />
montaJi: Jan hamoni, roJe iklefi<br />
xma: pol openhaimi<br />
prodiuserebi: anies varda<br />
“anti-istebliSmenti” / The “Anti-Establishment” Shorts
30 wT,16 mm, feradi<br />
30 min16 mm,, colour<br />
BLACK PANTHERS<br />
Savi panterebi aSS 1968<br />
<strong>filmi</strong> gadaRebulia ouqlendSi (kalifornia) Savkaniani aqtivistebis<br />
lideris, hiui niutonis demonstraciebis periodSi,<br />
im dros, roca Sav panterebs hqondaT gamosvlebi<br />
da proeqtebi, awyobdnen Sekrebebs, akeTebdnen gancxadebebs,<br />
im dros, roca Savma panterebma aaforiaqes amerikis<br />
SeerTebuli Statebi. .<br />
8 wT, 35 mm, feradi<br />
8 min,35 mm, colour<br />
REPONSES DE FEMMES<br />
qalebis pasuxi safrangeTi 1975<br />
sinamdvileSi ras niSnavs iyo qali? rogor cxovroben<br />
qalebi statusiT, romelsac maT sazogadoeba aniWebs?<br />
qalebi, lamazebi Tu ulamazoni, axalgazrdebi Tu xnierni,<br />
dedobrivi instinqtiT dajildoebulebi Tu am instinqts<br />
moklebulni, kiTxvebs anies vardas kameris win pasuxoben.<br />
BLACK PANTHERS USA 1968<br />
Documentary shot in Oakland (California) during the demonstrations<br />
of Huey Newton, leader of the black activists<br />
At a time when the Black Panthers had a programme and<br />
projects, trained troops, held rallies, made declarations At a<br />
time when the Black Panthers made the USA nervous.<br />
Director: Agnès Varda<br />
DOP: Paul Aratow, Agnès Varda, David Myers, John Schofi ll<br />
Music: Black Panthers<br />
Editing: Paddy Monk<br />
Sound: Paul Oppenheim, James Steward<br />
Producer: Agnès Varda<br />
Production: Ciné Tamaris<br />
reJisori: anies varda<br />
operatori: pol aratovi, anies varda, devid maiersi, jon<br />
Sofili<br />
musika: bleq pantersi<br />
montaJi: pedi monki<br />
xma: pol openhaimi, jeimz stiuardi<br />
prodiuseri: anies varda<br />
“anti-istebliSmenti” / The “Anti-Establishment” Shorts<br />
Women Respond France 1975<br />
What does being a woman really mean? How do women<br />
live the status society reserves for them? A group of women,<br />
beautiful or not, young or not, gifted with motherly instinct<br />
or not, answer before Agnès Varda’s camera.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Jacques Reiss, Michel Thiriet<br />
Editing: Marie Castro, Andrée Choty, Hélène Wolf<br />
Sound: Bernard Bleicher<br />
Producers: Sylvie Genevoix, Michel Honorin, Agnès Varda<br />
Production Company: Antenne 2, Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: Jak raisi, miSel tirie<br />
montaJi: mari kastro, andre Soti, elen volfi<br />
xma: bernar blaiSeri<br />
prodiuserebi: silvi Jenevua, miSel onoreni, anies varda<br />
“anti-istebliSmenti” / The “Anti-Establishment” Shorts<br />
7 57
anies vardas mokle filmebi / Varda Her Shorts<br />
43 wT, 35 mm, feradi<br />
43 min,35 mm,, colour<br />
YDESSA, LES OURS ET ETC…<br />
idesa, daTvebi da a.S... safrangeTi 2004<br />
or uzarmazar oTaxSi ganTavsebuli asobiT foto saTamaSo<br />
daTvs asaxavs. rogor da ratom ganalaga vinme idesam es<br />
fotoebi erTad? artistis miunxenSi daculi koleqciis<br />
kameriT gadaRebuli stumroba siurprizebiT aris savse.<br />
reJisoris dv-kameris win idesa saubrobs misi SemoqmedebiTi<br />
midgomis Taviseburebebze. igi aseve gamoxatavs azrs<br />
holokostis Sesaxeb, romelsac misi orive mSobeli cocxali<br />
gadaurCa.<br />
22 wT, 35 mm, S/T, eqsperimentuli<br />
22 min,35 mm, b/w, Experimental<br />
ULYSSE<br />
ulise safrangeTi 1982<br />
“ulise” xelaxla ikvlevs drois, sagnisa da erTi fotos<br />
mniSvnelobas, romelic reJisorma 1954 wels gadaiRo.<br />
7 58<br />
Ydessa, the Bears etc... France 2004<br />
Hundreds of photographs displayed in two huge rooms<br />
contain a Teddy Bear... How and why a certain YDESSA put<br />
these photos together. The fi lmed visit of this artist’s collection<br />
in Munich is full of surprises. In front of Agnes Varda’s<br />
DV camera, Ydessa tells about the singularity of her artistic<br />
approach. She also expresses herself about the Holocaust,<br />
which both her parents survived.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Markus Seitz, John Holosko,<br />
Claire Duguet, Rick Kearney<br />
Cast: Ydessa Hendeles<br />
Music: Didier Lockwood, Isabelle Olivier (Ocean)<br />
Editing: Agnès Varda, Jean-Baptiste Morin, Thomas Benigni<br />
Sound: Jens-Christian Borner, Rob Fletcher<br />
Producer: Agnès Varda<br />
Production: Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: markus zaici, jon holoSko, kler diugue,<br />
rik kirni<br />
monawileoben: idesa hendelesi<br />
musika: didie lokvudi, izabel olivie (Ocean)<br />
montaJi: anies varda, Jan-batist moreni, tomas benini<br />
xma: iens-kristian borneri, rob fletCeri<br />
prodiuseri: anies varda<br />
sinevardafoto / Cinevardaphoto<br />
Ulysses France 1982<br />
ULYSSE uses one particular photo the director took back in<br />
1954 to re-examine the time, subject(s), and meaning of<br />
that photo.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Jean-Yves Escoffi er, Pascal Rabaud<br />
Cast: Ulysse Llorca, Bienvenida Llorca, Fouli Elia<br />
Music: Pierre Barbaud<br />
Editing: Marie-Jo Audiard, Hélène de Luze<br />
Sound: Jean-Paul Mugel<br />
Photos:Agnès Varda<br />
Producer: Agnès Varda<br />
Production: Garance<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: Jan-iv eskofie, paskal rabo<br />
monawileoben: ulise lorka, bienvenida lorka, fuli elia<br />
musika: pier barbo<br />
montaJi: mari-Jo odiari, elen de luzi<br />
xma: Jan-pol miugeli<br />
foto: anies varda<br />
prodiuseri: anies varda<br />
sinevardafoto / Cinevardaphoto
30 wT, 35 mm, S/T dokumenturi<br />
30 min, 35 mm, B/W, documentary<br />
SALUT LES CUBAINS<br />
salami, kubelebs safrangeTi /kuba 1962<br />
1962 wlis dasasruli, kuba. naxevarsaaTiani fotomontaJi,<br />
romelic vardam kubaze dasvenebis dros gadaiRo. <strong>filmi</strong><br />
asaxavs fidel kastros revolucias, mis zegavlenas xalxze<br />
da kunZulis kulturis istorias.<br />
26 wT, 35 mm, S/T, dokumenturi<br />
26 min, 35 mm, B/W Documentary<br />
UNE MINUTE POUR UNE IMAGE<br />
erTi wuTi erTi fotosTvis safrangeTi 1983<br />
170 patara <strong>filmi</strong>s mini seria: TiTo anonimuri komentari<br />
TiTo fotoze. cnobili da ucnobi fotografebis da<br />
mTxrobelebis saxelebi mxolod <strong>filmi</strong>s bolos gamoCndeba.<br />
Hi there, Cubanos France/cuba 1962<br />
End of 1962, Cuba. A half-hour photo montage Varda took<br />
while vacationing in Cuba. It deals with the revolution of Fidel<br />
Castro, its effects on the people and the island’s cultural<br />
history.<br />
Director: Agnès Varda<br />
DOP:J. Marques, C.S. Olaf<br />
Photos: Agnès Varda<br />
Narrated by: Michel Piccoli, Agnès Varda<br />
Cast: Nelson Rodríguez (dancer)<br />
Music: Cuban music<br />
Editing: Janine Verneau<br />
Production: Société Nouvelle, Pathé-Cinéma, Ciné-Tamaris<br />
reJisori: anies varda<br />
operatorebi: x. markesi, q. s. olafi<br />
foto: anies varda<br />
kiTxuloben: miSel pikoli, anies varda<br />
monawileoben: nelson rodrigesi (mocekvave)<br />
musika: kuburi musika<br />
montaJi: Janin verno<br />
sinevardafoto / Cinevardaphoto<br />
One Minute for One Image France 1982<br />
A mini serie of 170 mini-fi lms: one minute of anonymous<br />
commentary for each photograph. The names of the photographers,<br />
famous and unknown, and the narrators only<br />
appear at the end.<br />
Director: Agnès Varda<br />
Cast: Marguerite Duras, Hervé Guibert, Yves Montand,<br />
Maurice Pialat<br />
Editing: Marie-Jo Audiard, Sabine Franel, Cévanne Haicault<br />
Production: Garance, CNP<br />
With the participation of the Ministry of Culture<br />
reJisori: anies varda<br />
monawileoben: margerit diura, erve giberi, iv montani,<br />
moris piala<br />
montaJi: mari-Jo odiari, sabina franeli, sevan ekoli<br />
170 mini-<strong>filmi</strong>s mini-seria / A Mini Serie of 170 mini-fi lms<br />
7 59
anies vardas mokle filmebi / Varda Her Shorts<br />
13 wT, 16 mm, feradi, dokumenturi<br />
13 min, 16 mm, Colour, Documentary<br />
LES DITES CARIATIDES<br />
e.w. kariatidebi safrangeTi 1984<br />
dokumenturi <strong>filmi</strong> parizis neo-klasikur qandakebebze, romlebic<br />
ZiriTadad Senobebis kedlebzea gamosaxuli da fanjrebi<br />
da saxuravebi upyriaT xelT. <strong>filmi</strong> mkacrad feministuria,<br />
ramdenadac varda xazs usvams qalebis imijebis simbolur<br />
da socialur mniSvnelobas, romlebsac mZime tvirTi awevs.<br />
<strong>filmi</strong> amavdroulad saxalisoa. is sevdiani maSin xdeba, rodesac<br />
reJisori bodlerze saubrobs, mis poeziasa da warmatebaze,<br />
TandaTan mis fizikur dauZlurebaze, xmis dakargvasa<br />
da sikvdilze. qandakebebs ki imdenad mieCvia Tvali, rom isini<br />
TiTqmis SeumCnevelni gaxdnen.<br />
17 wT, 16 mm, S/T, dokumenturi<br />
17 min, 16 mm, B/W, Documentary<br />
L’OPERA-MOUFFE<br />
opera “mufi” safrangeTi 1958<br />
fexmZime reJisori dokumenturi kadrebisa da warmosaxuli<br />
scenebis sanaxavad mayurebels parizis laTinur kvartal-<br />
Si, muftaris quSisken miuZRveba.<br />
7 60<br />
The So-called Caryatids France 1984<br />
This is a short documentary on the neo-classical statues found<br />
throughout Paris, predominantly on the walls of buildings, holding<br />
up windows, roofs etc. The fi lm is strongly feminist, as she<br />
draws out wider symbolic and social implications from these<br />
images of women holding up huge weights, but it is playfully so.<br />
The fi lm becomes much sadder when she talks about Baudelaire,<br />
his poetry, success; his subsequent physical decline, loss<br />
of voice and death. These statues are now so familiar that they<br />
are barely noticed..<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Cyril Lathus<br />
Narration by: Agnès Varda<br />
Music: Jean-Filippe Rameau, Jacques Offenbach<br />
Editing: Hélène Wolf<br />
Sound: Michel Commo<br />
Producers: Bertrand Gauthier, Agnès Varda, Teri Wehn-Damisch<br />
Production: TF1, Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: siril latusi<br />
mTxrobeli: anies varda<br />
musika: Jan-filip ramo, Jak ofenbaxi<br />
montaJi: elen volfi<br />
xma: miSel komo<br />
prodiuserebi: bertran gotie, anies varda, teri ven-damiSi<br />
“parizelebi”/ The „Parisian“ Shorts<br />
Opera-Mouffe France 1958<br />
A pregnant fi lmmaker takes us to rue Mouffetard, in the<br />
Latin Quarter of Paris for a mix of documentary footage<br />
and imagined scenes.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Agnès Varda, Sacha Vierny<br />
Cast: Dorothée Blanck, José Varela, Jean Tasso<br />
Music: Georges Delerue<br />
Editing: Janine Verneau<br />
Producer: Agnès Varda<br />
Production Company: Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: anies varda, saSa vierni<br />
monawileoben: dorote blanki, Joze varela, Jan taso<br />
musika: JorJ deleru<br />
montaJi: Janin verno<br />
prodiuseri: anies varda<br />
“parizelebi”/ The „Parisian“ Shorts
30 wT, 35 mm, S/T dokumenturi<br />
20 wT, 16 mm, S/T, dokumenturi<br />
ELSA LA ROSE<br />
mSvenieri elza safrangeTi 1965<br />
lui aragonis mier moTxrobili elza trioles axalgazrdoba.<br />
SeTqmuli wyvilis suraTebi, poezia da saubrebi.<br />
12 wT, 35 mm, feradi, mxatvruli<br />
12 min, 35 mm, Colour, Fiction<br />
LE LION VOLATIL<br />
uCinari lomi safrangeTi 2003<br />
parizis SuagulSi lomis qandakebaa aRmarTuli, romlis<br />
garSemoc patara Tavgadasavali viTardeba mkiTxavi qalis<br />
mowafe klarissa da katakombebis dawesebulebis moxele<br />
lazars Soris.<br />
Elsa the Rose France 1965<br />
Elsa Triolet’s youth as told by Luis Aragon. Images, poetry<br />
and conversations from the close couple.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Willy Kurant, William Lubtchansky<br />
Poems read by: Michel Piccoli<br />
Music: Jean Ferrat, George Gershwin, John Handy, Modest<br />
Moussorgsky, Konstantin Simonovitch<br />
Sound: Bernard Ortion, Jacques Bonpunt<br />
Producer: Agnès Varda<br />
Production: Pathé Cinéma<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: uili kurani, uiliam lubCanski<br />
poemebs kiTxulobs: miSel pikoli<br />
musika: Jan fera, jorj gerSvini, jon hendi, modest<br />
musorgski, konstantin simionoviCi<br />
xma: bernar ortioni, Jak bonpuni<br />
prodiuseri: anies varda<br />
“parizelebi”/ The „Parisian“ Shorts<br />
The Volatile Lion France 2003<br />
In the heart of a Parisian neighborhood sits the sculpture<br />
of a lion. A short adventure between Clarisse, card-reader<br />
apprentice, and Lazare, a worker at the catacombs, takes<br />
place around the statue of a lion.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Mathieu Vadepied, Xavier Tauveron<br />
Cast: Julie Depardieu, David Deciron, Fréderick<br />
e.Grasser-Herme, Valérie Donzelli<br />
Music: Joanna Bruzdowicz<br />
Production design: Christophe Perruchi, Christophe Vallaux<br />
Costumes: Rosalie Varda<br />
Editing: Agnès Varda, Sophie Mandonnet<br />
Sound: Jean-Luc Audy<br />
Producers: Emmanuel Benbihy, Agnès Varda<br />
Production: Ciné-Tamaris<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: matie vadepie, qsavie toveroni<br />
monawileoben: Juli depardie, david desironi, frederik<br />
e. grase-ermi, valeri donzeli<br />
musika: ioana bruJdoviCi<br />
mxatvari: kristof peruCi, kristof valo<br />
kostiumebi: rozali varda<br />
montaJi: anies varda, sofi mandone<br />
xma: Jan-luk odi<br />
prodiuserebi: emanuel benbihi, anies varda<br />
“parizelebi”/ The „Parisian“ Shorts<br />
7 61
anies vardas mokle filmebi / Varda Her Shorts<br />
3 wT, 35 mm, feradi, S/T, dokumenturi<br />
3 min, 35 mm, colour, B/W Documentary<br />
T’AS DE BEAUX ESCALIERS, TU SAIS<br />
lamazi kibe gaqvs, ici?... safrangeTi 1986<br />
am <strong>filmi</strong>T varda pativs miagebs kinokulturas.<br />
3 wuTi, 35 mm, S/T, mxatvruli<br />
3 min, 35 mm, B/W, Fiction<br />
LES FIANCES DU PONT MAC DONALD<br />
mak donaldsis xidis Seyvarebulebi safrangeTi 1961<br />
warwera gvafrTxilebs: `erideT dabindul saTvaleebs~.<br />
ana da misi Seyvarebuli senaze gadasaxed xidze erTmaneTs<br />
kocnian. kaci saTvales ikeTebs da xels uqnevs gogonas,<br />
roca is mdinaris napirisken kibeze Carbis. Semdeg dafeTebuli<br />
uyurebs, rogor ecema ana da rogor moaTavseben<br />
mas katafalkze. biWi uSedegod cdilobs daewios katafalks.<br />
danaRvlianebuli simpaTiuri gamyidvelisgan did<br />
samgloviaro gvirgvins da cxvirsaxocs yidulobs. Semdeg<br />
saTvales ixsnis, raTa cremlebi moiwmindos da xvdeba, rom<br />
ubedurebis saTave swored saTvalea. igi xelaxla emSvidobeba<br />
Seyvarebuls, amjerad saTvalis gareSe.<br />
7 62<br />
You’ve got beautiful stairs, you know… France 1986<br />
The fi lm is a loving homage to fi lm culture.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Patrick Blossier<br />
Cast: Isabelle Adjani<br />
Music: Michel Legrand<br />
Editing: Marie-Jo Audiard<br />
Production: Ciné-Tamaris & Miroirs<br />
for the French Cinémathèque<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: patrik blosie<br />
monawileoben: izabel ajani<br />
musika: miSel legrani<br />
montaJi: mari-Jo odiari<br />
“parizelebi”/ The „Parisian“ Shorts<br />
The Mac Donald bridge fi ancés France 1982<br />
A subtitle warns, “Beware of dark sunglasses.” Anna and her<br />
lover kiss on a bridge overlooking the Seine. He dons sunglasses<br />
and waves as she runs down a stairway to the river’s edge,<br />
then watches in horror as she’s knocked fl at and loaded into<br />
the back of a hearse. In vain, he gives chase. Disconsolate, he<br />
buys a large funeral wreath and a handkerchief from sympathetic<br />
vendor. He removes the glasses to wipe his eyes and realizes<br />
they are the cause of all his woe. He replays the farewell<br />
without the glasses.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Jean Rabier<br />
Cast: Anna Karina, Jean-Luc Godard, Jean-Claude Brialy, Eddie<br />
Constantine, Danielle Delorme, Sami Frey, Yves Robert, Alan<br />
Scott<br />
Music: Michel Legrand<br />
Production design: Bernard Evein<br />
Costumes: Bernard Evein<br />
Editing: Janine Verneau<br />
Producers: Georges De Beauregard, Carlo Ponti<br />
Production: Rome-Paris-Films<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: Jan rabie<br />
monawileoben: ana karina, Jan-luk godari, Jan-klod<br />
briali, edi konstantini, daniel delormi, sami frei,<br />
iv roberi, alan skoti<br />
musika: miSel legrani<br />
mxatvari: bernar eveni<br />
kostiumebi: bernar eveni<br />
montaJi: Janin verno<br />
prodiuserebi: JorJ de boregari, karlo ponti<br />
“parizelebi”/ The „Parisian“ Shorts
27 wT, 35 mm, feradi, mxatvruli<br />
27 min, 35 mm, Colour, Fiction<br />
7P., CUIS., S. DE B… (à saisir)<br />
7 oTaxi, samzareulo, abazana... (stace xeli)<br />
safrangeTi 1984<br />
Tavis yvelaze siurealistur filmSi anies varda acocxlebs<br />
personaJebs, romlebic odesRac TavSesafris binadrebi<br />
iyvnen (an iqneb arc iyvnen?) da bunuelis esTetikis<br />
gamoyenebiT saxlis kedlebis mexsierebaSi aRadgens maT<br />
portretebs. vardam <strong>filmi</strong> 1984 wels avinionis wm. luis<br />
TavSesafarSi lui bekis mier warmodgenilo gamofenis -<br />
`cocxali da xelovnuri~ - mimdinareobis dros gadaiRo.<br />
7R., kit., bath . . . [GRAB IT] France 1984<br />
In her most surreal fi lm Agnes Varda restores to life the<br />
characters who were asylum inhabitants (or maybe they<br />
were not?) and using Buñuel’s aesthetics reconstructs their<br />
portraits in memory of the walls of house. Varda shot the<br />
fi lm during Louis Bec’s exhibition “Alive and Artifi cial” in St.<br />
Louis asylum in Avignon.<br />
Director: Agnès Varda<br />
Screenplay: Agnès Varda<br />
DOP: Nurith Aviv<br />
Cast: Yolande Moreau,Marthe Jarnias, Louis Bec, Saskia<br />
Cohen-Tanugi, Catherine De Barbeyrac<br />
Music: Pierre Barbaud<br />
Set Decoration: Louis Bec<br />
Editing: Sabine Mamou<br />
Sound: Daniel Ollivier<br />
Production: Ciné-Tamaris<br />
In co-production with: CNAP, FIACRE<br />
reJisori: anies varda<br />
scenari: anies varda<br />
operatori: nurit avivi<br />
monawileoben: ioland moro, marta Jarnia, lui beki, saskia<br />
koen-tanuJi, katrin de barbeiraki<br />
musika: pier barbo<br />
dekoratori: lui beki<br />
montaJi: sabina mamu<br />
xma: daniel olivie<br />
esse / The Essay<br />
7 63
qarTuli uxmo filmebi
Georgian Silent Movies
qarTuli saerTaSoriso uxmo filmebi konkursi / / Georgian International Silent Competition<br />
Movies<br />
70 wT, 35 mm, S/T<br />
70 min, 35 mm, b/w<br />
ARSENA KACHAGHI<br />
arsena yaCaRi saqarTvelo 1923<br />
batonis brZanebiT arsenas Tanasoflel glexs qorwilidan patarZals<br />
staceben, patarZlis mamas ki urCobisTvis rozgaven. arsena<br />
qalis batonis xelidan daxsnas cdilobs, magram araferi gamosdis<br />
da iZulebuli xdeba amboxebuli glexebis razmTan erTad mTaSi<br />
gaixiznos. arsenas axalSerTul cols, nenos, cils swameben, TiTqos<br />
is batonisgan iyos fexmZimed. Sercxvenili neno Tavs iklavs. arsena<br />
batonis saxl-kars gadawvavs. mas Seipyroben, magram arsena gaqcevas<br />
axerxebs da glexebis razms ubrundeba mTaSi. razmelebi mosaxleobis<br />
mZarcvelebad qceulan. gulgatexili arsena martodmarto<br />
ganagrZobs brZolas mCagvrelTa winaaRmdeg.<br />
reJisori: vladimer barski<br />
scenari: vladimer barski<br />
operatori: aleqsandre diRmelovi<br />
mxatvrebi: valerian sidamon-erisTavi, k. tiri<br />
monawileoben: grigol CeCelaSvili, nato vaCnaZe, petre esikovski,<br />
kote andronikaSvili, zaqro beriSvili, vaso arabiZe,<br />
asia barxudarova<br />
kinostudia saxkinmrewvis nawarmoebi<br />
originaluri versia<br />
Arsena, the Brigand Georgia 1923<br />
A master orders to abduct a bride from the wedding of a peasant<br />
who is Arsena’s fellow villager and birch her father for disobedience.<br />
Arsena attempts to save the bride out of the master’s hands but fails<br />
to do anything and together with the rebel peasants’ crew escapes<br />
to the hills. Arsena’s newlywed wife Neno is slandered as if she were<br />
pregnant by the master and defamed woman commits suicide. Arsena<br />
burns down the master’s property. He is arrested but manages<br />
to escape and returns to the rebel peasants in the hills. The members<br />
of the crew have become plunderers. Disappointed Arsena continues<br />
to fi ght against the oppressors all alone.<br />
Director: Vladimer Barsky<br />
Screenplay: Vladimer Barsky<br />
Cinematograhy: Alexandre Digmelov<br />
Production design: Valerian Sidamon-Eristavi, K. Tiri<br />
Cast: Grigol Chechelashvili, Nato Vachnadze, Petre<br />
Yesikovsky, Kote Andronikashvili, Zakaria Berishvili,<br />
Vaso Arabidze, Asya Barkhudarova<br />
7 66<br />
Production:<br />
Sakhkinmretsvi Film Studio<br />
Original version<br />
filmografia/Filmography<br />
1928 kazakebi / Cossacks<br />
1927 bela / Bela<br />
1927 maqsim maqsimiCi / Maksim Maksimich<br />
1926 mecxre talRa / The Ninth Wave<br />
1926 Tavadis asuli meri / Vicountess Meri<br />
1925 warsulis saSinelebani / Horrors of the Past<br />
1925 Suquras saidumloeba / Mystery of Beacon<br />
1925 warsulis saSinelebani 2 (aTasis fasad) /<br />
Horrors of the Past 2<br />
1923 arsena yaCaRi / Arsena, the Brigand<br />
1922 moZRvari / Preceptor<br />
1920 nu gZinavs / Don’t Sleep<br />
1920 uTavo cxedari / The Corpse without head<br />
1919 Tqvi risTvis / Tell Me Why<br />
1919 cecxlTanyvanismcemlebi / Fire-worshippers<br />
vladimer barski 1866 - 1936<br />
daamTavra moskovis saimperatoro saswavlebeli.1892<br />
wlidan muSaobda msaxiobad da reJisorad sxvadasxva TeatrebSi,<br />
1899-1917 wlebSi iyo ivanovo-voznesenskis dramatuli<br />
Teatris msaxiobi da reJisori. 1917-1928 wlebSi<br />
moRvaweobda saqarTveloSi, saxkinmrewvSi.<br />
monawileobda TurqmeneTis da uzbekeTis kinomatografiis<br />
CamoyalibebaSi.<br />
Vladimir Barski 1866 – 1936<br />
Vladimir Barski was graduated from Moscow Imperial Technical<br />
College. Since 1892 he had worked as actor and director<br />
in different theatres. In 1899-1917 he had been an actor and<br />
director of Ivanovo-Voznesenski drama theatre. In 1917-1928<br />
Barski had exercised creative activity in Georgia working in<br />
Sakhkinmretstvi fi lm studio. Vladimir Barski participated in the<br />
formation of cinematography of Turkmenistan and Uzbekistan.
52 wT, 35 mm, S/T<br />
52 min, 35 mm, b/w<br />
LURSMANI CHEQMASHI<br />
lursmani CeqmaSi sabWoTa saqarTvelo 1931<br />
uvargisi Ceqmebis gamo manevrebis dros muSa ver aswrebs mniSvnelovani<br />
Setyobinebis gadacemas da Tavdasxmis imitaciisas<br />
javSanmatareblis jgufi `iRupeba~. gmiri msjavrdebulTa<br />
skamze aRmoCndeba, magram, rogorc irkveva, tribunali Tavad<br />
aris damnaSave: mis rigebSi `daRupuli~ javSanmatareblis jgufia,<br />
romelSic wuniani Ceqmebis damamzadebeli mewaReebi Sedian.<br />
.<br />
reJisori: mixeil kalatoziSvili<br />
scenari: leonid perelmani<br />
operatori: Salva afaqiZe<br />
mxatvari: serafion vawaZe<br />
monawileoben: aleqsandre jaliaSvili, siko falavandiSvili,<br />
akaki xorava, arkadi xinTibiZe<br />
kinostudia saxkinmrewvis nawarmoebi<br />
originaluri versia<br />
Nail in the Boot Soviet Georgia 1931<br />
Due to unfi t boots a worker fails to deliver an important message<br />
during the war games and in the course of simulated attack a<br />
group of armoured train “perishes”. The protagonist fi nds out himself<br />
on a felon’s dock but it appears that the tribunal is to blame<br />
as well: among its members are some members of the group of<br />
the “perished” armoured train including the makers of the defective<br />
boots.<br />
.<br />
Director: Mikhail Kalatozishvili<br />
Screenplay: Leonid Perelman<br />
Cinematograhy: Shalva Apakidze<br />
Production design: Serapion Vatsadze<br />
Cast: Alexandre Jaliashvili,<br />
Siko Palavandishvili, Akaki Khorava,<br />
Arkadi Khintibidze<br />
Production:<br />
Sakhkinmretsvi Film Studio<br />
Original version<br />
filmografia/Filmography<br />
1969 Красная палатка / The Red Tent<br />
1964 Я Куба / I Am Cuba<br />
1959 Неотправленное письмо / The Unsent<br />
Letter<br />
1957 Летят журавли / The Cranes Are Flying<br />
1955 Первый эшелон / The First Echelon<br />
1954 Верные друзья / True Friends<br />
1953 Вихри враждебные / Hostile Whirlwinds<br />
1950 Заговор обречённых / Conspiracy of the<br />
Doomed<br />
1942 Непобедимые / Invincible<br />
1941 Валерий Чкалов / Wings of Victory<br />
1939 Мужество / Courage<br />
1931 lursmani CeqmaSi / Nail in the Boot<br />
1930 jim-SvanTe / Salt for Svanetia<br />
1930 usinaTlo / Little Blind Girl<br />
1928 maTi samefo (18-28) / Their Empire<br />
mixeil kalatoziSvili / mixail kalatozovi<br />
kinoSi moRvaweoba kinomeqanikosobiT daiwyo, Semdeg samsaxiobo<br />
ostatobis dauflebis mizniT ivane perestianis kinosamsaxiobo<br />
studiaSi Sevida. 1923 wlidan muSaobda kinostudia<br />
“saxkinmrewvSi” memontaJed, operatorad, reJisorad.<br />
1934–1935 wlebSi “saxkinmrewvis” direqtoria. 1931-1934<br />
wlebSi iyo leningradis xelovnebaTmcodneobis akademiis<br />
msmeneli. 1937 wels daamTavra leningradis xelovnebaTmcodneobis<br />
akademiis aspirantura. 1937 wlidan iyo kinostudia<br />
“len<strong>filmi</strong>s”, xolo 1943 wlidan kinostudia “mos<strong>filmi</strong>s”<br />
reJisori. 1944-1946 wlebSi iyo sabWoTa kinowarmoebis mTavari<br />
komitetis ufrosi, 1946-1948 wlebSi - sabWoTa kavSiris<br />
kinematografiis ministris moadgile. miniWebuli aqvs sab-<br />
WoTa kavSiris saxalxo artistis wodeba (1969), dajildoebulia<br />
stalinuri premiiT (1951). sabWoTa kinos istoriaSi<br />
veravin moxsna misi rekordi - “mifrinaven weroebi” erTaderTi<br />
sabWoTa <strong>filmi</strong>a, romelmac kanis kinofestivalis mTavari<br />
prizi “gran - pri” miiRo (1958). kinematografistTa 2005<br />
wlis gamokiTxviT <strong>filmi</strong> “mifrinaven weroebi” yvela drois<br />
saukeTeso sabWoTa filmad dasaxelda.<br />
Mikheil Kalatozishvili (Mikhail Kalatozov)<br />
Mikheil Kalatozishvili started to exercise his activity in the<br />
cinema as a cinema operator, then joined studio of fi lm<br />
actors of Ivane Perestiani to master acting. Kalatozishvili<br />
had worked in Sakhkinmretstvi fi lm studio as editor, cameraman<br />
and director since 1923. In 1934–1935 he was a<br />
director of Sakhkinmretstvi fi lm studio. In 1931-1934 he was<br />
a student of Leningrad Academy of Art History. He had<br />
been a director at Lenfi lm studio since 1937 and at Mosfi lm<br />
studio - since 1943. In 1946-1948 he was a head of Soviet<br />
Film Production Chief Committee, in 1946-1948 – deputy<br />
minister of cinematography of Soviet Union. Mikheil Kalatozishvili<br />
was awarded a rank of People’s artist of Soviet<br />
Union (1969), Stalin Prize (1951). No one managed to<br />
break his record in the history of Soviet cinema – a fi lm<br />
by him Cranes are Flying is the only Soviet fi lm awarded<br />
grand prix of the Cannes Film Festival (1958). By the fi lmmakers<br />
opinion poll of 2005 Cranes are Flying is the best<br />
Soviet fi lm of all times.<br />
7 67
qarTuli saerTaSoriso uxmo filmebi konkursi / / Georgian International Silent Competition<br />
Movies<br />
27 wT, 35 mm, S/T<br />
27 min, 35 mm, b/w<br />
NORCHI MPHRINAVI<br />
norCi mfrinavi sabWoTa saqarTvelo 1928<br />
megobrebi - gogi, liova da alika - ocneboben gaxdnen mfrinavebi.<br />
gogis iniciativiT isini safren aparats ageben, magram pirveli<br />
gafrena marcxiT mTavrdeba. TviTmfrinavi daimsxvra, piloti ki<br />
mZimed daSavda. bavSvebi gadawyveten aviakonstruqtorTa wreSi<br />
Caeweron. aq isini safrenosno saqmes euflebian da aviamodelebis<br />
agebasac swavloben.<br />
reJisori: nikoloz kaxiZe<br />
scenari: i. saburovi<br />
operatori: vladimir poznani<br />
mxatvari: valerian sidamon-erisTavi<br />
montaJi: g. namoraZe, n. iudini<br />
monawileoben: gogi ratiani, m. maWavariani, a. CiCua, l. areSiZe,<br />
aleqsandre dadeSqeliani<br />
kinostudia saxkinmrewvis nawarmoebi<br />
A Young Pilot Soviet Georgia 1928<br />
Friends, Gogi, Leva and Alik, dream of becoming pilots. Gogi is the<br />
initiator of constructing the fl ying apparatus. But the fl ight is not successful.<br />
The plane crash lands and the pilot is badly injured. After this<br />
children enroll in the circle of the plane constructors. They learn how<br />
to construct plane models and study aviation.<br />
Director: Nikoloz Kakhidze<br />
Screenplay: I. Saburov<br />
Cinematograhy: Vladimir Poznan<br />
Production design: Valerian Sidamon-Eristavi<br />
Editing: G. Namoradze, N. Yudin<br />
Cast: Gogi Ratiani, M. Machavariani, A. Chichua, L.<br />
Areshidze, Alexandre Dadeshkeliani<br />
7 68<br />
Production:<br />
Sakhkinmretsvi Film Studio<br />
filmografia/Filmography<br />
1928 norCi mfrinavi / The Young Pilot<br />
1927 ori celqi / Two Naughty Boys<br />
nikoloz kaxiZe<br />
daibada TbilisSi 1894 wlis 7 oqtombers. mamamisi<br />
iuristi iyo, deda ki sabWoTa kavSiris damsaxurebuli<br />
artisti, romelic qeTo andronikaSvilis<br />
fsevdonimiT gamodioda scenaze. daamTavra<br />
baqos vaJTa gimnazia. 1911-1915 wlebSi swavlobda<br />
moskovis universitetis iuridiul fakultetze.<br />
damamTavrebeli gamocdis Cabarebamde gaiwvies<br />
samefo armiaSi. ibrZoda Turqebis winaaRmdeg.<br />
1919 wels demobilizaciis Semdeg 1920 wlamde<br />
muSaobda konferansied Tblisis estradaze. 1920<br />
wlis dasasruls menSevikebis mTavrobam mexuTe<br />
polkSi gaiwvia. me-11 wiTeli armiis Semosvlis<br />
Semdeg quTaisis saswavlo batalionSi gaagzavnes.<br />
1924-25 wlebSi kvlav Tbilisis estradazea, amavdroulad<br />
muSaobs musikaluri satiris TeatrSi<br />
direqtorad da samxatvro xelmZRvanelad. 1925-<br />
1930 wlebSi msaxiobi da reJisoria saqarTvelos<br />
saxkinmrewvSi. iTamaSa filmebSi `ibrahimi da<br />
goderZi~ (1927) da `vin aris damnaSave?~ (1925).<br />
mis mier gadaRebuli <strong>filmi</strong> `ori celqi~ ar Semonaxula.<br />
1931 wlidan muSaobs CrdiloeT kavkasiis<br />
olqis damamzadebeli kantoris direqtorad.<br />
momdevno wels daapatimres da 5 weli miusajes<br />
sasjeli sakoncentracio banakSi moxdiT. 1934<br />
wels vadamde gaaTavisufles da belomor-baltiis<br />
kombinatSi datoves samuSaod Teatralur-mxatvruli<br />
ganyofilebis direqtorad, sadac 1936<br />
wlamde imuSava. 1936 wels dabrunda TbilisSi.<br />
Nikoloz Kakhidze<br />
Was born on 7 october, 1894 in Tbilisi. HHis father was<br />
a lawyer, mother was honored artist of Soviet Union<br />
who appeared on the stage under the pseudonym<br />
of Keto Andronikashvili. Graduated from the Baku<br />
classical school for boys. In 1911-1915 years he was<br />
studying at the law department of Moscow University,<br />
but before graduation he was called up for military<br />
service in the Royal Army. He was fi ghting against the<br />
Turks. Upon demobilization in 1919 he had worked as<br />
master of ceremonies at Tbilisi variety before 1920. By<br />
the end of 1920 he was called for military service to<br />
the 5th regiment by Mensheviks. After the 11th Army<br />
invasion he was sent to Kutaisi educational battalion.<br />
In 1924-25 years he was back in Tbilisi variety. At the<br />
same time he was working as a manager and creative<br />
director of musical satire theatre. In 1925-1930<br />
he was an actor and director at Georgian studio of<br />
Sakhkinmretsvi. He was starring in the fi lms “Ibrahim<br />
and Goderdzi” (1927) and “Who is the Guilty” (1925).<br />
A fi lm by him “Two Little Imps” has not been preserved.<br />
He had worked as a director of the North Caucasian<br />
Region Stocking Offi ce since 1931. Next year he was<br />
arrested and sentenced to 5 years of concentration<br />
camp. In 1934 he was released on parole and left at<br />
Belomor-Baltic works as a director of theatrical and<br />
creative department, where he worked by 1936. He<br />
returned in Tbilisi in 1936.
105 wT, 35 mm, S/T<br />
105 min, 35 mm, b/w<br />
VIN ARIS DAMNASHAVE?<br />
vin aris damnaSave? sabWoTa saqarTvelo 1925<br />
axalgazrda glexi siko gamdidrebis imediT amerikuli cirkis<br />
mflobelTan awers kontraqts xels da mojiriTeTa jgufTan<br />
erTad amerikaSi miemgzavreba. Sin cols, Cvil bavSvs, dedasa da<br />
moxuc babuas tovebs. misi gamgzavrebis Semdeg bavSvi kvdeba,<br />
coli sasowarkveTilia. ukeTesi cxovrebis Zieba tragediad<br />
iqceva.<br />
reJisori: aleqsandre wuwunava<br />
scenari: aleqsandre wuwunava<br />
operatori: sergei zabozlaevi<br />
mxatvari: dimitri SevardnaZe<br />
montaJi:<br />
monawileoben: kote miqaberiZe, cecilia wuwunava, nato vaCnaZe,<br />
dimitri yifiani, i. trapaiZe, arkadi xinTibiZe, nikoloz kaxiZe,<br />
sofia Jozefi, kote andronikaSvili, vaso arabiZe, elisabed<br />
CerqeziSvili, mixeil gelovani<br />
kinostudia saxkinmrewvis nawarmoebi<br />
originaluri versia<br />
Who Is the Guilty? Soviet Georgia 1925<br />
Sico, a young small farmer searching for a better life signs a contract<br />
with an American circus owner. At home stays his wife, baby-child,<br />
mother and old grandfather. After he leaves, his child<br />
dies. His wife Pati is in despair. Looking for a better life turns in a<br />
tragedy.<br />
Director: Alexandre Tsutsunava<br />
Screenplay: Alexandre Tsutsunava<br />
Cinematograhy: Sergei Zabozlayev<br />
Production design: Dimitri Shevardnadze<br />
Editing:<br />
Cast: Kote Mikaberidze, Tsetsilia Tsutsunava,<br />
Nato Vachnadze, Dimitri Kipiani, I. Trapaidze,<br />
Arkadi Khintibidze, Nikoloz Kakhidze, Sofi a Jozeff,<br />
Kote Andronikashvili, Vaso Arabidze,<br />
Elisabed Cherkezishvili, Mikheil Gelovani<br />
Production:<br />
Sakhkinmretsvi Film Studio<br />
Original version<br />
filmografia/Filmography<br />
1928 janyi guriaSi / Mutiny in Guria<br />
1927 ori monadire / Two Hunters<br />
1926 xanuma / Khanum<br />
1925 vin aris damnaSave / Who Is the Guilty?<br />
1918 qristine / Kristine<br />
aleqsandre wuwunava 1881 - 1955<br />
swavlobda Tbilisis samaswavleblo institutSi, romelic<br />
ar daumTavrebia. 1900 wlidan muSaobda quTaisis TeatrSi<br />
lado aleqsi-mesxiSvilis xelmZRvanelobiT, 1901-1905 wleb-<br />
Si - Tbilisis qarTul TeatrSi. 1905-1910 wlebSi swavlobda<br />
moskovis samxatvro Teatris studiis sareJisoro kursebze.<br />
1910 wlidan daiwyo sareJisoro moRvaweoba jer Wia-<br />
Turis TeatrSi, xolo Semdgom 1914-1916 wlebSi - Tbilisis<br />
saxalxo saxlSi da rusul TeatrSi muSaobda. swavlobda<br />
Tbilisis pedagogiur universitetSi. 1918 wlidan muSaobda<br />
Tbilisis operisa da baletis TeatrSi, jer Teatris komisrad,<br />
Semdeg reJisorad, xolo 1947 wlidan - mTavar reJisorad.<br />
aleqsandre wuwunava maSin Caudga saTaveSi operis<br />
Teatrs, rodesac saopero reJisuris dargi yalibdeboda.<br />
igi iyo qarTuli kinos erT-erTi fuZemdebeli. 1918 wels<br />
man gadaiRo pirveli qarTuli srulmetraJiani mxatvruli<br />
<strong>filmi</strong> “qristine”. miniWebuli aqvs saqarTvelos saxalxo artistis<br />
wodeba (1934).<br />
Alexsandre Tsutsunava 1881 – 1955<br />
Alexsandre Tsutsunava was studying at Tbilisi pedagogical<br />
institute but dropped out. He had been working at Kutaisi<br />
theatre under the guidance of Lado Alexi Meskhishvili<br />
since 1900. In 1901-1905 he had worked at Tbilisi Georgian<br />
Theatre. In 1905–1910 he had been studying art of directing<br />
at the studio of Moscow Arts Theatre. Since 1910 he<br />
started to work as director fi rst at Chiatura Theatre, and afterwards<br />
in 1914-1916 in Tbilisi People’s House and Russian<br />
Theatre. He was studying at Tbilisi Pedagogical University.<br />
Since 1918 he had worked at Tbilisi Theatre of Opera and<br />
Ballet fi rst as a commissar of the theatre, then as director<br />
and since 1947 – as chief director. Alexandre Tsutsunava<br />
headed the opera theatre in the period of time when the<br />
profession of opera direction was in making. He was one<br />
of the founders of Georgian cinema. In 1918 he made the<br />
fi rst Georgian full-length fi lm Christine. He was awarded<br />
the title of People’s Artist of Georgia (1934).<br />
7 69
specialuri Cvenebebi
Special Screenings
specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />
116 wT, 35 mm, feradi<br />
116 min, 35 mm, colour<br />
BUMAZNYJ SOLDAT / БУМАЖНЫЙ СОЛДАТ<br />
qaRaldis jariskaci ruseTi 2008<br />
yazaxeTi, 1961 weli. daniel pokrovski, sabWoTa armiis samedicino<br />
samsaxuris oficeri, baikonurSi sabWoTa kosmonavtebis<br />
pirvel jgufs amzadebs. mas coli hyavs, magram urTierToba aqvs<br />
axalgazrda qalTan, verasTan. rodesac pokrovski moskovSi da<br />
colis, ninas mklavebSi brundeba, mas tanjavs imis Segneba, rom<br />
idealist kosmonavtebs, romlebic ukve misi megobrebi gaxdnen,<br />
SesaZloa samSoblosTvis sakuTari sicocxlis gawirva mouxdeT.<br />
magram rodesac nina mas samsaxuris mitovebas mosTxovs, radgan<br />
amoralurad miaCnia adamianebis sicocxlis sasworze Segdeba,<br />
pokrovski ninas tovebs da ubrundeba veras, kosmosur programas<br />
da gardauval sikvdils.<br />
reJisori: aleqsei germani umcrosi<br />
scenari: aleqsei germani umcrosi, vladimir arkuSa, iulia<br />
glezarova<br />
operatorebi: maqsim drozdovi, aliSer xamidxojaevi<br />
monawileoben: merab niniZe, Culpan xamtova, anastasia Seveleva<br />
musika: fiodor sofronovi<br />
prodiuserebi: artiom vasilievi, sergei Sumakovi<br />
Paper Soldier Russia 2008<br />
Kazakhstan, early 1961. Daniel Pokrovsky, a medical offi cer in the<br />
Soviet Army, is serving in Kazakhstan, working with the fi rst ever<br />
group of cosmonauts. He’s a married man, but still he can’t help<br />
himself from getting involved with the young Vera. Back in Moscow<br />
and the arms of his wife, Nina, Pokrovsky is torn between his<br />
friendship with the idealistic space cadets, and the knowledge<br />
that these men are expected to sacrifi ce their own lives for the<br />
nation. Yet, when Nina demands that he leaves his job, because<br />
it is immoral to risk the lives of humans, he decides to leave her<br />
instead. Pokrovsky goes back to Vera, the space program and<br />
his own impending doom.<br />
Director: Alexey German jr.<br />
Screenplay: Alexey German jr.,<br />
Vladimir Arkusha, Julia Glezarova<br />
DOP: Maxim Drozdov,<br />
Alisher Khamidhodjaev<br />
Cast: Merab Ninidze,<br />
Chulpan Khamatova,<br />
Anastasya Sheveleva<br />
Music: Fjodor Sofronov<br />
Producers: Artem Vasiliev,<br />
Sergey Shumakov<br />
7 72<br />
Production:<br />
Phenomen Films<br />
Phone: +7495 143 94 97<br />
Info@phenomenfi lms.ru<br />
TV Channel “Russia”<br />
filmografia/Filmography<br />
2007 Atonement<br />
2005 Pride and Prejudice<br />
2003 Charles II: The Power & the Passion (TV<br />
mini-series)<br />
2002 Bodily Harm (TV mini-series)<br />
2001 Bob & Rose (TV series)<br />
2000 Nature Boy (TV mini-series)<br />
1998 The End<br />
1997 Crocodile Snap<br />
aleqsei germani<br />
daibada 1976 wels moskovSi. 1996-2002 wlebSi swavlobda<br />
moskovis kinematografiis institutSi (sergei salaviovis<br />
saxelosno). swavlis periodSi sami warmatebuli<br />
moklemetraJiani <strong>filmi</strong>s gadaRebis Semdeg 2003 wels gadaiRo<br />
pirveli srulmetraJiani mxatvruli <strong>filmi</strong> “ukanaskneli<br />
matarebeli”, romelic 2004 wels roterdamis<br />
festivalze Amnesty Internatioinal-is priziT aRiniSna.<br />
“qaRaldis jariskaci” misi mesame srulmetraJiani <strong>filmi</strong>a,<br />
romelmac reJisors veneciis wlevandeli festivalis<br />
“vercxlis lomi” moutana saukeTeso reJisurisTvis.<br />
Alexey German<br />
Born in 1976 in Moscow, Russia. In 1996-2002 he studied at<br />
the VGIK (Sergey Solovjev’s studio) where he shot three<br />
successful shorts. “The Last Traine” was his fi rst feature fi lm<br />
wich won the Amnesty Internatioinal award at the 2004<br />
International Film festival in Rotterdam. Alexey German<br />
won “Silver Lion” at the last Venice Film Festival for his third<br />
feature “Paper Soldier”.
58 wT, digibeta, feradi<br />
58 min, digibeta, coluor<br />
NOSTALGIA<br />
nostalgia niderlandebi 1999<br />
tato kotetiSvili holandiaSi 1990-iani wlebis dasawyisSi wavida.<br />
sul male saqarTveloSi samoqalaqo omi daiwyo da man droebiT<br />
holandiaSi darCena gadawyvita. saqarTveloSi mxolod 1997<br />
wels dabrunda “nostalgiis” gadasaRebad. gadaRebebis Semdeg<br />
holandiaSi dabrunebuli tato moulodnelad gardaicvala.<br />
<strong>filmi</strong> misma megobarma qalma da kolegam, ineke smitsma daasrula<br />
tatos megobrebTan erTad.<br />
es piraduli <strong>filmi</strong>a, romelSic reJisoris naTesavebi, megobrebi<br />
da nacnobebi saqarTveloSi bolo aTi wlis manZilze momxdar<br />
ambebze laparakoben. samoqalaqo omma ise Secvala sazogadoeba,<br />
rom tato sakuTar qveyanaSi ucxod grZobs Tavs. is, risi povnis<br />
imedic mas samSobloSi hqonda, aRar arsebobs. misi saqarTvelo<br />
“nostalgiad” iqca.<br />
reJisorebi: tato kotetiSvili, ineke smitsi<br />
operatori: edvin verstegeni<br />
mTxrobeli: kote yubaneiSvili<br />
musika: gio cincaZe<br />
montaJi: jemi trevili<br />
xma: meno oive, kristine van rooni<br />
prodiuseri: sezar mesemakeri<br />
Nostalgia The Netherlands 1999<br />
Tato Kotetishvili came to Holland in the early nineties. Shortly after<br />
his arrival civil war broke out in Georgia. Tato decided to stay in<br />
Holland for a while. In 1997 he returned to Georgia for the fi rst<br />
time to make NOSTALGIA. Tato had only just returned to Holland<br />
after completing shooting, when he died suddenly. His girlfriend<br />
and colleague Ineke Smits completed the documentary together<br />
with some of his friends.<br />
NOSTALGIA is a personal documentary that tells the story in an associative<br />
way of the effect that the civil war in Georgia has had<br />
on the director’s relatives and friends. It shows how the society<br />
in which they live and their mutual relationships have changed<br />
drastically in ten years. They have changed so much that Tato<br />
feels like a foreigner in his own country. What he hoped to fi nd is<br />
no more. His Georgia has become NOSTALGIA.<br />
Directors: Tato Kotetishvili, Ineke Smits<br />
DOP: Edwin Verstegen<br />
Storyteller: Kote Kubaneishvili<br />
Music: Gio Tsintsadze<br />
Editing: Jamie Trevill<br />
Sound: Menno Euwe, Christine van Roon<br />
Producer: Cesar Messemaker<br />
(1959, Tbilisi – 1997, roterdami)<br />
1982 wels daamTavra Tbilisis Teatrisa da kinos institutis<br />
kinosareJisoro fakulteti, eldar Sengelaias saxelosno.<br />
ineke smitsi<br />
Production:<br />
L U M E N F I L M<br />
in co-production with HUMANISTISCHE<br />
OMROEP<br />
filmografia/Filmography<br />
tato kotetiSvili<br />
ineke smitsi / Ineke Smits<br />
Tato Kotetishvili<br />
2008 Transit Dubai<br />
1996 The effect of Pascal’s 2005 Black Gold under<br />
Quote on World Histiry Notecka Forest<br />
1992 To Be or Not to Be 2003 Putin’s Mama<br />
1992 Rose, Violet and Lily 2001 Magonia<br />
1990 Thou Shall Not Speak Evil 1997 The Cloud Factory<br />
1989 The End<br />
1996 A Whores Sermon<br />
1987 Anemia / anemia 1994 Sirko<br />
1984 The Train / matarebeli 1992 Rose, Violet and Lily<br />
1979 The Hero / gmiri 1989 Monas Plen<br />
1988 Emotional Constructions<br />
1985 Time Rituals<br />
1985 All Sounds of the World<br />
tato kotetiSvili<br />
Tato Kotetishvili<br />
(Tbilisi 1959 - Rotterdam 1997)<br />
Studied fi lm directing at the Georgian State Theatre and<br />
Film Institute, Eldar Schengalaia’ studio<br />
.<br />
daibada 1960 wels roterdamSi. swavlobda grafikas da audiovizualur<br />
mxatvrobas roterdamis samxatvro skolaSi,<br />
kinoreJisuras – kinosa da televiziis nacionalur skolaSi<br />
bekonsfildSi, inglisi.<br />
Ineke Smits<br />
Born in 1960 in Rotterdam, Netherlands. Studied Graphic<br />
and Audio-Visual Design at the Rotterdam Art School and<br />
fi lm directing at the National Film and Television School in<br />
Beaconsfi eld, England.<br />
.<br />
World Sales:<br />
L U M E N F I L M,<br />
Korte Prinsengracht 17-d,<br />
NL-1013 GN Amsterdam, The Netherlands,<br />
Tel +31 20 623 26 00, Fax +31 20 625<br />
48 30<br />
7 73
specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />
129 wT, 35 mm, feradi<br />
129 min, 35 mm, colour<br />
eyrdnoba jein ostinis romans xuTi dis – jein, elizabet, meri,<br />
kiti da lidia benetebis Sesaxeb, romlebic georgianuli periodis<br />
inglisSi cxovrobdnen. benetebis cxovreba Tavdayira<br />
daayena maT mezoblad mdidari axalgazrda mamakacis, mister<br />
binglis, da misi saukeTeso megobris, mister darsis, Camosvlam.<br />
reJisori: jo raiti<br />
scenari: debora mogaCi<br />
operatori: roman osini<br />
monawileoben: kira naiTli, Talula rilei, rozamund pike,<br />
jena melouni, keri maligani, donald sazerlendi,<br />
brenda bleTini, simon budsi, meTiu makfadieni<br />
musika: dario marianeli<br />
mxatvari: sara grinvudi<br />
kostiumebi: Jaklin diureni<br />
montaJi: pol toTili<br />
xma: deivid taileri<br />
prodiuserebi: tim bivani, erik felneri, pol vebsteri<br />
aRmasrulebeli prodiuseri: debra heivordi<br />
The story is based on Jane Austen’s novel about fi ve sisters - Jane,<br />
Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England.<br />
Their lives are turned upside down when a wealthy young man,<br />
Mr. Bingley, and his best friend, Mr. Darcy, arrive in their neighborhood.<br />
Production:<br />
Working Title Films<br />
Oxford House,<br />
76 Oxford Street,<br />
London, W1D 1BS<br />
phone: 020 7307 3000<br />
fax: 020 7307 3001/2/3<br />
www.workingtitlefi lms.com<br />
Joe Wright<br />
filmografia/Filmography<br />
2008 Dernier maquis<br />
2006 Bled Number One<br />
2001 Wesh, wesh, qu’est-ce qui se passe?<br />
PRIDE AND PREJUDICE<br />
siamaye da mikerZoebuli azri gaerTianebuli samefo / safrangeTi 2005<br />
Pride and Prejudic UK / France 2005<br />
Director: Joe Wright<br />
Sacreenplay: Deborah Moggach<br />
DOP: Roman Osin<br />
Cast: Keira Knightley, Talulah Riley,<br />
Rosamund Pike, Jena Malone,<br />
Carey Mulligan, Donald Sutherland,<br />
Brenda Blethyn, Simon Woods, Matthew<br />
Macfadyen<br />
Music: Dario Marianelli<br />
Production design: Sarah Greenwood<br />
Costumes: Jacqueline Durran<br />
Editing: Paul Tothill<br />
Sound: David Tyler<br />
Producers: Tim Bevan, Eric Fellner,<br />
Paul Webster<br />
Executive producer: Debra Hayward<br />
7 74<br />
jo raiti<br />
daibada 1972 wels londonSi. daavadebulia disleqsiiT<br />
da skolaSi ver miiRo saSualo moswrebis atestati. swavlobda<br />
kembervelis xelovnebis kolejSi, Semdeg londonis<br />
wminda martinis xelovnebis skolaSi swavlobda<br />
kinoreJisuras. 2006 wels dasaxelda 10 saukeTeso axalaRmoCenil<br />
reJisors Soris Jurnal Variety-is reitingSi<br />
“10 Directors to Watch”. 2007 wels raiti gaxda<br />
istoriaSi yvelaze axalgazrda reJisori, romlis filmma<br />
veneciis saerTaSoriso kinofestivali gaxsna (misi<br />
<strong>filmi</strong>T “sinanuli” gaixsna veneciis 64-e festivali).<br />
Born in 1972 in London. Is Dyslexic and left school with<br />
no O-levels. Attended the Camberwell College of Arts.<br />
Trained as a fi lmmaker at London’s St. Martins art school.<br />
Named one of Variety’s “10 Directors to Watch” (2006). In<br />
2007, he became the youngest director in history to have<br />
a fi lm open the Venice Film Festival (his fi lm ATONEMENT<br />
was chosen to open 64th Venice International Film Festival).<br />
World Sales:<br />
Focus Features<br />
65 Bleecker St., 3rd Fl.<br />
New York, NY 10012<br />
phone: 212-539-4000<br />
fax: 212-539-4099
72 wT, HD,feradi<br />
72 min, HD, colour<br />
Transit Dubai<br />
tranziti dubai niderlandebi 2008<br />
axlo aRmosavleTis SuagulSi axali, Tanamedrove da swrafad<br />
mzardi qalaqi dubai mdebareobs. mayurebeli oTxi studentifotografis<br />
TvaliT danaxul qalaqis mocimcime fasadebs Soris<br />
mogzaurobs. caTambjenebi, saofise korpusebi da sastumroebi<br />
horizontze Cndebian. dubai warmodgenilia rogorc<br />
simSvidisa da keTildReobis oazisi, sadac yvela bednieria an<br />
mdidari mainc aris.<br />
reJisori: ineke smitsi<br />
scenari: ineke smitsi<br />
operatori: mel van eseni, edvin verstegeni<br />
musika: gio cincaZe<br />
montaJi: meno boerema, katarina tiurleri<br />
xma: harold ialvingi<br />
prodiuseri: denis vaslini<br />
Transit Dubai The Netherlands 2008<br />
In the heart of the Middle-East a brand-new, modern city is rapidly<br />
arising; the city of Dubai. Through the eyes of four photography<br />
students, we step through the glittering façade of a city.<br />
Skyscrapers, offi ce blocks and hotels rapidly spring up on the horizon<br />
and Dubai is portrayed as an oasis of peace and prosperity<br />
where everyone seems happy. Or at least rich.<br />
Director: Ineke Smits<br />
Screenplay: Ineke Smits<br />
Cinematography: Melle van Essen, Edwin<br />
Verstegen<br />
Music: Gio Tsintsadze<br />
Editing: Menno Boerema, Katarina Türler<br />
Sound: Harold Jalving<br />
Producer: Denis Vaslin<br />
Production:<br />
Volya Films b.v.<br />
Mauritsweg 56<br />
3012 JX Rotterdam<br />
Tel. +31 10 415 5621<br />
Fax +31 10 437 5934<br />
info@volyafi lms.com<br />
ineke smitsi<br />
daibada 1960 wels roterdamSi, niderlandebSi. roterdamis<br />
xelovnebis akademiaSi saxviT xelovnebas swavlobda. inglisis<br />
kinosa da televiziis erovnul skolaSi specializacia gaiara<br />
reJisuraSi. holandiis kulturuli televiziis ganviTarebis<br />
fondisa da britaneTis sakonsulos stipendiis mopovebis Semdeg<br />
1993 wels reJisoris kvalifikacia miiRo. filmebis gadaRebis<br />
garda leqciebs kiTxulobs arnhemis saxviTi xelovnebis<br />
skolasa da aindhovenis dizainis skolaSi.<br />
Ineke Smits<br />
filmografia/Filmography<br />
2009 Vliegenierster van Kazbek, De (fi lming)<br />
2003 Putins mama<br />
2001 Magonia<br />
1996 Hoerenpreek<br />
1996 Wolkenfabriek, De<br />
1992 Rose, Violet & Lily<br />
Ineke Smits was born in 1960, in Rotterdam, the Netherlands.<br />
She studied Fine Arts at the Rotterdam Art Academy,<br />
then specialised in directing at the National Film and<br />
Television School in England. Granted a scolarship by the<br />
Dutch Cultural Broadcasting Promotion Fund and the British<br />
Council, she completed her directing degree in 1993.<br />
Besides making fi lms, she has been teaching at Arnhem<br />
School of Fine Arts and at the Eindhoven School of Design.<br />
7 75
specialuri saerTaSoriso Cvenebebi konkursi / Special / International Screenings Competition<br />
89 wT, 35 mm, feradi<br />
89 min, 35 mm, color<br />
DOPO MEZZANOTTE<br />
SuaRamis Semdeg italia 2004<br />
martino turinis kinos muzeumis, molis, Ramis darajia. magram<br />
misTvis es ar aris mxolod samuSao. gaTenebamde is Zvel uxmo<br />
filmebs uyurebs, Semdeg ki mitovebul samuSao adgils ubrundeba.<br />
anjeli qalaqis SemogarenSi mcxovrebi qurdia. mas manqanebi<br />
da gogoebi uyvars, rac mis megobar gogos, amandas, ar<br />
moswons. erTxelac amandas problemebi eqmneba da policiisgan<br />
Tavis dasaRwevad mols Seafarebs Tavs. TandaTan amandasa da<br />
martinos Soris raRac urTierToba Cndeba. amasobaSi anjeli<br />
Tavis megobari gogos Zebnas iwyebs. maTi cxovreba uxmo dramasaviT<br />
ixlarTeba, romlebic martinos ase uyvars.<br />
reJisori: davide ferario<br />
scenari: davide ferario<br />
operatori: dante keCini<br />
monawileoben: jiorjio pazoti, franCeska inaudi,<br />
fabio troiano, franCeska pikoza, silvio orlando<br />
musika: banda tonika, daniele sepe, fabio barovero<br />
mxatvari: franCeska boka<br />
kostiumebi: paola ronko<br />
montaJi: klaudio kormio<br />
xma: jiani sardo<br />
prodiuseri: davide ferario<br />
After Midnight Italy 2004<br />
Martino is the night guardian of the Mole, the Turin Museum of Cinema.<br />
But for him it’s not just a job. He spends his life watching the old<br />
silent movies until day comes, and then retiring to an abandoned offi<br />
ce. The Angel is a thief from the outskirts of the city. He likes cars and<br />
girls. This does not make Amanda, his girlfriend, very happy. One day<br />
Amanda gets into trouble and, running from the police, fi nds shelter<br />
in the Mole. Slowly, something happens between Martino and Amanda.<br />
But then it’s time for the Angel to go fi nd his girlfriend. Their lives<br />
tangle up like one of the silent dramas Martino is so fond of.<br />
Director: Davide Ferrario<br />
Screenplay: Davide Ferrario<br />
Cinematography: Dante Cecchin<br />
Cast: Giorgio Pasotti, Francesca Inaudi,<br />
Fabio Troiano, Francesca Picozza, Silvio<br />
Orlando<br />
Music: Banda Ionica, Daniele Sepe,<br />
Fabio Barovero<br />
Production design: Francesca Bocca<br />
Costumes: Paola Ronco<br />
Editing: Claudio Cormio<br />
Sound: Gianni Sardo<br />
Producer: Davide Ferrario<br />
7 76<br />
Production:<br />
Rossofuoco<br />
Davide Ferrario<br />
filmografia/Filmography<br />
2006 Strada di Levi, La / Primo Levi’s Journey<br />
2004 Se devo essere sincera<br />
2004 Dopo mezzanotte / After Midnight<br />
2002 Strade di Genova, Le<br />
2000 Rabbia, La<br />
1999 Guardami<br />
1998 Figli di Annibale / Children of Hannibal<br />
1997 Tutti giù per terra / We All Fall Down<br />
1997 Partigiani / Partisans<br />
1997 Sul 45° parallelo<br />
1995 Figlio di Zelig, Il<br />
1995 A Rimini<br />
1995 Materiale resistente<br />
1994 Anime fi ammeggianti / Love Burns<br />
1991 Lontano da Roma<br />
1989 Fine della notte, La<br />
1987 Non date da mangiare agli animali<br />
davide ferario<br />
davide ferario daibada kasalmajioreSi (kremona)<br />
1956 wels. milanis universitetSi swavlobda inglisur<br />
da amerikul literaturas. 1976 wels SeuerTda<br />
Lab 80 Film co-operative-s. werda statiebs JurnalisTvis<br />
Cineforum magazine. adreul 80-ianebSi festivalebis<br />
organizatoria. 1984 wels dawera pirveli<br />
italiurenovani monografia fasbinderze. imuSava antonio<br />
konCaris <strong>filmi</strong>s `45-e paraleli~ scenarze (1987).<br />
1994 wels dawera romani saxelwodebiT `Savi magia~.<br />
Davide Ferrario was born in Casalmaggiore (Cremona) in<br />
1956. He studied English and American literature at Milan<br />
University. In 1976 he joined the Lab 80 Film co-operative<br />
and wrote for Cineforum magazine. In the early 1980s he<br />
organized festivals, and in 1984 he published the fi rst Italian<br />
monograph on Fassbinder. He wrote the screenplay<br />
to the fi lm 45th Parallel by Attilio Concari (1987). In 1994 he<br />
wrote a novel, ‘Black Magic’.
contact:<br />
24/8 Kuchishvili Str., Tbilisi, Georgia<br />
tel: (+995 32) 25 33 40<br />
e-mail: hotelvp@verepalace.com.ge<br />
web-site: www.verepalace.com.ge
Index of Films Original Titles<br />
7P., CUIS., S. DE B… (À SAISIR) .....................................................................................................63<br />
ABSURDISTAN ................................................................................................................................ 26<br />
AMANTS REGULIERS, LES .............................................................................................................. 46<br />
AM ENDE KOMMEN TOURISTEN ................................................................................................... 27<br />
ARIA SALATA, L’ ............................................................................................................................ 14<br />
ARSENA KACHAGHI .................................................................................................................... 66<br />
ATONEMENT .................................................................................................................................. 9<br />
AUF DER ANDEREN SEITE ............................................................................................................. 28<br />
BLACK PANTHERS .......................................................................................................................... 57<br />
BUMAJNYJ SOLDAT ...................................................................................................................... 72<br />
CITIZEN LANGLOIS ........................................................................................................................ 47<br />
DIKOE POLE .................................................................................................................................. 11<br />
DIORTHOSI .....................................................................................................................................15<br />
DITES CARIATIDES, LES .................................................................................................................. 60<br />
DOPO MEZZANOTTE .................................................................................................................... 76<br />
DU COTE DE LA COTE ................................................................................................................. 56<br />
ELSA LA ROSE ............................................................................................................................... 61<br />
FÄLSCHER, DIE ............................................................................................................................... 29<br />
FIANCES DU PONT MAC DONALD, LES ....................................................................................... 62<br />
FOND DE L’AIRE EST ROUGE, LE ..................................................................................................48<br />
FREE RAINER – DEIN FERNSEHER LÜGT ........................................................................................ 30<br />
GROSSE DEPRESSION – MADE IN GERMANY, DIE ...................................................................... 31<br />
JAGDHUNDE ................................................................................................................................. 16<br />
LION VOLATIL, LE ........................................................................................................................... 61<br />
LOVE AND OTHER CRIMES .......................................................................................................... 17<br />
LURSMANI CHEKMASHI ............................................................................................................... 67<br />
MOURIR À 30 ANS ........................................................................................................................ 50<br />
NACH DER MUSIK ......................................................................................................................... 32<br />
NORCHI MPHRINAVI ..................................................................................................................... 68<br />
NOSTALGIA ................................................................................................................................... 73<br />
NYOMOZÓ, A ................................................................................................................................18<br />
OPERA-MOUFFE, L’ ....................................................................................................................... 60<br />
O SEASONS, O CHATEAUX... ........................................................................................................ 55<br />
OUBLIER CHEYENNE ..................................................................................................................... 36<br />
PLAISIR D’AMOUR EN IRAN ......................................................................................................... 55<br />
PRIDE AND PREJUDICE ................................................................................................................. 74<br />
PRINZESSINNENBAD ..................................................................................................................... 33<br />
QUAND TU DESCENDRA DU CIEL ................................................................................................ 38<br />
REPONSES DE FEMMES ................................................................................................................ 57<br />
RUSALKA ........................................................................................................................................ 19<br />
SALUT LES CUBAINS ...................................................................................................................... 59<br />
SAMIA ........................................................................................................................................... 40<br />
SHULTES .......................................................................................................................................... 20<br />
SONBAHAR .................................................................................................................................... 21<br />
SRODA, CZWARTEK RANO .......................................................................................................... 22<br />
T’AS DE BEAUX ESCALIERS, TU SAIS .............................................................................................62<br />
TRANSIT DUBAI ............................................................................................................................... 75<br />
ULYSSE ........................................................................................................................................... 58<br />
UNCLE JANCO .............................................................................................................................. 56<br />
UNE MINUTE POUR UNE IMAGE ................................................................................................. 59<br />
VERSAILLES ..................................................................................................................................... 23<br />
VIN ARIS DAMNASHAVE? ........................................................................................................... 69<br />
VOISINS, VOISINES ....................................................................................................................... 41<br />
WESH, WESH, QU’EST-CE QUI SE PASSE? .................................................................................... 42<br />
YDESSA, LES OURS ET ETC .............................................................................................................. 58<br />
ZIM AND CO. ................................................................................................................................. 43
filmebis saZiebeli<br />
7 oTaxi, samzareulo, abazana... [stace xeli] .......................................................63<br />
absurdistani ...........................................................................................................26<br />
arsena yaCaRi ............................................................................................................66<br />
biZia ianko ................................................................................................................56<br />
bolos ki mxolod turistebi modian ...................................................................27<br />
gamomZiebeli ............................................................................................................18<br />
gamyalbeblebi ..........................................................................................................29<br />
didi depresia – germanulad ................................................................................31<br />
erTi wuTi erTi fotosTvis ..................................................................................59<br />
e. w. kariatidebi ......................................................................................................60<br />
veluri veli ............................................................................................................11<br />
versali .....................................................................................................................23<br />
veS, veS, ra xdeba? ...................................................................................................42<br />
vin aris damnaSave? ..................................................................................................69<br />
zimi da kompania .......................................................................................................43<br />
Tavisufali raineri – Seni televizori tyuis ..................................................30<br />
idesa, daTvebi da a. S. ... ........................................................................................58<br />
lamazi kibe gaqvs, ici? ............................................................................................62<br />
laJvardovani sanapirosken ....................................................................................56<br />
luaris cixe-koSkebi ...............................................................................................55<br />
lursmani CeqmaSi .....................................................................................................67<br />
makdonaldsis xidis Seyvarebulebi ......................................................................62<br />
mezoblebi ................................................................................................................41<br />
meore mxares ............................................................................................................28<br />
mlaSe haeri ..............................................................................................................14<br />
mokvde 30 wlis ........................................................................................................50<br />
monadire ZaRlebi ....................................................................................................16<br />
moqalaqe langlua ...................................................................................................47<br />
musikis Semdeg .........................................................................................................32<br />
mSveniari elza .........................................................................................................61<br />
norCi mfrinavi ........................................................................................................68<br />
nostalgia ................................................................................................................73<br />
oTxSabaTi, xuTSabaTis dila .................................................................................22<br />
opera “mufi” ........................................................................................................... 60<br />
princesebis auzi .................................................................................................... 33<br />
regularuli sayvarlebi ........................................................................................46<br />
rodesac cidan daeSvebi ........................................................................................ 38<br />
salami kubelebs ......................................................................................................59<br />
samia .........................................................................................................................40<br />
siamaye da crurwmena ............................................................................................. 74<br />
sinanuli ...................................................................................................................9<br />
siyvaruli da sxva danaSaulebi ............................................................................ 17<br />
siyvarulis sitkbo iranSi ......................................................................................55<br />
tranziti dubai .......................................................................................................75<br />
ulise ........................................................................................................................58<br />
uCinari lomi ...........................................................................................................61<br />
qalebis pasuxi .........................................................................................................57<br />
qalTevza ..................................................................................................................19<br />
qaRaldis jariskaci ................................................................................................72<br />
Savi panterebi ..........................................................................................................57<br />
Semodgoma ................................................................................................................ 21<br />
Sesworeba ................................................................................................................ 15<br />
SuaRamis Semdeg ...................................................................................................... 76<br />
Sultesi ....................................................................................................................20<br />
cis siRrme wiTelia ................................................................................................48
Index of Films English Titles<br />
7R., kit., bath . . . [GRAB IT] .......................................................................................................... 63<br />
Absurdistan ................................................................................................................................... 26<br />
After Midnight ............................................................................................................................... 76<br />
And along Come Tourists ............................................................................................................ 27<br />
Arsena, the Brigand ..................................................................................................................... 66<br />
Atonement .................................................................................................................................... 9<br />
Autumn .......................................................................................................................................... 21<br />
Base of the Air Is Red, The ........................................................................................................... 48<br />
Black Panthers .............................................................................................................................. 57<br />
Citizen Langlois ............................................................................................................................. 47<br />
Coasting along the coast ........................................................................................................... 56<br />
Correction ..................................................................................................................................... 15<br />
Counterfeiters, The ....................................................................................................................... 29<br />
Death at 30 .................................................................................................................................. 50<br />
Edge of Heaven, The ................................................................................................................... 28<br />
Elsa the Rose ................................................................................................................................. 61<br />
Father’s Music, A .......................................................................................................................... 32<br />
grosse Depression – Made in Germany, Die ............................................................................. 31<br />
Hi There, Cubanos ........................................................................................................................ 59<br />
Hounds .......................................................................................................................................... 16<br />
Investigator, The ........................................................................................................................... 8<br />
Looking for Cheyenne ................................................................................................................. 36<br />
Love and Other Crimes ............................................................................................................... 17<br />
Mac Donald bridge fi ancés, The ............................................................................................... 62<br />
Mermaid, The ................................................................................................................................ 19<br />
Nail in the Boot ............................................................................................................................. 67<br />
Neighbours, The ............................................................................................................................ 41<br />
Nostalgia ....................................................................................................................................... 73<br />
One Minute for One Image ........................................................................................................ 59<br />
Opera-Mouffe .............................................................................................................................. 60<br />
O seasons, o chateaux... ............................................................................................................ 55<br />
Paper Soldier ................................................................................................................................. 72<br />
Pleasure of Love in Iran ............................................................................................................... 55<br />
Pool of Princesses ......................................................................................................................... 33<br />
Pride and Prejudice ..................................................................................................................... 74<br />
Reclaim Your Brain ....................................................................................................................... 30<br />
Regular Lovers .............................................................................................................................. 46<br />
Salty Air .......................................................................................................................................... 14<br />
Samia ............................................................................................................................................. 40<br />
Shultes ............................................................................................................................................ 20<br />
So-called Caryatids, The ............................................................................................................. 60<br />
Transit Dubai ................................................................................................................................. 75<br />
Ulysses ............................................................................................................................................ 58<br />
Uncle Janco ................................................................................................................................. 56<br />
Versailles ........................................................................................................................................ 23<br />
Volatile Lion, The .......................................................................................................................... 61<br />
Wednesday, Thursday Morning .................................................................................................. 22<br />
Wesh, wesh ................................................................................................................................... 42<br />
When You Come Down to Earth 3 .............................................................................................. 8<br />
Who Is the Guilty ........................................................................................................................... 69<br />
Wild Field ....................................................................................................................................... 11<br />
Women Respond ......................................................................................................................... 57<br />
Ydessa, the Bears etc... ............................................................................................................... 58<br />
Young Pilot, A ............................................................................................................................... 68<br />
You’ve Got Beautiful Stairs, You Know… ................................................................................... 62<br />
Zim and Co. .................................................................................................................................. 43
eJisorebis saZiebeli<br />
akini, fatih ..............................................................................................................28<br />
alperi, ozjan ..........................................................................................................21<br />
amer-zemeSi, rabah ...................................................................................................42<br />
anastopulos, Tanos ...............................................................................................15<br />
angelini, alesandro ...............................................................................................14<br />
arsenieviCi, stefan .................................................................................................17<br />
bakuraZe, bakur ........................................................................................................20<br />
barski, vladimer .....................................................................................................66<br />
bliumneri, betina ...................................................................................................33<br />
gareli, filip .........................................................................................................46<br />
germani, aleqsei ......................................................................................................72<br />
gigori, atila ..........................................................................................................18<br />
girado, erik ............................................................................................................38<br />
gupili, romen ..........................................................................................................50<br />
vaingartneri, hans ...................................................................................................30<br />
varda, anies ..............................................................................................................51-63<br />
Talhaimi, robert ...................................................................................................27<br />
kalatoziSvili (kalatozovi), mixeil ...................................................................67<br />
kalatoziSvili, mixeil ...........................................................................................11<br />
kaxiZe, nikoloz .......................................................................................................68<br />
kozarinski, edgardo ..............................................................................................47<br />
kotetiSvili, tato .................................................................................................73<br />
markeri, kris ...........................................................................................................48<br />
meliqiani, ana ...........................................................................................................19<br />
mineto, valeri .......................................................................................................36<br />
paceki, gJegoJ 2 ........................................................................................................2<br />
Jolive, pier ............................................................................................................43<br />
raielsi, an-kristin ................................................................................................16<br />
raiti, jo .................................................................................................................49, 74<br />
ruzovicki, stefan ..................................................................................................29<br />
smitsi, ineke .............................................................................................................73, 75<br />
faigle, konstantin .................................................................................................31<br />
ferario, davide ......................................................................................................75<br />
fokoni, filip .........................................................................................................40<br />
Sibani, malik ............................................................................................................41<br />
Soeleri, pier ..........................................................................................................23<br />
wuwunava, aleqsandre ..............................................................................................69<br />
haitcmani, igor .......................................................................................................32<br />
helmeri, fait ..........................................................................................................26
Index of Directors<br />
Akin, Fatih ...................................................................................................................................... 28<br />
Alper, Özcan ................................................................................................................................. 21<br />
Ameur-Zaimeche, Rabah ........................................................................................................... 42<br />
Anastopoulos, Thanos .................................................................................................................. 15<br />
Angelini, Alessandro .................................................................................................................... 14<br />
Arsenijević, Stefan ........................................................................................................................ 17<br />
Bakuradze, Bakur ......................................................................................................................... 20<br />
Barsky, Vladimer ........................................................................................................................... 66<br />
Blümner, Bettina ........................................................................................................................... 33<br />
Chibane, Malik ............................................................................................................................. 41<br />
Faigle, Konstantin ......................................................................................................................... 31<br />
Faucon, Philippe .......................................................................................................................... 40<br />
Ferrario, Davide ............................................................................................................................ 76<br />
Garrel, Philippe ............................................................................................................................. 46<br />
German jr., Alexey ....................................................................................................................... 72<br />
Gigor, Attila ................................................................................................................................... 18<br />
Goupil, Romain ............................................................................................................................. 50<br />
Guirado, Eric ................................................................................................................................. 38<br />
Heitzmann, Igor ............................................................................................................................ 32<br />
Helmer, Veit .................................................................................................................................. 26<br />
Jolivet, Pierre ................................................................................................................................. 43<br />
Kakhidze, Nikoloz .......................................................................................................................... 68<br />
Kalatozishvili (Kalatozov), Mikheil ............................................................................................... 67<br />
Kalatozishvili, Mikheil .................................................................................................................... 11<br />
Kotetishvili, Tato ............................................................................................................................ 73<br />
Kozarinsky, Edgardo ..................................................................................................................... 47<br />
Marker, Chris ................................................................................................................................. 48<br />
Melikyan, Anna ............................................................................................................................ 19<br />
Minetto, Valérie ........................................................................................................................... 36<br />
Pacek, Grzegorz ........................................................................................................................... 22<br />
Reyels, Ann-Kristin ......................................................................................................................... 16<br />
Ruzowitzky, Stefan ........................................................................................................................ 29<br />
Schoeller, Pierre ............................................................................................................................ 23<br />
Smits, Ineke ................................................................................................................................... 73, 75<br />
Thalheim, Robert .......................................................................................................................... 27<br />
Tsutsunava, Alexandre ................................................................................................................ 69<br />
Varda, Agnes ............................................................................................................................... 51-63<br />
Weingartner, Hans ....................................................................................................................... 30<br />
Wright, Joe .................................................................................................................................... 4, 9, 74
2007 wlis gamarjvebulebi<br />
WINNERS 2007<br />
oqros promeTe<br />
farajanovis saxelobis prizi<br />
xrikebi<br />
reJisori: anjei iakimovski, poloneTi<br />
Golden Prometheus<br />
Parajanov Jury Prize<br />
Tricks<br />
by: Andrzej Jakimowski, Poland)<br />
fipresis prizi<br />
mamaCemi - Cemi RmerTi<br />
reJisori: devid volaxi, israeli<br />
FIPRESCI Jury Prize<br />
My Father My Lord<br />
by: David Volach, Israel<br />
vercxlis promeTe<br />
matrivi sagnebi<br />
reJisori: aleqsei popogrebski, ruseTi<br />
Silver Prometheus<br />
Simple Things<br />
by: Aleksei Popogrebsky, Russia
nukri asaTians<br />
qeTi babunaSvils<br />
gia bazRaZes<br />
Joel basteners<br />
daviT beJitaSvili<br />
Tamar bziavas<br />
Tornike bziavas<br />
giorgi gvaxarias<br />
nana giorgaZes<br />
erika gregors<br />
ulrix gregors<br />
olga gurovas<br />
igor guskovs<br />
qeTi danelias<br />
katalin vaidas<br />
verner viols<br />
lize zipkis<br />
lado imnaiSvils<br />
guliko kakabaZes<br />
beqa kikaleiSvils<br />
rozaria korados<br />
Tornike lorTqifaniZes<br />
miroslav mogoroviCs<br />
nodar nozaZes<br />
guka rCeuliSvils<br />
bartek fukies<br />
Sorena SaverdaSvils<br />
veriko SarabiZes<br />
daniela Solteni<br />
konstantine ClaiZes<br />
Salva CubiniZes<br />
giorgi wiqariSvils<br />
gia Wanturias<br />
mako WoRoSvils<br />
lado xarebavas<br />
didi britaneTis saelCos saqarTveloSi<br />
kinoxelovnebis centr promeTes Tavmjdomare /<br />
Chairman Cinema Art Center Prometheus:<br />
gaga CxeiZe<br />
Gaga Chkheidze<br />
festivalis direqtori / Festival Director:<br />
nino anjafariZe<br />
Nino Anjaparidze<br />
direqtoris asistenti / Assistant Director:<br />
sofo TorTlaZe<br />
Sophie Tortladze<br />
germanuli programis koordinatorebi /<br />
MADE IN GERMANY program Coordinators:<br />
irina qurTiSvili<br />
Irina Kurtishvili<br />
naTia miqelaZe<br />
Natia Mikeladze<br />
TamTa goCitaSvili<br />
Tamta Gochitashvili<br />
franguli programis koordinatori /<br />
FRENCH TOPICS program Coordinators:<br />
mariam kveselava<br />
Mariam Kveselava<br />
qarTuli uxmo filmebis programis koordinatorebi /<br />
GEORGIAN SILENT MOVIES program coordinators:<br />
laSa baqraZe<br />
Lasha Bakradze<br />
nino ZanZava<br />
Nino Dzandzava<br />
katalogis redaqtorebi / Catalogue Editors:<br />
qeTevan kiknaZe<br />
Ketevan Kiknadze<br />
nino ZanZava<br />
Nino Dzandzava<br />
ofisis menejeri / Offi ce Manager :<br />
revaz vawaZe<br />
Revaz Vatsadze<br />
7 84<br />
gansakuTrebuli madloba<br />
THANKS AND APPRECIATION TO<br />
NUKRI ASATIANI<br />
KETI BABUNASHVILI<br />
JOEL BASTENAIRE<br />
GIA BAZGHADZE<br />
DAVIT BEZHITASHVILI<br />
TAMAR BZIAVA<br />
TORNIKE BZIAVA<br />
GIA CHANTURIA<br />
KONSTANTINE CHLAIDZE<br />
MAKO CHOGHOSHVILI<br />
SHALVA CHUBINIDZE<br />
ROSARIA CORRADO<br />
KETI DANELIA<br />
BARTEK FUKIET<br />
NANA GIORGADZE<br />
ERIKA GREGOR<br />
ULRICH GREGOR<br />
OLGA GUROVA<br />
IGOR GUSKOV<br />
GIORGI GVAKHARIA<br />
LADO IMNAISHVILI<br />
GULIKO KAKABADZE<br />
LADO KHAREBAVA<br />
BEKA KIKALEISHVILI<br />
TORNIKE LORTKIPANIDZE<br />
MIROSLAV MOGOROVIC<br />
NODAR NOZADZE<br />
GUKA RCHEULISHVILI<br />
DANIELA SCHOLTEN<br />
VERIKO SHARABIDZE<br />
SHORENA SHAVERDASHVILI<br />
GIORGI TSIKARISHVILI<br />
KATALIN VAJDA<br />
WERNER WOELL<br />
LISE ZIPCI<br />
EMBASSY OF GREAT BRITAIN IN GEORGIA<br />
festivalis saorganizacio jgufi<br />
THE FESTIVAL STAFF<br />
programisa da firebis koordinatori /<br />
Program and print Coordinator:<br />
biserka radiCi<br />
Biserka Radić<br />
presasTan urTierToba / Press offi cers:<br />
qeTi danelia baCo ovaSvili<br />
Ketie Danelia Bacho Ovashvili<br />
stumrebTan urTierToba / Guest Coordinator:<br />
Tamar esakia<br />
Tamar Esakia<br />
Jiuris koordinatori / Jury Coordinator:<br />
sofo vekua<br />
Sopho Vekua<br />
subtitrireba / Subtitle supervisor:<br />
gogi yajriSvili<br />
Gogi Kajrishvili<br />
buRalteri / Accountant:<br />
elene JorJikaSvili<br />
Elene Jorkikashvili<br />
teqnikuri mxardaJera / Technical Support:<br />
revaz vawaZe<br />
Revaz Vatsadze<br />
revaz axalaia<br />
Revaz Akhalaia<br />
sergo Saxnazarovi<br />
Sergo Shakhnazarov<br />
filmebis SerCeva / Films Selected By:<br />
gaga CxeiZe<br />
Gaga Chkheidze<br />
nino anjafariZe<br />
Nino Anjaparidze<br />
mZRolebi / Drivers:<br />
kaxaber kakaCia<br />
Kakhaber Kakachia<br />
arCil cxadaZe<br />
Archil Tskhadadze