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Caught in the Act: Actors Acting will be available ... - Howard Schatz

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With <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>: <strong>Act</strong>ors <strong>Act</strong><strong>in</strong>g, his 20th book, acclaimed photographer <strong>Howard</strong> <strong>Schatz</strong> explores <strong>the</strong>magical transformation that happens when an actor takes hold of words on a page and <strong>be</strong>comes ano<strong>the</strong>r person.<strong>Schatz</strong> demonstrates his mastery as a director, lead<strong>in</strong>g 85 actors to explore an enormous range of scenarios <strong>in</strong>one-on-one improvisation, captur<strong>in</strong>g <strong>the</strong> dynamic energy of <strong>the</strong> actors <strong>in</strong> full creative flight. In addition,<strong>Schatz</strong> made powerful and compell<strong>in</strong>g portraits of each actor along with an extensive <strong>in</strong>terview, focus<strong>in</strong>g on <strong>the</strong>creative process. <strong>Schatz</strong> gives us a unique w<strong>in</strong>dow <strong>in</strong>to <strong>the</strong> world of stage and screen.<strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>: <strong>Act</strong>ors <strong>Act</strong><strong>in</strong>g <strong>will</strong> <strong>be</strong> <strong>available</strong>everywhere Octo<strong>be</strong>r 20, 2013.MEDIA CONTACTSSUNSHINE SACHSJessica Berger/Whitney Kuhn212-691-2800<strong>be</strong>rger@sunsh<strong>in</strong>esachs.com / kuhn@sunsh<strong>in</strong>esachs.comGLITTERATI INCORPORATEDMi Mi Chloe Parkmcpark@glitterati<strong>in</strong>corporated.com


DAVID SCHWIMMERThe words “You are…” were said and, <strong>in</strong> a flash, <strong>the</strong> actors were.We have long <strong>be</strong>en fasc<strong>in</strong>ated by actors, by men and women who can call upon<strong>the</strong> alchemy that br<strong>in</strong>gs to life people who exist only as words on a page.How do actors <strong>be</strong>come actors, and why? What <strong>in</strong>spires and motivates <strong>the</strong>m, andwhat does it take to do what <strong>the</strong>y do? Through formal portraits and <strong>in</strong>terviews,we searched for <strong>the</strong> secrets of 85 of <strong>the</strong>se talented shape-shifters,look<strong>in</strong>g for both visual and personal truths. And by suggest<strong>in</strong>g to <strong>the</strong>m situationsand characters, <strong>in</strong> <strong>the</strong> time-honored exercise of improvisation, we provided <strong>the</strong>catalysts for <strong>the</strong> creation of a wonderful cast of <strong>in</strong>stantly <strong>in</strong>vented people.In <strong>the</strong> process, we were constantly surprised, delighted, and richly enterta<strong>in</strong>ed,lucky to <strong>be</strong> witnesses to fantasy, transformation, magic..—HS, BJO, OE


An exploration of 85 shape-shifters and <strong>the</strong>ir searchfor visual and personal truths<strong>Act</strong>ors fasc<strong>in</strong>ate us <strong>in</strong> part <strong>be</strong>cause <strong>the</strong>y live out <strong>the</strong> truths we cannot,or do not, want to live ourselves. Their power is rooted <strong>in</strong> <strong>the</strong> transformation of words<strong>in</strong>to experiences. In <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>: <strong>Act</strong>ors <strong>Act</strong><strong>in</strong>g, acclaimed photographer<strong>Howard</strong> <strong>Schatz</strong> explores <strong>the</strong> magical transformation that happens when an actortakes hold of words on a page and <strong>be</strong>comes ano<strong>the</strong>r person. <strong>Schatz</strong> demonstrateshis mastery as a director, lead<strong>in</strong>g 85 actors to explore an enormous range ofparts sett<strong>in</strong>g scenarios for <strong>the</strong> actors <strong>in</strong> one-on-one improvisations.The actors featured here—<strong>in</strong>clud<strong>in</strong>g Pierce Brosnan, Jeff Daniels, Sissy Spacek,Michael C. Hall, Bobby Canavale, Mariska Hargitay, Hugh Laurie, John Malkovich,Jane Krakowski, Michael Douglas, Col<strong>in</strong> Firth, Jane Lynch, Laurence Fishburne,Geoffrey Rush, Amy Poehler, Brendan Fraser, John Goodman, Melissa Leo,Sir Ben K<strong>in</strong>gsley, Greg K<strong>in</strong>near, Rob<strong>in</strong> Wright, Tracy Morgan, Peter D<strong>in</strong>klage,Elisa<strong>be</strong>th Moss, Ricky Gervais, Michael Imperioli, Joan Allen, Jeff Goldblum,Nathan Lane, Brooke Shields, Sam Waterston, among o<strong>the</strong>r illustrious greats — rise to<strong>Schatz</strong>’s challenge with dynamic energy and creativity as he captures <strong>the</strong>complexity of <strong>the</strong>ir emotional and physical range.The <strong>in</strong>ventiveness of <strong>the</strong> collection results <strong>in</strong> a surpris<strong>in</strong>g, delightful, and richlyenterta<strong>in</strong><strong>in</strong>g revelation of <strong>the</strong> fantasy of transformation. <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong><strong>in</strong>troduces us to <strong>the</strong> compell<strong>in</strong>g world of actors and <strong>the</strong> creative process— <strong>in</strong> additionto <strong>the</strong> improvisations, <strong>Schatz</strong> made powerful, creative and enchant<strong>in</strong>g portraitsof each actor that are <strong>in</strong>cluded <strong>in</strong> <strong>the</strong> book. His <strong>in</strong>-depth <strong>in</strong>terviews with eachof <strong>the</strong> actors explore <strong>the</strong>ir craft and how <strong>the</strong>y endeavor to br<strong>in</strong>g forth an imag<strong>in</strong>aryworld from pr<strong>in</strong>t on paper.JANE LYNCH


<strong>Howard</strong> <strong>Schatz</strong> is an <strong>in</strong>ternationally known, critically-acclaimed,award-w<strong>in</strong>n<strong>in</strong>g photographer. His work has <strong>be</strong>en published <strong>in</strong> 19 books, and his images areregularly featured <strong>in</strong> illustrious publications such as The New York Times Magaz<strong>in</strong>e,Vanity Fair, Time, Sports Illustrated, espn Magaz<strong>in</strong>e, Vogue, GQ, , and The New Yorker.<strong>Schatz</strong> has worked with such prom<strong>in</strong>ent clients as Ralph Lauren, Escada, Sergio Tacch<strong>in</strong>i,Nike, Reebok, Wolford, Etienne Aigner, Sony, Adidas, AT&T, and Mercedes-Benz.<strong>Schatz</strong> has won nearly every award <strong>in</strong> his field.100% of <strong>the</strong> royalties from this book <strong>will</strong> <strong>be</strong> donated <strong>in</strong> equal shares toBroadway Cares/Equity Fights AIDS and <strong>the</strong> SAG Foundation.The follow<strong>in</strong>g credit l<strong>in</strong>e must run with all content from this book: <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>: <strong>Act</strong>ors<strong>Act</strong><strong>in</strong>g by <strong>Howard</strong> <strong>Schatz</strong>, Beverly J. Ornste<strong>in</strong> and Owen Edwards ©2013, published byGlitterati Incorporated.CAUGHT IN THE ACT: ACTORS ACTING<strong>Howard</strong> <strong>Schatz</strong>, Beverly J. Ornste<strong>in</strong> and Owen EdwardsCelebrity Photography/Pop CultureOcto<strong>be</strong>r 2013 release$6512 x 12” hardcover 304 pages 52,000 words 85 actors featured<strong>in</strong> more than 625 photos ISBN 978-0-9851696-9-5TRACY MORGAN


HOWARD SCHATZ (Director and Photographer)<strong>Howard</strong> <strong>Schatz</strong>, an <strong>in</strong>ternationally known, critically-acclaimed, and award-w<strong>in</strong>n<strong>in</strong>g photographer,is one of <strong>the</strong> most prolific artists of our time. And, photography is his second career.Until his dramatic mid-life change, he was one of <strong>the</strong> most respected ret<strong>in</strong>a specialists <strong>in</strong> <strong>the</strong> world.He’s <strong>the</strong> author of seven medical textbooks and over 100 scientific papers and has given hundreds of lectures <strong>in</strong> hisspecialty around <strong>the</strong> world. In 1987, he <strong>be</strong>gan mak<strong>in</strong>g photographs seriously, devot<strong>in</strong>g one fullday a week to photography, convert<strong>in</strong>g his d<strong>in</strong><strong>in</strong>g room <strong>in</strong>to a studio. He purchased professional camera equipmentand stro<strong>be</strong> lights and <strong>in</strong>itially focused on mak<strong>in</strong>g <strong>be</strong>autiful portraits. His commercial workgrew and his photographic studies of newborns, dancers, and his ground-break<strong>in</strong>g underwater imagery werepublished <strong>in</strong> books to great acclaim. His thriv<strong>in</strong>g practice <strong>in</strong> San Francisco and cl<strong>in</strong>ical professorshipat <strong>the</strong> University of California Medical Center <strong>in</strong> San Francisco were traded for a camera and a dark room.His work has <strong>be</strong>en published <strong>in</strong> n<strong>in</strong>eteen lavish coffee table books and his images are featured regularly<strong>in</strong> major magaz<strong>in</strong>es, <strong>in</strong>clud<strong>in</strong>g Vanity Fair, TIME, The New York Times Sunday Magaz<strong>in</strong>e, New York Magaz<strong>in</strong>e,Sports Illustrated, and ESPN Magaz<strong>in</strong>e. He has photographed Hollywood’s elite, all-star athletes,top politicians, lead<strong>in</strong>g franchise owners, expected mo<strong>the</strong>rs and <strong>the</strong>ir newborns, <strong>the</strong> homeless community, fashionmodels, and dancers. <strong>Schatz</strong>’s lens has captured many aspects of <strong>the</strong> human form. His work has <strong>be</strong>en displayedglobally <strong>in</strong> museums and art galleries and featured by major news media. His commercial work forRalph Lauren RLX, Escada, Sergio Tacch<strong>in</strong>i, Nike, Reebok, Wolford, Etienne Aigner, Sony, Adidas,F<strong>in</strong>landia Vodka, MGM Grand Hotel, Virg<strong>in</strong> Records, Gatorade, McDonalds, AT&T, Mercedes-Benzand dozens of o<strong>the</strong>r lead<strong>in</strong>g companies has <strong>be</strong>en viewed by millions.<strong>Schatz</strong>’ commitment to mak<strong>in</strong>g creative, compell<strong>in</strong>g images and reveal<strong>in</strong>g <strong>in</strong>terviews isexemplified <strong>in</strong> every detail of his 20th book, <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>: <strong>Act</strong>ors <strong>Act</strong><strong>in</strong>g.BEVERLY J. ORNSTEIN BIO (Editor and Producer)Beverly Ornste<strong>in</strong> has spent all of her professional life <strong>in</strong> journalism and <strong>the</strong> media. For fifteen yearsshe was an award-w<strong>in</strong>n<strong>in</strong>g producer of news and documentary programs for public television at KQED-TV <strong>in</strong>San Francisco; her most recent work <strong>in</strong> television was as Director of News/Current Affairs for Public Televisionstation KQED from 1985-1990. S<strong>in</strong>ce 1988, Ornste<strong>in</strong> has <strong>be</strong>en executive producer for all <strong>the</strong> work of<strong>Schatz</strong> Ornste<strong>in</strong> Studio, oversee<strong>in</strong>g <strong>the</strong> production and publication of 20 books of photography.She is a Phi Beta Kappa graduate of <strong>the</strong> University of California at Berkeley with a BA <strong>in</strong> French; she didpost-graduate work at <strong>the</strong> University of California at Los Angeles and received her MA <strong>in</strong> Interdiscipl<strong>in</strong>aryHumanities from California State University, San Francisco. Ms. Ornste<strong>in</strong> has <strong>be</strong>en a mem<strong>be</strong>r of <strong>the</strong>Board of Governors of <strong>the</strong> National Academy of Television Arts and Sciences, American Women <strong>in</strong>Radio and Television, and <strong>the</strong> national Radio and Television News Directors Association and has served on<strong>the</strong> Media Advisory Board of Planned Parenthood.OWEN EDWARDS (Writer)Owen Edwards spent several years as <strong>the</strong> exhibitions critic for American Photographer, <strong>be</strong>g<strong>in</strong>n<strong>in</strong>gwith <strong>the</strong> magaz<strong>in</strong>e’s first issue <strong>in</strong> 1978. He has written extensively about photography for such publications asThe Village Voice, The New York Times magaz<strong>in</strong>e, Saturday Review, Vogue, and Smithsonian magaz<strong>in</strong>e.He has <strong>be</strong>en a columnist for GQ, Town & Country, For<strong>be</strong>s ASAP, and Smithsonian, among o<strong>the</strong>r magaz<strong>in</strong>es.Edwards was manag<strong>in</strong>g editor of Cosmopolitan and <strong>the</strong> found<strong>in</strong>g editor of Parent<strong>in</strong>g magaz<strong>in</strong>e.He is <strong>the</strong> co-author of <strong>the</strong> <strong>be</strong>st-sell<strong>in</strong>g design book Qu<strong>in</strong>tessence and <strong>the</strong> author of its sequel, Elegant Solutions.He has had a long creative relationship with <strong>Howard</strong> <strong>Schatz</strong>.


<strong>Act</strong>or TestimonialsBe<strong>in</strong>g photographed by <strong>Howard</strong> <strong>Schatz</strong> is like tak<strong>in</strong>g a wild ride only to discoveryou’ve lost your brakes. I highly recommend it. —Jeff DanielsBe<strong>in</strong>g <strong>in</strong>terviewed by <strong>Howard</strong> is an <strong>in</strong>timate and wonderful experience.Very quickly you feel comfortable and wide open. Be<strong>in</strong>g shot by him even more so.Ideas of one’s self drop away as you engage with him <strong>in</strong> his process of photograph<strong>in</strong>gwhat feels like one’s <strong>in</strong>sides as much as <strong>the</strong> obvious outer layers. —Melissa Leo<strong>Howard</strong> fires whimsical one-l<strong>in</strong>e scenarios at you and has <strong>the</strong> uncanny knack of <strong>be</strong><strong>in</strong>gable to co-erce actors <strong>in</strong>to a mad state of play, forgett<strong>in</strong>g <strong>the</strong> camera. —Geoffrey RushIt was such a joy to work with <strong>Howard</strong>. We bonded on so many levels, and hecont<strong>in</strong>ues to <strong>in</strong>spire me with his art. —Ken JeongNever a fan of <strong>the</strong> “act<strong>in</strong>g exercise”, shoot<strong>in</strong>g with <strong>Howard</strong> has changed my m<strong>in</strong>d.I adored every moment of our session toge<strong>the</strong>r. His ability to guide, suggest and <strong>in</strong>spirewhile provid<strong>in</strong>g a really creative place to play around was a joy. —Jane Lynch<strong>Howard</strong> <strong>Schatz</strong> has a deep and profound love and respect for actors and <strong>the</strong>craft of act<strong>in</strong>g. He acknowledges <strong>the</strong> mystery, eccentricity and <strong>in</strong>sanity of <strong>the</strong> processand allows it to happen <strong>in</strong> front of his compassionate lens.—Michael Imperioli


I never thought I’d have so much fun mak<strong>in</strong>g myself look so ugly. And even so,<strong>Howard</strong> was a blast to work with. It was <strong>the</strong> most <strong>in</strong>novative photo shoot I’ve everexperienced. I’d do it all over aga<strong>in</strong>. - Sean P HayesIt is a remarkable experience to <strong>be</strong> <strong>the</strong> subject of a <strong>Howard</strong> <strong>Schatz</strong> portrait!Mysterious, challeng<strong>in</strong>g, reveal<strong>in</strong>g! —Michael EmersonIt is rare to f<strong>in</strong>d good directors or truly talented photographers.<strong>Howard</strong> <strong>Schatz</strong> is not only both those th<strong>in</strong>gs, but he, is a true artist. The scenarios heenvisions and presents evoke a myriad of expressions from his subjects. Dur<strong>in</strong>gmy session of In Character, I felt pushed, yet nurtured enough to freely explore <strong>the</strong>many emotions he so brilliantly captured. —Brooke ShieldsMy afternoon with <strong>Howard</strong> was an education <strong>in</strong> play, curiosity, focus,honesty and impulse. He is a master experimenter and <strong>in</strong>vestigator of <strong>the</strong> humanexperience whose fasc<strong>in</strong>ation with expression and form taught me as much about act<strong>in</strong>gas any class I’ve ever had. —Patrick Adams<strong>Howard</strong> <strong>Schatz</strong> is not just a great photographer but he is a true artist who knows howget <strong>in</strong>side <strong>the</strong> sk<strong>in</strong> of an actor. —Chazz Palm<strong>in</strong>teriAn amaz<strong>in</strong>g experience with a great photographer. <strong>Howard</strong> is not only a greatphotographer he is a fantastic act<strong>in</strong>g coach. —Mario Cantone


Media Praise for <strong>Howard</strong> <strong>Schatz</strong>“Incomparable photographer”—The Today Show“This coffee-table book to me servesup one arrest<strong>in</strong>g photo after ano<strong>the</strong>r.”—Variety“Tremendous!”—Good Morn<strong>in</strong>g America“Guaranteed to burn up<strong>the</strong> coffee table.”—The New York Times“<strong>Schatz</strong> explores <strong>the</strong> human form <strong>in</strong>all its amaz<strong>in</strong>g potential.”— The Wash<strong>in</strong>gton Post“He defies <strong>the</strong> limits ofearthly reality.”—Life Magaz<strong>in</strong>e“A far cry fromGrandma’s snapshots.”—Enterta<strong>in</strong>ment WeeklyIt’s as fun to read as it is tolook through.”—Los Angeles Times“<strong>Schatz</strong> is <strong>the</strong> epitomeof a modern master.”—Digital Photo Pro“You can’t miss with thisphoto collection.”—USA Today“<strong>Schatz</strong> makes photographic love to<strong>the</strong> perfection of <strong>the</strong> human body.”—Chicago Sun-Times


Suggested Interview ¤uestions1) How did <strong>the</strong> actors respond to your direction for improvisation?2) What was <strong>the</strong> purpose of <strong>the</strong> <strong>in</strong>terview?3) Did you ever give <strong>the</strong> same direction to more than one actor?4) Where did <strong>the</strong> idea for <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong> orig<strong>in</strong>ate?5) What do you want people to take away from your 20th book?6) Discuss <strong>the</strong> personal, and career, transformation you went through from aret<strong>in</strong>a specialist to a photographer?7) What advice would you give o<strong>the</strong>r artists?8) Who are some of <strong>the</strong> most <strong>in</strong>terest<strong>in</strong>g people you have previouslyphotographed, or that are featured <strong>in</strong> <strong>Caught</strong> <strong>in</strong> <strong>the</strong> <strong>Act</strong>, and why?9) Who surprised you <strong>the</strong> most?10) You’re gifted <strong>in</strong> your ability to get actors to open up <strong>in</strong> ways <strong>the</strong>y ord<strong>in</strong>arily don’t.What’s your approach?11) Given <strong>the</strong> personal, and career-specific, stories relayed to you,was <strong>the</strong>re one <strong>in</strong> particular that struck you?12) What did you learn about <strong>the</strong> art of act<strong>in</strong>g?13) After countless <strong>in</strong>terviews and one-on-one time, did you f<strong>in</strong>d a commondenom<strong>in</strong>ator or unify<strong>in</strong>g factor <strong>be</strong>tween <strong>the</strong> actors?14) To <strong>the</strong> aforementioned question, did you f<strong>in</strong>d someth<strong>in</strong>g particularly strik<strong>in</strong>gthat divided actors? Be it gender, race, television, film, stage, etc.?15) How do you th<strong>in</strong>k your photos have had <strong>the</strong> stay<strong>in</strong>g power to captivatesuch a wide range of people throughout <strong>the</strong> years?MEDIA CONTACTSSUNSHINE SACHSJessica Berger/Whitney Kuhn212-691-2800<strong>be</strong>rger@sunsh<strong>in</strong>esachs.com / kuhn@sunsh<strong>in</strong>esachs.comGLITTERATI INCORPORATEDMi Mi Chloe Parkmcpark@glitterati<strong>in</strong>corporated.com

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