Untitled - krinzinger projekte - Galerie Krinzinger

BIOGRAPHIESOLEG KULIK , 1961. As two other exsovietartists received wide acknowledgmentof the international institutionalsystem, Kabakov and Mikhailov,originates from Ukraine. In the 80-90iesmade a brilliant art career full of scandalsand contradictions from the instructor ofan amateur art club in the remote villageto the international art celebrity, enteringinto all most prestigious ratings and takingpart in the biggest international art forums(Istanbul Biennale, 1999; Sao PaoloBiennale, 1999; Venice Biennale, 2001).The subject of his art is the deep ecology:it explores the phenomenon of the animalin the human being.TATYANA LIBERMAN , 1964. Professionalphotographer. In many of her worksmakes point on the female body: in someas subject of desire, in some as idea-fix ofcommercial advertisement, in some aseternal image of art (project “Antonyms”,1999). Another direction of her art is eroticismof common objects (project“Vegetables, fruits and sea-products”,1997), the theme which lead her to moreabstract metaphysic of time, light andlogical combinations (project “Game withLight”, 2001). Participant of manyexhibitions in Russia and abroad.IGOR MOUKHIN , 1961, Moscow bornphotographer and artist. Started in theend of the 80ies with metaphysical photoseriesdepicting the transformation of thesoviet cultural object in the time of transitionand changes. Got internationalacclaim for his sharp-eye city-scopes,done first in Moscow then in Russian provinceand then in the world capitals (Paris,Vienna). Author of socially orientatedelaborate photo panoramas as the project"Youth in the Metropolis" at the MoscowPhotobienale 1998. Participant ofnumerous international shows focused onemerging east European Art in the 90ies("After the Wall", 1999; "Davaj!", 2001).CONSTANTIN BOKHOROV , 1961.Curator, art critic, historian of art. In the90ies took active part in the institutionaldevelopment in Moscow (Regina Gallery,National Centre for Contemporary Arts).The organizer and administrator ofnumerous projects in the framework ofactivity of these institutions (Commissionerof the Russian Pavilion at theVenice Biennale, 1995-1999). Author ofcritical texts reflecting on contemporaryart in the logic of institutionaldevelopment. As a curator produced anumber of experimental projectsintegrating art in the context of ethical(Without Permission, 1992) and existentialissues (Conforming / Nonconforming,2001).27