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BIOGRAPHY<br />
1996 Premieres of The World’s Ransoming, the first of a triptych<br />
of commissions from the London Symphony Orchestra,<br />
and Inès de Castro by Scottish Opera at the Edinburgh<br />
Festival. The opera is a public success, but proves<br />
controversial for its blending of traditional narrative structure<br />
with postmodern musical style. Rostropovich is soloist in<br />
the Cello Concerto, with the LSO conducted by Sir Colin<br />
Davis.<br />
1997 Veni, Veni, Emmanuel reaches 100th performance in five<br />
years since its premiere. Celebrates anniversaries of St<br />
Ninian and St Columba with Ninian for clarinetist John<br />
Cushing, and Í (A Meditation on Iona). Featured composer<br />
at Bergen Festival. Premiere of Symphony: ‘Vigil’,<br />
conducted by Rostropovich, completes the LSO’s Triduum<br />
series. 20 works performed at Raising Sparks festival in<br />
London, named after song cycle for Jean Rigby and Nash<br />
Ensemble.<br />
1998 Premieres of Why is this night different? by Maggini<br />
Quartet, and orchestral version of Cantos Sagrados.<br />
Japanese premiere of Symphony: ‘Vigil’ by NHK Symphony<br />
under Tadaaki Otaka.<br />
1999 Triduum launches new recording series on BIS, and is<br />
performed complete at Edinburgh Festival. Quickening,<br />
setting poems of birth and rebirth by Michael Symmons<br />
Roberts, premiered at BBC Proms by The Hilliard Ensemble<br />
with BBC Symphony Orchestra and Chorus conducted by<br />
Andrew Davis. First performances of Symphony No.2 by<br />
SCO.<br />
2000 Evelyn Glennie gives 200th performance of Veni, Veni,<br />
Emmanuel: the work has joined the repertoire of 80<br />
orchestras in 27 countries. Parthenogenesis composed<br />
following workshops with Rowan Williams and Michael<br />
Symmons Roberts. Appointed <strong>Composer</strong>/Conductor with<br />
the BBC Philharmonic in Manchester, leading to new<br />
recording series on Chandos.<br />
BIOGRAPHY 5