Final-Film Festival-13-11-08.p65 - Directorate of Film Festivals

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SYNOPSISAMI, IYASIN AR AMARMADHUBALA(The Voyeurs)35mm/Colour /Marathi/ 104 minutes/ESTWhen a young man falls in love, he cannot imagine that hisinnocence will turn to guilt and lead to him and his friend beingchased by the police. Nor can his friend imagine that his religionis a death warrant. Neither can understand how a peccadilloinvolving the girl next door could become the equal of a crimeof passion.CAST AND CREDITSProducer:Story, Script &Direction:Cinematography:Editor:Sound Designer:Anurradha PrasadBuddhadeb DasguptaSunny JosephAmitava DasguptaAnup MukherjeeMusic Direction: Biswadeb DasguptaArt Direction:Indranil GhoshCast:Prosenjit Chatterjee, SameeraReddy, Amitav BhattacharyaContact:Abhinav Shukla, BAG FILMS &MEDIA LTD. Anjani Complex,3rd Floor, Prarera Hill Road,OFF Andheri Kurla Road,Andheri East, Mumbai - 400093Email. abhinavshukla@bagfilms.com,abhinav@bagfilms.comBUDDHADEB DASGUPTAAn economics professor by trainingBuddhadeb Dasgupta today holds an enviableposition as one of India's most renowned andaccomplished directors. A celebrated poet andnovelist, Budhadeb has won numerous laurelsfor his craft in India and abroad. A specialjury prize for direction at the 2000 VeniceInternational Film Festival for Uttara (TheWrestlers) and now countless others later, he continues to directamazing cinema year after year. Some of his prominent filmsinclude Dooratwa (Distance 1978), Grihajuddha (Crossroads1982), Phera, (The Return 1986), Bagh Bahadur, (The TigerMan 1989), Tahader Katha (Their Story 1992), Charachar, (TheShelter of the Wings 1993), Lal Darja, (The Red Doors1996),Mondo Meyer Upakhyan, (A Tale of a Naughty Girl 2002),Swapner Din, (Chased by Dreams 2004), Kaalpurush, (Memoriesin the Mist 2005) and Ami Iyasin Ar Amar Madhubala, (TheVoyeurs 2007).DIRECTOR'S STATEMENTOur world has become obsessed with security, and ordinaryhuman values such as love and kindness have been mechanizedand are reinterpreted as dangers by the masters of our advancedtechnology. But do the web-cams and CCTV that are constant4 5
witnesses to our lives make us any less vulnerable to terroriststhan we are to ourselves? Are police and security forces reallyour protectors? These are the central issues of this seeminglylight-hearted film.AMMUVAGIYA NAAN(I am Ammu)35mm/Colour /Tamil/120 minutes/ESTSYNOPSISA rickshaw puller sells his daughter immediately after herbirth and the sad demise of her mother, to a prostitutionprofessional. The girl is growing up with other girls in thatbrothel house with affection and love. She is fondly called byeveryone ‘Ammu’. After a certain age, Ammu voluntarily beginsto take up her assignments as sex worker.A revolutionary writer Gowri wants to write a novel onprostitution professionals and meets Ammu. Ammu's life istranslated into words now but the writer puts a question abouther marriage. Who will marry her ? Gowri extends his hand toAmmu with an offer to lead a married life with her on a conditionthat whenever she dislikes the new life she would have an openended option to return to her earlier profession.Ammu marries him. When the novel is ready for Award the6 7
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CENTRAL BOARD OF FILMCERTIFICATIONB
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commercial screenings. FD also prov
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for Boys and Girls. The Institute f
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Final-Film Festival-13-11-08.p65 - Directorate of Film Festivals

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