Final-Film Festival-13-11-08.p65 - Directorate of Film Festivals

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When the magician finds out he has been cheated he turns hisson, from a cow, into a deer. Nokpokliba then turns into a dogand starts chasing. Seeing his son (the deer) in danger, themerchant turns it into three grains of rice. Nokpokliba thenturns into a dove but manages to eat only two out of the treegrains of rice. As a result the magician's powers are weakenedand he can not bring his son back to life. He avenges his son'sdeath by turning himself into a hawk and chases to kill the dove(Nokpokliba).Nokpokliba leads him towards a huge pit of fire where theevil merchant meets his end. As a result magician's spell is brokenand all the Nagas who had been cheated get their cows back.CAST AND CREDITSProducer:Children's Film Society of IndiaScreenplay,Cinematography,Editing & Direction: Meren ImchenSound :StormsMusic :Sanjay swami/ StormsContact:Children's Film Society of India, FilmsDivision Complex, 24 Dr. G DeshmukhMarg, Mumbai - 400 026, India.Phone: (+91)(22) 23522751,23522610,Fax: (+91) (22) 23522751, 23522610pioneers of Indian Animation on a film titled "Aok & Aie.Meren Imchen has been award the prestigious NagalandGovernor's award in the field of art and culture. (June 2006).DIRECTOR'S STATEMENTThe idea behind the film besides the narrative content wasalso to capture the local flavor of the setting through sound andvisuals. So all the musical sounds were recorded live in Nagalandduring the hornbill festival. The motives and the custom designof the characters also pertain to the traditional outfits of theNagas.The Nagas had always followed an oral tradition. This formof story telling is now almost extinct. The motive behind thefilm was also to preserve these short tales so that they are notlost completely.MEREN IMCHENMeren Imchen hails from Nagaland. With adiploma in animation film design from NationalInstitute of Design, Meren Imchen launchedhis film career first by assisting on a claymationproject for MTV, 'Poga'. He went on to makea series of animation films for Channel V,Disney, MTV and many others. He worked onan animated film for Ram Mohan, one of the8889
SYNOPSISPANDIT RAMNARAYAN -SARANGI KE SANG(Pandit Ramnaryan)(35mm/Colour/Hindi/50 minutes/EST)The biographical film, vividly portrays the evolution of PanditRamnarayan as one of the finest musicians. Ramnarayan is toSarangi what Mozart was to the Piano. He has raised theinstrument Sarangi from an accompanying instrument to theglorious level of excellence and made his name synonymouswith it.CAST AND CREDITSProducer:Films DivisionDirector :V. PakirisamyCinematography: Anil Ranade, Sunil Virmani,Radheshyam, Adesh SidhapuriEditing :Ramesh KhanvilkarSound :Bharat BerdeContact:V. PAKIRISAMYFilms Division, 24 Dr. G DeshmukhMarg, Mumbai - 400 026, IndiaEmail:admin@filmsdivision.org,website: www.filmsdivision.orgSoon after graduating in Economics fromMadras University (1983) he completed adiploma in Film Direction and ScreenplayWriting from the Film and Television Instituteof Tamil Nadu (1986). He then worked in themainstream feature film (1986-89) in Madraswhere he assisted Uday kumar. He joined FilmsDivision in 1989 as Unit manager. He soonrose to the position of Deputy Director in 1991 and Directorin 1995. He has since then made 50 films and has won numerousawards.DIRECTOR'S STATEMENTDuring the course of my research and interaction with theSarangi maestro Pt. Ram Narayan, he said that it takes the wholelifetime to learn music. This explains the quintessential personalityof the musician. What struck me the most was his passion anddevotion for music and sarangi. His single-minded devotion anddedication helped raise the instrument sarangi from the level ofaccompanying instrument to solo performance instrument. Heis a puritan who belongs to the old school of thought whichthinks that the music should not be adulterated andcommercialized.Pt. Ram Narayan began his quest for music at the tender ageof five. Now he is in his mid-eighties. As a filmmaker, I wasfaced with the task of condensing his long journey of eightdecades within the filmic time of 40 minutes. In this film I havetaken care not to be too invasive and at the same time bring outthe best aspects of his life and achievements. Although he didnot get formal school education he is well informed and acquired90 91
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Final-Film Festival-13-11-08.p65 - Directorate of Film Festivals

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