SYNOPSISNAALU PENNUNGAL(Four Women)35mm/colour/Malayalam/105 minutes/ESTA film about four women- each coming from a differentsocial stratum:A prostitute gives up her pr<strong>of</strong>ession to lead a normal life withher lover but the law <strong>of</strong> the land catches up as they fail toproduce evidence <strong>of</strong> their matrimony.The second is a farm-worker whom her parents marry <strong>of</strong>f toa petty shop-keeper. The bridegroom strangely avoids anyintimacy with her. Eventually, she is taken back to her parents.There is no explanation given for his abandoning her but scandalsstart circulating.The third is a housewife who is visited by a senior class-mate<strong>of</strong> hers. The two reminisce old days <strong>of</strong> small adventures andfrolics and also ponder over her being childless. He has a solutionfor her who he thinks is vulnerable…The last story, the Spinster, is about a middle class girl whois already past her marriageable age. Her widowed mother whoruns the house with four children to look after, tries her best t<strong>of</strong>ind a boy for her. Strangely no proposal seems to work.Eventually all her younger siblings settle down in life. With thedeath <strong>of</strong> her mother she finds herself alone. Now she has tomake a choice <strong>of</strong> her own.CAST AND CREDITSProducer:Screenplayand Direction :Cinematography:Editing :Music :Cast:Contact:ADOOR GOPALAKRISHNANAdoor Gopalakrishnan ProductionsAdoor GopalakrishnanM J RadhakrishnanB Ajith KumarIssac ThomasNandita Das, Padma Priya, GeethuMohan Das, Manju Pillai, Lalita, Murali,Mukesh, Ravi Vallathol, M R GopakumarAdoor Gopalakrishnan Productions,Darsanam, Trivandrum, Kerala - 695017,India.Phone: (+91) (471)2446567, (+91)(471)2425239 Fax: (+91)(487) 2425241Adoor Gopalakrishnan was born in 1941.He started acting on the amateur stage at theearly age <strong>of</strong> eight and went on to write, produceand direct over twenty plays during his studentdays. A graduate in Political Science andEconomics, he graduated from the <strong>Film</strong>Institute <strong>of</strong> India in 1965. He has scripted anddirected ten feature films and more than twodozen Shorts and Documentaries. His first film, Swayamvaramwent on to win national awards for best film, best director, bestcameraman and best actress setting a record <strong>of</strong> sorts. His film,40 41
Kathapurushan also won him the national award for the bestfeature film in all Indian languages. He has won national awardfor best director four times and best script writer twice. Hisfilms have been shown in Cannes, Berlin, Venice, Toronto,Rotterdam, London, and every important festival around theworld. Adoor's third feature, Elippathayam won him the covetedBritish <strong>Film</strong> Institute Award for the most original and imaginativefilm <strong>of</strong> 1982. The International <strong>Film</strong> Critics Prize (FIPRESCI)has gone to him six times successively for Mukhamukham,Anantaram, Mathilukal, Vidheyan, Kathapurushan andNizhalkkuthu.In the year 2004 the French Government conferred on himthe title <strong>of</strong> The Commander <strong>of</strong> the Order <strong>of</strong> Arts and Lettersrecognizing his contribution to cinema. Following it, the Indiannation presented him the Dada Phalke Award, the highestrecognition for life-time achievement in Cinema. The next yearhe was given the country's top civilian award <strong>of</strong> the title <strong>of</strong>Padma vibhushan. The same year, the Mahatma GandhiUniversity conferred on him the honorary degree <strong>of</strong> D.Litt.His collection <strong>of</strong> essays, The World <strong>of</strong> Cinema was given thenational award for the Best book on Cinema in 1984.The French Cinematheque in Paris, <strong>Film</strong> Society <strong>of</strong> LincolnCentre New York, and The Smithsonian Institution in Washingtonamong others have honored him by holding full retrospectives<strong>of</strong> his work.His feature films all in Malayalam are: Swayamvaram - One'sown Choice(1972), Kodiyettam - Ascent (1977), Elippathayam-Rat -trap(1981), Mukhamukham- Face to Face(1984), Anantaram-Monologue(1987), Mathilukal- Walls(1990) Vidheyan - TheServile(1993) Kathapurushan -Man <strong>of</strong> the Story(1995),Nizhalkkuthu - Shadow Kill (2002) andHis eleventh film, 'A woman, two men' which is underproduction now is expected to be completed by January nextyear.DIRECTOR'S STATEMENTDoordarshan, India's national television net-work approachedme some time back, to make a programme based on the works<strong>of</strong> the famed Keralan author Thakazhi Sivasankara Pillai. Thisprolific writer who is a favourite author <strong>of</strong> mine has writtenmore than forty novels and as many as four hundred shortstories. It took a while for me to read up all his writings together.Now, some <strong>of</strong> my favourite stories <strong>of</strong> yester years suddenlylooked pale and wanting while a few others I had read andforgotten about emerged with remarkable vitality and relevance.After all, this time my angle <strong>of</strong> vision was different, I was lookingfor seed material to make a film.Interestingly, the works I short-listed for filming - nine in all- were short stories.The selection <strong>of</strong> short stories was significant as it would indue course allow me the freedom to introduce characters,situations and infuse sub-texts and layers into the narrative.These stories, each independent and set in a specific time(between the 40s and 60s) and place (Kuttanadu - the granary <strong>of</strong>Kerala), together reflect the plight <strong>of</strong> women in a society intransition and resonate concerns that are contemporary.42 43
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