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ToneLab ST Owner's Manual - Vox

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Precautions<br />

ii<br />

Location<br />

Using the unit in the following locations can result in a malfunction.<br />

• In direct sunlight<br />

• Locations of extreme temperature or humidity<br />

• Excessively dusty or dirty locations<br />

• Locations of excessive vibration<br />

• Close to magnetic fields<br />

Power supply<br />

Please connect the designated AC adapter to an AC outlet of the<br />

correct voltage. Do not connect it to an AC outlet of voltage<br />

other than that for which your unit is intended.<br />

Handling<br />

To avoid breakage, do not apply excessive force to the switches<br />

or controls.<br />

Care<br />

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do<br />

not use liquid cleaners such as benzene or thinner, or cleaning<br />

compounds or flammable polishes.<br />

Keep this manual<br />

After reading this manual, please keep it for later reference.<br />

Keeping foreign matter out of your equipment<br />

Never set any container with liquid in it near this equipment. If<br />

liquid gets into the equipment, it could cause a breakdown, fire,<br />

or electrical shock.<br />

Be careful not to let metal objects get into the equipment. If<br />

something does slip into the equipment, unplug the AC adapter<br />

from the wall outlet. Then contact your nearest VOX dealer or<br />

the store where the equipment was purchased.<br />

THE FCC REGULATION WARNING (for USA)<br />

This equipment has been tested and found to comply with the limits for a<br />

Class B digital device, pursuant to Part 15 of the FCC Rules. These limits<br />

are designed to provide reasonable protection against harmful interference<br />

in a residential installation. This equipment generates, uses, and can<br />

radiate radio frequency energy and, if not installed and used in accordance<br />

with the instructions, may cause harmful interference to radio<br />

communications. However, there is no guarantee that interference will not<br />

occur in a particular installation. If this equipment does cause harmful<br />

interference to radio or television reception, which can be determined by<br />

turning the equipment off and on, the user is encouraged to try to correct<br />

the interference by one or more of the following measures:<br />

• Reorient or relocate the receiving antenna.<br />

• Increase the separation between the equipment and receiver.<br />

• Connect the equipment into an outlet on a circuit different from that to<br />

which the receiver is connected.<br />

• Consult the dealer or an experienced radio/TV technician for help.<br />

Unauthorized changes or modification to this system can void the user’s<br />

authority to operate this equipment.


Notice regarding disposal (EU only)<br />

When this “crossed-out wheeled bin” symbol is displayed on the<br />

product, owner’s manual, battery, or battery package, it signifies<br />

that when you wish to dispose of this product, manual, package or<br />

battery you must do so in an approved manner. Do not discard<br />

this product, manual, package or battery along with ordinary<br />

household waste. Disposing in the correct manner will prevent<br />

harm to human health and potential damage to the environment.<br />

Since the correct method of disposal will depend on the applicable laws<br />

and regulations in your locality, please contact your local administrative<br />

body for details. If the battery contains heavy metals in excess of the<br />

regulated amount, a chemical symbol is displayed below the “crossed-out<br />

wheeled bin” symbol on the battery or battery package.<br />

IMPORTANT NOTICE TO CONSUMERS<br />

This product has been manufactured according to strict specifications and<br />

voltage requirements that are applicable in the country in which it is<br />

intended that this product should be used. If you have purchased this<br />

product via the internet, through mail order, and/or via a telephone sale,<br />

you must verify that this product is intended to be used in the country in<br />

which you reside.<br />

WARNING: Use of this product in any country other than that for which it<br />

is intended could be dangerous and could invalidate the manufacturer’s or<br />

distributor’s warranty.<br />

Please also retain your receipt as proof of purchase otherwise your product<br />

may be disqualified from the manufacturer’s or distributor’s warranty.<br />

*All product names and company names are the trademarks or registered trademarks<br />

of their respective owners.<br />

iii


Table of Contents<br />

iv<br />

Introduction ................................................. 1<br />

Main features........................................................ 1<br />

Panel Tour for the guitarist (Top and rear<br />

panels).......................................................... 2<br />

Top panel............................................................... 2<br />

Rear panel ............................................................. 7<br />

Making connections.................................... 8<br />

Trying out the programs ............................. 9<br />

Creating your own sounds ....................... 10<br />

Creating a sound................................................ 10<br />

Noise reduction settings .................................... 11<br />

Saving a program ...................................... 12<br />

About the amp models, cabinet models, and<br />

effect types ................................................ 13<br />

Amp models ....................................................... 13<br />

Cabinet models................................................... 17<br />

Effect types.......................................................... 18<br />

Tuner .......................................................... 23<br />

Tuning procedure ............................................... 23<br />

Calibrating the tuner .......................................... 23<br />

Using the expression pedal for control ... 24<br />

Expression pedal settings .................................. 24<br />

Assigning a function to the expression pedal<br />

(Quick Assign)..................................................... 24<br />

Expression pedal minimum and maximum values<br />

......................................................................... 25<br />

Adjusting the sensitivity of the expression pedal<br />

............................................................................... 27<br />

Connecting to your computer (USB connection)<br />

............................................................ 28<br />

Using librarian software .................................... 28<br />

Transferring audio data ..................................... 28<br />

Restoring the factory settings................. 29<br />

Troubleshooting........................................ 29<br />

Preset program list ................................... 31<br />

Specifications ........................................... 33


Introduction<br />

Thank you for purchasing the VOX Modeling Effect Processor<br />

<strong>ToneLab</strong> <strong>ST</strong>.<br />

In order to get the most out of your new gear, please read this<br />

owner’s manual carefully and use the product as directed. Keep<br />

the owner’s manual in a safe place for future reference.<br />

Main features<br />

• The <strong>ToneLab</strong> <strong>ST</strong> features a power amp circuit that uses a<br />

miniature triode 12AX7 (ECC83) vacuum tube normally<br />

used in preamps, generating the sound of a real tube amp,<br />

and capturing the feel and tone of the original amplifier<br />

(Valvetronix technology).<br />

• Thirty-three amp models using sophisticated modeling<br />

technology are built-in. There are also eleven speaker cabinet<br />

models, giving you an easy way to recall sounds ranging<br />

from vintage amps of the past to expensive high-end<br />

tube amps.<br />

• Twenty-five high quality effects are built-in, allowing you<br />

to simultaneously use up to eight effect types including<br />

noise reduction.<br />

• There are fifty preset sounds that take advantage of the<br />

amps and effects, together with fifty user-editable programs,<br />

giving you a total of one hundred programs that<br />

you can switch between by pressing a foot switch while<br />

you perform.<br />

• The expression pedal lets you control wah, volume, or<br />

many other parameters with your foot – a great asset during<br />

live performance.<br />

• The Quick Assign function makes it easy to assign parameters<br />

or other functions to the expression pedal.<br />

• The Amp/Line switch ensures that your sound is correctly<br />

optimized whether you’re using a guitar amp or line-level<br />

system as your audio output device.<br />

• An Auto Chromatic Tuner is built-in for easy tuning.<br />

• If you use a commercially available USB cable to connect<br />

the <strong>ToneLab</strong> <strong>ST</strong> to your computer, you’ll be able to use<br />

librarian software on your computer to manage user programs,<br />

or use the <strong>ToneLab</strong> <strong>ST</strong> as a USB audio interface.<br />

1


Panel Tour for the guitarist (Top and<br />

rear panels)<br />

2<br />

Here we’ll introduce you to the switches, controls, and connectors<br />

on the <strong>ToneLab</strong> <strong>ST</strong>’s top panel.<br />

Top panel<br />

1. Amp section<br />

Here you’ll create settings for the amp model.<br />

For details on each effect, refer to “Amp models” (p.13).<br />

a. AMP bank select switch and LED<br />

Use this to switch the bank, or to turn the amp model on/off.<br />

Each time you press the switch, the bank will cycle between <strong>ST</strong>D<br />

(Standard), SPL (Special), C<strong>ST</strong> (Custom), <strong>ST</strong>D ...<br />

The color of the LED will indicate the bank that’s selected.<br />

• <strong>ST</strong>D (Standard): green<br />

• SPL (Special): orange<br />

• C<strong>ST</strong> (Custom): red<br />

The LED will be lit if the amp model is on. By holding down this<br />

switch for about one second you can switch the amp model on/<br />

off.


. CABINET ON/OFF switch and LED<br />

This turns the cabinet model on/off. The LED will be lit if the<br />

cabinet model is on.<br />

By entering OPTION parameter setting mode you can set<br />

parameters for the cabinet model.<br />

OPTION parameter setting mode<br />

To enter OPTION parameter setting mode, hold down the CAB-<br />

INET ON/OFF switch for about one second. You’ll be in<br />

OPTION parameter setting mode, and the LED will blink.<br />

OPTION parameter setting mode lets you make the following<br />

settings.<br />

• GAIN control: cabinet model (CABINET)<br />

• TREBLE control: presence (PRESENCE)<br />

• MIDDLE control: noise reduction (NR)<br />

When you return to the previous operation, press the CABINET<br />

ON/OFF switch or the EXIT/TUNE switch.<br />

NOTE: In OPTION parameter setting mode, the BASS and<br />

VOLUME controls are disabled in this mode.<br />

c. AMP selector<br />

This selects the amp model.<br />

The amp model you select will determine the response of the<br />

gain circuit and tone controls, and the order in which they are<br />

located in the circuit.<br />

If the amp model is turned off, turning this selector will turn the<br />

amp model on.<br />

d. GAIN control<br />

This adjusts the gain of the selected amp model. In OPTION<br />

parameter setting mode, this control selects the cabinet model.<br />

If the cabinet model is turned off, turning this control in<br />

OPTION parameter setting mode will turn the cabinet model on.<br />

e. TREBLE, MIDDLE, BASS controls<br />

These adjust the tone of the high, mid, and low frequency<br />

ranges. In OPTION parameter setting mode, the TREBLE control<br />

adjusts the presence and the MIDDLE control adjusts the noise<br />

reduction.<br />

The way in which these controls affect the tone will depend on<br />

the amp model you’ve selected.<br />

NOTE: Depending on the selected amp model, there may be<br />

almost no sound if you turn all three of these controls to the<br />

far left.<br />

f. VOLUME control<br />

This adjusts the volume of the program.<br />

HINT: You can adjust the volume of the program even when<br />

the amp model is turned off.<br />

2. Pedal section<br />

Here you can make settings for the pedal<br />

effects.<br />

For details on each effect, refer to “Pedal<br />

types” (p.18).<br />

a. PEDAL ON/OFF switch and LED<br />

This turns the pedal effect on/off. The<br />

LED will be lit if the pedal effect is on.<br />

3


. PEDAL controller<br />

This selects the pedal type.<br />

If the pedal effect is turned off, turning this selector will turn the<br />

pedal effect on.<br />

c. EDIT knob<br />

This adjusts the parameters of each effect.<br />

3. MOD/DELAY section<br />

Here you can make settings for the modulation<br />

effect, delay effect, and other<br />

effects such as pitch shift.<br />

For details on each effect, refer to<br />

“Mode/Delay types” (p.20).<br />

a. MOD/DELAY ON/OFF switch and<br />

LED<br />

This turns the modulation effect, delay effect, or other effect on/<br />

off. The LED will be lit if the effect is on.<br />

b. MOD/DELAY selector<br />

This selects the modulation type, delay type, or other effect type.<br />

If the effect type is off, turning this selector will turn the effect<br />

type on.<br />

c. EDIT knob<br />

This adjusts the parameters of each effect.<br />

You can use this knob to adjust two different parameters, EDIT 1<br />

or EDIT 2. The specific parameters that are adjusted will depend<br />

on the selected effect. For details, refer to “Mode/Delay types”<br />

(p.20).<br />

• EDIT 1: turn the EDIT knob<br />

4<br />

• EDIT 2: hold down the TAP switch and turn the EDIT<br />

knob<br />

d. TAP switch and LED<br />

This is used to set the speed of the modulation effect or the delay<br />

time of the delay effect. The interval at which you press the TAP<br />

switch twice is assigned as the time.<br />

The LED will blink to indicate the specified speed or time.<br />

If you’ve selected PITCH SHIFTER, the pitch setting will change<br />

each time you press the TAP switch.<br />

If you’ve selected FILTRON, the envelope up/down setting will<br />

change each time you press the TAP switch. The LED will light if<br />

Up is selected.<br />

You can edit parameters such as SPEED or PITCH by holding<br />

down the TAP switch and turning the EDIT knob (EDIT 2). For<br />

details, refer to “Mode/Delay types” (p.20).<br />

4. Reverb section<br />

Here you can make settings for the reverb effect.<br />

For details on each reverb effect, refer to “Reverb<br />

types” (p.22).<br />

a. REVERB ON/OFF switch and LED<br />

This turns the reverb effect on/off.<br />

The LED will be lit if the reverb effect is on.<br />

b. REVERB knob<br />

Depending on the position of the knob, this selects the reverb<br />

type (SPRING, ROOM, or HALL) and adjusts the mix amount of<br />

the reverb sound.<br />

If the reverb effect is off, turning this knob will switch the reverb<br />

effect on.


5. Program Select / Tuner section<br />

a. UP/DOWN pedals and LEDs<br />

Selecting a program (p.9, “Trying out the programs”)<br />

Pressing the UP pedal will increment the program by one, and<br />

pressing the DOWN pedal will decrement the program by one.<br />

You can hold down the UP pedal and press the EXIT/TUNE key<br />

to increment the program by ten.<br />

You can hold down the DOWN pedal and press the EXIT/TUNE<br />

key to decrement the program by ten.<br />

Using the tuner (p.23, “Tuner”)<br />

If you press the UP and DOWN pedals simultaneously, all<br />

effects will be bypassed and you’ll be able to use the tuner.<br />

If you hold down the UP and DOWN pedals simultaneously for<br />

about two seconds, you’ll be able to use the tuner with the<br />

sound muted.<br />

When you’re using the tuner, the LEDs will indicate the tuning<br />

status.<br />

6. Setting/Display section<br />

a. Program (value) display<br />

Normally this shows the program number.<br />

When you’re using the tuner, this shows the<br />

note name.<br />

When you’re editing a parameter, this shows<br />

the parameter value you’re editing.<br />

If the parameter value matches the original<br />

value, the decimal point segment in the lower<br />

right of the LED will momentarily go dark<br />

(p.11, “Parameter original value indication”).<br />

b. WRITE switch<br />

Press this if you saves the sound you’ve edited (p.12, “Saving a<br />

program”).<br />

c. EXIT/TUNE switch<br />

Press this if you decide to cancel an operation (such as saving a<br />

program).<br />

When the CABINET switch LED, the QUICK ASSIGN LED, or<br />

the program display are not blinking, you can press this switch<br />

to use the tuner (p.23, “Tuning procedure”).<br />

By holding down this switch for about two seconds, you can activate<br />

the Key Lock function, which locks disables the operations<br />

of the switches, selectors, and knobs on the top panel. To deactivate<br />

this function, hold down the switch once again for about two<br />

seconds.<br />

5


d. EXP PARAM (Expression Parameter) switch<br />

This lets you specify the maximum value and minimum value of<br />

the parameter that’s assigned to the pedal. For details, refer to<br />

“Expression pedal minimum and maximum values” (p.25).<br />

If the QUICK ASSIGN LED is lit, holding down this switch for<br />

approximately two seconds will assign a effect parameter to the<br />

expression pedal (p.24, “Assigning a function to the expression<br />

pedal (Quick Assign)”).<br />

e. QUICK ASSIGN LED<br />

This will light when the Quick Assign function is available, and<br />

will blink when you’re specifying the variable range of the<br />

expression pedal.<br />

6<br />

7. Expression pedal section<br />

a. EXP LED<br />

This will light when the effect<br />

assigned to the expression pedal is on.<br />

b. Expression pedal<br />

This controls the function that’s<br />

assigned to the expression pedal (e.g.,<br />

volume or wah), or controls the<br />

parameter of some other effect.<br />

If you firmly advance the expression<br />

pedal all the way forward, the effect<br />

assigned to the pedal will be switched<br />

on/off.<br />

If volume is assigned to the expression<br />

pedal, advancing the pedal in<br />

this way will not turn off the volume<br />

pedal.


Rear panel<br />

1. Valve<br />

The internal 12AX7 (ECC83) vacuum tube is located here.<br />

NOTE: The vacuum tube may break if it is subjected to physical<br />

impact. Be careful not to subject the <strong>ToneLab</strong> <strong>ST</strong> to strong<br />

physical impact.<br />

2. USB connector (Type B)<br />

If you use a commercially available USB cable to connect the<br />

<strong>ToneLab</strong> <strong>ST</strong> to your computer, you’ll be able to use librarian software<br />

on your computer to manage user programs, or use the<br />

<strong>ToneLab</strong> <strong>ST</strong> as a USB audio interface.<br />

3. Cable hook<br />

Wrap the cable of the AC adapter around this hook to prevent<br />

the AC adapter from being accidentally disconnected.<br />

For details, refer to “Making connections” (p.8).<br />

4. DC12V connector<br />

Connect the included AC adapter here.<br />

NOTE: The included AC adapter is only for use with the<br />

<strong>ToneLab</strong> <strong>ST</strong>. Using it with any other device may cause malfunctions,<br />

so you must never do so.<br />

5. <strong>ST</strong>ANDBY switch<br />

This turns the power on or off.<br />

6. INPUT connector<br />

Connect your guitar cable here.<br />

7. AUX IN jack<br />

This is a stereo mini-jack to which you can connect the output<br />

(analog output) of an audio device.<br />

You can connect a CD or MP3 player here, and play along on the<br />

guitar while listening to your favorite songs. To adjust the volume,<br />

use the controls of the connected device.<br />

8. OUTPUT/PHONES jack<br />

Connect your guitar amp, mixer, or headphones here. This jack<br />

will accommodate either stereo or monaural connections.<br />

9. LEVEL knob<br />

This adjusts the output level of the OUTPUT/PHONES jack.<br />

10.AMP/LINE switch<br />

The correct setting of this switch will depend on what is connected<br />

to the OUTPUT/PHONES jack.<br />

For details, refer to “Making connections” (p.8).<br />

7


Making connections<br />

8<br />

Here’s how to make connections and start using your <strong>ToneLab</strong> <strong>ST</strong>.<br />

Mixer, recorder, etc.<br />

Audio system<br />

Guitar amp Headphones<br />

1. Set the AMP/LINE switch appropriately for the type of<br />

device you’ll be connecting to the OUTPUT/PHONES jack.<br />

Set the AMP/LINE switch as follows.<br />

AMP (VOX, F, M)<br />

If you’re connecting a guitar amp, choose the VOX, F, or M<br />

setting. This setting will compensate the output from the<br />

amp model as necessary. However, compensation will not<br />

be applied if the amp model is off.<br />

• VOX: Use this setting if the output is connected to an amp<br />

that has a distinctive mid-range such as the AC30 openbacked<br />

combo amp made by the VOX Corporation.<br />

• F: Use this setting if the output is connected to a typical<br />

clean-sounding US-made open-backed combo amp.<br />

VOX<br />

CD player, etc.<br />

OUTPUT/PHONES AUX INPUT<br />

IN<br />

Guitar<br />

DC12V<br />

AC adapter<br />

USB<br />

USB cable<br />

Computer<br />

• M: Use this setting if the output is connected to a stacktype<br />

amp such as a 4x12 closed-back cabinet.<br />

LINE<br />

Use this setting if the output is connected to your guitar<br />

amp’s power amp, to an audio system, mixer, or recorder,<br />

or to headphones.<br />

2. Use a cable to connect the <strong>ToneLab</strong> <strong>ST</strong>’s OUTPUT/PHONES<br />

jack to your guitar amp, mixer, or other device.<br />

NOTE: Lower the volume of your guitar amp or mixer before<br />

you make connections.<br />

The OUTPUT/PHONES jack is a stereo output. Use a phone<br />

plug to make connections.


If you use a monaural phone plug cable to connect this to<br />

your amp etc., only the sound of the L (left) channel will be<br />

output.<br />

If you want to connect this in stereo to a mixer or recorder,<br />

use a “stereo phone plug (output) -> monaural phone plug x<br />

2 (input)” adapter cable.<br />

3. Turn the rear panel LEVEL knob to “0” (all the way to the<br />

left as seen from the rear panel).<br />

4. Connect the plug of the included AC<br />

adapter to the DC12V jack, and plug the AC<br />

adapter into an AC outlet.<br />

Wrap the AC adapter cable around the<br />

cable hook.<br />

5. Connect the cable from your guitar to the<br />

INPUT jack.<br />

6. Make sure that the volume of your amp or mixer is turned<br />

down, and then turn the <strong>ST</strong>ANDBY switch on.<br />

7. Raise the volume controls of your amp or mixer, and turn<br />

the rear panel LEVEL knob to adjust the volume.<br />

NOTE: Since the <strong>ToneLab</strong> <strong>ST</strong> uses a vacuum tube, there<br />

might not be sound for a few seconds until the vacuum tube<br />

has warmed up.<br />

Trying out the programs<br />

The <strong>ToneLab</strong> <strong>ST</strong> has a total of one hundred programs, consisting<br />

of rewritable user programs (No.0–49) and preset programs<br />

(No.50–99).<br />

For details on the preset programs, refer to “Preset program list”<br />

(p.31).<br />

1. Press the UP or DOWN pedal to switch programs.<br />

Play your guitar, and try out the various programs.<br />

Each program contains settings that assign the expression<br />

pedal to control wah, volume, delay feedback, reverb input<br />

level, or some other effect parameter. Operate the expression<br />

pedal to try out the assignment for each program.<br />

HINT: To increment the program number by 10, hold down<br />

the UP pedal and press the EXIT/TUNE key. Similar, to decrement<br />

the program number by 10, hold down the DOWN<br />

pedal and press the EXIT/TUNE key.<br />

9


Creating your own sounds<br />

10<br />

There are two ways to create your own sound: you can start with<br />

a program that’s similar to what you have in mind and then edit<br />

the parameters as desired, or you can create a program from<br />

scratch.<br />

Creating a sound<br />

Here we’ll explain how to create a program from scratch.<br />

1. Turn off the cabinet model and effect types.<br />

If the CABINET on/off switch, MOD/DELAY on/off<br />

switch, and REVERB on/off switch LEDs are lit, press each<br />

switch to turn them off.<br />

2. Press the AMP bank select switch to select a bank, and use<br />

the AMP selector to select an amp model.<br />

Each time you press the AMP bank switch, the bank will<br />

cycle through <strong>ST</strong>D (Standard), SPL (Special), C<strong>ST</strong> (Custom),<br />

<strong>ST</strong>D ...<br />

For details on the amp models, refer to “Amp models”<br />

(p.13).<br />

3. Use the GAIN, TREBLE, MIDDLE, BASS, and VOLUME<br />

controls to adjust the tone and volume.<br />

The GAIN control adjusts the gain.<br />

The TREBLE, MIDDLE, and BASS controls adjust the high,<br />

mid, and low-frequency tone.<br />

The VOLUME control adjusts the volume.<br />

HINT: The sound might be distorted in an undesirable way<br />

depending on the settings of the TREBLE, MIDDLE, or BASS<br />

controls, or depending on other settings. If so, adjust the<br />

VOLUME control to an appropriate volume.<br />

4. If desired, select a cabinet model and adjust the high-frequency<br />

tone.<br />

To turn the cabinet model on<br />

Press the CABINET on/off switch. The LED will light.<br />

To change the cabinet mode<br />

Hold down the CABINET on/off switch for about one second<br />

to enter OPTION parameter setting mode (the CABI-<br />

NET on/off switch LED will blink). Then turn the GAIN<br />

control.<br />

For details on the cabinet models, refer to “Cabinet models”<br />

(p.17).


Adjusting the high-frequency tone (Presence)<br />

Hold down the CABINET on/off switch for about one second<br />

to enter OPTION parameter setting mode, and then<br />

turn the TREBLE control.<br />

5. Select and adjust the effects of other sections.<br />

For example if you want to add delay, turn the MOD/<br />

DELAY selector to select DELAY.<br />

If the selector is already positioned at DELAY, turn it to<br />

some other delay type and then back to re-select DELAY.<br />

Use the TAP switch or EDIT knob to set the delay time, delay<br />

level (the mix amount of delay sound), and feedback.<br />

To set the delay time<br />

Press the TAP switch twice (the time will be set to the<br />

interval at which you press the switch).<br />

To adjust the delay level or feedback<br />

Delay level: Turn the EDIT knob.<br />

Feedback: Hold down the TAP switch and turn EDIT.<br />

For details on the effect types, refer to “Effect types” (p.18).<br />

HINT: If you’ve selected a pedal effect, it might be easier to<br />

make adjustments if other effects are not being applied. If so,<br />

adjust the pedal effect after you’ve specified the amp model<br />

and cabinet model, but before you make settings for other<br />

effects.<br />

6. When you’ve come up with a sound that you like, save it as<br />

a program.<br />

For details, refer to “Saving a program” (p.12).<br />

NOTE: If you switch to a different program or turn off the<br />

power before saving, the changes you’ve made will be discarded,<br />

and the settings will revert to their original state.<br />

Parameter original value indication<br />

This is a way for you to check the original value of a parameter;<br />

i.e., the value that was saved in the preset program or user<br />

program.<br />

When you're using a knob to edit the value of a parameter, the<br />

decimal point in the lower left of the program display LED is lit<br />

momentarily when the edited value matches the original value.<br />

HINT: You can take advantage of this original value indication<br />

to find out the actual settings of a program that you like.<br />

NOTE: The settings of the rear panel LEVEL knob and AMP/<br />

LINE switch are not saved, and will not be shown by the original<br />

value indication. Nor will the original value of the<br />

SPEED parameter or TIME parameter be shown when you<br />

use the TAP switch to set the SPEED parameter or TIME<br />

parameter.<br />

Noise reduction settings<br />

Noise reduction reduces the unwanted noise that might be<br />

heard between notes. This setting is made independently for<br />

each program.<br />

HINT: High-gain amp models are particularly prone to noise,<br />

so we recommend using noise reduction in this case.<br />

1. Hold down the CABINET on/off switch for about one second<br />

to enter OPTION parameter setting mode.<br />

The CABINET on/off switch LED will blink.<br />

2. Turn the MIDDLE control to adjust the noise reduction sensitivity.<br />

11


12<br />

Turning the knob toward the right will increase the<br />

amount of noise reduction.<br />

Turning the knob all the way to the left will turn noise<br />

reduction off; it will have no effect.<br />

NOTE: Depending on the guitar you’re using, excessively<br />

high settings of noise reduction may cause notes to be cut off<br />

unnaturally.<br />

3. When you’ve finished making settings, press the EXIT/<br />

TUNE switch.<br />

Saving a program<br />

When you’ve come up with a sound you like, here’s how to save<br />

(write) it.<br />

NOTE: If you switch to a different program or turn off the<br />

power before saving, the changes you’ve made will be discarded,<br />

and the settings will revert to their original state.<br />

1. Press the WRITE switch.<br />

The program display and the UP/DOWN pedal LEDs will<br />

blink.<br />

2. Press the UP or DOWN pedal to select the user program<br />

(No.0–49) in which you want to save your settings.<br />

When selecting the save-destination, holding down the UP<br />

pedal and pressing the EXIT/TUNE key will increment<br />

the program number by ten. Similarly, holding down the<br />

DOWN pedal and pressing the EXIT/TUNE key will decrement<br />

the program number by ten.<br />

NOTE: Your settings will overwrite the program you select<br />

here. Take care not to overwrite an important program that<br />

you want to keep. You can’t save to a preset program (No.50-<br />

99).<br />

HINT: If you decide to cancel the Write operation, press the<br />

EXIT/TUNE switch. You will return to the previous mode,<br />

and the LED will stop blinking.<br />

3. Press the WRITE switch once again.<br />

Your settings will be written to the user program you<br />

selected in step 2, and the UP/DOWN LED will return to<br />

the steadily lit state.


About the amp models, cabinet<br />

models, and effect types<br />

This section provides details about the amp models and cabinet<br />

models, and on the pedal effects, mode/delay effects, and reverb<br />

effect.<br />

The following illustration shows the signal flow within the<br />

<strong>ToneLab</strong> <strong>ST</strong>.<br />

PEDAL<br />

TYPE<br />

GAIN<br />

PRE AMP<br />

AMP MODEL<br />

POWER AMP<br />

VALVE<br />

ECC83 (12AX7)<br />

VOLUME<br />

CABINET MODEL<br />

VOLUME<br />

PEDAL<br />

EFFECT TYPE<br />

MOD /<br />

DELAY REVERB<br />

OUTPUT<br />

SELECT<br />

Amp models<br />

Here we’ll explain the 33 different amp models.<br />

HINT: Each amp model’s GAIN (adjusted by the top panel<br />

GAIN control) can be assigned to the expression pedal for<br />

control. For details on how to assign a parameter to the<br />

expression pedal, refer to “Assigning a function to the expression<br />

pedal (Quick Assign)” (p.24).<br />

1. CLEAN<br />

<strong>ST</strong>D (Standard)<br />

This models the clean channel of a high-quality amp that was<br />

produced only on special order, and was known as the overdrive<br />

special. With a beautifully rounded low range, a sharp midrange<br />

attack, and a sweet treble register, this is ideal for single<br />

coil pickups.<br />

SPL (Special)<br />

This models the clean channel of a Japanese-made amp with 2 x<br />

12" speakers that went on sale in 1975. It is known for its clean<br />

full-range sound and its built-in stereo chorus, and is used on<br />

stages and in studios around the world.<br />

C<strong>ST</strong> (Custom)<br />

This models only a four-band tone control that produces an<br />

undistorted, pure, clean tone. The GAIN control is disabled. Setting<br />

BASS, MIDDLE, and TREBLE to the center and PRESENCE<br />

to the minimum setting will produce the same result as turning<br />

the amp model off. If you want to obtain a sparkling clean tone<br />

as when using a line input, turn the cabinet model off.<br />

2. CALI CLEAN<br />

<strong>ST</strong>D (Standard)<br />

The 6G5-A “Pro” amp was produced during the years 1960–<br />

1963, and was distinctive for its yellowish brown vinyl cover<br />

and round brown knobs. This 40W combo amp is known for its<br />

warm and clean tone.<br />

SPL (Special)<br />

This American-made tweed-covered 2x12" combo amp made in<br />

1957 is known for its rich and clean tone that’s ideal for classic<br />

rock, blues, and country. By raising the volume you can also produce<br />

a powerful and punchy overdrive sound.<br />

C<strong>ST</strong> (Custom)<br />

This modifies an American-made black-paneled amp that has<br />

been modified. With this modification, an already-superb amp<br />

gains even greater smoothness and additional warmth.<br />

13


3. US BLUES<br />

<strong>ST</strong>D (Standard)<br />

This models a 4x10" combo amp from 1959 that was originally<br />

designed for bass guitar. Its smooth and crisp overdrive sound<br />

will respond sensitively to your picking dynamics and to the<br />

volume of your guitar.<br />

14<br />

SPL (Special)<br />

This models the 22W Bruno Cowtipper Pro II 22 which owes its<br />

existence to a special friend of VOX, the custom amp designer<br />

Tony Bruno. It responds with extreme sensitivity to your playing<br />

touch, and its silky-sweet clean tone will become a crunch sound<br />

rich in overtones when you turn up the volume.<br />

C<strong>ST</strong> (Custom)<br />

This models a wood-finished 30W boutique amp head that cost<br />

more than $25,000. It delivers sparkling glassy clean tones, and<br />

raising the gain will produce overdrive sounds that are startlingly<br />

sweet in a musical way.<br />

4. US 2x12<br />

<strong>ST</strong>D (Standard)<br />

This models a black-faced 2x12" combo amp that has become an<br />

indispensible item for country and blues players. Its tight and<br />

clean sound provides deep piano-like bass tones, and will<br />

deliver the classic Chicago blues tone particularly when used<br />

with single coil pickups.<br />

SPL (Special)<br />

This models a beautiful 30W boutique amp head renowned for<br />

its peerless quality and true point-to-point wiring. Based on a<br />

concept similar to that of the VOX AC30, this amp is known for<br />

its rich overtones, sparkling clean tone, and great-sounding<br />

overdrive.<br />

C<strong>ST</strong> (Custom)<br />

Based on a crunch-distortion amp, this original amp model<br />

changes the tone control to an active circuit that is more powerful<br />

than the conventional one, allowing a wide range of tones to<br />

be created.<br />

Raise the TREBLE for sparkling chords or lower it for a tasteful<br />

blues setting, or turn up the MIDDLE for a rock backing sound.<br />

5. VOX AC15<br />

<strong>ST</strong>D (Standard)<br />

This models the AC15TB, which combines the beautifully sweet<br />

tonal character of the AC15’s low output power amp with the<br />

sound-creating flexibility of the AC30’s top boost channel.<br />

SPL (Special)<br />

This models channel 2 of the VOX AC15 (1x12", 15W), which<br />

was manufactured in 1962 and was a big hit for its compact cabinet,<br />

power, and great tone – along with then-popular British<br />

bands.<br />

C<strong>ST</strong> (Custom)<br />

This original amp model is based on an old British amp that<br />

delivers the ideal kind of powerful distortion for rock, but with<br />

the tone control changed to an active circuit that has a stronger<br />

effect than the conventional one, allowing a wide range of tones<br />

to be created.<br />

You can obtain basic distortion sounds at the flat setting, or take<br />

advantage of the active tone circuit to create highly distinctive<br />

lead sounds.


6. VOX AC30<br />

<strong>ST</strong>D (Standard)<br />

This models an AC30 amp with the “top boost” circuit that was<br />

included as standard starting with units produced in 1964. It<br />

delivers a smooth and refined top end, majestically deep overdrive,<br />

and a rich and brilliant clean sound.<br />

SPL (Special)<br />

This models is a hand-wired all-tube amp head sold to commemorate<br />

VOX’s fiftieth anniversary. This amp has no rival in<br />

its ability to create sparkling chime-like clean sounds and<br />

creamy warm overdrive sounds.<br />

C<strong>ST</strong> (Custom)<br />

This models the AC30BM Brian May signature model which<br />

faithfully reproduces every nuance of the legendary original<br />

AC30 from the 1950’s. This setting provides the screaming<br />

sound of the amp being overdriven with the treble booster<br />

turned on.<br />

7. UK ROCK<br />

<strong>ST</strong>D (Standard)<br />

This 45W amp head was originally manufactured from 1962 to<br />

1966, and was based on a tweed-covered bass amp. Its high-gain<br />

design was the beginning of the British amp tone revolution that<br />

continues to this day.<br />

SPL (Special)<br />

This models a UK-manufactured 100W single-channel head with<br />

master volume made in 1983. Turn the GAIN control all the way<br />

up to get that thick, snarling hard rock and heavy metal sound<br />

that dominated the 80’s.<br />

C<strong>ST</strong> (Custom)<br />

This models the high treble channel of a hand-wired amp head<br />

made in England during the early 60’s. Raising the volume of<br />

this 50W output amp all the way produces the crunch that will<br />

forever be the sound of rock ‘n’ roll.<br />

8. UK METAL<br />

<strong>ST</strong>D (Standard)<br />

This models the high-gain channel of a modern 100W amp.<br />

While individual notes are clearly defined, it delivers a monster<br />

sound that’s quite aggressive and arrogant.<br />

SPL (Special)<br />

This models an English-made 100W amp head released in 2007<br />

and boasting a four-channel design with powerful tone. We’ve<br />

used the “Overdrive 1” channel that produces a tight low-end<br />

and transparent high-gain metal sound.<br />

C<strong>ST</strong> (Custom)<br />

Based on a UK-made 100W head, this amp was created for a<br />

famous guitarist known for his amazing tone, slash rhythms,<br />

and liking for silk hats. If you have a desire for ultimate metal<br />

tones, this amp will be the perfect choice.<br />

9. US HIGH GAIN<br />

<strong>ST</strong>D (Standard)<br />

This models a 100W boutique amp head manufactured in North<br />

Hollywood. This amp can be switched between power tube class<br />

AB or class A modes; the class AB mode used on the <strong>ToneLab</strong> <strong>ST</strong><br />

produces rich overtones and highly musical response.<br />

15


16<br />

SPL (Special)<br />

This models the overdrive channel of a snakeskin-covered 100W<br />

amp head made in 1991. With an open low-end and a compressed<br />

mid/high range, its powerful and heavy sound delivers<br />

a forceful tone that will not break down even with the most<br />

extreme gain settings.<br />

C<strong>ST</strong> (Custom)<br />

This is an original amp model based on a recent high-gain amp,<br />

but with the tone control changed to an active circuit that has a<br />

stronger effect than the conventional one, allowing a wide range<br />

of tones to be created.<br />

A wide range of settings are possible; you can raise the BASS to<br />

bring out the ultra-lows, or raise or lower the MIDDLE to obtain<br />

hot lead sounds or a “scooped” sound.<br />

10.US METAL<br />

<strong>ST</strong>D (Standard)<br />

This models the modern high-gain channel from a wild beast of<br />

a high-gain amp. Its deep and loose low-end, sparkling highs,<br />

and monstrous gain are ideal for guitars tuned as low as possible,<br />

or for metal acts wielding seven-string guitars.<br />

SPL (Special)<br />

This models a California-made amp head with a three-channel<br />

design and versatile gain switches that produce a wide variety<br />

of sounds. We’ve modeled the lead channel that produces the<br />

ultimate high-gain tone.<br />

C<strong>ST</strong> (Custom)<br />

This two-channel 120W head manufactured in Mississippi was<br />

designed for a legendary guitar hero known for his “brown<br />

sound.” This amp models features a high-gain sound that’s ideal<br />

for the tapping performance technique.<br />

11.BOUTIQUE METAL<br />

<strong>ST</strong>D (Standard)<br />

This models the overdrive channel of a 100W high-quality amp<br />

that was produced only on special order, and known as the overdrive<br />

special. The wonderful sustain obtained by raising the<br />

GAIN control is smooth and soulful.<br />

SPL (Special)<br />

This models the crushing high-gain sound emanated from a<br />

German-made 100W four-channel amp head. We chose the<br />

“Heavy” channel that delivers a startling tightness when played<br />

with a dropped-D metal tuning.<br />

C<strong>ST</strong> (Custom)<br />

This is an original amp model based on a recent high-gain amp,<br />

marked by a rich and hot mid-range tone and extremely powerful<br />

sustain.<br />

Since active-circuit tone controls are used on this model as well,<br />

a wide range of tonal variety can be obtained.


Cabinet models<br />

These simulate the acoustical character of a guitar amp’s cabinet.<br />

1. TWEED 1x8<br />

This is an open back cabinet containing an 8-inch 3.2 ohm Alnico<br />

speaker, found in simple amplifiers with a 6V6 output tube.<br />

2. TWEED 1x12<br />

This cabinet has an important influence on the sound of the<br />

Tweed 1x12 amp. The speaker uses an Alnico magnet.<br />

3. TWEED 4x10<br />

This is an open back cabinet containing four 10-inch 8 ohm<br />

speakers connected in parallel for a 2 ohm impedance.<br />

4. BLACK 2x10<br />

This is the cabinet of a 35W open back combo amp containing<br />

two 10-inch ceramic magnet speakers.<br />

5. BLACK 2x12<br />

This contains two 12-inch ceramic magnet speakers, connected<br />

in parallel as a 4 ohm load.<br />

6. VOX AC15<br />

This is the cabinet of an open back combo amp containing one of<br />

the famous 12-inch “VOX blue Alnico speakers” made by the<br />

British company Celestion.<br />

7. VOX AC30<br />

The famous VOX sound is completed by this speaker cabinet<br />

which contains two 12-inch VOX blue Alnico speakers connected<br />

in series as a 16 ohm load.<br />

8. VOX AD120VTX<br />

This is the closed back cabinet VTX containing two customdesigned<br />

Celestion speakers with neodymium magnets.<br />

9. UK H30 4x12<br />

This is a heavy-duty cabinet containing 30W speakers from the<br />

late 60’s made by the same manufacturer as the UK T75 4x12<br />

described below.<br />

10.UK T75 4x12<br />

This is a more modern 4x12 cabinet containing 75-watt Britishmade<br />

speakers.<br />

11.US V30 4x12<br />

Known as the “black beast,” this cabinet uses British-made “Vintage”<br />

speakers, and is known for its deep low-range and welldefined<br />

highs.<br />

Examples of amp and cabinet combinations<br />

You can freely combine amp models with cabinet models to create<br />

a wide range of sounds, so be sure to try out various combinations.<br />

17


18<br />

Here are some typical combinations.<br />

CLEAN<br />

CALI CLEAN<br />

US BLUES<br />

US 2x12<br />

VOX AC15<br />

VOX AC30<br />

UK ROCK<br />

UK METAL<br />

US HIGAIN<br />

Amp model Cabinet model<br />

2 TWEED 1x12<br />

4 BLACK 2x10<br />

5 BLACK 2x12<br />

9 UK H30 4x12<br />

For the C<strong>ST</strong> amp model, we recommend that you turn<br />

the cabinet model off.<br />

1 TWEED 1x8<br />

2 TWEED 1x12<br />

4 BLACK 2x10<br />

5 BLACK 2x12<br />

2 TWEED 1x12<br />

3 TWEED 4x10<br />

5 BLACK 2x12<br />

9 UK H30 4x12<br />

4 BLACK 2x10<br />

5 BLACK 2x12<br />

6 VOX AC15<br />

7 VOX AC30<br />

8 VOX AD120VTX<br />

6 VOX AC15<br />

7 VOX AC30<br />

8 VOX AD120VTX<br />

9 UK H30 4x12<br />

10 UK T75 4x12<br />

9 UK H30 4x12<br />

10 UK T75 4x12<br />

10 UK T75 4x12<br />

11 US V30 4x12<br />

US METAL<br />

Amp model Cabinet model<br />

BOUTIQUE METAL<br />

10 UK T75 4x12<br />

11 US V30 4x12<br />

9 UK H30 4x12<br />

10 UK T75 4x12<br />

11 US V30 4x12<br />

Effect types<br />

Here we’ll explain the pedal types, mod/delay types, and reverb<br />

types.<br />

The illustration on page 13 shows the signal flow within the<br />

<strong>ToneLab</strong> <strong>ST</strong>.<br />

Pedal types<br />

The <strong>ToneLab</strong> <strong>ST</strong> provides eleven of the most popular types of<br />

pedal effect. You can use the EDIT knob to adjust the major<br />

parameters.<br />

HINT: Parameters that can be assigned to the expression<br />

pedal are marked by “*”.<br />

1. COMP<br />

This models a compressor pedal that is popular for its percussive<br />

clean sound. It’s perfect for the pop or funk music of the<br />

80’s and 90’s. It can also produce a singing, mellow sustain.<br />

Knob Parameter<br />

EDIT SENS*<br />

Adjusts the sensitivity. Turn the knob toward the<br />

right to increase the compression and sustain.


2. ACOU<strong>ST</strong>IC<br />

This is ideal when you want to play acoustic sounds. It’s a simulator<br />

that transforms the sound of an electric guitar into the<br />

sound of an acoustic guitar.<br />

We recommend that you use this with a single-coil (i.e., low output)<br />

neck (front) pickup.<br />

Knob Parameter<br />

EDIT TONE* Adjusts the tone.<br />

3. VOX WAH<br />

This models the legendary V848 Clyde McCoy VOX wah pedal.<br />

Its distinctive tone, and throats being wrung, have made this<br />

pedal a favorite with musicians.<br />

HINT: When you select VOX WAH, the expression pedal will<br />

automatically operate as a wah pedal.<br />

Knob Parameter<br />

EDIT MANUAL* Adjusts the tone.<br />

4. U-VIBE<br />

This models the famous phase/vibrato pedal unit. This effect<br />

simulates a rotary speaker, producing a seductive and emotional<br />

tone.<br />

Knob Parameter<br />

EDIT SPEED* Adjusts the vibrato speed.<br />

5. OCTAVE<br />

This models a pedal that adds weight to the sound by generating<br />

a sound one octave below, and mixing this with the original<br />

sound.<br />

Knob Parameter<br />

EDIT LEVEL*<br />

6. TREBLE BOO<strong>ST</strong><br />

This models the treble booster built into the VOX VBM-1, which<br />

was designed for use with the VOX AC30.<br />

It adds “crunch” to overdrive sound.<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain.<br />

7. TUBE OD<br />

This models a well-known overdrive pedal with a green box; the<br />

inexpressible warmth of its sound has made it a classic effect.<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain.<br />

Adjusts the mix amount of the octave-lower<br />

sound.<br />

8. BOUTIQUE<br />

This models an overdrive unit named after a half-human halfhorse<br />

being from Greek myth. When the gain is lowered, this acts<br />

as a booster that preserves the original sound of the guitar. Raising<br />

the gain makes this act as an overdrive with a rich mid-range.<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain<br />

19


9. ORANGE DI<strong>ST</strong><br />

This is a classic Japanese-made distortion unit in an orange box.<br />

10.METAL DI<strong>ST</strong><br />

This is a distortion unit that’s idea for metal.<br />

11.FUZZ<br />

Retro, brazen, and rough-edged.<br />

Mode/Delay types<br />

The <strong>ToneLab</strong> <strong>ST</strong> provides eleven types of modulation effect,<br />

delay effect, and other effect.<br />

The SPEED parameter of modulation-type effects and the TIME<br />

parameter of delay-type effects can be easily adjusted by pressing<br />

the TAP switch twice.<br />

You can use the EDIT knob to adjust the most important parameter<br />

(EDIT 1). In addition, you can hold down the TAP switch<br />

and turn the EDIT knob to make more detailed settings (EDIT 2).<br />

HINT: Parameters that can be assigned to the expression<br />

pedal are indicated by “*”. For details on how to assign a<br />

parameter to the expression pedal, refer to “Assigning a function<br />

to the expression pedal (Quick Assign)” (p.24).<br />

20<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain.<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain.<br />

Knob Parameter<br />

EDIT GAIN* Adjusts the gain.<br />

1. CLASSIC CHORUS<br />

This models a standard rich-sounding analog chorus unit.<br />

Knob/Switch Parameter<br />

EDIT DEPTH* Adjusts the modulation depth.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

0.1...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.<br />

2. MULTI TAP CHORUS<br />

This is a deep and spacious chorus with independent chorus<br />

taps at left, center, and right.<br />

Knob/Switch Parameter<br />

EDIT DEPTH* Adjusts the modulation depth.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

0.1...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.<br />

3. CLASSIC FLANGER<br />

This models a truly classic analog flanger associated with a great<br />

guitarist of today who is honored by many as “the godfather of<br />

two-handed tapping.”<br />

Knob/Switch Parameter<br />

EDIT RESONANCE* Adjusts the amount of resonance.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

0.1...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.


4. PHASER<br />

This models a popular analog phaser in a banana-colored box.<br />

Knob/Switch Parameter<br />

EDIT RESONANCE* Adjusts the amount of resonance.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

0.1...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.<br />

5. TEXTREM<br />

This models the acclaimed tremolo circuit built into a US-made<br />

combo amp.<br />

Knob/Switch Parameter<br />

EDIT DEPTH* Adjusts the tremolo depth.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

1.0...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.<br />

6. ROTARY<br />

This models a rotary speaker.<br />

Knob/Switch Parameter<br />

EDIT DEPTH* Adjusts the modulation depth.<br />

TAP SPEED*<br />

Adjusts the modulation speed in a range of<br />

0.8...15 Hz.<br />

TAP+EDIT SPEED* Adjusts the speed.<br />

7. PITCH SHIFTER<br />

This is a pitch shifter that allows you to play chords, and has a<br />

variable range of one octave upward or downward.<br />

Knob/Switch Parameter<br />

EDIT BALANCE*<br />

TAP PITCH*<br />

TAP+EDIT PITCH*<br />

Adjusts the balance between direct sound and<br />

effect sound.<br />

Specifies the amount by which the pitch of the<br />

effect sound will be shifted; an octave, a 4th, or a<br />

5th.<br />

Each time you press the switch, the setting will<br />

cycle between -12, -7, -5, DT (Detune), +5, +7,<br />

+12, -12.<br />

Specifies the amount by which the pitch of the<br />

effect sound will be shifted in semitone units (100<br />

cents).<br />

The setting will change as follows: -12, -11, ... -1,<br />

0, DT (Detune), +1, ... +12<br />

8. FILTRON<br />

This is an envelope-controlled filter (wah) that opens or closes a<br />

filter according to the input from the guitar.<br />

Knob/Switch Parameter<br />

EDIT SENS*<br />

Adjusts the sensitivity to the guitar's volume.<br />

If this parameter is assigned to the expression<br />

pedal, the cutoff frequency will be controlled by<br />

the expression pedal, meaning that the opening/<br />

closing of the filter will not be affected by the input<br />

from the guitar.<br />

TAP TYPE<br />

Specifies the direction of movement (up or down).<br />

If Up is selected, the TAP switch LED will light.<br />

TAP+EDIT RESONANCE* Adjusts the amount of resonance.<br />

21


9. ECHO PLUS<br />

This models an acclaimed analog tape echo. Originally, echo was<br />

created by a playback head, and the delay time was specified by<br />

changing the speed of the motor.<br />

10.DELAY<br />

This models an analog delay that uses a Bucket Brigade Device<br />

(BBD). Its audio quality is lo-fi, but is popular for its warm sound.<br />

11.CHORUS+DELAY<br />

This effect combines a chorus and a delay. The chorus depth is<br />

fixed; only the delay parameters can be adjusted.<br />

22<br />

Knob/Switch Parameter<br />

EDIT LEVEL*<br />

Adjusts the mix amount of the delay sound.<br />

If this parameter is assigned to the expression<br />

pedal, the input level to the delay will be controlled<br />

by the expression pedal.<br />

TAP TIME<br />

Specifies the delay time in a range of 40...1480<br />

ms.<br />

TAP+EDIT FEEDBACK* Adjusts the amount of feedback.<br />

Knob/Switch Parameter<br />

EDIT LEVEL*<br />

Adjusts the mix amount of the delay sound.<br />

If this parameter is assigned to the expression<br />

pedal, the input level to the delay will be controlled<br />

by the expression pedal.<br />

TAP TIME<br />

Specifies the delay time in a range of 40...1480<br />

ms.<br />

TAP+EDIT FEEDBACK* Adjusts the amount of feedback.<br />

Knob/Switch Parameter<br />

EDIT LEVEL*<br />

Adjusts the mix amount of the delay sound.<br />

If this parameter is assigned to the expression<br />

pedal, the input level to the delay will be controlled<br />

by the expression pedal.<br />

Knob/Switch Parameter<br />

TAP TIME<br />

Specifies the delay time in a range of 40...1480<br />

ms.<br />

TAP+EDIT FEEDBACK* Adjusts the amount of feedback.<br />

Reverb types<br />

Three types of reverb are provided.<br />

Depending on the position of the knob, this selects the reverb<br />

type (SPRING, ROOM, or HALL) and adjusts the mix amount of<br />

the reverb sound.<br />

HINT: If reverb is assigned to the expression pedal, the expression<br />

pedal will control the input level to the reverb. For details on how<br />

to assign a parameter to the expression pedal, refer to “Assigning<br />

a function to the expression pedal (Quick Assign)” (p.24).<br />

1. SPRING<br />

This simulates the spring reverb built into many guitar amps.<br />

2. ROOM<br />

This reverb type simulates a typical room that contains numerous<br />

early reflections.<br />

3. HALL<br />

This models the reverberation of a concert hall containing<br />

numerous echo components.


Tuner<br />

The <strong>ToneLab</strong> <strong>ST</strong> has a built-in auto chromatic tuner.<br />

Tuning procedure<br />

1. If you want to tune with the effects bypassed, press the UP<br />

pedal and DOWN pedal simultaneously.<br />

The program display will indicate “ ”.<br />

HINT: If the QUICK ASSIGN LED or the program display are<br />

not blinking, you can also press the EXIT/TUNE switch to<br />

tune with the effects bypassed.<br />

If you want to tune with the sound muted, hold down<br />

the UP pedal and DOWN pedal simultaneously for<br />

about two seconds.<br />

The program display will indicate “ ” for about one<br />

second, and will then indicate “ ”. If you’re tuning on<br />

stage, we recommend that you use this method.<br />

2. Play a single note on your guitar, and tune the string<br />

approximately so that the desired note name appears in the<br />

program display.<br />

The note name is shown as follows.<br />

C C� D D� E F F� G G� A A� B<br />

3. While watching the LEDs of the program section and tuner<br />

section, tune the guitar string precisely.<br />

Tune so that only the center LED is lit.<br />

The LEDs at the right will light if the pitch of your guitar is<br />

sharp, and the LEDs at the left will light if it is flat.<br />

4. When you’ve finished tuning, press the UP or DOWN pedal.<br />

HINT: You can also press the EXIT/TUNE switch to return to<br />

the previous operation.<br />

Calibrating the tuner<br />

Calibration specifies the reference pitch for tuning (expressed as<br />

the frequency of the middle ‘A’ note on a piano). You can adjust<br />

this in a range of 438 Hz–445 Hz.<br />

NOTE: The calibration setting you specify here will be discarded<br />

when you turn off the power. When you turn the<br />

power on again, it will automatically be set to 440 Hz.<br />

1. Activate the tuner as described in step 1 of “Tuning procedure”<br />

(p.23).<br />

2. While holding down the EXIT/TUNE switch, use the UP/<br />

DOWN pedals to adjust the reference pitch.<br />

The program display will indicate “38”–“45" (438 Hz–445<br />

Hz). Specify the desired reference pitch.<br />

3. Release the EXIT/TUNE switch to complete the calibration setting.<br />

23


Using the expression pedal for control<br />

Expression pedal settings<br />

The <strong>ToneLab</strong> <strong>ST</strong>’s programs assign various functions to the<br />

expression pedal, allowing you to control not only wah or volume<br />

but many other kinds of effect parameters with the expression<br />

pedal.<br />

HINT: If you select VOX WAH, the expression pedal will<br />

automatically function as a wah pedal.<br />

For each program, you can specify which parameter will be controlled<br />

by the expression pedal and how it will be controlled.<br />

When you save a program, the position (angle) of the expression<br />

pedal at that moment will be saved in the program as the parameter<br />

value. When you select that program, the value saved in the<br />

program will be recalled as the setting of the assigned parameter.<br />

In the following cases, however, the value is not saved.<br />

• Volume<br />

• Input level to the delay effect<br />

• Input level to the reverb effect<br />

• PITCH parameter of PITCH SHIFTER<br />

• Cutoff frequency of FILTRON<br />

24<br />

Assigning a function to the expression pedal<br />

(Quick Assign)<br />

On the <strong>ToneLab</strong> <strong>ST</strong>, it’s easy to assign an effect parameter or the<br />

effect input level to the expression pedal.<br />

HINT: For details on the effect parameters that you can<br />

assign, refer to “About the amp models, cabinet models, and<br />

effect types” (p.13).<br />

To assign a function to the expression pedal<br />

As an example, here’s how to assign the SPEED parameter of the<br />

U-VIBE pedal effect to the expression pedal.<br />

1. Turn on the effect.<br />

In this example, press the PEDAL on/off switch to turn<br />

the pedal effect on.<br />

2. Use the selector to select a effect, and then operate the EDIT<br />

knob.<br />

Use the PEDAL selector to select U-VIBE, and then turn<br />

the EDIT knob. The QUICK ASSIGN LED will light.<br />

3. Hold down the EXP PARAM switch for about two seconds.<br />

The SPEED parameter will be assigned to the expression<br />

pedal; the program display will indicate “ ” for one<br />

second, and will then show the program number.<br />

4. If desired, save this setting in the program.<br />

For details on how to save, refer to “Saving a program”<br />

(p.12).


NOTE: The settings you made will return to their original<br />

values if you switch programs or turn off the power before<br />

saving.<br />

To assign volume, gain, or the input level to the reverb or delay<br />

effect, proceed as follows.<br />

• Volume: Operate the VOLUME knob, and then hold<br />

down the EXP PARAM switch for about two seconds.<br />

• Gain: Turn on the AMP on/off switch, operate the GAIN<br />

knob, and then hold down the EXP PARAM switch for<br />

about two seconds.<br />

• Input level to the reverb effect: Turn on the REVERB<br />

on/off switch, operate the REVERB knob, and then hold<br />

down the EXP PARAM switch for about two seconds.<br />

• Input level to the delay effect: Turn on the MOD/<br />

DELAY switch, and use the MOD/DELAY selector to<br />

select “ECHO PLUS,” “DELAY,” or “CHORUS+DELAY.”<br />

Then operate the EDIT knob, and then hold down the EXP<br />

PARAM switch for about two seconds.<br />

To clear the expression pedal to an unassigned state<br />

Hold down the EXP PARM switch and press the EXIT/TUNE<br />

screen. The expression pedal assignment will be cleared, and the<br />

EXP LED will go dark.<br />

The expression pedal will also revert to an unassigned state if<br />

you switch to a different effect. However in the following cases,<br />

the setting will be maintained and the assignment will not<br />

change.<br />

• If the amp model’s GAIN parameter is assigned to the<br />

expression pedal, changing the amp model will leave the<br />

GAIN parameter assigned to the expression pedal.<br />

• If the input level to the reverb effect is assigned to the<br />

expression pedal, changing the reverb type will leave the<br />

reverb input level assigned to the expression pedal.<br />

• If the input level to the delay effect ECHO PLUS, DELAY,<br />

or CHORUS+DELAY is assigned to the expression pedal,<br />

changing between these three delay effects will leave the<br />

delay effect input level assigned to the expression pedal.<br />

Expression pedal minimum and maximum values<br />

The minimum value is when the expression pedal is fully<br />

returned toward yourself; the maximum value is when the<br />

expression pedal is fully advanced away from yourself.<br />

When you assign a parameter or volume to the expression<br />

pedal, the minimum and maximum values of the expression<br />

pedal will be set automatically.<br />

Adjusting the minimum and maximum parameter values<br />

When you assign an effect parameter to the expression pedal,<br />

the minimum and maximum values appropriate for that parameter<br />

will be assigned as the minimum and maximum values of<br />

the expression pedal. If you assign the PITCH parameter of the<br />

PITCH SHIFTER, the minimum value will be “0” (no pitch shift)<br />

and the maximum value will be the current value.<br />

You can adjust the minimum and maximum values as follows.<br />

NOTE: If the reverb effect input level is assigned to the<br />

expression pedal, the minimum and maximum values will be<br />

set automatically, and cannot be changed.<br />

1. Press the EXP PARAM switch.<br />

The QUICK ASSIGN LED will blink.<br />

25


26<br />

If an effect is assigned to the expression pedal<br />

The on/off switch LED of the assigned effect will blink,<br />

and the program display will indicate “ ”.<br />

If no function is assigned to the expression pedal<br />

The program display will blink “ ” and then the program<br />

number will be displayed. In this case, use Quick<br />

Assign to assign a function (p.24, “Assigning a function to<br />

the expression pedal (Quick Assign)”).<br />

2. Use the EDIT knob of the assigned effect (whose on/off<br />

switch LED is blinking), or the GAIN control to specify the<br />

minimum value.<br />

HINT: You can skip this step, if you do not change the minimum<br />

value.<br />

3. Press the EXP PARAM switch.<br />

The program display will indicate “ ”.<br />

4. Use the EDIT knob you operated in step 2, or the GAIN<br />

control to specify the maximum value.<br />

HINT: You can skip this step, if you do not change the maximum<br />

value.<br />

NOTE: If you decide to cancel the setting, press the EXIT/<br />

TUNE switch.<br />

5. Press the EXP PARAM switch.<br />

The program display will indicate “ ” for about one<br />

second, and will then indicate the program number.<br />

The QUICK ASSIGN LED will go dark.<br />

NOTE: The assignment of a function to the expression pedal,<br />

the minimum value, and the maximum value are specified<br />

independently for each program.<br />

6. If desired, save these settings to the program.<br />

For details on the procedure, refer to “Saving a program”<br />

(p.12).<br />

NOTE: The settings you made will return to their original<br />

values if you switch programs or turn off the power before<br />

saving.<br />

Adjusting the minimum and maximum volume<br />

If volume is assigned to the expression pedal, you can adjust the<br />

minimum and maximum values as follows.<br />

1. Press the EXP PARAM switch.<br />

The EXP LED and QUICK ASSIGN LED will blink, and<br />

the program display will indicate “ ”.<br />

2. Use the VOLUME control of the AMP section to specify the<br />

minimum value, and then press the EXP PARAM switch.<br />

The minimum value will be specified, and the program<br />

[DEC][INC] will indicate “ ”.


3. Use the VOLUME control to specify the maximum value,<br />

and then press the EXP PARAM switch.<br />

The maximum value will be specified; the program display<br />

will indicate “ ” for about one second, and will<br />

then indicate the program number.<br />

Adjusting the sensitivity of the expression pedal<br />

If the minimum and maximum values of the parameter are<br />

assigned as the minimum and maximum values of the expression<br />

pedal, but the effect or volume fails to reach the maximum<br />

(or minimum) setting when the expression pedal is fully<br />

advanced (or returned), you can adjust the sensitivity of the<br />

expression pedal as follows so that it will operate optimally.<br />

NOTE: When adjusting the sensitivity, you must operate the<br />

expression pedal with your foot; in some cases, it may not be<br />

possible to adjust the pedal sensitivity if you operate it with<br />

your hand.<br />

1. Turn the power off.<br />

2. While holding down the EXP PARAM switch and WRITE<br />

switch, turn the power on.<br />

3. When the program display indicates “ ,” release the<br />

switches.<br />

4. Advance the expression pedal so that<br />

the effect switches on/off.<br />

This will be assigned as the weight that<br />

will switch on/off the effect assigned to<br />

the expression pedal.<br />

5. Use your foot to slowly return the<br />

expression pedal toward yourself, and<br />

take your foot off when the pedal stops.<br />

6. Softly advance the expression pedal,<br />

and take your foot off when the pedal<br />

stops.<br />

NOTE: If you decide to cancel this sensitivity adjustment,<br />

press the EXIT/TUNE switch.<br />

7. Press the WRITE switch.<br />

The program display will indicate “ ” for about one<br />

second, and then the program number will appear.<br />

If the sensitivity adjustment could not be performed correctly,<br />

the program display will blink “ ”, and will then indicate<br />

“ ”. In this case, perform the procedure from step 4.<br />

NOTE: If you are repeatedly unsuccessful in adjusting the<br />

sensitivity, it is possible that the <strong>ToneLab</strong> <strong>ST</strong> has malfunctioned.<br />

Please contact your nearby VOX dealer.<br />

27


Connecting to your computer (USB<br />

connection)<br />

28<br />

If you use a commercially available USB cable to connect the<br />

<strong>ToneLab</strong> <strong>ST</strong> to your computer, you’ll be able to use librarian software<br />

on your computer to manage user programs, and use the<br />

<strong>ToneLab</strong> <strong>ST</strong> as a USB audio interface.<br />

Using librarian software<br />

If you install the USB-MIDI driver on your computer, you’ll be<br />

able to use the dedicated librarian software to back up programs<br />

and manage your data library.<br />

Download the USB-MIDI driver and the librarian software from<br />

the manufacturer’s website (www.voxamps.com).<br />

For details on using the librarian software, refer to the owner’s<br />

manual (PDF file) of the librarian software.<br />

Operating requirements<br />

Windows: Microsoft Windows XP SP3/Windows Vista SP1 or<br />

later<br />

Mac: OS X 10.4 or later (Power PC G4 or more/Intel CPU)<br />

Transferring audio data<br />

If the <strong>ToneLab</strong> <strong>ST</strong> is connected to your computer via a USB<br />

cable, the <strong>ToneLab</strong> <strong>ST</strong>’s effect output can be recorded directly<br />

into an audio track of your DAW software. You’ll also be able to<br />

monitor the audio playback of your software via the <strong>ToneLab</strong> <strong>ST</strong>.<br />

NOTE: If you’re using Windows, you’ll need to install the<br />

USB-ASIO driver in your computer in order to transfer audio<br />

data via the USB connector.<br />

Download the USB-ASIO driver from the manufacturer’s<br />

website (www.voxamps.com).<br />

The following illustration shows the signal flow when connected<br />

to your computer.<br />

INPUT<br />

<strong>ToneLab</strong> <strong>ST</strong><br />

Effect<br />

OUTPUT<br />

The <strong>ToneLab</strong> <strong>ST</strong>’s effects will not be applied to the audio input<br />

from the USB connector.<br />

Operating requirements<br />

Windows: Microsoft Windows XP SP3/Windows Vista SP1 or<br />

later<br />

Mac: OS X 10.4 or later (Power PC G4 or more/Intel CPU)<br />

USB


Restoring the factory settings<br />

Here’s how to restore the <strong>ToneLab</strong> <strong>ST</strong> to its factory-set state.<br />

NOTE: This operation will initialize the programs you’ve<br />

saved, returning all of them to the factory-set programs.<br />

1. Turn the power off.<br />

2. While holding down the EXIT/TUNE switch and EXP<br />

PARAM screen, turn the power on.<br />

3. When the UP/DOWN pedal LEDs blink, release the<br />

switches.<br />

HINT: If you decide to cancel this procedure, press the EXIT/<br />

TUNE switch.<br />

4. Press the WRITE switch.<br />

Initialization will be completed, the program display will<br />

indicate “0”.<br />

NOTE: Never turn the power off while initialization is being<br />

performed.<br />

Troubleshooting<br />

Power is not applied when you turn the <strong>ST</strong>ANDBY switch on<br />

• Is the AC adapter connected to the rear panel DC12V jack?<br />

• Is the AC adapter plugged into an AC outlet?<br />

• Is the AC outlet working properly?<br />

• Could the AC adapter be damaged?<br />

No sound<br />

• Could the volume of your guitar be turned down?<br />

• Is your guitar cable connected correctly?<br />

• Could your guitar cable be broken?<br />

• Could the rear panel LEVEL knob be set to the minimum<br />

value?<br />

• Could the top panel VOLUME and GAIN controls be set<br />

to the minimum value?<br />

• Check the settings of the TREBLE, MIDDLE, and BASS<br />

controls be set to the minimum value?<br />

For some amp models, there may be no sound from the<br />

amp if the TREBLE, MIDDLE, and BASS control values are<br />

low.<br />

• Make sure that your headphones or connection cable is<br />

not defective or broken.<br />

• Could the expression pedal be assigned as gain and volume,<br />

and returned all the way toward yourself?<br />

• Could you have activated the tuner in a muted state?<br />

Effects don’t apply<br />

• Could the effect setting be off?<br />

Use the selector to select the effect that you want to use, or<br />

use the effect on/off switch to turn the effect on.<br />

29


30<br />

• Could the tuner be active?<br />

The effects are bypassed if the tuner is active. Press the<br />

EXIT/TUNE switch to defeat bypass.<br />

• Could an EDIT knob be set to the minimum value?<br />

Adjust the EDIT knob.<br />

Something is wrong with the sound<br />

• Are the OPTION parameters set appropriately?<br />

Hold down the CABINET on/off switch about one second<br />

to enter OPTION parameter setting mode, and adjust the<br />

parameters to appropriate values.<br />

• Is the AMP/LINE switch set appropriately for the output<br />

destination that’s connected?<br />

Set the AMP/LINE switch correctly as described in step 1<br />

of “Making connections” (p.8).<br />

The sound does not change when you operate the switches,<br />

selectors, or knobs on the top panel<br />

• Could the effect setting be off?<br />

Use the selector to select the effect that you want to use, or<br />

use the effect on/off switch to turn the effect on.<br />

• Could you be in OPTION parameter setting mode?<br />

In OPTION parameter setting mode, the BASS, and VOL-<br />

UME controls do not change the sound. Press the EXIT/<br />

TUNE switch to exit OPTION parameter setting mode.<br />

• Could the tuner be active?<br />

The effects are bypassed if the tuner is active. Press the<br />

EXIT/TUNE switch to defeat bypass.<br />

• Could you be specifying the expression pedal’s minimum<br />

and maximum values?<br />

While you’re specifying the expression pedal’s minimum<br />

and maximum values, parameters other than the one<br />

assigned to the expression pedal will not change. Press the<br />

EXIT/TUNE switch to return to normal operation.<br />

• Could you have activated the Key Lock function?<br />

If the Key Lock function is active, you won’t be able to<br />

operate the switches, selectors, or knobs on the top panel.<br />

Hold down the EXIT/TUNE switch for about two seconds<br />

to defeat the Key Lock function.


Preset program list<br />

off: Turns on when you press the expression pedal<br />

: Effects that are enabled when the expression pedal is on<br />

No. Program Type PEDAL AMP CABINET MOD/DLY REVERB Expression Pedal<br />

50 Song off UK ROCK SPL ON off ROOM classic chorus<br />

51 Song BOUTIQUE US HIGAIN C<strong>ST</strong> ON ECHO PLUS SPRING VOLUME<br />

52 Song off US BLUES <strong>ST</strong>D ON off ROOM textrem<br />

53 Song FUZZ UK ROCK <strong>ST</strong>D ON DELAY off spring<br />

54 Song TUBE OD VOX AC15 C<strong>ST</strong> ON DELAY ROOM VOLUME<br />

55 Song off US 2x12 <strong>ST</strong>D ON off ROOM u-vibe<br />

56 Song off UK METAL C<strong>ST</strong> ON off SPRING vox wah<br />

57 Song off UK METAL <strong>ST</strong>D ON off SPRING phaser<br />

58 Song FUZZ US BLUES <strong>ST</strong>D ON off ROOM pitch shifter<br />

59 Song off US HIGAIN <strong>ST</strong>D ON off SPRING classic chorus<br />

60 Song ORANGE DI<strong>ST</strong> UK METAL <strong>ST</strong>D ON ECHO PLUS SPRING VOLUME<br />

61 Song COMP VOX AC15 SPL ON CLASSIC CHORUS ROOM VOLUME<br />

62 Song TUBE OD US BLUES <strong>ST</strong>D ON off ROOM textrem<br />

63 Song off US METAL C<strong>ST</strong> ON off ROOM classic flanger<br />

64 Song off UK ROCK <strong>ST</strong>D ON off ROOM vox wah<br />

65 Song off UK METAL <strong>ST</strong>D ON PITCH SHIFTER HALL PITCH SHIFTER<br />

66 Song TREBLE BOO<strong>ST</strong> VOX AC15 C<strong>ST</strong> ON ECHO PLUS ROOM VOLUME<br />

67 Song METAL DI<strong>ST</strong> US METAL <strong>ST</strong>D ON off ROOM classic flanger<br />

68 Song TREBLE BOO<strong>ST</strong> VOX AC30 C<strong>ST</strong> ON off SPRING echo plus<br />

69 Song off US METAL <strong>ST</strong>D ON ECHO PLUS HALL vox wah<br />

70 Clean COMP CLEAN C<strong>ST</strong> off CHORUS+DELAY HALL CHORUS+DELAY<br />

71 Crunch off VOX AC30 SPL ON MULTI TAP CHORUS ROOM boutique<br />

72 Heavy TUBE OD VOX AC30 C<strong>ST</strong> ON off ROOM pitch shifter<br />

73 Heavy TUBE OD US METAL C<strong>ST</strong> ON PHASER off PHASER<br />

74 Clean ACOU<strong>ST</strong>IC CALI CLEAN C<strong>ST</strong> ON CHORUS+DELAY ROOM CHORUS+DELAY<br />

31


32<br />

No. Program Type PEDAL AMP CABINET MOD/DLY REVERB Expression Pedal<br />

75 Crunch COMP CLEAN <strong>ST</strong>D ON off ROOM multi tap chorus<br />

76 Heavy off UK METAL SPL ON off off AMP GAIN<br />

77 Scifi OCTAVE US HIGAIN <strong>ST</strong>D ON PHASER off OCTAVE<br />

78 Clean COMP CLEAN SPL ON CHORUS+DELAY ROOM VOLUME<br />

79 Crunch TREBLE BOO<strong>ST</strong> UK ROCK <strong>ST</strong>D ON DELAY SPRING VOLUME<br />

80 Crunch METAL DI<strong>ST</strong> US 2x12 C<strong>ST</strong> ON TEXTREM SPRING TEXTREM<br />

81 Heavy BOUTIQUE UK ROCK SPL ON off SPRING SPRING<br />

82 Clean COMP US BLUES SPL ON PITCH SHIFTER HALL PITCH SHIFTER<br />

83 Crunch COMP VOX AC15 <strong>ST</strong>D ON ECHO PLUS SPRING SPRING<br />

84 Heavy VOX WAH US METAL SPL ON off SPRING VOX WAH<br />

85 Heavy off US HIGAIN C<strong>ST</strong> ON PITCH SHIFTER SPRING PITCH SHIFTER<br />

86 Scifi OCTAVE US METAL SPL ON PITCH SHIFTER HALL HALL<br />

87 Clean COMP CLEAN C<strong>ST</strong> off CLASSIC CHORUS SPRING VOLUME<br />

88 Clean COMP CLEAN C<strong>ST</strong> off PHASER HALL PHASER<br />

89 Crunch TUBE OD UK ROCK C<strong>ST</strong> off off SPRING echo plus<br />

90 Heavy COMP US HIGAIN <strong>ST</strong>D off DELAY off hall<br />

91 Scifi off VOX AC30 <strong>ST</strong>D off FILTRON off FILTRON<br />

92 Clean COMP CLEAN C<strong>ST</strong> off DELAY SPRING DELAY<br />

93 Heavy TREBLE BOO<strong>ST</strong> US BLUES SPL off off HALL phaser<br />

94 Clean(Scifi) off CLEAN C<strong>ST</strong> off FILTRON HALL FILTRON<br />

95 Crunch off CALI CLEAN <strong>ST</strong>D off DELAY SPRING vox wah<br />

96 Scifi U-VIBE CLEAN <strong>ST</strong>D off PITCH SHIFTER HALL U-VIBE<br />

97 Crunch U-VIBE VOX AC30 <strong>ST</strong>D off off SPRING U-VIBE<br />

98 Acoustic ACOU<strong>ST</strong>IC CLEAN C<strong>ST</strong> off off ROOM pitch shifter<br />

99 Heavy FUZZ UK ROCK SPL off ECHO PLUS SPRING ECHO PLUS


Specifications<br />

Amp models: 33<br />

Cabinet models: 11<br />

Pedal types: 11<br />

Mod/Delay types: 11<br />

Reverb types: 3<br />

Noise reduction: 1<br />

Programs: 100 (50 preset, 50 user)<br />

Audio input<br />

INPUT jack, AUX IN jack<br />

Audio output<br />

OUTPUT/PHONES jack (stereo/mono dual use)<br />

LEVEL knob, AMP/LINE switch<br />

USB<br />

USB connector (Type B)<br />

Tuner<br />

Detection range: A0–E6 (27.5Hz–1,318.5Hz)<br />

Calibration: A=438–445 Hz<br />

Other<br />

DC12V connector, <strong>ST</strong>ANDBY switch<br />

Signal processing<br />

A/D conversion: 24-bit<br />

D/A conversion: 24-bit<br />

Sampling frequency: 44.1kHz<br />

Power supply: AC adapter (DC12V, )<br />

Current consumption: 540mA<br />

Dimensions (W x D x H): 270 x 180 x 70 (mm)/10.63 x 7.09 x 2.76 (inches)<br />

Weight: 1.6kg/3.53lbs.<br />

Included items: AC adapter<br />

Specifications and appearance are subject to change without notice for improvement.<br />

33

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